Designed by Hector Guimard, French, 1867–1942; made by Fonderies de Saint-Dizier, Saint-Dizier, France; Balustrade, 1905 cast iron; 16 5/8 x 34 x 1 ¼ inches; Saint Louis Art Museum, Richard Brumbaugh

Paintings by Micah Ofstedahl

Katsuya Terada, zenbu (1999)

Instagram: xuebing.du

@rndmobj

Glass models from the Cornell Collection of Blaschka Invertebrate Models

Poet Claire Hong shares a memory of Louise Glück on Twitter/X

Gary Justis Modern 3, 2011 Baroque 2, 2011 (Monoprint)

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.

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Baroque: Yuganda Mousou PS1 SLPM 86328 NTSC-J

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