@kindred-blades
The hair raises on the back of her neck at about the same time Rosieâs feet fully settle against the ground; hands absentmindedly gripping tight to the reins wrapped around the gooseâs neck. Feathers bristle at her fingertips, which gives her enough indication that her own gut is telling her the truth: something is wrong. Thereâs no birds chirping as they get their morning meals, no soft crunch of dried shrubbery as rabbits scurry back to their dens to hide. Itâs silence in its truest form, and itâs something that Peony has never heard before.
She hates it. Itâs not natural. Anxiety twists her gut.
Everything else in the forest seems perfectly fine, other than the fact that even the air is still. The morning air is still cool, the sun still filters through the canopy above; rays warm against her skin. But thereâs no wind, either -- uncharacteristic for the region, even in the summer months like it is now. A soft rumble comes from Rosieâs throat, intent to pull the Plumewarden from her thoughts; already eager to leave as soon as possible. Thin fingers run through the threads of the birdâs feathers as Peony starts to move.
âItâs all right, big guy...just, give me a minute.â She gently coos as her own feet settle against the ground. They both know that something isnât right, at least, not in a natural sense. Tension and dread hangs far too heavily in the air, anticipation builds up in their guts. Now that theyâve settled and the air is still around her, an acrid smell fills her nostrils: rotting meat. Had something made a fresh kill? Is that why everything is so silent?
âStay there,â she continues as bare feet pad along the forest floor, briefly holding a hand out behind her to command Rosie stay. âIâll call you if I need you.â
Rosie follows anyway, wings flicking outward briefly; his feathers fluffing up. Peony doesnât question it. If anything, itâs a comfort.
Around a nearby tree she goes, and thereâs nothing -- but the smell is stronger now. So much so that it makes her visibly flinch; eyes shutting tight, nose wrinkling, fists clenching. The pause isnât long, and she continues onward. Around another pairing of trees, across a clearing, rounding some bushes. Itâs not until she reaches a decline in the land, leading down to a small creek, when she sees the source of the entire problem:
Corpses. Three of them, two adults. One child.
At least, thatâs what she can see from the short distance away and the state of their decomposition -- which is all wrong to begin with. Black and putrefying threads of skin and muscle desperately cling on to bone that looks cracked and withered, discoloration heavy in the bones. Long bones are bent in strange ways, too -- in a way that wet wood warps, some thigh bones having a distinctive curve to them, while ribs look entirely too straight to be normal. The water around them even looks gritty and tainted, the liquid a strange gray color; and the shrubbery around the water looks dry and dead. Needless to say, itâs nothing that Peony has ever seen before in her life.
Maybe thatâs why when she finally does hear the sound of leaves rustling, it nearly feels like she jumps out of her own skin.
â--whoâs there?â














