Edward Steichen Japanese Vase ca. 1940 color print, dye imbibition process 24.0 x 18.3 cm. George Eastman Museum

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Edward Steichen Japanese Vase ca. 1940 color print, dye imbibition process 24.0 x 18.3 cm. George Eastman Museum

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source : @cheminer-poesie-cressant
.
rƩseaux sociaux
.
on papillonne toujours plus dans lāabondance
lāinfini nāest quāun subterfuge pour nous distraire de la vie
se poser est devenu une chimĆØre que nous ne rejoignons plus
.
© Pierre Cressant
(mardi 24 dƩcembre 2024)
via

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the world is very big but in practice i think itās very small because no matter where you go it generally consists directly of a single room, or street, or clearing, & there is nothing you can do about that
2023. 102 x 72 cm. Graphite on paper.
āSymbol of the universal spirit of nature.ā A key to physic, and the occult sciences. 1814. Internet Archive
Pino Tovaglia, Envelope for Ā«PirelliĀ» ā Rivista d'informazione e di tecnica , No. 5, September-October 1967
Pino Tovaglia, Cover (sketch, collage on cardboard) for Ā«PirelliĀ» ā Rivista d'informazione e di tecnica , No. 5, September-October 1967

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Robert Motherwell - Roth-Handle
Space Boat Poster.
A dramatic vignette in Linda Cochranās garden: from the front, pale pink Phlomis purpurea, globular flowers of Allium āGlobemasterā, russet tones of a fading Euphorbia characias subsp. wulfenii āLambrook Goldā, and tall spikes of foxtail lily (Eremurus). Photographs by Terry Moyemont

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ginkgo, a patinated bronze side chair designed by claude lalanne in 1996
Second attempt at the demolition of the Franzschacht, Eschweiler Bergwerksverein, Alsdorf, 1995