by Carol Robertson
occasionally subtle
I'd rather be in outer space 🛸
$LAYYYTER
noise dept.

Origami Around
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
Jules of Nature
Xuebing Du
Monterey Bay Aquarium

if i look back, i am lost
Today's Document
Three Goblin Art
AnasAbdin

#extradirty
DEAR READER
cherry valley forever
sheepfilms
seen from Germany
seen from Japan

seen from Malaysia

seen from Türkiye

seen from T1

seen from Canada

seen from Mexico

seen from Australia
seen from Türkiye
seen from Malaysia

seen from United States

seen from Netherlands
seen from United States

seen from United States

seen from United States
seen from Oman
seen from United States

seen from Malaysia
seen from United States
seen from United States
@planetaryfolklore
by Carol Robertson

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Architecture fictions by Clemens Gritl.
EDOARDO LANDI

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Michael Canney Untitled, Lost painting 6 c. 1985 Alkyd oil on canvas fixed to board 67.5 x 50.5 cm
Claude Bentley (American, 1915-1990), Magic Place, 1975. Acrylic on canvas, 49 1/2 × 49 1/2 in.
Carlo Nangeroni Untitled 2004 Acrylic on canvas 112.5 x 52cm
Carlo Nangeroni Untitled 1966 Oil on canvas 100 x 100 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Artemis Ⅱ Eclipse: a total solar eclipse captured by Artemis Ⅱ from behind the moon ©
The dark side of the moon
Fred Sandback. Untitled, 1969
Squares In Square. Back cover ad for Shaken in Typographics magazine, Japan. 1983

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I think a lot about the architecture ideas drawn by Étienne-Louis Boullée
They're sketches from the 1780s and they look like the end of the fucking universe