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I think the mota press tour owed us a lie detector episode where Austin and Callum take the test together. Imagine Austin asking Callum have you ever fallen in love with a co-star? and Callum answers Yes. The test rules it truthful, and everyone in the room immediately assumes heâs talking about Vanessa. But Callum holds eye contact the entire time, desperately wishing Austin understood who he was actually referring to.
John tries to stay calm, to see the Oscars just as a fun night out with the rest of the cast, nothing to worry about, nothing serious. But his fans still campaigning for him, the betting sites' predictions, and most importantly Gale's unwavering support have planted in him the traitorous seed of hope. And with hope comes a gnawing feeling in his gut, exciting and tiring at the same time, and the worst case of nerves he's ever suffered from.
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I think the mota press tour owed us a lie detector episode where Austin and Callum take the test together. Imagine Austin asking Callum have you ever fallen in love with a co-star? and Callum answers Yes. The test rules it truthful, and everyone in the room immediately assumes heâs talking about Vanessa. But Callum holds eye contact the entire time, desperately wishing Austin understood who he was actually referring to.
I like writing Gale with anger it's like one of his most vibrant emotions to me
cw: period-typical homophobia
Thanksgiving break brings a lull to the usual rigor of readings and colloquiums, and with it, restlessness. When one of Gale's classmates, a lanky fellow named Fitz who sits two rows ahead in thermodynamics, proposes they grab drinks before everyone scatters home for the holiday, Gale doesnât have a good enough reason to refuse. They end up six in total, spilling out of the library steps into the winter night, breath fogging in front of them.
The block near the campus has a reputation for its nightlife, though it's not the sort of reputation administrative staff mentions in orientation pamphlets. Neon signs flicker above doorways, jazz spilling out each time a door opens, then swallowed again when it swings shut. Gale walks slightly apart from the group, only half listening to whatever Fitz is arguing with Elaine about. Up ahead, a commotion catches the corner of his eye: a cluster of policemen, a black car with its lights still spinning idly, a handful of men lined up against the brick wall of a club with an inconspicuous signboard.
Gale looks, for a second too long, and recognizes one of the men.
Lewis. That's his nameâor Gale thinks it is. Among the men John had introduced him to at a roadhouse a few months back, ones whose names he'd been too polite to ask twice, Lewis was the one who'd shaken his hand, asked about the history behind Gale's shared nickname with John, and that had been the extent of it. Now the man stands with his back against the wall, hair ruffled, tie loosened, sweat glinting at his hairline despite the cold. His eyes, dark under the streetlight, land on Gale for a fraction of a second as the group passes. Something flickers behind them, though nothing shows on his face aside from the reflexive alertness of someone cataloging who's a threat and who isn't.
Galeâs legs feel strange, sluggish, like his guts have dropped and tangled somewhere around his knees. But he must have kept moving, because the next thing he knows, the commotion is already behind him, out of sight.
âWonder what that was about,â someone says once they've cleared the block.
âOh, you know what that place is,â Fitz says. âEverybody knows.â
âKnow what?â Elaine asks.
Fitz gives a short laughâthe polite discomfort of a decent man who'd rather the subject came up after a few more drinks. âJustâthat kind of place, Elaine.â He tilts his head, making a face that finishes the sentence without the vocabulary to do so.
The others nod along, like they'd all figured as much already. The answer doesn't seem to satisfy Elaine. She's saying something Gale doesn't follow, his mind an overwound film reel spinning back to the roadhouse. Maybe he's got it wrong, having mistaken a total stranger for someone in his memory.
âMy cousin says half these vice raids don't even lead anywhere,â Fitz goes on, warming to the subject despite his earlier effort to brush it off. âJust rounds âem up, scares âem, lets most go by morning. Unless they got a name in the papers already.â
Some laughter at that, not unkind exactly, but not needing to be eitherâtossed off the way one might mention bad traffic. Lewis's eyes flash in Gale's mind again, alarmed but tinged with a strange aloofness, as if this wasn't the first time he'd put himself in that position. as if he couldnât help himself. It occurs to Gale that he's never seen what color those eyes are in daylight. He has a hunch there may never be a chance to know.
âServes them right, if you ask me,â someone chimes in.
âWell, what were they expecting?â another says. âThis ain't Paris.â
âHey now. You been anywhere near Europe?â
They burst out laughing, giggly and clueless. Something goes off in Gale and sucks the sound right out of the air around himâit takes him a moment to place it as anger, red and sharp, the smell of blood ghosting in his nose. He grabs hold of the toothpick box in his coat pocket, matching his classmates' pace, and thinks of gravel, vinyl, cold, the metallic taste in his mouth. Feels the asphalt shift under his feet as if it might swallow him whole. He wants to bite into something soft and weak until it gives before he goes down, but the impulse wanes as he realizes they wouldnât even begin to fathom what hit them.
ALEXANDER JEFFERSON
Masters of the Air | Red Tail Captured, Red Tail Free: Memoirs of a Tuskegee Airman and POW (Sketches by Alexander Jefferson. Click for better quality.)
-> HBOWW2Rewatch Week 12: Perception (vs perception) vs reality
I like writing Gale with anger it's like one of his most vibrant emotions to me
cw: period-typical homophobia
Thanksgiving break brings a lull to the usual rigor of readings and colloquiums, and with it, restlessness. When one of Gale's classmates, a lanky fellow named Fitz who sits two rows ahead in thermodynamics, proposes they grab drinks before everyone scatters home for the holiday, Gale doesnât have a good enough reason to refuse. They end up six in total, spilling out of the library steps into the winter night, breath fogging in front of them.
The block near the campus has a reputation for its nightlife, though it's not the sort of reputation administrative staff mentions in orientation pamphlets. Neon signs flicker above doorways, jazz spilling out each time a door opens, then swallowed again when it swings shut. Gale walks slightly apart from the group, only half listening to whatever Fitz is arguing with Elaine about. Up ahead, a commotion catches the corner of his eye: a cluster of policemen, a black car with its lights still spinning idly, a handful of men lined up against the brick wall of a club with an inconspicuous signboard.
Gale looks, for a second too long, and recognizes one of the men.
Lewis. That's his nameâor Gale thinks it is. Among the men John had introduced him to at a roadhouse a few months back, ones whose names he'd been too polite to ask twice, Lewis was the one who'd shaken his hand, asked about the history behind Gale's shared nickname with John, and that had been the extent of it. Now the man stands with his back against the wall, hair ruffled, tie loosened, sweat glinting at his hairline despite the cold. His eyes, dark under the streetlight, land on Gale for a fraction of a second as the group passes. Something flickers behind them, though nothing shows on his face aside from the reflexive alertness of someone cataloging who's a threat and who isn't.
Galeâs legs feel strange, sluggish, like his guts have dropped and tangled somewhere around his knees. But he must have kept moving, because the next thing he knows, the commotion is already behind him, out of sight.
âWonder what that was about,â someone says once they've cleared the block.
âOh, you know what that place is,â Fitz says. âEverybody knows.â
âKnow what?â Elaine asks.
Fitz gives a short laughâthe polite discomfort of a decent man who'd rather the subject came up after a few more drinks. âJustâthat kind of place, Elaine.â He tilts his head, making a face that finishes the sentence without the vocabulary to do so.
The others nod along, like they'd all figured as much already. The answer doesn't seem to satisfy Elaine. She's saying something Gale doesn't follow, his mind an overwound film reel spinning back to the roadhouse. Maybe he's got it wrong, having mistaken a total stranger for someone in his memory.
âMy cousin says half these vice raids don't even lead anywhere,â Fitz goes on, warming to the subject despite his earlier effort to brush it off. âJust rounds âem up, scares âem, lets most go by morning. Unless they got a name in the papers already.â
Some laughter at that, not unkind exactly, but not needing to be eitherâtossed off the way one might mention bad traffic. Lewis's eyes flash in Gale's mind again, alarmed but tinged with a strange aloofness, as if this wasn't the first time he'd put himself in that position. as if he couldnât help himself. It occurs to Gale that he's never seen what color those eyes are in daylight. He has a hunch there may never be a chance to know.
âServes them right, if you ask me,â someone chimes in.
âWell, what were they expecting?â another says. âThis ain't Paris.â
âHey now. You been anywhere near Europe?â
They burst out laughing, giggly and clueless. Something goes off in Gale and sucks the sound right out of the air around himâit takes him a moment to place it as anger, red and sharp, the smell of blood ghosting in his nose. He grabs hold of the toothpick box in his coat pocket, matching his classmates' pace, and thinks of gravel, vinyl, cold, the metallic taste in his mouth. Feels the asphalt shift under his feet as if it might swallow him whole. He wants to bite into something soft and weak until it gives before he goes down, but the impulse wanes as he realizes they wouldnât even begin to fathom what hit them.
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reading smut written in a foreign language is like fucking with two layers of condom on yes it's good you can still come but you also know it could've felt soooo much better
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Stumbled upon a beautiful wistful comment someone left for Ethel Cain's Waco, Texas on Youtube, here's a translation:
During National Day, my girlfriend and I were on a road trip across the grasslands when this song randomly popped up in my recommendations. I was instantly hooked. It ended up accompanying us for the next few thousand kilometers of our journeyâfrom forests to snow-capped mountains and open plainsâholding some of my absolute happiest memories. Months have passed, but this song is still echoing in my head. Last night, I dreamed of our wedding for the very first time, and dreamed of our future kids. I donât feel ready yet to be a husband or a father, but this song made me think deeply about things Iâd never even considered before. For many of us, this is hands-down the best song of 2025.
4. What detail in [insert fic] are you really proud of?
Hopefully this doesnât sound too weird, but Iâm kind of proud of the smut in playing house. I love the way those scenes showcase their evolving understanding of (and response to) the different stages of their relationship, while still being genuinely hot on their own. (yes I do find them hot myself lol)
26. Would you rather write a fic that had no dialogue or one that was only dialogue?
I would go with no dialogue, but thatâs mainly because I feel like I kinda suck at writing it. I donât think a fic composed entirely of dialogue would be very interesting if I were the one writing it. But I would absolutely love to read one written by any of my favorite authors.
48. Whatâs the last fic you read? Do you recommend it?
It's sleepin' in a bed half empty by @ithappensoffstage and I sure do recommend it! such a lovely slice of time captured in there.