“Black Cloud” for the exhibition “The Accursed Hour” by Carlos Amorales at Fondazione Adolfo Pini | Ph: (1&2) Andrea Rossetti (3) Alessandro Spadoni
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“Black Cloud” for the exhibition “The Accursed Hour” by Carlos Amorales at Fondazione Adolfo Pini | Ph: (1&2) Andrea Rossetti (3) Alessandro Spadoni

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Edgar Degas, The Foyer of the Opera at Rue Le Peletier, 1872, oil paint on canvas - Musée d’Orsay, Paris, France // Edgar Degas, The Dancing Class, ca. 1870, oil painting on wood - The Metropolitan Museum of Art, New York, NY, USA // Edgar Degas, The Dance Class (La Classe de Danse), 1873–1876, oil paint on canvas - Musée d'Orsay, Paris, France // Edgar Degas, The Rehearsal of the Ballet Onstage, ca. 1874, oil colors on Bristol board - The Metropolitan Museum of Art, New York, NY, USA // Edgar Degas, Danseuses, 1884-1885, pastel sur papier - Musée d'Orsay, Paris, France // Edgar Degas, Dancer, ca. 1880, pastel and charcoal on wove paper - The Metropolitan Museum of Art, New York, NY, USA // Edgar Degas, Dancers Practicing at the Barre, 1877, mixed media on canvas - The Metropolitan Museum of Art, New York, NY, USA // Edgar Degas, Swaying Dancer (Dancer in Green), 1877-1879, pastel and gouache on paper - Thyssen-Bornemisza National Museum, Madrid, Spain // Edgar Degas, L'Étoile (The Star), 1876-77, pastel sur monotype - Muséèe d'Orsay, Paris, France // Edgar Degas, Danseuse Faisant des Pointes, 1874-1876, pastel and gouache on paper - The Nelson-Atkins Museum of Art, Kansas City, KS, USA
Title: The Dance Class Artist: Edgar Degas (French, 1834-1917) Date: 1872 Genre: genre art Period: Belle Époque Movement: Impressionism Medium: oil on cardboard Dimensions: 19 cm (7.4 in) high x 27 cm (10.6 in) wide Location: Metropolitan Museum of Art, New York City, NY, USA Happy International Dance Day!
Corps de ballet dancer in the wings. Opéra de Paris
Photography by Gilles Tapie

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Black Velvet Petunia.
'Mexican Coast'. Joseph Kleitsch. 1908.
“When you create a character, be it in a book or the person you are in your mind, you fall in love. You think you love them because they live the life you want to live or are safe in your imagination where you wish you could be instead of in a cold reality. But really…you love them because you created them and shaped them as if they were your own children. You see them smile behind your eyelids and bless them with the tragedies and morals that you know will sculpt their destinies. You give them a breath of life from your very breast; they are your other half. And you know what’s funny? When they reach their final page…it is not you who has entirely invented them…they’ve brought out the confidence and heart in you.”
—
Abby Orosco
Wixárika; Mexico, 1969. Jean-Pierre Courau
BAILEY’S 3K CELEBRATION —🫶🏻 for @dancingsinthedark VAMPIRE WOMEN IN HORROR van helsing (2004), vampire in brooklyn (1995), from dusk till dawn (1996), interview with the vampire (1994), the hunger (1983), queen of the damned (2002), vamp (1986), near dark (1987), ganja and hess (1973), vampires (1998), abigail (2024), a girl walks home alone at night (2014), bram stoker's dracula (1992), underworld: evolution (2006), slaughter of the vampires (1962), blade (1998), abigail (2024), thirst (2009), the invitation (2022), and the hunger (1983)

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Peak Vampirism on acrylic
I FOLLOWED
They Live (1988) dir. John Carpenter
𝕱𝖔𝖈𝖚 '𝕽𝖆𝖓𝖓𝖎 by Rosalía
Ya yo me solté la coleta Quería ir de blanco y fui de violeta La arena que en tus manos la sujetas Resbala de tus puños si la aprietas
Paolo Sebastian | Forget Me Not

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