Lights Off

The other half of the class were told, “you can make only one pot”. But that pot had to be perfect. The quality had to be high; the highest quality pot would get the best mark.

But when it came to the grading, they noticed something weird.

All the best quality pots were in the ‘quantity’ group.

The guys who were literally churning out pots, trying to make as many as possible, not concentrating on the quality. But every pot they made, made them better at making pots. By the end of the month (I think it was a month) - they had some pretty awesome pots coming out, because they enjoying finding all the ways and all the things they could do to make all their pots. Where as the ‘quality’ guys had spent their time reading up on pots, and technique, and researching and planning; which was all great but they’d had no further practice at actually making pots.

The best way to get really good at something, the only way to be really good at something, is to make lots of shitty attempts at that thing several of which will fail. If all you create are perfect things then you won’t improve, because how can you improve on perfect?

if you have a brain that really likes creating stuff, like

like u REALLY just love to make stuff,

I want you to know something.

this is very, very important

• you do not need to make something every day to still be an artist, it's okay to relax and enjoy things other people have made

• even if you don't finish your projects, they are still valuable

• big number on social media is the most painful thing to pursue and it relies heavily on luck and does not determine your worth

• you need to make art that isn't up to your artistic standards before you'll have the skills to create art you can be truly proud of

Lil guy

Here is how they arrived hahaha:

Video👍

I’m so excited!!

For anyone curious, here is the sticker compared to the keychain!

Lookit this big dork. So smitten.

Scene from the end of Chapter 5 of Stereo Souls, which is currently being edited. =w= ((EDIT: Posted now!! ))

They absolutely have silly jokes and conversations like this with each other in the head space.

Here's a link to the TikTok version with voices:

Good Boys

After months of anticipation...he's finally here~

~Black Sun Fairy~

~younger brother to Sun and Moon

~at least a head taller than the twins

~controls the element of fire

~equally fiery temper

~imprisoned for eternity for breaking a Fairy Law by taking the life of a human

~abandonment issues, fears of confined spaces

~can and will explode in a fiery rage

This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.

Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.

I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.

No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.

I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.

We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.

They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.