Singloves, Lee Dong Ho
let's talk about Bridgerton tea, my ask is open
Sade Olutola

titsay
"I'm Dorothy Gale from Kansas"
hello vonnie
Show & Tell

JVL

❣ Chile in a Photography ❣
Cosimo Galluzzi

if i look back, i am lost

★

Love Begins
ojovivo

shark vs the universe

occasionally subtle
EXPECTATIONS
todays bird

Discoholic 🪩
seen from Malaysia
seen from Germany
seen from United States

seen from United States
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seen from United States

seen from United States
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seen from United States
seen from Colombia

seen from United States
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@petrificationofgiants
Singloves, Lee Dong Ho

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Untitled (6:50:01pm), 2019, laser toner on paper, unique, 11 x 8 1/2" - Marsha Cottrell
Mark Rothko, Panel Five from The Harvard Murals, 1962
105 1/8 X 117 inches, egg tempera and distemper on canvas.
Fogg Art Museum, Harvard University Art Museum
© Kate Rothko Prizel and Christopher Rothko/ARS
5M experimental housing (1962/3) gloucester st, sheffield. june 19

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Cemetery in Tikiġaq (Point Hope, Alaska). It is fenced with bowhead whale rib bones, with some, the tallest, used to mark the graves of whale boat captains.
‘goose feathers carefully stripped down one side bent over and held to the ground with thorns’ helbeck, cumbria 1983 in a collaboration with nature - andy goldsworthy (1990)
Dorothy Cross 1. Chiasm (Poll na bPéist [The Wormhole] Calm Weather, Inis Mór, Galway, Ireland), 1999 2. Chiasm (Poll na bPéist [The Wormhole] Stormy, Inis Mór, Galway, Ireland), 1999
“Understanding is Love’s other name.” Fire of Love (2022) dir. Sara Dosa

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Issey Miyake: Utilized Textiles (1984-1987) Designed By: Makiko Minagawa
Andrew Wyeth, Dryad, 2007, tempera on panel
Jennifer Rose Sciarrino North Facing on December 21st, 2014, water-jet cut concrete

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Alexander Cozens
Bob Law’s Field Works. Drawings made on-site, between the late 1950s and early 1960s, in the Cornish landscape of St. Ives.
“The early Field drawings were about the position of myself on the face of the earth and the environmental conditions around me: the position of the sun, the moon and the stars, the direction of the wind, the way in which the trees grew, an awareness of nature’s elements, an awareness of nature itself and my position in nature on earth in a particular position in time. I was finding myself, and the map that went with myself. I was transcribing it graphically into charts” — Bob Law, 1974.