from a 1971 issue of The Detroit Gay Liberator

blake kathryn

祝日 / Permanent Vacation

#extradirty

ellievsbear

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JBB: An Artblog!
YOU ARE THE REASON

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taylor price
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Not today Justin

if i look back, i am lost

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@petoskeystones
from a 1971 issue of The Detroit Gay Liberator

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1920s guy driving a model t with a "i bought this before ford went crazy" bumper sticker
Andrew Wyeth (1917-2009, American) ~ Two if by Sea, 1995 Private Collection © 2019 Andrew Wyeth / Artists Rights Society (ARS), NY
once again reading bostock's footnotes on pliny the elder and i think this is maybe the funniest way he could have ever conveyed the notion that he thinks pliny's peeled and boiled honey-vinegar-oil cucumber recipe is bad
The speed of jazz music, 50s-60s, by Francine Winham

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Tumblr isn't even a website to me it's like if my diary was a groupchat
we are in the midst of a friday ass thursday. keep your wits about you.
i say yay outloud too like this isn't just my internet persona this is real me
Images from the lost 1910 film Incidents of the Antarctic Expedition of Dr. Charcot, filmed during Jean-Baptiste Charcot’s 2nd Antarctic expedition (1908-1910)
[source: The Film Index, September 17, 1910]
obsessed with mass market paperbacks. their pleasing rectangular proportions. how they fit badly in a hoodie pocket so you can drag them around everywhere with you like a temporary little buddy. the way they fit in your hand because they're MADE for human hands and not as bookshelf decoration. the way the pages feel when you riffle them gently with your thumb. How pristine and crisp they look when you get them and how creased and folded they look when you're done, even if you try to be nice to them. how that wear is okay, how that's correct actually, because they're made with the philosophy that books aren't meant to be PRETTY, they're meant to be read. that little ripple new ones get on the left side from where you hold them when you're reading, the way the ripple only goes as far as you've read, because u change stories by reading as they are changing you. how you can find thousands of these creased and folded and loved little dudes in every thrift store and used book shop and neighborhood library and you can instantly see the ones that someone carried around in a backpack for weeks or read to pieces or gave up on halfway through because they wear being read like fresh snow wears footprints. I love these poorly made, subpar little rectangles so much. truly the people's books.

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a book should be $5 a little drink should be $2 and museum access should be free and all hours
i obviously do not play with toys. i only like formal dinners, and foreign films.
free the nipple has to make a resurgence for a number of reasons but bro look at our upcoming eternity of wet bulb temps youre smoking straight up cock if you think im keeping a shirt on when it hits 105° in new england
everyone tits out with a parasol is such a beautiful world to imagine that the fact it doesnt currently exist fills me with equal parts fire and misery

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happy june! roald amundsen has been missing for 98 slutty slutty years
presumed dead 98 years june 18 1928 roald amundsen forever
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!