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#sunrise2014 #sunrisemassive (at San Jose Civic)

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#sunrise2014 (at San Jose Civic)
#sunrise2014 (at San Jose Civic)
#sunrise2014 (at San Jose Civic)
#sunrise2014 (at San Jose Civic)

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#sunrise2014
#sunrise2014
#sunrise2014
#sunrise2014 (at San Jose Civic Auditorium)
#sunrise2014 (at San Jose Civic)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The WEDway PeopleMover and the Community Transportation Services DivisionÂ
The mid 1970s were marked with a flurry of creativity and activity for Walt Disney Productions. Main efforts centered on expanding their existing two theme parks, and looking to finally act upon Walt Disneyâs plans for EPCOT in some regard. Simultaneously, Disney was broaching the subject of an Asian Disneyland in Tokyo. Despite all of these far flung and grandiose ideas, concentration settled on developing a ârideâ system for a public works project.Â
Initiated in 1974, the Community Transportation Services Division (CTSD) was an arm of WED dedicated to building and designing a mass transit system for public use. Their concepts and ideas dwelled in earlier efforts to build a transportation venue in the parks, the first PeopleMover in Disneyland and the WEDway PeopleMover in the Magic Kingdom, a re-design of the first concept.Â
The second iteration of the Peoplemover system, the Walt Disney World line differed from the Disneyland model of using moving tires, and instead moved vehicles along a track by using an induction linear model. This system utilizes electric magnets to activate in sequence and âpullâ trains of Peoplemover cars down the tracks.Â
This second version was instrumental in the formation of the CTSD and WED Imagineers were tasked with applying the technology on a larger scale for âshort-range, intra-city transportation needs of airports, shopping centers, communities and even governmental projectsâ. Â These systems were to be licensed and sold by Disney to whatever industry that wished to apply them. Further, it was a goal and hope of the division that the solutions found in designing a wider transportation system could be applied to the master planning and design of related Disney projects. EPCOTâs Theme Center and World Showcase were prime candidates for this type of project and in their formative stages were often âpackagedâ with these transportation systems, as seen in the renderings above. Further, Disney associated their transportation work as a sort of extension of EPCOTâs logos and pathos in the sense that transportation solutions were part of a pressing need in cities and urban environments that Disney hoped to solve. EPCOT, of course would have been the âsolution centerâ for exhibiting the answers to those problems by showcasing and using a new WEDway line and a possibly linear induction powered redesign of the Walt Disney World Monorail System.Â
By 1979, though, the Disney developed WEDway Peoplemover would only have one real application outside of Walt Disney World. Planned to make a debut in 1981, the Tuner Construction Company had won a bid to install a WEDway in Houston International Airport. Costing $13 million, the Peoplemover model would have featured the unique linear induction motors, to propel six three-car trains over a 7500-foot route between the airportâs three terminals, hotels, and parking area.Â
This system, although not widely used as original hoped, was only one of 10 people-moving systems evaluated by the Urban Mass Transportation Administration to achieve total operating and maintenance cost of only nine cents per passenger mile. The UMTA also certified the CTSDâs WEDway system for use in federally funded urban transit programs, a honor that Disney and WDI still holds to this day.Â
This Moscow Metro station is stylistic of the wide open spaces and tall ceilings through Moscow's underworld.
This Moscow Metro station is stylistic of the wide open spaces and tall ceilings through Moscow's underworld.
This Moscow Metro station is stylistic of the wide open spaces and tall ceilings through Moscow's underworld.

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