they're putting me on the cover of times magazine and also putting a cup over me and there's even talk of taking me outside
hello vonnie
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle

JVL
art blog(derogatory)
KIROKAZE

Kiana Khansmith

Kaledo Art
Peter Solarz
Keni

styofa doing anything
seen from United States

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@penstemon-digitalis
they're putting me on the cover of times magazine and also putting a cup over me and there's even talk of taking me outside

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The Mistery IV - Francis Di Fronzo , 2020.
American, b.1969-
Oil, watercolor and gouache on panel , 15 1/4 x 19 1/2 in.
Leonard McCombe, Dublin, 1957
Photographer Randy Fox

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No more performative creativity!! I think we are pushing too hard to become something we are not. There is so much generative bullshit being made by so called ‘creatives’ for recognition, social capital and capital capital. Being a “creative” is cool and all, and when real and sincere it’s beautiful. And bad art must exist but we now have so much superficial art which I think differs from bad art as it’s simply an extension of internet ego and superficiality. Try something, develop a hobby, enjoy it and then stop. You don’t need to capitalise off of every interest!!
ten dollars is really the new one dollar
"One of the coolest examples of creative living that I’ve seen in recent years, for instance, came from my friend Susan, who took up figure skating when she was forty years old. To be more precise, she actually already knew how to skate. She had competed in figure skating as a child and had always loved it, but she’d quit the sport during adolescence when it became clear she didn’t have quite enough talent to be a champion. (Ah, lovely adolescence—when the “talented” are officially shunted off from the herd, thus putting the total burden of society’s creative dreams on the thin shoulders of a few select souls, while condemning everyone else to live a more commonplace, inspiration-free existence! What a system . . . )
For the next quarter of a century, my friend Susan did not skate. Why bother, if you can’t be the best? Then she turned forty. She was listless. She was restless. She felt drab and heavy. She did a little soul-searching, the way one does on the big birthdays. She asked herself when was the last time she’d felt truly light, joyous, and—yes—creative in her own skin. To her shock, she realized that it had been decades since she’d felt that way. In fact, the last time she’d experienced such feelings had been as a teenager, back when she was still figure skating. She was appalled to discover that she had denied herself this life-affirming pursuit for so long, and she was curious to see if she still loved it.
So she followed her curiosity. She bought a pair of skates, found a rink, hired a coach. She ignored the voice within her that told her she was being self-indulgent and preposterous to do this crazy thing. She tamped down her feelings of extreme self-consciousness at being the only middle-aged woman on the ice, with all those tiny, feathery nine-year-old girls.
She just did it.
Three mornings a week, Susan awoke before dawn and, in that groggy hour before her demanding day job began, she skated. And she skated and skated and skated. And yes, she loved it, as much as ever. She loved it even more than ever, perhaps, because now, as an adult, she finally had the perspective to appreciate the value of her own joy. Skating made her feel alive and ageless. She stopped feeling like she was nothing more than a consumer, nothing more than the sum of her daily obligations and duties. She was making something of herself, making something with herself.
It was a revolution. A literal revolution, as she spun to life again on the ice—revolution upon revolution upon revolution . . .
Please note that my friend did not quit her job, did not sell her home, did not sever all her relationships and move to Toronto to study seventy hours a week with an exacting Olympic-level skating coach. And no, this story does not end with her winning any championship medals. It doesn’t have to. In fact, this story does not end at all, because Susan is still figure skating several mornings a week—simply because skating is still the best way for her to unfold a certain beauty and transcendence within her life that she cannot seem to access in any other manner. And she would like to spend as much time as possible in such a state of transcendence while she is still here on earth."
From : BIG MAGIC - creative living beyond fear. By Elizabeth Gilbert.

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Foxhole 2009 Hölzernes Bettende und Acryl 108 x 77,5 x 7,5 cm
“the soul of my land” by jordanian-palestinian photographer anita bursheh
I was looking for references and stumbled across a series of paintings from 1930s by Soviet painter Alexander Samokhvalov called "The young women of metro construction"
Lucia Eames next to her "Sunburst" panel, 1986

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Fog (1807) by Caspar David Friedrich
Reading Room In The Forest, Fredriksoord, Netherlands,
Part of 'DeProef,' a new hub for art and ecology the pavilion achieves a 98% recycled mass rate, is estimated to sequester 7 tonnes of CO₂, and records a Milieu Prestatie Gebouwen (MPG) score of 0.16, significantly below the Dutch legal threshold of 0.80.
Approximately 30% of the building materials were salvaged directly from the DeProef site.
These include discarded fleece from local farms, reclaimed mineral wool, salvaged concrete rubble, greenhouse acrylic panels, and reused timber from previous constructions.
Courtesy: Studio-Method
Supported by: Stimuleringsfonds Talent Development Grant 2024.