PenPaladin

local matchmaker losing it over yet another unrealistic demand from the clientele 🤣🤣

i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.

and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?

i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.

you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isn’t even pronounceable - the tenacious, soundless blankness. survival isn’t just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.

when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.

i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also haven’t picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you can’t tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you weren’t crying about the broken glass. i know about feeling like all the roads have closed their exits, that you aren’t supposed to still-be-here - and yet.

i am still here, and still yours, and i haven’t forgotten. what i’m saying is if any hope is calling to you - i know it’s hard, but you have to listen. i’m saying keep driving, but slow down the car. sit down in the shower, i’m not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.

i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. i’ll be waiting for you.

Thinking about these tweets, n like... On the one hand, I don't think Andy Wier knows about us. Or if he does, he doesn't give us any thought. I don't think Andy Wier knows or cares what a fujoshi is, and even if he did, I don't think he would spend a fraction of a second compromising his incredible intellect and brilliant vision (sarcastic, derogatory) trying to stump us or spoil our fun.

Google set out about a decade ago to push their (relatively unpopular) chromebooks by supplying them below-cost to schools for students, explicitly marketing them as being easy to restrict to certain activities, and in the offing, kids have now grown up in walled gardens, on glorified tablets that are designed to monetize and restrict every movement to maximize profit for one of the biggest companies in the world.

And I'm not talking normal stuff like being overly ambition, or lack of planning, not finishings

Tell me the stupid stuff.

So I think it's important to periodically examine the narratives we're telling ourselves, including those about our own lives. Sometimes the stories we've considered to be objective truths are, in fact, not very objective or helpful.