Very sore today so Iām doing lots of stretching and enjoying this oatmeal
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@pellicciak
Very sore today so Iām doing lots of stretching and enjoying this oatmeal

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This is calming as fuck to watch today š
A simple word or heartfelt gesture can make someone feel worthwhile. It doesnāt cost you a thing and it can mean the world to them. #solutionsunday

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Submission:Ā trainstudyeat Edit: Nicole
All the timeā¦.
Why Youāre Starting Your Novel in the Wrong Place
Does your book start at the most interesting point in your characterās life? It should.
The number one problem I see with sample material, and even client material sometimes, is that the book doesnāt start in the right place. If you are starting with the beginning of the day (waking up or eating breakfast) I donāt trust itās starting in the right place. If you take 50 pages to introduce the conflict there is no way youāre starting in the right place.
HOW TO START YOUR NOVEL IN THE RIGHT PLACE:
At the end, go back and rewrite your beginning. There is no way by the end of your novel you should have the same opening when you started the draft. Characters change, plot trajectories change. You donāt know what your novel is going to fully become until itās over. So why keep the same opening? Revise to make sure it is the proper opening for the novel it became.
We donāt need a car crash, but we do need a secret. āStarting with actionā is often misconstrued as starting with a bomb going off. For some genres that works, for many it doesnāt and shouldnāt! What we do need to start with is knowing that your character has a secret. Action can be many things, but no matter what we need to know something big is coming. We canāt be reading about a normal day in your charactersā lives.
Are you introducing too many people? We should meet the main character on page one and maybe one or two othersābut that is it. Introducing too many characters is very confusing to the reader. We donāt know whoās who yet. And we donāt know who to care about. Establishing a bond between main character and reader starts on page one.
Alternately, information dumping wonāt win us over either. Want us to know everything right off the bat? Guess whatā¦we donāt want to know everything on page one. Or else what are we reading about?! Give the reader some credit and let them connect the dots. Trusting that your reader is smart will win them over too.
How do we know this is a novel? Something happens. As I said at the top: your book should start at the most interesting point in your characterās life. Or else why are we reading about them? What is the moment when everything changes? Why? And why does the reader care to find out what happened? These seem like simple questions but theyāre the crux of getting readersā invested in your characters from the moment we meet them.
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Book of the day:Ā The Stand by Stephen King
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