Very sore today so Iâm doing lots of stretching and enjoying this oatmeal
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Very sore today so Iâm doing lots of stretching and enjoying this oatmeal

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A more positive than normal postđ
This is calming as fuck to watch today đ
A simple word or heartfelt gesture can make someone feel worthwhile. It doesnât cost you a thing and it can mean the world to them. #solutionsunday

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Submission:Â trainstudyeat Edit: Nicole
All the timeâŚ.
Why Youâre Starting Your Novel in the Wrong Place
Does your book start at the most interesting point in your characterâs life? It should.
The number one problem I see with sample material, and even client material sometimes, is that the book doesnât start in the right place. If you are starting with the beginning of the day (waking up or eating breakfast) I donât trust itâs starting in the right place. If you take 50 pages to introduce the conflict there is no way youâre starting in the right place.
HOW TO START YOUR NOVEL IN THE RIGHT PLACE:
At the end, go back and rewrite your beginning. There is no way by the end of your novel you should have the same opening when you started the draft. Characters change, plot trajectories change. You donât know what your novel is going to fully become until itâs over. So why keep the same opening? Revise to make sure it is the proper opening for the novel it became.
We donât need a car crash, but we do need a secret. âStarting with actionâ is often misconstrued as starting with a bomb going off. For some genres that works, for many it doesnât and shouldnât! What we do need to start with is knowing that your character has a secret. Action can be many things, but no matter what we need to know something big is coming. We canât be reading about a normal day in your charactersâ lives.
Are you introducing too many people? We should meet the main character on page one and maybe one or two othersâbut that is it. Introducing too many characters is very confusing to the reader. We donât know whoâs who yet. And we donât know who to care about. Establishing a bond between main character and reader starts on page one.
Alternately, information dumping wonât win us over either. Want us to know everything right off the bat? Guess whatâŚwe donât want to know everything on page one. Or else what are we reading about?! Give the reader some credit and let them connect the dots. Trusting that your reader is smart will win them over too.
How do we know this is a novel? Something happens. As I said at the top: your book should start at the most interesting point in your characterâs life. Or else why are we reading about them? What is the moment when everything changes? Why? And why does the reader care to find out what happened? These seem like simple questions but theyâre the crux of getting readersâ invested in your characters from the moment we meet them.
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Book of the day:Â The Stand by Stephen King
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