patrycja plich

Video work presenting the body of water as a conflict ground between contradictory symbolic, imaginary and real orders. Relations between the tyranny of the maritime territory served by technological improvements and the origin of tectonics flow as a place for creation of natural boundaries. Artist invents the concept of geology of morality as an idea manifested by the occurrence of the island and its mnemonic power, surrounded by recovered memories of life without incapacitation. Formal deconstruction of the cartographical representation of maritime territories as an area determinated by the relation of dependencies. Here, the horizontal loop geometry is turned into the delaminated, folded topographical system floating somewhere in the ocean of lost but recoverable capacities. The work is questioning the origin of structures of power and taking the approach to decolonize ourselves from re-invented machinic enslavement caused by multilayered bio-geo-politics.

New atelier & "Passe-Point" art studio in Germany

Video work presenting the body of water as a conflict ground between contradictory symbolic, imaginary and real orders. Relations between the tyranny of the maritime territory served by technological improvements and the origin of tectonics flow as a place for creation of natural boundaries. Artist invents the concept of geology of morality as an idea manifested by the occurrence of the island and its mnemonic power, surrounded by recovered memories of life without incapacitation. Formal deconstruction of the cartographical representation of maritime territories as an area determinated by the relation of dependencies. Here, the horizontal loop geometry is turned into the delaminated, folded topographical system floating somewhere in the ocean of lost but recoverable capacities. The work is questioning the origin of structures of power and taking the approach to decolonize ourselves from re-invented machinic enslavement caused by multilayered bio-geo-politics.

Open studio in frame of Été indien Festival, Arles, September 2022

Open studio in frame of Été indien Festival, Arles, September 2022

Open studio in frame of Été indien Festival, Arles, September 2022

Gradient vector objects are the binding structure of the exhibition. They follow the connections in between works and navigate in the process of experiencing the exhibition. Artist relates them to the paths and vectors creating the new universe (city like structure) within the exhibition which focuses on architectural potential of books. The gradient balancing between black/gray/white it’s a reference to the process of paper production and destruction in burning placing all realisation in the universal timelessness sphere. 

Holding the distance / ongoing / studio view, Arles 2022

The topography of places that are yet to come, drawing series, various drawing medias, dimensions 100x70 cm