Lily seller, San CristĂłbal de las Casas, 1968. Photograph by John Dominis.
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Lily seller, San CristĂłbal de las Casas, 1968. Photograph by John Dominis.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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by florian kuhlmann
“screen time” exhibition 01.10.2022 – 26.03.2023 kunsthaus nrw
angel and devil
Mexico (1519-1821)
by la dactylo
Los tigres

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by ellen schafer
Found Kodachrome Slide by Thomas Hawk handwritten on slide, “Bullfight, Juarex Mexico, 1953” https://flic.kr/p/2nFH7eM
El Monje Loco #47 - Revistas Populares, S.A. Mexico, 1968.
Maquizcoatl -Double-headed serpent (coatl), Aztec culture (Mexico), 1400-1521, cedro wood covered with mosaic made of turquoise and red thorny oyster shell & conch shell, 20.30 x 43.30 x 5.90 cm, The British Museum.
Man selling balloons, Mexico, 1968. Photograph by John Dominis.

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Uncredited Photographer   Prostitutes, La Merced, Mexico City   c.1950
Tony Gleaton   Gina, from the Series “Africa’s Legacy in Mexico,”   1986
by alicia eggert
El chilango es hiperbĂłlico; es metafĂsico por costumbre. Ellos inventaron el “cĂłmo chingados no” que es un desafĂo a la CreaciĂłn. El chilango puede ser sencillo pero jamás será humilde, es altanero selectivo: es capaz de crear el vacĂo, venderlo en una botella y engañarse a sĂ mismo.
Ellos soñaron las quesadillas sin queso y existen, digan lo que digan los puristas; existe en los chilangos el delirio más absurdo: tortas de crema, azĂşcar y jamĂłn frito, conchas dulces rellenas de chilaquiles con pollo y, atenciĂłn: chilaquiles sin tortilla. Son visionarios, van un paso adelante de la gastronomĂa molecular. El chilango necesita vivir en un islote metafĂsico, sobre el oxĂmoron de la realidad impalpable. El chilango permanece en el viaje pero no es viajero: es viajante. porque ronda sin origen ni destino.
Está en su genĂ©tica configurada por comida callejera ancestral: churros de crucero sudando su grasa en bolsas de estrasa, guajolotas de bolillo crujientĂsimo, tortas groseras, groserĂsimas y los tacos, todos los posibles porque de lo imposible se piden Ăłrdenes de a tres con todo. Para el chilango no hay experimento que no valga la pena: se puede ver en una máquina expendedora a un chilango mezclando cafĂ© de garbanzo tostado, chocolate y leche de almendras.
Finalmente,lo escalofriante: en la esquina de 6 Sur y Sur 16-C está una de esas visionarias. AĂşn no lo logra pero lo hará: coloca un tamal de salsa verde en una telera, luego intenta introducir entre las moronas derrumbadas gruesos trozos de milanesa picada, corona la creaciĂłn con crema y queso manchego rayado. “¿Por quĂ© no le echa tocino frito?”, le pregunto y me dice: “No, cĂłmo cree”. Pero por lo bajo noto que sonrĂe, sĂ© que se lo ha imaginado.
Texto: Felipe Monroy
Women dancing on the street in San Miguel de Allende, Mexico, 1952. Photograph by Earl Leaf.

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Ajijic y el Lago de Chapala