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most tragic thing about wanting to see more stuff of your oc is that the c is o and YOU have to make the stuff. devastating. why can’t art of my beautiful baby just appear in my hands. just materialize under my pillow, like from the tooth fairy
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I often hear the argument that having major characters die is more realistic than having them always come through unscathed. Of course it is. But I personally don’t want my fiction to necessarily be “realistic” – I want my fiction to be entertaining. For me, that means watching engaging characters I care about get into and out of dangerous predicaments, working and thinking together in order to defeat the bad guys. While some authors (and readers) like the tension of wondering who will live and who will die, I prefer the tension of seeing how the heroes are going to think or work their ways out of each difficult or impossible situation they find themselves in. If I want realism and the deaths of people I care about, I can turn on the news.
An upbeat boy who fails to sit still. Though he’s playful and friendly in nature, he can be ruthless in spite— operating heavily on tit-for-tat. Hedji is someone who can hold grudges easily and once you’re on his radar as a ‘jerk’, it’s hard to get off. Nonetheless you have a friend for life if you’re in his good graces, which is just being nice.
Core values -> Fairness + Community
Background:
Hedji comes from a mountainous village in Pyroxene, quite rural compared to Fleur City. He has a knack for learning things quickly, allowing him to easily fill any roles. He doesn’t know who his biological parents are, but that’s fine. He’s content to make his village proud.
For a Good Samaritan who’s often found volunteering around Fleur City, Hedji is quite the rebel at NBC. Too bad his stellar grades don’t excuse his lax attitude at school.
Notable Thoughts: Hedji’s
“I was having a good day til I saw the prez. What do I mean? You’ll see, soon enough.”
“To think we have the Malleus Draconia coming to our little Noble Bell! It’s so exciting!”
“For a dorm leader, Azul’s super friendly! Hm? What’s that pitying look for?”
“I know I just met him but I don’t like Idia one bit. Can’t he put more effort into getting along with us?”
“Was Ruggie staring at my bracelet? Nah, must be my imagination.”
“I thought Epel and I would be peas-in-a-pod and I’m right! I’ve always wondered about Harveston.”
“Rook is super fun! He reminds me a lot of a poet friend I had.”
“One moment Sebek is all angry then the moment Malleus comes, he’s all ‘My liege~’. Talk about two-faced.”
Notable Thoughts: Others’
“Yes, Hedji is quite the compassionate student, I suppose. Even helping out the people at the expense of his own attendance.” - Rollo
“This afternoon I caught wind of the kid and the town goat quarrelling with one another. How perplexing.” - Malleus
“Though I’d prefer someone who’s a little more tactful, Hedji does have a way around the locals here.” - Azul
“Hieee— a party animal has appeared! …But then again, his ears look so soft. Nope nope nope, not risking it!” - Idia
“Talking to Hedji makes me a little uneasy. It’s like I’m facing a friend from the past, again.” - Deuce
“Hedji showed me the steps to a couple of Pyroxene folk dances. Of course I could follow along, but it’s interesting how he considers even the tiniest deviations their own dance.” - Jamil
“Hedji’s so cool! I want to get piercings like that some day.” - Epel
Extras/Trivia:
- Twisted from Djali | The Hunchback of Notre Dame (Novel + Animation)
- His unique magic allows him to stand on any plane, regardless of gravity
- He has some Esmeralda motifs visually. I like to imagine he’s friendly with RSA! Esmeralda
- The “poet friend” is Pierre from the Hunchback of Notre Dame novel! (Or a TWST equivalent…)
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The MET Gala is a fundraiser for The Met. Putting on the fashion exhibition is VERY costly. Has the politics, inflation, and bullshit gotten out of hand? Yeah. To give you an idea of how much this can cost, the collection I work for has 2 gowns from 1798 & 1809 currently being conserved and had mounts made for them so displaying them wouldn’t cause further damage. They were already in a solid B shape and cost more than 50k to conserve so the public can view them for 5 months each. They will then be reboxed (archival tissue and box) for a minimum of 10 years before they’re considered to be seen again. Oh, and archival material only lasts 10 years before it has to be replaced, whether or not it’s being considered for display.
Don’t like the gala? Support local museums with a textile or fashion collection, they get fractions of the revenue or publicity, and still aim to achieve a solid fraction of what the MET does. More collections are deaccessioning their textiles because they’re costly to maintain, large and need space. However, after big names artists like Van Gogh, Botticelli or da Vinci they get the most interest in from the public. The study of clothing is an opportunity to shine light on women & minority stories as well. Don’t let the fact that some of the guests suck and have more money than any of them need take away the importance of museums and dress study.
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