Commissions are open! She/Her, 20+, Lesbian This is my art blog, but feel free to talk to me about anything!! Always happy to talk about my Winx redo and Pokemon <3
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Burn out is hitting my ass hard. Not so much for my redesigns specifically, just in general. Life has been hard on me past few months, so creation of any kind has been hard.
I have been slowly getting back into the groove of things and I have two weeks before the fall semester starts. During that time, I think I’m going to start working on some stuff for Oriana and my other Next Gen OCs? I’ve also had some silly Fullmetal Alchemist ideas, so we’ll see what wins. I do want to actually do something with them, too. Maybe write, maybe do comics? Not great at the latter, but it’s good practice.
If I ever decide to axe/replace Butterflix, assume I have been kidnapped and replaced. Butterflies are far too special to me to get rid of the butterfly themed transformation.
That all said, enjoy the overview and my 670 words of rambling
Butterflix is the core transformation of the forms Feronix, Apothix, and Anthouix. Much like Harmonix, it doesn’t add much strength wise and is comparative to Charmix. Butterflix is earned when a mage is able to tap into wild magic for the first time. The form allows them to metabolize it safely, as wild magic is unstable and can cause mages to develop magical atrophy. It’s deeply rooted in the natural world, with select ecosystems developing in a way that makes them dependent on it and becoming pools for the magic.
It does not make them immune to magical atrophy, it just creates a resistance to it. The form is a place holder until they can gain one of the three aforementioned forms, as the higher forms gain the ability to control it and develop a better resistance to its effects. Butterflix acts as a stepping stone towards it and helps introduce the magic to one’s magic source, to avoid overwhelming it.
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As for the Winx’s individual designs, I gave each girl a specific butterfly family to base their designs off of. Initially, I wanted to do specific butterflies for each, down to the species, but ultimately decided on a family to keep things more simple but individualized. There are seven in total and each had their own reason. Lore-wise, the family is not connected to their form in anyway, it’s just a design feature I chose.
Bloom was designed with papilionidae, swallowtails, in mind. They are a very grand, prized, group of butterflies. They’re best known for the species with the tails on their wings, as well as the bright colors and patterns on their wings. They are also the family with the largest butterflies in the world, being the birdwing butterflies. Part of what made me inclined to give her papilionidae, albeit not present in her design, is the Green Dragontail butterfly. It’s a type of swallowtail with long tails that flutter when they fly. I also use swallowtails in Bloom’s design as well, best seen in her Enchantix, Sirenix, and Vitalix, which also pushed me towards papilionidae.
Stella has nymphalidae, or brush-footed butterflies. They are the largest family and are best known for groups like emperors, monarchs, and fritillaries. They are best known for their orange, white, and brown color pallets, but it’s not uncommon for them to also have other colors mixed in. In fact, there’s a nymphalid called the blue moon butterfly. Admittedly, the oranges of the nymphalidae is why I wanted Stella to have them, but that had been before I decided on how I wanted their colors ordered for Butterflix.
Flora’s Butterflix was based on Hedylidae. They’re better known as the genus Macrosoma, or American moth-butterflies. They’re native to the Americas, primarily observed in South and Central. Many of the species within the genus are dependent on specific plants, both as a food source and host plant when they pupate. Between that and their earthen, plant-like wings, they felt fitting for Flora.
Musa’s family was lycaenidae. Their common names include coppers, blues, and hairstreaks, with the latter two being the primary inspiration. Blues tend to have spots on their wings, which is what led me to that decision. My redesign of her Butterflix, from 2022, was also based on hairstreak butterflies, so it’s also a partial call-back to that. Adding the tails of the hairstreaks also helps separate her wings from the other girls.
Initially, I was between lycaenidae and pieridae for Tecna, but ended up going with riodinidae. Riodinidae are better known as metalmark butterflies, named for the metallic sheen of the scales. Metalmarks lack any distinctive or common shapes, some have tails like a swallowtail, some have wings that are shaped similar to fritillaries or blues. In the end, I did look at a specific metalmark, the menthone cecillia, due to the distinct jagged edges on the hindwings.
Aisha’s took inspiration from the pieridae family, better known as whites or allies. Some of the better known species are the common brimstone and orange tip. Many are solid colors and pronounced veins, which almost look like the fins of a fish. Most species are also found in tropical areas, primarily in Asia and Africa. And, while green is not a dominant color this time, the wings of species like the common brimstone and lyside sulphur are green-ish and reminiscent of Aisha’s canon Harmonix wings.
Roxy was based on the hesperiidae, skipper butterflies. I knew she’d be getting them the moment I read into them. Not only are they rather fuzzy for butterflies, they were also not considered butterflies for quite some time. Skippers were considered a superfamily under Lepidoptera, Hesperioidea. They were considered an inbetween of moths and butterflies, initially, but a study in 2009 reclassified them as a family in papilionoidea. It lines up, in a way, with the lore I have surrounding the Earth Fairies, as they have been separated from the Magic Dimension for ages and have only recently started reintegrating.
Wanted Butterflix out yesterday, but I ended up working seven days straight and am struggling to write what I want to say and phrase it.
Also, somehow, it’s much easier to talk about why each girl got a specific butterfly subfamily than it is to type. I literally don’t know how to explain myself the moment I’m at my keyboard
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Last three girls are done!! I finally locked the fuck in and finished them!!
Full post should be out soon, I have the general information written already, but I will be explaining the actual designs themselves because butterflies are very special to me :)
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I’ve been debating back and forth between responding to this, but I will.
I know I said I’d be starting them next and that I was excited to work on them, but I had things happen in my personal life that have thrown me off kilter. I have been working on them, I have two done, a third in the works. They are being worked on, just a lot slower than I would’ve liked. Again, stuff came up in my personal life making it hard for me to have the time and energy to draw in general. I’m not going to make any promises as to when they’ll be done, but they are being worked on.
Hello! Im tryimg to found a post which tell me better the differences between your sorcer/ess, fairies and witches/wizards. Some help? (Sorry for my english)
This is a late response, you sent this days ago, but I don’t have one. I have not worked out all of the details differentiating and I don’t have any proper notes to share about them. I have been discussing the differences with friends on Discord, but much of the recent talk has been tied to a crossover I’ve been writing, so I don’t think it would be wise or proper to share what I’ve said.
Hopefully in the near future, I will be making a post about them, but as it stands right now, I do not have one.
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I’m trying to plan out the last four transformations and all I can say is…
Fuck this bitch
I hate this stupid horse. And I say this as someone who loves horses and MLP. But Elas pisses me off. I want to get rid of him so bad, but I also don’t want to start making things unrecognizable. If that makes sense. I want to deviate, but I don’t want to deviate too hard.
Thinking about retouching Daphne to make her motif a heart(at least as Fairy of the Dragon’s Flame, not as Fairy of Divination) as I work through the lore for the Great Dragon and the Nymphs of the Dragon’s Flame.
I definitely want to post about them both soon, especially the lore about the Dragon as I alluded to it in my Fiorire post. But I’m not sure if I want to do it after I finish the all of the Winx’s redesigns? I still have four transformations left, but I do want to finish them before the new semester, which starts in mid-August.
Eh, we’ll see what happens in the next few months.