And then a Plank in Reason, broke, And I dropped down, and down – And hit a World, at every plunge, And Finished knowing – then –

anyways. ingeborg bachmann

Huangshan (Yellow Mountain) in Eastern China. Photo by Aaron Feen.

there is a version of eunyung she could have been, that never lived on the streets and is a seasoned actor and hasn't fallen behind her peers and doesn't even know how to fight. and eunyung has to first admit she wanted to be that person and then mourn them before she can make strides to go for what she can have. she wanted to enjoy watching the cherry blossoms! and that's a process a lot of trans people have to go through as well! watching her go through that journey felt deeply intimate to me for that exact reason. it's a part of eunyung's narrative that is arguably less overtly trans than some others - her social isolation, her conflicts with masculine hierarchies and authorities, her child self smiling in a dress - but its still one i really appreciate

(postcard for our no home zine @querermezines)

koudai makio from ikoku nikki you are so special to me

Vietnam, 1915-1916

Hassan II Mosque @ esalaskari

Theater, Bangkok, Thailand, 1956

I'm glad MAPPA is now applying Fujimoto sensei's color scheme to the anime because Chainsaw Man has some of the most creative and beautiful manga covers I've ever seen.