there is honestly nothing more gorgeously tacky than bowling alley carpet
Don’t even talk to me if all of your clothes aren’t made out of bowling alley carpet
hello vonnie
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
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he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
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JVL
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@ozonschicht
there is honestly nothing more gorgeously tacky than bowling alley carpet
Don’t even talk to me if all of your clothes aren’t made out of bowling alley carpet

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Professor 3 -- Professor Rhythm
(c) 1991
Trench de Maison Margiela dans Marie Claire, 2018.

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fatou ndoye + masaki otani photographed by irving penn (1989)

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The Sea Women of South Korea
photographs by Hyung S. Kim
“For hundreds of years, women in the South Korean island province of Jeju have made their living harvesting seafood by hand from the ocean floor. Known as haenyeo, or sea women, they use no breathing equipment, although a typical dive might last around two minutes and take them as deep as ten metres underwater. Wearing old-fashioned headlight-shaped scuba masks, most dive with lead weights strapped around their waists to help them sink faster. A round flotation device called a tewak, about the size of a basketball, sits at the surface of the water with a net hanging beneath it to collect the harvest. Some use a sharp tool to dig conch, abalone, and other creatures from the crevices on the seafloor. … “For me, the photos of the haenyeo reflect and overlap with the images I have of my mother and grandmother,” Kim says. “They are shown exactly as they are, tired and breathless. But, at the same time, they embody incredible mental and physical stamina, as the work itself is so dangerous; every day they cross the fine line between life and death. I wanted to capture this extreme duality of the women: their utmost strength combined with human fragility.” ”
read more at the New Yorker
David Sims for Yohji Yamamoto 1990
Tony Soprano mad woke

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