Is the byproduct of more time to think to feel unwanted?
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@orly-peach
Is the byproduct of more time to think to feel unwanted?

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You are the love on the bridge.
There are two reasons why people donât talk about things; either it doesnât mean anything to them, or it means everything.
Luna Adriana
I havenât written a word since I met you. The need in me evaporated... as though I hadnât spent the last decade swallowing syllables. Iâm convinced that - all this time - I was writing for you. To you.
And yet, you understand me without words.
Logged on to Tumblr for the first time in a long time, only to find that my accountâs been breached. Iâm sorry to anyone who received unusual messages.
Iâm hoping that nothing else has been messed with. It feels like a violation. Iâm disgusted.

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How long has it been since someone touched part of you other than your body?
Laurel Hoodwrit
澎çčĽć˘Ś
Life is short; it is like a dream. Some days, I lose myself in that dream, that perfect, rolling illusion. My dreams have become my reality. I am living in a perfect world, but there is something inherently ugly in perfection. Something stale, artificial, wrong.Â
When I was young - maybe 12 or 13 - I watched The Truman Show, and I was disturbed. For days, weeks, maybe, I couldnât shake the feeling that my life was a carefully constructed lie. That I was being watched - through mirrors, in my room. But you canât live like that, so the feeling passed... or maybe it didnât. Maybe I internalised it and the paranoia has lingered, infecting me with the sense of subtle unreality that I have always struggled with. That sense that only I exist, that things are too good, too cohesive, too easy. Unnatural. Supernatural.
I am not an open person. Not really. I am just open enough for people to trust me. I bare my soul as if to say this is all of me, all the while knowing that my humanness is too controlled, too precise to be real. People love what I give them; they are beguiled by what I represent. Through me, they see themselves more clearly and I, magic mirror, show them exactly what they need. Thatâs what I am - the human equivalent of a one-way mirror: a smooth, still surface for others to project onto. I see everyone, but nobody sees me.
I have been âopenâ with mental illness. I have talked about it - seriously, jokingly, in depth, in passing. But what I havenât talked about is the guilt. I am out now, I say to people, even though Iâm not sure if it is ever possible to fully âoutâ. I feel out - all still and smooth. In balance. Good. I feel fucking good. And pristine. Powerful and present. Being out hasnât fixed me. The things that were wrong with me are still wrong. I am still the same fucked up person at my core. It just doesnât bother me anymore. Iâm high.
So, where does the guilt come from? You would think that having spent all that time lost in the dark would make me more sympathetic to people still caught in it, but it doesnât. In fact, it does the opposite. Instead of leaning in, I want to lean out. I recognise the signs and experience a sense of revulsion in my gut. I recoil. As though itâs contagious. As though the âoutâ is just a fleeting illusion. As though Iâll wake up, sober. Captive, again, in that gruesome, mutating reality, cursed to wander the warping fields. I am saving myself, like a rat, fleeing. Clinging to my solitude, married to my opium haze.
There was a Helen before there was a War, but who remembers her?
H.D., from Winter Love
âPeople think that intimacy is about sex. But intimacy is about truth. When you realize you can tell someone your truth, when you can show yourself to them, when you stand in front of them and their response is âyouâre safe with meâ - thatâs intimacy.â
â The Seven Husbands of Evelyn Hugo: A novel by Taylor Jenkins Reid

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People die. People change.
Sometimes, I think I was born wrong. Tainted. With some horrific knowledge gestating inside of me: a gruesome clarity that condemns me to life lived behind tempered glass.Â
People are fragile. What we think of as the self is just a cluster of beings, tenuously tied, woven with narrative. Dumb luck keeps us intact. Until, one day, it doesnât. There comes a day for each of us when life changes abruptly and irrevocably. When the narrative ends, but we have to keep living. From then on, life is a series of absences, yawning holes that remind us of where loved things used to be. Time takes everything. Live long enough and reality will metamorphose into something unrecognisable, a waking nightmare where you search endlessly for something incommunicable and nearly forgotten. Where the world shifts and struggles against you, and you cling miserably to what you know can only leave.
Life exists in absence.Â
I am, and always have been, waiting for that absence: the splinter that will become a chasm.
   âwhat i couldnât say (h.t.)
It is not the melancholy of ruined things that breaks the heart, but the desperate love of what lasts eternally in eternal youth: love of the future.
Albert Camus, from Notebooks 1951-1959
Words are important. My entire life has revolved around the mastery of language. Words are my bridge. Without expression, there is no recovery; without definition, there is no introspection. The worst thing you did was take away my ability to speak. I could never find the words to express what you did to me, or the gravitas to convey how damaged I was. I gave you the parts of me that were preserved and jealously guarded, and you exposed them, carelessly, to air and light and fire, and they crumbled - and, maybe, if that had been the end, I could have borne it, but it wasnât. Since then, every failed expression, each futile attempt to harness my loss, to define it, met invariably with humor and casual apathy, has been another trifling indignity. You hurt me, but more powerfully, you armed an entire population. You took my voice, and left me at the mercy of those that cannot hope to understand me.
We all have one foot in a fairytale, and the other in the abyss.
Paulo Coelho
The important things stay unspoken. You spend your life longing for someone to see youâto know youâto affirm you. But you stay mute. You package yourself into bite-sized pieces, stories, 100 words or less, light reading for a Sunday evening. You give your readers enough, so they never ask, never think to look at the shining absences between the margins: gaping plot holes that teeter on the edge of consuming everything. But you exist in the absencesâonly the words unspoken ring true.

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I don't like how I look through your eyes.
I imagine life as a gameâsome absurd, Kafkaesque reality where time is malleable. Where it continues, suspended, infinitely. Where it hops and skips and begs. Where you die and are rebirthed, again, in the same space youâve always occupied, except each time you are less sure, less organic. Youâre learning or, maybe, youâre metamorphosing into some creature with no name. no will. You are exposed, again. But it will end. Whenâ