I also, perhaps controversially, am of the opinion that more odyssey adaptations should retain the hanging of the unfaithful maids
The only adaptation I'm aware of to engage w the hanging of the unfaithful maids is Margaret Atwood's Penelopiad and I actually really didn't like the way she handled it
@platonce would love to hear more about your thoughts on the penelopeiad/how you would want to see it done
ok brief context first for any readers not aware: in the Odyssey, the unfaithful maids are a group of enslaved women in the house of Odysseus who are hanged for 'betraying' Odysseus by having sex with Penelope's suitors. In the Penelopiad they are instead Penelope's most faithful and trusted maids who she enlisted to spy on the suitors.
my issue w the Penelopiad on this subject is just that I think making it so the maids weren't actually 'unfaithful' carries the implication that if they had done all the things the Odyssey says they did then in some sense they would have had it coming.
as to how i would want it done, i suppose the main thing i would like to see acknowledged is that given that they were enslaved women the sex they had with the suitors would have been inherently coercive. (nb i think the Penelopiad does acknowledge this but as stated above I have other problems w its handling of the subject matter)
#the problem is so many try to make Odysseus a good person by modern standards#and he's not#and he's not even that great in the original context#his crew dies because of him#so many modern adaptations strip away everything that makes him not a hero#instead of adapting the source material accurately and letting the audience decide if he's still a hero or not
yeah I haven't seen the Nolan film but i read the summary bcos i was interested to see if they kept in the Unfaithful Maids and not only are they out but the film also seems to have really played down the massacre of the suitors?
which is another thing where like, even in the original context, we are not supposed to 100% agree with that!! its followed by a sequence where the suitors' families are all like 'dude what the fuck'
part of the emotional impact, to me, of the Odyssey is that we spent the whole epic being encouraged to sympathise w Odysseus as this almost everyman-type main character who just wants to go home and then at the end of the poem he murders a bunch of people. yikes!!
also i just stumbled on this essay talking about the unfaithful maids which I would recommend
















