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A Coptic magical spell (late 6th-early 7thc. CE) for obtaining a beautiful singing voice. Written for Severos, son of loanna, it invokes Davithe Eleleth, the seven archangels, and the Holy Father
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Federico Federici, Wilson chamber, (graphite, rubber, pencil, pigment liner, sandpaper, Olivetti Studio 46, heat gun on 210×295 mm semi-rough sheet), 2024
1. The point is not the particle in itself, but its trajectory – a manifestation of the same kind as the particle, yet distinct from it. Here, the particle; there, the path. A particle, a trace, a trail forms – a track in vapour and fog. An archive of paths, collisions and decays marked by atoms breaking open along the pathway. Electrons echoing, positrons echoing, inseparable from their paths. Ion trails make sense of the invisible – to dare trace the tilt if the motion of charges. This represents a logical extension of the materiality of physics.
2. The point is not the sign in itself, but the trajectory – a manifestation, the sign, distinct. Here, the sign; there, the signifier. An archive of paths and collisions emerging and merging on a larger scale – signs breaking open along the signifier trails. Signs and signifiers obviate the status of error that is inseparable from meanings. Such unstable texts rest on a new construction principle beyond the category of error. The trails make sense of the invisible – tracing the tilt of motion of signification. A logical extension of the materiality of writing.
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