cid's starlight zone

Chess the musical fans I am begging does anyone know where I could perhaps listen to kennedy centre chess,,,, i am on my knees here

sorry for chessposting on my starlight express blog but. torn between writing more svetlana content and trying my hand at waltokov. i love my wife but i also love those old gay men

being a wembley stex fan and a chevival fan in this climate feels like some kind of public humiliation. like sorry for having bad taste it will happen again

Thinking abt the time signature in ac/dc. And how I think it works so well to highlight Electra as "different" and "other", considering how ac/dc comes directly after Freight, a song where the plodding, 4/4 rhythm is so important that in every single production, someone has been stomping their feet or drumming to it. and then immediately followed up by the strange and new electric engine, whose music entirely breaks the mold, feeling like 4/4 for one bar until the next one drops a beat and makes everything off kilter and unsettled, just like how Electra disrupts the maintained status quo in the yard and challenges Greaseball. follow for more basic level music theory analysis

One of these days I rlly need to start sharing all the lore in my head about the trains. specifically thinks like age and how the races are organised and the different kinds of competitions that exist outside the main championship. and how religion operates and how the starlight express and control comes into that. and how family works when you're manufactured. i have Things to Share

ok. i’ve seen a lot of people mentioning that greaseball spelling s-o-r-r-r-y to dinah isn’t a real apology to her because they weren’t able to actually say it and is insincere/not genuine. not casting my own interpretation on that, but i do wanna ask tumblr- do you think that u.n.c.o.u.p.l.e.d is also insincere/not genuine because dinah wasn’t able to actually say it? why or why not?