Reality TV and Social Media
Reality Tv is often described as trashy and as the viewers least favourite entertainment genre; and yet, itsâ shows consistently win ratings. Reality TV has been dominant in TV programming for over 20 years even with the introduction of Netflix and other streaming programs to the market. Social media has had a big part to play in the continued popularity. Suddenly we have Reality Television creating Digital Publics.
 Not only do we have in-person spaces for people to discuss what happened in last nightâs episode of the latest TV show, such as in the office or amongst friends, but social media has provided a space for a much wider audience to discuss, criticize, and express opinions often live while the show is running. It also creates an opportunity for reality stars and fans to interact, adding another layer to the show.
Deller describes reality Tv to be holding âup a mirror to human behaviour and interaction.â In the digital publics held on social media, fans broach subjects of social issues such as: sexism, roles of women, sexuality, gender, racism, discrimination and so, so much more. This can be seen in the digital public of #MAFS, where fans discuss these topics as well as individual scenes and people on the show.
âReality television is a genre that is designed to elicit talk and shared opinions... not only in terms of judging the participantsâ behaviours but also by speculating on the authenticity of what they are watching. This talk is not only found in homes, workplaces and schools, but also proliferates online in forums, web comments, blogs, vlogs and social media.â (Deller, 2019)
 Ru Paulâs Drag Race is a show where we can see a very strong digital public. The reality/competition-based show has many draw points of discussion.
¡      Catchphrases
¡      Fashion
¡      Competition and interaction between contestants
¡      Critiques of the judges
¡      LGBT+ issues are addressed
¡      Confrontation of homophobia, other bigotry, and oppression
 While the show has its flaws, it has helped transform general societyâs view on Drag Queens and the LGBTQIA+ community. This is furthered by its availability, by being on cable television it can be accessed by a far broader audience than that who subscribe to a paid streaming service.
  Deller, Ruth A, (2019) Extract:  'Chapter Six: Reality Television in an Age of Social Media' Download 'Chapter Six: Reality Television in an Age of Social Media'in Reality Television: The TV Phenomenon That Changed the World (Emerald Publishing).Â
Niall Brennan and David Gudelunas (2017) âDrag Culture, Global Participation and RuPaulâs Drag Raceâ, Download Drag Culture, Global Participation and RuPaulâs Drag Raceâ,intro to RuPaulâs Drag Race and the Shifting Visibility of Drag Culture: The Boundaries of Reality TV, Palgrave Macmillan.











