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Tura Satana was a Japanese-Scots-Irish-Native American actress and former dancer. At school she was constantly harassed for her large breasts and asian appearance, and at the age of 9 she was gang raped by 5 men walking home from school. None of her attackers were prosecuted (the judge was reportadley paid off) so Tura took it in her stride to take up martial arts and learnt Aikido and Karate and over the next 15 years tracked down each rapist and extracted her own revenge.  Not even a stint in reform school could stop this woman, she became the leader of a gang she started with the other students and in her words they “had leather motorcycle jackets, jeans and boots and kicked butt.”

When the violin was invented people were pissing on its tone for being too loud and it lacking the ‘authenticity’ of the viola da gamba. People (especially French people) reacted to new Italian technologies like the freaking violin like Vivaldi was part of a heavy metal band– which would have been awesome, by the way.

Also, in the romantic period, literally every single symphony ever had a “pastoral” section where the strings are supposed to sound like bagpipes to imitate the pure, rural peasant life and reject the upper class for being too materialistic.

The long and short of it is music listeners have always been assholes and humanity is exactly the same way it was in the 1600s. Hell, when the REALLLY early French composers first heard the interval of a third (brought over from England) they were like “WHAT IS THIS DEVILRY, THE ONLY PURE INTERVALS ARE THE FOURTH AND FIFTH.” That’s right. The interval “do”-“mi” was too new age shit for them to handle.

When the violin was invented people were pissing on its tone for being too loud and it lacking the ‘authenticity’ of the viola da gamba. People (especially French people) reacted to new Italian technologies like the freaking violin like Vivaldi was part of a heavy metal band– which would have been awesome, by the way.

Also, in the romantic period, literally every single symphony ever had a “pastoral” section where the strings are supposed to sound like bagpipes to imitate the pure, rural peasant life and reject the upper class for being too materialistic.

The long and short of it is music listeners have always been assholes and humanity is exactly the same way it was in the 1600s. Hell, when the REALLLY early French composers first heard the interval of a third (brought over from England) they were like “WHAT IS THIS DEVILRY, THE ONLY PURE INTERVALS ARE THE FOURTH AND FIFTH.” That’s right. The interval “do”-“mi” was too new age shit for them to handle.