Tatort Ludwigshafen – Schneefieber

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JVL

#extradirty
Misplaced Lens Cap
cherry valley forever
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Monterey Bay Aquarium

Love Begins

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"I'm Dorothy Gale from Kansas"

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I'd rather be in outer space 🛸
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@olgalenski
Tatort Ludwigshafen – Schneefieber

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Do you recognize this TV theme song? #630
I know this and can name the series
I know this but can't name the series
I might know this
I've never heard this
Have you read Jim Button and Luke the Engine Driver by Michael Ende (orig. Jim Knopf und Lukas der Lokomotivführer, 1960)?
yes
no
I didn't finish it
I've never heard of it
One reason I love Rose Tyler is she had this raw, "illogical" compassion. No one had to tell her to do the right thing or throw herself in front of someone else to protect them; she just DID IT. Instinctively. Because it was the thing to do. She was a normal girl, raised by a normal mom who did her best, and when the pedal hit the metal, she always did the right thing. Bravery was a habit. She was born to slay dragons.

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Hast du "Luna frisst oder stirbt" geschaut?
ja und ich fand die Folge gut
ja und ich fand die Folge nicht gut
ja und ich habe neutrale Emotionen zu der Folge
nein
Diese Folge ist der 1176. Tatort und lief am 31.10.2021. Es ermitteln Anna Janneke und Paul Brix in Frankfurt (Main).
Daily (not) Hubsi, Tag 11: Bibi 🥰
an incomplete list of reasons why sex scenes are good, necessary, and a character study, & rarely gratuitous (from a seasoned smut writer and published author)
body image and dysphoria. does this character voluntarily throw their clothes off, do they have to be coaxed, do they enjoy looking in the mirror, are there any areas they refuse to acknowledge? scars? tattoos? what does this say about their past?
what role do they take in the bedroom, and what relationship does it have to the role they take in day to day life?
social/communication skills. how good are they at eye contact, asking their bedmate what they want, are they about verbal communication or body language? what is their body language, is it open or closed off? are they nervously chatty, are their words short and clipped, are they nervously quiet?
touch starvation. how do they react to touch? when's the last time they were touched intimately? how does this touch remind them of their previous encounters with touch, or is this their first time?
glimpses of their education, sexual and otherwise, and the ways this influences their view of the world. what is their understanding of consent? where did they get it from? what do they think of kink vs vanilla? what is their relationship to both?
self esteem. do they take on a role of service in the bedroom because they want to, or because they feel like they have to in order to be worthy, no matter what they really want? how good are they at expressing these thoughts? do they freeze up when their bedmate asks them what they want? do they even know what they want?
how much attention do they want on themselves vs how much are they comfortable with? would they rather the attention was just on their bedmate?
how much guilt, shame, or repression do they have about sex in general? does it feel like a performance, is it true for them? how do they do with being vulnerable with another person, clothes on or off?
how do they feel about submission/domination, about penetration? do they want marks to be left, or do they insist on no trace left behind?
how do they treat their bedmate? loving, rough, tender, gentle, harsh, sadistic, deferring, no matter the scene/dynamic?
what about aftercare? for themself, for their bedmate? do they do it, do they know what it is, how do they do it? do they value it or do they do it just because you're supposed to?
an incomplete list. might add more. sex scenes add SO much value, insight, and development to a character. they are an incredibly intimate and vulnerable setting, which is how the right writer can show readers so much about who this character is in a bedroom setting. it is not gratutious.
anyway the thing about fanfic is that it's not essentially bad or good; it's essentially amateur. some people are absolutely out there writing award-worthy prose (some fic writers ARE award-winning writers IRL!), but that's not the point. the point is that we're all telling campfire stories. it's a community, and it's a way to spend some more time in the worlds and stories that we love.
Danke. Ich meld mich, wenn ich Hilfe brauch. Florence Kasumba as Anaïs Schmitz in Tatort: Die Rache an der Welt (2022)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
we love to see milfs suffer
more suffering!! yippie!!
I've just found the single most homoerotic piece of LOTR art ever who wants to see
Um, YES?
This is The Taming of Smeagol by Donato Giancola and by god they're gonna have a threeway with that wriggly guy
Hast du "Gefährliches Schweigen" geschaut?
ja und ich fand die Folge gut
ja und ich fand die Folge nicht gut
ja und ich habe neutrale Emotionen zu der Folge
nein
Diese Folge ist der 570. Tatort und lief a, 18.07.2004. Es ermitteln Lena Odenthal und Mario Kopper in Ludwigshafen.
I thought the signage along the Tongariro Alpine Crossing was particularly good fodder for @ominous-signs
There was also a rather nice one at the defunct huts explaining how they were smashed by an eruption :)
Official ominous sign(s)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
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Every morning, the queen asked her magic mirror to show her the most beautiful person in the world.
The mirror replied "To whom?"
"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".
The mirror would show her, and she'd be amazed.
The first time, she says "To me," and the mirror dutifully shows her her reflection. And she is pleased.
The second time, she says "To the King," and she is pleased to see herself once more.
The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.
The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.
The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.
The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity
"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.
"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.
"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.
The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.
It is a different person each time, and they are all beautiful.