Edward Robert Hughes, Heart of Snow, ca. 1870-1915
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Edward Robert Hughes, Heart of Snow, ca. 1870-1915

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“Invocation” by Frederic Leighton, 19th century
The Nymphaeum, 1878, William-Adolphe Bouguereau
Size: 209.55x144.78 cm Medium: oil, canvas
Large (Wikimedia)
The French Symbolist Gustave Moreau, one of the most distinctive artists I can think of, painted Jupiter and Semele in 1894 and 1895.
It depicts the story of Zeus appearing to his mortal lover, Semele. It’s a tale that explains both Zeus’ habit of showing up to his sundry women in the guise of animals, money, gusts of wind, &c., and the danger of tiny old ladies who give you strange romantic advice: sometimes they’re actually the wives of your weird deity boyfriends trying to trick you into demanding a glimpse of said boyfriend in his highly lethal superhuman-being form.
In short, don’t sleep with Zeus.
Semele, unfortunately, did not take my advice, and here dies in a visual cacophony of flowers and partially clad figures.
Detail of William Wetmore Story’s Cleopatra, dated to 1869. Marble. Source: Metropolitan Museum of Art.

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Pavel Aleksandrovich Svedomsky (1848 - 1904) - A kiss
Vasily Kotarbinsky (1849 - 1921) - Evening reverie
The Valkyrie’s Vigil.1906. Watercolour and gold paint on paper. Private collection.
Art by Edward Robert Hughes.(1851-1914).
“Ariel: On the bat’s back I do fly.” The Tempest. H.C. Selous, illus. The plays of William Shakespeare. 1870.Â
Jacques-Louis David, Apollon et Diane perçant de leurs flèches les enfants de Niobé (détails)
1772

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Portrait de la comédienne Marie-Anne de Châteauneuf by Nicolas de Largillierre, 1712 (detail)
Amy Robsart, Thomas Francis Dicksee (British, 1819–1895)
Fra Angelico - The Annunciation. Detail. 1430 - 1432
Wilhelm (Vasily) Aleksandrovich Kotarbiński (1848-1921)Crowning the Poet - 1881
Alexandre Cabanel, Phaedra, 1880.

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Paul Delaroche - The Young Martyr (1855)
The Toilette of Venus (detail) by François Boucher, 1751.