AHHHHH I WILL LOVE YOU SO MUCH IN S3 JACK
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AHHHHH I WILL LOVE YOU SO MUCH IN S3 JACK

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ââ profiled ; aaron hotchner
summary: you've spent years convincing the bau that your love life is chaotic, casual, and completely detachedâwhile quietly dying every time aaron hotchner looks at you. but when your dating profile attracts the wrong kind of attention and your unit chief is forced to look a little closer, it turns out there are very few things more dangerous than being profiled by the man you're hopelessly in love with.
notes: i've been a little conflicted about posting lately, but... it's my birthday, and i want aaron hotchnerâso here you go! i've been working on this for a while and had a very very smart friend help me with the "profiling" parts (especially reid) so i hope y'all enjoy! i also really wanted to actually write the smut, but this fic hit the block limit so hard and fast it actually hurt. as always, please please let me know what you think!
warnings: swearing / cursing, blushing, italics, reader wears a skirt (and heels), reader has a cat, implied age gap, best friend!reid, some pretentious ranting, horny thoughts, likely incorrect behavioural and psychoanalytical information, likely incorrect technical information (sorry garcia), canon-typical themes (homicide, etc. referred to off page), stalker / stalking behaviour, ambiguous use of "online dating" (because i tried to keep it vaguely around s6/s7 era), kind of rushed ending? and... fade to black / implied sex (iâm so sorry) 18+ only still, mdni.
word count: 19001
MONDAY 9:25AM
Working for the FBI means having secrets is difficult. Working with the BAU makes it downright impossible.
Not because your colleagues are nosyâno, theyâre just⌠perceptive. Which means if you want to keep something to yourself, you need to know how to manipulate their perception. Even if it doesnât work on all of themâyou glance at Reid, already seated at the round table with his nose buried in a bookâat least it works on most of them.
At least, it works on Aaron Hotchner.
Your boss. Your unit chief. The man who absolutely cannot find out about your big, fat, massively inconvenient, deeply inappropriate crush on him.
Reid glances up from his book as you drop into the seat beside him. âYouâre wearing a skirt.â
You cross your legs and lean back. âExcellent observation, Reid.â
âItâs impractical,â he says simply. âEspecially with heels. Your centre of gravity shifts forward by almost fifteen degrees, which shortens your stride length and reduces balance recovery time. Youâre significantly more likely to trip while running.â
You roll your eyes. âGood thing Iâm not planning on fleeing the scene of a crime today.â
âIgnore boy genius, baby girl,â Morgan says as he steps into the room, heading straight for the espresso machine. âYou look good.â
You flash him a grin. âSee? Somebody appreciates me.â
Reid hums as he glances back down at his book. âInteresting how your clothing choices become statistically less practical in direct correlation to Hotchâs proximity.â
Your stomach flips. âSpence.â
He lifts one shoulder. âWhat? Heâs not listening.â
You glance back at Morgan, whose eyes are glued to his phone, brow furrowed just slightly as he waits for the whirring coffee machine to fill his cup.
âThatâs not the point, Spencer,â you mutter, turning back to him. âYou need toââ
The conference room door swings open again and Hotch walks inâfiles tucked under one arm, the rest of the team trailing behind him.
âMorning,â he says, dropping the files on the table. âHope everyone had a good weekend.â
Morgan snorts. âWhat weekend?â
âYeah,â Prentiss mutters, dropping into the seat beside Reid. âI was here until five on Saturday finishing geographical profiles.â
âThatâs because you alphabetise your paperwork,â you point out.
She gives you a look. âI enjoy being proficient.â
âWell,â you say lightly, leaning back in your chair âsome of us managed to finish our paperwork on Friday and still have a very enjoyable weekend.â
Garcia gasps dramatically as she falls into the last empty chair, coffee in hand. âOoh, look at you. Was there a man involved?â
You shrug one shoulder, biting back a smile. âIâm choosing to plead the fifth.â
Morgan points across the table. âThat means yes.â
âOr,â Reid says without looking up from his book, âit means she enjoys making people speculate.â
âAw, Spence,â you tease. âDonât sound so bitter.â
He finally looks up from his book and fixes you with a look so flat it borders on threateningâbecause he knows what youâre doing. Itâs what you always do. Itâs how you manipulate their perception. How you keep your secret.
You perform.
You scroll through dating profiles, talk about men, brag about your weekends without ever being too specific. You flirt with almost everyone on the teamâReid more than the rest, because heâs your scapegoat... and your best friend.
Heâs the only one who can see through the charade. Not because heâs emotionally perceptive, but because he did the math. He noticed the pattern. He realised very quickly that every time Hotch walks into a room or says your name, you react in a way that can only mean one thing:
Hotch is the secret youâre trying so hard to hide.
Because if you give a team of profilers an easy explanationâharmless flirting with a messy dating life and a weakness for attentionâthey wonât notice the way your entire body betrays you whenever your infuriatingly gorgeous boss gets too close.
Hotch clears his throat. âWell, lucky for all of you, itâs a quiet week.â
Reid shuts his book and sets it on the table.
âNo active cases as of this morning,â Hotch continues. âWhich means weâll be catching up on consults, court reports, and the mountain of paperwork everyoneâs apparently been neglecting.â
His eyes meet yours for the briefest second, and your pulse skitters.
âIâm bored already,â Morgan sighs, leaning back in his chair.
Hotch ignores him. âWeâve got two local consult requests from Fairfax County and a follow-up review from the Richardson case. Dave, Iâll need your notes finalised by this afternoon.â
Rossi nods once. âYouâll have them.â
âGarcia,â Hotch continues, âthe Milwaukee office wants that digital forensic review by Wednesday.â
Garcia gasps softly, pressing a hand to her chest. âBut I already colour-coded my entire week. That review wasnât supposed to be due for another fortnight.â
Morgan blinks. âYou colour-code your schedule?â
âObviously,â Garcia says. âHow else would I maintain my sparkling personality under crushing institutional pressure?â
Reid straightens. âTechnically, organising information activates the same reward pathways asââ
âDonât,â Prentiss says immediately.
Reid frowns slightly. âI was just going to say gambling.â
You snort softly before you can stop yourself, covering it quickly with your hand. Reid shoots you a look. Prentiss just shakes her head. And when your eyes finally flick back to the front of the room, Hotch is already watching you.
Not the team. You.
Your stomach twists.
That signature Hotchner scowl should not be as hot as it is. It shouldnât make you cross your legs a little tighter or make your heart race the way it does. You should be used to that scowl by now. Youâre on the receiving end of it often enoughâwhenever you crack a poorly timed joke or flirt a little too hard with Morgan.
Yet somehow, you still feel like you canât breathe until his gaze finally shifts.
âMoving on,â he says evenly, âJJ will forward the consult details after the meeting.â
He spends the next thirty minutes briefing the team on consults and court appearances while you do your best to stay focusedâbut itâs hard. Itâs hard because every time you look at him, your gaze drops to his mouth and your mind fills with all sorts of filthy ideas. Then he starts moving his hands as he explains something and you canât help but wonder what they might feel like wrapped around your waist, your thighs, your throat.
His voice is a low rumble at the back of your mind, warm and firm, but you have no idea what heâs actually saying. All you can do is think about how that voice might sound, wrecked and rough, telling you how pretty you look when youâ
âThe briefing ended three minutes ago,â Reid says.
You blink hard. âWhat?â
He closes his notebook with a sigh. âThe meetingâs over. You can stop internally monologuing now.â
You frown. âIâm notââ
He gives you a look.
âUgh,â you groan. âYouâre so annoying.â
You push up from your chair and walk out of the conference room without waiting for him, but youâre not surprised that heâs right behind you by the time you reach the bullpen. You drop down at your desk with another indignant huff, watching Reid do the same from the corner of your eye.
Everyone else is already settled at their desksâkeyboards clicking, pens scribblingâand thereâs a fresh stack of files next to your computer with a sticky note on top that reads: Fairfax files. Prioritize pages 12â18. â Hotch.
You want to laugh at the little sign-off, as if anyone else would have put these files on your desk. Your fingers trace over the note once before you peel it off and stick it to the bottom corner of your computer screen.
Reid snorts. âYou know most people throw those away, right?â
You glance sideways at him. âI donât want to forget the page numbers.â
He hums. âSure.â
âYou know,â you say, turning your chair to properly face him, âyouâre being particularly judgemental today. Whatâs your problem?â
He stares at you for a moment, then glances back at the sticky note still attached to your monitor.
âIâm experiencing prolonged second-hand embarrassment,â he says plainly. âAnd repeated exposure tends to increase irritability.â
You roll your eyes. âYeah, wellâyouâre increasing my irritability.â
He nods. âGood.â
You frown.
âIâm attempting corrective behavioural conditioning.â
Your eyes narrow. âBy being annoying?â
âExactly,â he says, already turning back to his computer.
You glare at the side of his head for a long moment, searching for a comebackâbut your mind is completely blank. So with another irritated sigh, you turn back to your own screen, scoot your chair into the desk a little harder than necessary, and settle in for whatâs shaping up to be a very boring Monday.
The next two hours pass by in a blur of interview transcripts, witness statements, and crime scene photos. The Fairfax County PD files detail the death of a woman in her late thirties who accidentally overdosed in her Reston home early last week. No prior history of substance abuse, financial instability, or high-risk behaviourâuntil forty-eight hours before her death.
In just two days, she withdrew a large amount of money, missed work without explanation, visited several bars sheâd never been to before, and bought herself thousands of dollarsâ worth of expensive jewellery and lingerie.
To anyone else, it might look like some sort of breakdownâan impulsive spiral that led to the kind of recklessness you canât come back from. But to you, the behaviour feels too... artificial. As if someone is trying to construct the narrative of a troubled womanâchecking all the right boxes to give investigators an easy explanation for a tragic overdose.
Only there isnât enough concrete evidence to support your instinct. No stalker. No ex. No clear unsub who could have orchestrated this kind of ruse to cover what might actually be homicide.
You sigh. âReid.â
âHm?â
âTell me if Iâm overthinking this.â
Reid pushes back from his desk and scoots across the narrow stretch of carpet between your workstations. He doesnât stop until his chair bumps the side of your desk, causing your pen cup to topple over and spill across the files youâve got carefully laid out.
âOops,â he says absently, pushing the pens aside.
You roll your eyes and start gathering them while he scans the files.
âThe behavioural shift feels manufactured,â you say, dropping the pens back into their cup. âBut thereâs enough legitimate stressors here that I canât tell if Iâm forcing a pattern because itâs too clean.â
Reid examines the highlighted timeline for another few seconds.
âYouâre focusing too much on the existence of the stressors,â he says. âStress explains escalation. It doesnât explain inconsistency.â
You frown slightly.
âShe suddenly becomes impulsive socially, financially, and sexually, but her organisational habits never change.â He taps the timeline. âShe still pays bills early. Still meal preps. Still attends a dentist appointment two days before her death. Real behavioural deterioration isnât usually selective.â
Your brows lift. âSo, Iâm right?â
Reid nods, leaning back in his chair. âYouâre right.â
âWhatâs she right about?â
You nearly jump at the sound of Hotchâs voiceâlow and even, a little rough around the edges in that way that always makes your stomach tighten.
âShe thinks the behavioural shift is staged,â Reid says. âAnd I agree.â
He scoots back slightly as Hotch leans in, one hand braced on the back of your chair while the other pulls the file closer so he can read it properly. His tie falls forward, brushing lightly against your thighâand suddenly, you canât breathe.
Heâs close. Way too close. You can feel the heat of his breath on your skin. Smell the bitterness of coffee beneath his cologne. Hear the quiet creak of leather from his belt as he leans in further.
âItâs too compartmentalised,â Reid says, his voice more distant than it was just a second ago. âReal behavioural spirals usually bleed into every aspect of a personâs routine. Sleep disruption, missed payments, changes in grooming habits, social withdrawalâsomething.â
Hotch lifts his hand off the desk and presses his thumb to the tip of his tongueâthen flips the page.
Your pulse jumps so hard it almost hurts. Heat crawls up the back of your neck. Your whole body feels too hot, your clothes suddenly too tight, the bullpen too smallâbut you canât move. Not with Hotchâs hand still on the back of your chair.
âBut this is curated,â Reid goes on, tapping the timeline with the end of his pen. âThe impulsive behaviour escalates while the foundational routines stay completely intact, which suggests intentional narrative construction.â
Hotch turns his head just slightly, dark eyes finding yours. âYou caught that?â
You clear your throat. âI just... thought the escalation pattern felt off.â
âHer behavioural analysis is spot on, actually,â Reid says. âI canât find a flaw in it.â
Hotch hums quietly as his eyes move back over the file.
âGood girl,â he says absently.
Your entire nervous system short-circuits.
âKeep it up,â he adds, smoothing his tie as he straightens.
You donât say anything as he turns and walks away. You couldnât even if you wanted to.
Reid just sits there, hands folded in his lap as he watches Hotch disappear into his office before slowly turning back toward you.
âYou know,â he says thoughtfully, âthe age-gap preference is actually more interesting than the authority fixation.â
You finally blink. âWhat?â
âBecause the authority thing makes perfect sense. High-pressure careers tend to reinforce attraction to competence, decisiveness, emotional restraintâespecially in workplace environments where leadership qualities become psychologically linked with safety and stability over long periods of exposure.â
You frown. âWhat are youââ
âBut the older man preference is statistically more complicated because you donât actually display the attachment markers usually associated with paternal absence or instability.â
Your eyes go wide. âSpencerââ
âYou have a healthy relationship with your father, no documented authority issues, and relatively secure interpersonal attachment patterns, which suggests the preference is less psychologically compensatory and more rooted in behavioural reinforcement.â
âReid.â
âFor example,â he goes on, ignoring you completely, âyou spent your formative professional years surrounded almost exclusively by older men in positions of intellectual and behavioural authority. Gideon, Rossi, Hotchâwhich likely created a reinforcement pattern where emotional competence became unconsciously associated with attraction, arousal, and sexual interest.â
You freeze. âReid, I swear toââ
âYou donât react this strongly to older men generally,â he continues. âYou react strongly to Hotch because heâs emotionally controlled, professionally authoritative, intellectually intimidating, andââ
He pauses, tilting his head.
âVery obviously your type.â
You glance frantically around the bullpen, scanning the desks for the rest of your team.
Morgan has his headphones on, completely focused on whatever report heâs typing. JJâs desk is empty, as usualâsheâs probably with Garcia. And Prentiss is only halfway back from the kitchen, still stirring her fresh cup of coffee.
Your gaze cuts back to Reid. âYou are so lucky no one heard that, Spencer.â
He shrugs. âWouldnât matter if they did.â
Your brows pull together. âWhatâs that mean?â
âYouâre good at redirecting attention,â he says, slowly pushing his chair back toward his desk. âYouâre less good at hiding physiological responses.â
Your hand flies up to your cheek, palm pressing flat against the burning skin.
âWhatever,â you mutter. âItâs warm in here.â
Reid glances around the bullpen. âItâs sixty-eight degrees.â
âI hate you.â
âNo you donât.â
You shoot him one last glare before turning back toward your computer, aggressively waking up the monitor with your mouse.
You stay chained to your desk for the next few hours, finishing up the victimology report for the Fairfax files before taking them to Rossi for final review. Then you head out with JJ to grab a late lunch from the deli down the street, and when you get back, thereâs a brand-new stack of files on your deskâonly this time, with a tall takeaway cup of coffee set on top.
âHotch got dragged into some last-minute Section Chief meeting across town,â Morgan says, pushing his headphones down. âSaid he needs those cross-referenced before tomorrow morning.â
âGreat,â you mutter, dropping into your chair.
Morgan chuckles softly as he pulls his headphones back up, turning back to his own pile of reports.
You grab the coffee from the top of the files and find a sticky note stuck beneath itâwritten quickly but still in his unmistakable handwriting: I owe you one. â Hotch.
Your stomach flips.
God. Thatâs pathetic.
You peel the note off and drop it into the top drawer of your desk, not wanting another psychoanalytic lecture from Reid if he were to spot that note stuck to your monitor.
The rest of the day passes the way every other caseless Monday afternoon does. JJâs the first to head outânot long after fiveâtaking advantage of the slow week to spend a little extra time with Henry. Rossi leaves about an hour later, announcing to the bullpen that heâs got a date with a bottle of wine and reruns of his favourite medical drama. Morgan manages to clear the files on his desk before seven, finally putting his headphones away before bidding the rest of the team farewell.
Prentiss and Reid linger until nearly nine, and only when the motion sensor lights blink out does Prentiss finally glance up, realising how late it is. She gathers her things and nudges Reid, whoâs been firmly stuck in hyperfocus mode despite the rest of the world quietly slowing down around him.
âYou coming?â he asks, adjusting the strap of his satchel.
You look up slowly, your brain buffering as it untangles itself from the files spread across your desk.
âNot yet,â you reply, blinking tiredly. âHotch needs these by morning.â
Reid tilts his head. âWant me to wait?â
You wave a hand. âNah, go ahead. Iâll get security to walk me to my car.â
âAlright,â he says, already turning away. âJust remember that positive reinforcement loses effectiveness when the subject becomes emotionally dependent on it.â
You glare at his back. âIâm reporting you to HR.â
âYouâd have to explain the context,â he calls over his shoulder.
You roll your eyes as you turn back to the last file on your desk, taking a deep breath and flipping it open.
With the bullpen almost completely silent and the promise of sleep so close you can taste it, you manage to get through it in record time. You even give it a quick second pass to make sure you didnât miss anything glaringly obvious in your tired stateâbut youâre used to working through sleep deprivation, and by ten p.m., you finally start packing up.
You organise the files back into a neat pile, then open the top drawer of your desk for Hotchâs note. You stick it to the top file and grab a pen, scribbling just below the words he wrote: Dangerous thing to promise me.
And, just as he did, you sign off with your name.
Then you gather the whole stack in your arms and cross the bullpen toward his office. Unlocked, as usual. You nudge the door open with your foot, warm lamplight casting an orange glow over the quiet space. It smells faintly like coffee and his cologneâenough to make your heart start racing the second you step inside.
You set the files neatly on his desk, trying not to linger on the quiet traces of him scattered throughout the room.
Thereâs still half a mug of cold coffee abandoned beside some paperwork, and the cashmere sweater heâd been wearing beneath his jacket this morning is draped haphazardly over the back of his chair. Quiet evidence of just how suddenly heâd been called away.
It makes you feel a little better knowing you really have helped him out.
You adjust the files until theyâre perfectly straight, then take the sweater from the back of his chair and fold it neatly before setting it on the chest of drawers beside his desk. You hesitate for just a second before grabbing the mug of cold coffee and heading out of his office, straight for the break room. You empty it, wash it, dry it, then return to his office, placing it back on his desk exactly where you found it. Then you switch the lamp off on your way out, pulling the door most of the way shut behind youâthe way itâd been before you stepped inside.
It doesnât take long for you to gather your things, head down to security, and badge out. One of the guards escorts you to the parking garage, waiting until youâre safely inside your car with the engine running before he takes the elevator back up.
Once home, you quickly feed the yowling Leiaâyour cat, whoâs very unimpressed by your late arrivalâtake a quick shower, change into your comfiest, threadbare sleep shirt, then crawl into bed with your laptop balanced on your knees. You know you should just try to get some sleep, but youâve been ignoring a few personal messages and emails for a couple days now, and you know that if you donât get to them soon, youâll start to feel guilty.
You open your emails, reply to a couple, then pull up a new browser tab and type in the login address for the dating site Garcia set you up for. Not that you couldnât have set up your own profile if youâd really wanted to.
Noâthis profile is just the unintentional byproduct of your ongoing attempt to redirect attention.
One slow Thursday evening in the bullpen, while youâd been loudly complaining about how impossible it was to meet men with a job like yours, Morgan had the brilliant idea of making you a dating profile. Garcia immediately lit up at the idea, pulling the site up on her computer while Reid launched into a rambling statistical analysis about the probability of finding genuine compatibility online.
Hotch hadnât contributed to the conversation, but youâd known he was listening.
That had been the whole point. You always perform a little harder when Hotch can hear.
The site finally loads and you type in your credentials, waiting a few seconds for your profile to pop up.
Twelve notifications.
You click on the âmessagesâ tab and start scrolling. There are a few old conversations that fizzled out and youâve long since decided not to reply to. There are a couple of messages from people you never intend on starting a conversation with. Then there are two new messagesâones youâd seen pop up on your phone but couldnât be bothered to engage with over the weekend.
After all, youâre not actually looking to date anyone.
But one of the messages catches your eye.
DCRunner00: You seem like the kind of person whoâs either very funny or very mean. Iâm willing to risk it.
You snort, then type out a reply.
You: Unfortunately for you, those traits arenât mutually exclusive.
Just as you hit enter, Leia leaps up onto the bed.
âHey, sassy girl,â you coo, moving your laptop to reach for her.
Your fingers graze her soft coat, and she gives you an incredibly disapproving look.
You roll your eyes. âAlright. Sorry for loving you.â
You settle back against the pillows as she makes her way to the other side of the bed, curling up as far as she can possibly get from you.
Ping! Ping! Two more messages pop up.
DCRunner00: Thatâs probably the best possible answer you couldâve given. DCRunner00: So whatâs your worst personality trait? I feel like thatâs more interesting than hobbies.
That answer comes a little too easily.
You: Workaholic. You? DCRunner00: I get bored easily. DCRunner00: Which usually means I either start running or annoying people for entertainment. You: Sounds like a public safety issue. DCRunner00: Depends who you ask. DCRunner00: You should probably get some sleep, Workaholic. Itâs late.
You glance over at Leia as she rolls onto her side, stretching her front legs, and only then do you realise you were actually smiling at your screen.
You shake your head, typing quickly.
You: Yeah, I should. You: Night, Running Man.
Then you shut your laptop before he can send another message.
TUESDAY 9:50AM
âMorgan, youâre with me at district court this afternoon,â Hotch says, closing the file in front of him. âThe defence attorneyâs pushing back on the Richardson testimony, so weâll need to review our timeline before the hearing.â
Heâs wearing a grey suit today.
You can never think straight when heâs wearing a grey suit.
Morgan sighs dramatically. âNothing says excitement like four hours in a courthouse basement.â
Hotch ignores him completely.
âJJ, I want the media requests filtered through Straussâs office before lunch. Reid, finish the geographic overlays from the Fairfax case and send them to Rossi when youâre done.â
He glances once around the table.
âIf anything urgent comes in, youâll be notified. Otherwise, continue using this downtime to catch up on reports.â
Then he gathers the files into a neat stack and stands, turning toward the door.
The rest of the room starts moving slowly. Morgan mutters something to JJ about the court hearing, Prentiss turns to Reid, asking something about a case you donât quite catch, and Garcia is already explaining something on her laptop to Rossi, whoâs watching the screen with quiet concentration.
Which leaves you to shamelessly stare at your bossâ ass as he walks out of the room.
âYou should probably blink.â
Your head snaps toward Reid, frown already forming. âIâll blink when I want to blink.â
He presses his lips together to keep from laughing, and you know heâs fighting the urge to launch into some deeply unwanted psychoanalysis of your behaviourâbut thankfully, the rest of the team is still too close for him to risk it.
Eventually, everyone starts filing out of the conference room and back into the bullpen. You end up being the last to leave, behind Reid and Garcia who are chatting animatedly about some new phone app theyâre both obsessed with.
Youâre just about to pass Hotchâs office door whenâyou hear your name.
You turn your head, and he gestures for you to come in.
Reid glances briefly over his shoulder, an irritatingly knowing look on his face as you turn and step into Hotchâs office.
You clear your throat, stopping a few feet from the desk. âSir?â
âHow late were you here last night?â he asks.
You lift a shoulder. âAbout ten.â
His jaw shifts as he leans back in his chair. âThatâs late.â
âMorgan said you needed them done by the morning.â
âI didnât mean first thing,â he says, smoothing the end of his tie. âYou couldâve finished the rest before lunch.â
You blink. âOh.â
His gaze holds yours for a second too long.
âYou donât need to stay late to impress me.â
Your eyes widen slightly before you force out a small, awkward laugh. âOhâuhâgood to know.â
He glances briefly at the navy-blue cashmere sweater still folded neatly on the chest of drawers.
âStill,â he says, lower this time. âI appreciated it. The files, and⌠everything else.â
Your breath catches softly in your throat.
âAnytime, sir,â you manage.
He nods once, then drops his gaze back to the paperwork on his desk.
You donât need any more of a dismissal than that, so you turn quickly and step out, pulling the door shut behind you. He prefers it closed, even if he wonât admit it because he doesnât want the team to think heâs shutting them out. Heâs just more comfortable in privateâit helps him focus.
By the time you get back to your desk, everyone else is already settled and working quietly. Not even Reid glances up or offers a teasing remark.
You drop into your chair and wriggle your mouse, grabbing your phone while you wait for the screen to wake up.
Two new messages from DCRunner00.
DCRunner00: Running Man? DCRunner00: Great book. Slightly concerning nickname, though.
You canât help yourself, so you type out a quick reply.
You: Better than âWorkaholicâ. You: You read Stephen King?
âHey, you busy?â
You glance over at Reid. âArenât we all?â
He tilts his head. âYouâre on your phone.â
âI could be working.â
âAre you?â
âNo.â
âGood,â he says, shuffling the files on his desk. âHotch wants us to prep the full geographic and timeline package for the Fairfax files in case it turns into an active investigation.â
You sigh, already pushing back from your desk. âAnd by âusâ you mean...?â
âI could use your help.â
âFine,â you mutter, setting your phone down.
He scoots over as you roll your chair toward his desk, settling in beside him. The files are all laid out, including your victimology report with Rossiâs few annotations. There are crime scene reports, autopsy summaries, witness statements, geographic overlays, and mapsâeverything needed to justify escalating the case into a full BAU investigation.
âWhere do you want to start?â
âIâm trying to rebuild the geographic timeline digitally,â he says, âbut half the field reports were logged out of sequence and now the movement patterns donât align.â
You nod. âOkay, walk me through where it stops making sense.â
Three hours later, you feel like your eyeballs are bleeding. Youâve read the same witness statement at least twenty times now, but with every pass it only makes less sense. How could Annabelle Hutton possibly be placed in two different counties less than forty minutes apart?
âItâs physically impossible,â you mutter, rubbing your eyes.
Reid hums quietly beside you. âNot necessarily.â
You stare at him. âCare to elaborate?â
âWell, depending on traffic conditions, inaccurate timestamp reporting, and the reliability of eyewitness memory retention, there are at least four scenarios where the timeline could still technically work.â
You sigh, leaning back in your chair and staring up at the ceiling. âIf you know so much, then why canât you figure this out?â
He still doesnât turn away from his screen. âI will. Eventually.â
You groan softly, dragging both hands down your face just as a familiar voice cuts through the quiet bullpen.
âNo, listen to me carefully.â
Both you and Reid glance up automatically.
Hotch is walking slowly past the desks with his phone pressed to his ear, expression calm but impossibly stern in a way that immediately makes heat crawl beneath your skin.
âYou donât need to explain the problem again,â he says evenly. âYou need to tell me how youâre fixing it.â
He pauses briefly beside Reidâs desk, listening.
âThen prioritise the transfer first,â he says. âIf the paperwork isnât filed before opposing counsel reviews discovery, the timeline becomes vulnerable and the entire testimony gets picked apart.â
He rests a hand on the partition between the desks, gaze fixed somewhere distant as he listens to the person on the other end.
âNo,â he says after a moment, voice lower now. âIâm not asking you to stay late. Iâm telling you this needs to be finished tonight.â
Your stomach flips.
This absolutely should not be as hot as it is.
âGood,â he says calmly into the phone, straightening again. âCall me when itâs done.â
Then he keeps walking, cutting through the bullpen before turning sharply toward his office.
You stare after him, the thought slipping out before you can stop it. âDo you think he talks you through it?â
âProbably,â Reid says, turning back to his screen. âHigh-control personalities usually prefer maintaining verbal direction in intimate situations because it reinforces predictability and compliance dynamics.â
You go still. You hadnât actually expected an answer.
âSomeone like Hotch would probably place a pretty high psychological value on responsiveness,â Reid continues. âThe immediate compliance aspect reinforces authority, which means verbal direction would likely become part of the overall intimacy dynamic rather than just communication.â
Your face heats.
âEspecially because heâs not impulsive enough to rely on unpredictability. Heâd want constant awareness of how the other person is responding emotionally and physically, so talking them through things would help maintain control of the situation while also reinforcing trust.â
Oh my God.
âAnd honestly,â Reid goes on, âpeople with highly structured leadership personalities usually develop pretty strong positive associations with obedience because it confirms stability, attentiveness, emotional investmentââ He pauses briefly. âWhich means heâd probably find it disproportionately attractive when someone follows instructions immediately or responds well to praise because it validates both the authority dynamic and the emotional trust beneath it, so statistically speaking heâdââ
He stops.
Then slowly turns toward you.
â...I crossed a social boundary somewhere in there, didnât I?â
You nod slowly, your voice coming out unnaturally high. âJust a couple.â
He sighs, dropping his chin slightly as he turns back to his screen.
You huff out a breathless laugh and lean back in your chair again. You need a minute to recover from that, because now youâre hot all over and the only thing you can think about is your boss hovering over you, praising you in that low, steady voice while his hand settles around your throatâ
Fortunately, it doesnât take Reid long to start rambling about geographic overlays again. You do your best to focus on what heâs saying, but after another hour of scrutinising the timeline inconsistencies, you decide you need an actual break.
You grab your phone and your jacket and head out of the office, sending a quick text to the team chat asking if anyone else would like a coffee from the cafe down the road. Itâs a thousand times better than break room coffee.
When you step out of the elevator on the ground floor, you bring up your messages with DCRunner00. Youâre not sure why, because normally you only check your profile when you feel like you need to keep up the act, but something about this guy keeps making you want to reply.
DCRunner00: Iâve read a few. DCRunner00: What does a workaholic do for fun?
You type your reply as you step out of the building.
You: Work, mostly. You: And sleep.
By the time you return to the office with a tray of four coffees, you have two new messagesâbut you canât reply to them until you set the tray down at your desk.
âThanks, pretty girl,â Morgan says as he takes one, flashing you a grin.
You smile back. âAnything for you, gorgeous.â
Then you pull your phone out of your pocket and bring up the message thread.
DCRunner00: Whatâs your schedule even like? DCRunner00: You strike me as an âanswers emails at midnightâ type of person. You: Nah. Thatâs my boss. You: My schedule is chaos, though.
âThanks,â Reid says as he takes his coffee, leaving only two.
You set your phone down and take the last two coffees out of the tray, leaving one at your desk before taking the other to Hotchâs office. You can see through the window that heâs not on the phoneâfor onceâso you knock twice on the slightly ajar door before stepping inside.
He glances up, his brows pulling together slightly. âI didnât ask for coffee.â
âI know,â you say quickly. âBut itâs almost three, and you always need another coffee around three, and I figured you probably didnât answer the team message because you still feel bad about me staying so late last night, which you shouldnât, by the way.â
He straightens, brows drawing tighter.
âAnd I know youâve got court with Morgan this afternoon, and youâre going to try to leave early, but someoneâs definitely going to call at the last second and derail that plan, so youâll only have enough time to get to the courthouseânot enough time to stop for coffee.â
You set the cup down in front of him.
âSo,â you tilt your head, âcoffee.â
He leans back in his chair, studying you for a second.
âThatâs some pretty solid profiling, Agent.â
Your face heats instantly.
âWell,â you say, backing slowly toward the door, âmaybe now you owe me two.â
The corner of his mouth lifts, just slightly, but itâs enough for the butterflies in your stomach to explode. You canât help but grin as you turn away, slipping quickly out the door before your lungs forget how to work entirely.
You spend the rest of the day at Reidâs desk, finishing the case package for the Fairfax files and complaining about unreliable witnesses. Hotch and Morgan head off to court just after three, announcing to the rest of the team that they wonât be back. JJ is the first to head home again around five, followed by Prentiss, then Rossiâthen you and Reid finally decide to call it a day just after six.
Which is also when you finally check your messages again.
DCRunner00: Chaos how?
You type a quick reply while you wait for your carâs AC to warm up.
You: Long hours. You: Weird hours. You: And a deeply unhealthy relationship with caffeine.
Then you tuck your phone away and head out of the parking garage.
Leia is already yowling by the time you step through your apartment door. Sheâs always hungry, even though she has an automatic feeder for dry foodâbut apparently that isnât good enough. She prefers the wet stuff.
You quickly peel open a packet of fishy-smelling chicken jelly sludge and drop it into her bowl before washing your hands and moving into your bedroom. You flip the ensuite light on and start the shower, pulling your phone out of your pocket while you wait for the water to warm.
DCRunner00: Ah. So youâre one of those people. You: Rude.
He replies almost immediately.
DCRunner00: Accurate, though? You: Unfortunately.
You drop your phone on the bed and start undressing.
Ping!
DCRunner00: What do you actually do?
You hesitate. Itâs not like you can just say youâre in the FBI. Contrary to what some people might think, real FBI agents canât just go around bragging about their highly classified work status. Itâs dangerous.
You: Mostly admin. You: Governmental stuff.
You toss your phone back onto the bed and turn into the steamy ensuite. You shower quickly, dry off, run product through your damp hair, then pull on a shirt and a pair of sweatpants before heading back out into the kitchen.
Youâre not in the mood to cook tonight, so you grab a protein bar out of the cupboard and start boiling the kettle while you check your phone for what feels like the hundredth time.
DCRunner00: Sounds boring. DCRunner00: Do you get days off, though?
You drop a teabag into your mug before typing out a reply.
You: Sort of. You: But if my boss calls, I answer.
He replies instantly again.
DCRunner00: Iâm starting to think you secretly enjoy being overworked. You: I think Iâd get bored otherwise.
You pour the boiling water into your mug and watch his next reply pop up.
DCRunner00: That sounds suspiciously unhealthy. You: Probably. What about you? What do you do?
You tuck your phone into your pocket, then grab your tea and protein bar and head to the couch. Thereâs nothing youâre really interested in watchingâsince you donât usually have the time to keep up with any showsâso you turn on the nightly news before grabbing your laptop and pulling up a new browser.
Heâs already replied by the time you log in.
DCRunner00: Run. DCRunner00: Read. DCRunner00: Annoy people professionally. You: That sounds made up.
You open your protein bar.
DCRunner00: It mostly is. DCRunner00: So your boss actually calls you outside work hours?
You hesitate at the sudden redirection. Most men on dating apps prefer talking about themselves. Their jobs, hobbies, gym routines, childhood dogsâwhatever makes them seem interestingâbut this guy seems far more interested in observing than being observed.
You type out a vague response.
You: Sometimes. You: Occupational hazard, I guess. DCRunner00: And you always answer? You: Pretty much. You: Heâd only call if it mattered.
His next reply takes almost two minutes to come through.
DCRunner00: Hm. DCRunner00: Iâm starting to think your boss gets more attention than I do.
You almost choke on your tea.
Thatâs... weird.
Maybe you have mentioned your boss a little more than strictly necessary, but heâs the one asking all the questions about your job. Itâs a little hard not to mention your boss when your life practically revolves around himâin more ways than you care to admit.
You: Jealous already, Running Man? DCRunner00: Should I be?
You sit up straighter, suddenly a little nauseous.
You: I think youâre spending too much time talking to strangers online. DCRunner00: Maybe. DCRunner00: You still replied, though.
âOkay,â you say, startling Leia who was half-asleep on the other end of the couch. âThatâs enough.â
You: Iâm going to sleep. You: Try not to spiral while Iâm gone.
His last message pops up just before you shut your laptop.
DCRunner00: No promises.
WEDNESDAY 8:10AM
âCome on,â you mutter, mashing the elevator button for the doors to close.
Youâre a whole thirty minutes earlier than usual this morning. You didnât even make a coffee in your travel mug before running out the door. You just woke up, brushed your teeth, checked your messagesâand decided you needed to talk to Garcia immediately.
âHeyâwoah.â Reid steps out of your way as you rush into the bullpen. âYouâre early.â
You drop your bag on your desk and quickly shrug off your jacket.
âIs Garcia in yet?â
He frowns slightly. âI think so. Why?â
You pull your laptop out of your bag.
âI justâI need her.â
Youâre already walking away before he can press any further, moving back through the bullpen with your laptop hugged against your chest. Youâre just about to round the corner toward the elevators whenâ
âHeyââ Hotch stops short just as you nearly run into him. âSlow down. You alright?â
His hand is hovering near your waistânot quite touching, but close enough for you to feel its warmth.
You blink up at him. âSorry. Yeah. Uhâtotally fine. Just going to see Garcia about... a case.â
His brows pull together slightly.
âAlright, well, Garciaâs not going anywhere,â he says evenly. âTake a breath.â
You nod slowly, already stepping around him.
âRight,â you mutter. âBreathing. Got it. Sorry, sir.â
You can almost swear you see the corner of his mouth liftâbut then the elevator dings behind you, and you have to hurry to slip through the doors before they slide shut.
It feels like an eternity before they finally open again, but once they do you practically sprint down the hall to Garciaâs lair and burst through the door without warning.
She startles so hard she nearly drops her coffee. âSweet mother of encryption, knock first!â
âSorry,â you say, breathless. âI need you.â
âWell, obviously,â she mutters, checking her shirt for any spills. âIâm the backbone of this entire operation.â
You drop down into the spare chair and open your laptop, setting it on her desk.
âYou cannot judge me for what Iâm about to show you.â
She glances up, brows lifting. âOh. So this is serious?â
You grimace. âI donât know.â
âOkay,â she says slowly. âSlightly less reassuring than I was hoping for. Tell me whatâs happened.â
You take a deep breath, then let it out in a rush.
âYou remember the dating profile you set up for me?â
She nods.
âAlright, so, I wonât lie, I havenât really met anyone on there yet, but I check the messages occasionally. When Iâve got time, you know? And I donât have a whole lot of ongoing conversations, but this one guy sent me something that was kind of funny, so I responded, and the conversation was pretty normal for the most part. I couldnât reply all that quickly, but he didnât seem to mind.â
You shift awkwardly, scooting your chair closer to her desk.
âNothing really felt out of place untilâwell, he wouldnât talk about himself much, which is strange because most people on dating apps are usually more interested in presenting themselves than gathering information. He kept asking questions about my job, actually. Not that my job is on my profile, but he was really curious about my schedule, orâI guessâlack of schedule.â
You wince.
âSo now that I think about it, that was probably the second sign something might be off. Or maybe he just wanted to meet up, I donât know.â
You hesitate.
âBut then he sent me this message at like... two a.m.â
She squints at the screen.
DCRunner00: Bet you answer your boss faster than you answer anyone else.
âMmm. Nope. Donât love that,â she says, shaking her head. âThat is not a normal amount of emotional investment for a stranger.â
You sink back in your chair. âThatâs what I thought.â
She starts scrolling back through the messages.
âHave you told Hotch?â
âNope.â
She glances at you from the corner of her eye. âYou answered way too fast for that to be a normal response.â
âBecause the answer is no,â you say firmly, leaning forward again.
âMm-hm.â She keeps scrolling. âOkay, well... technically this could still be nothing. He could just be some lonely basement cryptid with Wi-Fi and poor social skills.â
You groan, dragging both hands over your face.
âYou do mention Hotch kind of a lot.â
Your head snaps up. âHeâs my boss.â
Garcia gives you a long look.
âOkay,â she says slowly. âSure.â
âGarcia.â
âIâm just saying, if a man talked about a woman this much online, weâd all be making faces.â
You point at the screen. âFocus.â
âRight. Yes. Creepy internet man. Sorry.â
Her expression settles into something more focused as she turns back toward her array of monitors.
âOkay. Hereâs what weâre going to do. Donât block him yet.â
You sigh. âI donât love that idea.â
âNeither do I, babycakes, but if heâs routing through the website normally, I might be able to pull connection data if we keep him talking long enough.â
You frown. âIn English?â
She gives you another look. âTimestamps, login patterns, regional pings, possible VPN usage, device signatures if he slips upâbasic digital stalking fun.â
âOh, of course,â you say sarcastically. âNormal stuff.â
âFor me, it is normal.â She points toward the laptop. âNow reply to him. Something casual. I want to see if he responds immediately again.â
Your fingers hover over the keys for a second before you type out your reply.
You: I thought I told you not to spiral.
He replies so fast that even Garcia flinches.
DCRunner00: Relax. It was a joke. DCRunner00: Mostly.
She stares at the screen. âOkay, I officially donât like him.â
You lean back in your chair again, nausea twisting low in your gut. âI feel sick.â
Garciaâs expression softens slightly. âMaybe you should tellââ
âNo.â
She sighs quietly. âOkay. Fine. Can you keep replying from your phone?â
You nod.
âGood. Donât overdo it, just enough to keep him engaged.â Her fingers start flying across the keyboard. âIâll work my magic down here and call you if I find anything.â
You push yourself out of the chair, clutching your phone a little tighter.
âYouâre the best, Pen.â
âI know.â She waves a hand without looking away from her screens. âNow go pretend to be emotionally stable upstairs.â
By the time you get back to your desk, almost everyone is already in the conference room ready for the morning briefing. You drop your phone beside your keyboardâtoo anxious to have it with you during the meetingâthen quickly unpack your things and grab a notebook before making your way up.
Reid nods at you from his usual seat, gesturing to the empty one beside him.
âHey,â you mutter as you drop down next to him.
His brows pull together. âEverything alright?â
You nod. âYeah. Fine. Iâll explain later.â
Hotch keeps the morning briefing quick. He goes over yesterdayâs court hearing, outlines the Fairfax briefing package in case it escalates into an active investigation, then gets JJ to run through the highest priority consultation requests.
You spend most of it toying with a loose thread on the cuff of your blouse. Youâre pretty sure itâs the first briefing in years where you havenât spent at least part of it staring at Hotch instead of your notesâand when the room finally relaxes and everyone starts to filter out, Reid turns to you.
âOkay, now Iâm concerned,â he says.
You glance at him. âWhy?â
âYou didnât look at Hotch once during that entire meeting.â
You roll your eyes. âSpenceââ
âSomething must be seriously wrong.â
You let out a long exhale, glancing briefly around the almost empty room. Only Morgan and Rossi are left, halfway to the door, deep in discussion about something that happened at the court hearing yesterday afternoon.
âOkay,â you say quietly, turning back to Reid. âIâm having some... trouble, I guess, with a guy.â
His brows shoot up. âA guyââ
âOnline,â you add quickly.
He tilts his head. âIâm confused again.â
You sigh. âRemember that dating profile Garcia set up for me?â
âYou mean the profile you allowed Garcia to create as part of your increasingly unsustainable performative dating strategy?â
You glare at him. âYes. That one.â
âThen yes, I remember it very clearly.â
âWell,â you mutter, pinching the bridge of your nose, âI had this guy message me a couple days ago. It was normal at first but now itâs gotten... weird. So, Iâm getting Garcia to look into it.â
His forehead creases. âHave you toldââ
âNo.â
âMaybe you shouldââ
âI said no.â
âAlright.â He raises both hands in surrender. âOkay. Iâm dropping it. Itâs justâŚâ
You narrow your eyes at him.
âWell, statistically speaking, the majority of uncomfortable online interactions donât escalate into actual stalking behaviour. Most people displaying premature emotional fixation online are socially isolated rather than violent.â
You lift a brow, waiting for the punchline.
âHowever,â he adds, âcyberstalking offenders also tend to develop parasocial attachments disproportionately quickly because the perceived emotional intimacy bypasses a lot of normal social barriers, which means escalation patterns can become highly personalised in a very short period of time.â
You stare at him.
âIn cases where the fixation becomes grievance-oriented, the offender is usually highly organised rather than impulsive, so the behaviour tends to be significantly more deliberate and psychologically targeted.â
He pauses, frowning faintly.
âThat was supposed to be reassuring.â
ââŚThanks, Reid,â you mutter, turning away from him slowly. âNow I feel so much better.â
When you get back to your desk, you decide itâs time to reply again. You grab your phone and bring up the messages, taking a minute to think about what to typeâknowing Garcia will be seeing the conversation too.
You type out the only mildly casual response you can think of.
You: Youâre weird.
He replies just as fast as usual.
DCRunner00: You disappear a lot. You: Workaholic, remember. You: I told you my schedule was chaos.
Youâre about to turn your phone over on your desk when a different notification pops upâfrom Garcia.
Garcia: If this is your version of flirting, baby girl, I think I just figured out why youâre still single.
You snort softly, typing out a quick reply.
You: Trust me, thatâs not the reason. Garcia: So there IS a reason? You: Shh. Iâm working. Garcia: Boo!
You huff another quiet laugh as you turn your phone over, nudging it toward the edge of your desk in the hopes that you might be able to focus on work rather than creepy internet man for at least a few hours.
It doesnât work.
Barely half an hour later, you lift your phone to check for another notificationâbut thereâs nothing there. You pull up the message thread again and scroll up, checking the timestamps to see if heâs ever gone quiet on you beforeâbut he hasnât. Not really. So you type another message.
You: You went quiet. Should I be concerned?
Itâs a calculated move. If heâs paying attention to response patternsâand at this point youâre pretty sure he isâthen following up first helps maintain the illusion that nothing has changed. No sudden distance. No obvious discomfort. No reason for him to think youâre pulling away.
If he is dangerous, the last thing you want is for him to feel rejected.
An hour later, Rossi drops a legal pad onto your desk, asking you to take another look at a witness timeline that doesnât feel rightâwhich keeps you occupied for a good forty-five minutes. Then Morgan leans over the partition between your desks, asking if you can translate Reid into English. That takes up another hour of your day, and by the time you grab your first afternoon coffee, youâve got three notifications.
One is a missed call from Garcia. The other two are from creepy internet man.
DCRunner00: Depends. Are you worried about me? DCRunner00: Blue looks good on you, by the way.
Your stomach drops. âOh my God.â
You immediately call Garcia back.
She answers on half a ring. âAre you wearing blue?â
âYou saw me this morning.â
âI canât remember,â she says. âAre you?â
You drag a hand through your hair. âYes.â
âHoly shit,â she whispers. âYouâve got to tellââ
âNo.â
âAre you insane?â
âMaybe, butââ You squeeze your eyes shut for a second. âOkay, justâhear me out. Blue is a statistically safe guess. Itâs a neutral professional colour with high frequency in workplace attire, especially in government buildings.â
Garcia goes quiet for a second.
âAnd does this unsub know you work in a government building?â
âDonât call him that,â you snap. âAndâwell, kind of. I didnât tell him exactly, but I said... government adjacent.â
âI swear to God,â she mutters, âif I have to identify your body next week, Iâm going to kill you.â
You press your free hand against your forehead.
âYou wonât,â you say firmly. âAlright? Weâre getting ahead of ourselves.â
Garcia scoffs loudly.
âSeriously,â you insist. âIt could still be nothing. A weird coincidence, maybe an awkward guy with boundary issues and too much free time. We deal with actual predators every day. I can handle a few creepy messages.â
The line goes quiet againâthen she sighs.
âWhy are you so against telling Hotch?â
âBecause I donât want to bother him,â you say quickly. âWeâve got a quiet week, he finally seems slightly less stressed, and I donât want to cause a whole fuss over something that might turn out to be nothing.â
She sighs again, louder this time. âFine. I wonât go to Hotch.â
Your shoulders sag. âThank you.â
âOn one condition,â she adds. âIâm sleeping over tonight.â
You nearly choke. âWhat?â
âNon-negotiable.â
âPenelope, thatâs insane.â
âNo,â Garcia says firmly, âwhatâs insane is you trying to casually explain away potential stalking behaviour while actively refusing to inform your unit chief.â
âHe is not stalking me,â you protest, keeping your voice low.
âMm-hm.â
âYouâre overreacting.â
âAnd yet,â Garcia says, âif you die, I become morally complicit because I knew about creepy internet man and failed to intervene.â
You frown. ââŚMorally complicit?â
âAccessory to murder-adjacent,â she corrects. âAnd my guilty conscience requires eight hours of sleep minimum, so congratulations. Weâre having a slumber party.â
You let out a long sigh. âOkay. Fine.â
She hums, satisfied.
âI need to reply to him again.â
âWell, donât ask me,â she mutters. âYouâre the one whoâs apparently fluent in creepy internet freak.â
You laugh despite yourself. âThanks, Pen.â
âMm-hm. And just so weâre clear, tonight we are watching wholesome romantic comedies and eating enough sugar to kill a Victorian child.â
âI was actually thinking psychological thriller marathon.â
âAbsolutely not.â
You smile faintly, leaning back in your chair. âFine. Romantic comedies it is.â
âGood,â Garcia says firmly. âNow hang up before I change my mind and march upstairs to Hotchâs office myself.â
You roll your eyes as you hang up, then open the message thread again. You donât have to think too hard about what to type. You donât want to escalate or accuse him, but you need him to stay engaged. You want him to explain himself to see how he reframes the behaviour.
You: Lucky guess.
The next few hours slip by in a strange blur of routine tasks and fragmented conversations.
At about three oâclock, Prentiss drops a file on your desk and asks if you can double-check a victim timeline while sheâs stuck on the phone with Chicago. Then Rossi calls you into his office to sanity-check a profile theory heâs working through out loudâwhich means fifteen minutes of listening to him argue with himself while you sit there trying not to focus on Hotchâs voice through the wall.
When you finally get back to your desk, Reid spends twenty minutes walking you through a probability model nobody asked for but everyone somehow ends up listening to anyway. He only stops when Hotch appears, carrying a stack of files from the Richardson case he wants Morgan to look over before he signs them offâand for the first time in God knows how long, you donât stare shamelessly at his ass as he walks out of the bullpen.
By six p.m., JJ and Rossi are gone, Prentiss is helping Morgan with the Richardson files, and Reid is building a tiny tower out of paperclips while he reads over a file Rossi dropped on his desk before he left.
At exactly six-fifteen, your desk phone rings.
âHello?â
âPack your things, baby girl. Your government-issued sleepover is about to begin.â
You snort softly. âAlright. Iâll see you soon.â
You hang up the phone and start clearing your desk, organising paperwork into piles and packing away stationery while you wait for your computer to shut down.
âSee who soon?â Reid asks.
You glance at him. âGarcia.â
He tilts his head.
âSheâs staying over tonight.â
His brows lift. âBecause of your stalkââ
âGirlâs night,â you interrupt, eyes widening. âThatâs all.â
His gaze narrows. âShould I be worried?â
You scoff. âAbout me? Never.â
You slide your arms into your jacket then finally pick up your phone, finding two new notifications from creepy internet man waiting for you.
âReally?â Reid asks, turning his chair to face you. âBecause youâve spent most of the day staring at your phone like itâs a bomb, you spent most of Rossiâs profile discussion peeling the label off your water bottle instead of contributing, and you reorganised the same stack of paperwork three separate times.â
You pause mid-motion.
âAlso,â he continues, âyou usually correct Morgan when he misquotes case statistics and today you let him do it twice, which honestly might be the most concerningââ
âOkay!â you cut in quickly, slinging your bag over your shoulder. âGood talk. Love the observational skills. Bye.â
He doesnât say anything else as you walk away, murmuring goodbyes to Morgan and Prentiss as you pass, but you can still feel him watching you. Youâre just about to press the button for the elevator whenâ
âAgent.â
You stop automatically, turning to find Hotch with a file tucked under one arm and that signature frown etched between his brows. Only this time it isnât frustrated or disapprovingâitâs curious.
You force a small smile. âSir.â
His eyes move over your face briefly. âYou alright?â
You nod once. âOf course.â
He takes a step forward, his voice dropping lower. âYou sure?â
Your breath catches.
Heâs close now. Too close. You have to tilt your head back to meet his eyes. You can smell his cologne, feel his warmth, count the beauty marks dotted across his cheek.
âYouâve seemed distracted today,â he says.
You swallow hard. âUhâno. No. Sorry, I justâI didnât get much sleep last night.â
His brows draw a little tighter, and he opens his mouth as if heâs about to say something elseâpress harder, maybeâbut then seems to think better of it.
âAlright,â he murmurs. âGet some rest tonight.â
Then he nods once and steps back, his jaw tightening for just a second before he turns away.
You donât move immediately. You canât. Your mind is reeling, your pulse is still hammering, and your breath is caught somewhere between your ribs while your lungs try to remember how to work.
âHello?â Garcia calls from behind you. âI cannot hold these doors forever, babycakes.â
You shake your head. âShit. Sorry.â
You turn and hurry into the elevator, slipping in beside her just before the doors slide shut.
For a moment, neither of you says anything.
Thenâ
âSo, that thing you said earlier about there being a reason youâre still singleâŚâ
You shut your eyes. âPenelope.â
âIâm just saying,â she continues lightly, âunless I hallucinated whatever just happened in that hallway, Iâm starting to develop theories.â
You ignore her, watching the numbers on the elevator slowly descend like counting down the days you have before the entire team figures out your secret. Because if this guy really is a creep, if you do have to tell Hotch, then itâs only a matter of time before the BAU are dissecting your dating life and realising what a ruse it really is.
And you know better than anyone that once these profilers start looking too closely at something, they rarely stop until theyâve pulled it apart completely.
The second you step through the door to your apartment, Garcia rushes past you to sweep the place. Leia startles almost immediately, running from the couch to your bedroom while Garcia complains about the fact that Leia is the only cat sheâs ever met that doesnât like her.
âLeia hates everyone,â you tell her, kicking your shoes off by the door. âEven me.â
Garcia just rolls her eyes, continuing from room to room to check the window locks and balcony doors.
Once sheâs satisfied that everything is secure, she sets her laptop up on your kitchen counter and starts running a program that looks like hieroglyphics to you.
âHave you seen his latest messages?â she asks.
You shake your head, setting your phone on the counter. âNo.â
She opens your laptop and logs into the dating siteâbecause apparently she knows your password now.
DCRunner00: Maybe. DCRunner00: Or maybe youâre just easier to read than you think.
You type out the first response you can think of, not wanting to seem like youâre overanalysing this.
You: Or maybe Iâm just not trying so hard to be mysterious.
Garcia then spends the next ten minutes trying to explain her process to you in terms that almost make sense. So far sheâs managed to narrow him down to a general region through login patterns and routing behaviour, but she still canât lock onto a direct IP address. Not because she canâtâapparently that part would actually be pretty easyâbut because doing it properly would mean running requests through systems that leave a trail. And right now, this definitely isnât an official investigation.
âThe second I start pulling the fun federal strings,â Garcia says, typing furiously, âthereâs paperwork, access logs, oversight, and approximately twelve thousand ways for this to become a whole thing.â
You lean against the counter. âWe donât want that.â
âNot yet.â Her expression sharpens slightly. âAlso, if creepy internet man is more sophisticated than he seems, thereâs always a chance heâs monitoring for targeted tracing attempts. If he realises someoneâs looking too closely at him before we know who he is, he could disappear completely.â
Your stomach twists. âOr escalate.â
You spend the next couple of hours keeping creepy internet man engaged while Garcia rambles tech jargon that makes less sense the longer the night wears on. At some point, you order pizza, then you migrate to the couch, and eventually you both end up sitting through the credits of Two Weeks Notice while waiting for one last reply in the hopes that he might finally answer something about himself.
DCRunner00: Refreshing DCRunner00: Most people hide too much. You: Depends what theyâre trying to hide. DCRunner00: What are you trying to hide? You: Besides the fact that Iâm exhausted? Nothing. DCRunner00: You seem distracted tonight. You: Long day. DCRunner00: I noticed. You: How was yours?
You wait until almost midnight before finally deciding to call it a night.
Garcia checks all the windows and doors again while you brush your teeth and change into pyjamas. When you step back out of your bedroom to say goodnight, Garcia is trying her hardest to lure Leia onto the couch with her, but Leia is very stubbornly curled up beneath the TV unit.
âNight, Pen,â you murmur, rubbing your eyes. âThanks again... for everything.â
âNight, gorgeous,â she calls, peering over the back of the couch. âWake me up if you hear literally anything suspicious. Or if Leia finally decides itâs my time.â
You laugh softly, blinking slowly as you turn back into your room and fall face first into bed.
THURSDAY 6:45AM
Youâre not sure whether to be relieved or concerned when you wake up to no new messages from creepy internet man. He hasnât gone quiet for this long beforeâbut if he is just a normal, slightly awkward guy with boundary issues and an internet connection, well... itâs not that hard to believe he might just be sleeping.
Garcia is already up making coffee by the time you step out of your room, trying to bribe Leia out from under the couch with a tube of tuna paste.
The second she sees you, she jumps up and launches into another long-winded explanation about login activity and movement patterns across different access points. Apparently, creepy internet man logged in from three different geographical locations over the course of a few hours last nightâwhich is normal, right? That means he was out doing normal human things, not just lurking in his motherâs basement, stalking women online.
Garcia isnât entirely convinced that him moving locations is enough to get him off the hook as the BAUâs next unsub, but it at least shuts her up until youâre both back at the office.
âHey,â Reid says as soon as you walk into the bullpen. âYou havenât been murdered.â
You frown slightly. âGood morning to you too, Spence.â
Morgan glances up from the file on his desk. âUhâwhy are we getting murdered?â
Reid gestures vaguely in your direction. âBecause sheâs potentially being cyberstalked by aââ
âOh, wow, look at the time,â you interrupt, glaring at Reid. âWouldnât it be such a shame if we all started minding our own business right about now.â
Prentiss turns in her chair, brows raised. âCyberstalked?â
âNobody is cyberstalking anybody,â you say as you drop into your chair. âAnd nobodyâs getting murderedâbut great start to the morning, everyone. Love the energy. Now leave me alone.â
Morgan chuckles quietly. âDamn. Thought you said you got laid last weekend.â
Your hands slip off the desk as you try to pull yourself closer.
âTechnically,â Reid says, âshe only implied it by refusing to answer Garciaâs question during Monday morningâs briefing.â
âAh.â Morgan leans back in his chair. âI knew this was a drought issue.â
You scowl at him. âA drought issue?â
âStatistically speaking,â Reid adds, âpeople experiencing prolonged romantic or sexual dissatisfaction often display lower frustration tolerance and increased agitation in familiar social environments.â
Morgan looks at him. âMan, just say she needs to get laid.â
âOh my God,â you snap. âI do not need to get laid. I am having a completely normal amount of sex already, thank you very muchâand frankly I think itâs deeply inappropriate that youâre all this invested in whether or not Iâm orgasming regularly.â
Reid tilts his head. âYouâre having sex?â
Morganâs brows shoot up, Prentiss chokes on her coffee, and you open your mouth to fire back at him whenâ
Someone clears their throat behind you.
Heat crawls violently up your neckâbut you donât turn around. You canât.
âBriefing room. Five minutes,â Hotch says, his voice dangerously even. âJJâs got an update on the custodial interview with Wallace.â
Morgan presses a fist against his mouth, tryingâand failingâto smother the strangled sound of laughter.
Very slowly, you turn in your chair.
Hotch is standing at the edge of the bullpen with a coffee in one hand and a file in the other. His expression is almost perfectly composed, but thereâs something dangerous lurking beneath itâsomething suspiciously close to amusement in the tightness of his mouth.
âBe right there, sir,â you blurt, lifting two fingers to your forehead in the most ill-timed attempt at a salute the FBI has ever seen.
Hotch just looks at you, the muscle in his jaw jumping once before he turns away.
You want to die.
The second his office door clicks shut behind him, Morgan drops his fist and smacks his palm flat against the desk with a choked laugh.
âOh, you are never recovering from that,â Prentiss mutters, smirking behind her coffee cup.
Morgan leans back in his chair, grinning. âBaby girl, that was painful to watch.â
You drop your head into your hands.
âYou somehow escalated the situation at every possible opportunity,â Reid says thoughtfully.
âI hate you all,â you mumble into your palms.
You spend the next half hour with your nose buried in your notebook, avoiding eye contact with the entire team while JJ explains the month-long back-and-forth that it took to finally get approval for the Wallace interview.
Apparently, the prison is limiting the interview to a single hour and reserving the right to terminate it early if the inmate becomes uncooperativeâwhich Rossi thinks is less about policy and more about Wallace trying to dictate the terms of the interaction.
Itâs not ideal, especially considering you were the one who convinced Hotch to push for the interview before Wallace is transferred to death row. His case was one of the first you ever studied during the BAU training programme, and there isnât much you wouldnât give to pick the sociopathâs brains. One hour with him feels dangerously shortâthat is, assuming Hotch actually picks you to be in the interview with him.
âWe donât have enough time to waste managing personalities in the room,â Hotch says, gathering the files in front of him. âIâll decide on a second agent and send out the interview schedule later today.â
Chairs start scraping back almost immediately, files and notebooks snapping shut as everyone gathers their things and starts filtering out of the roomâbut you donât move. You stay firmly planted in your seat, chewing thoughtfully on the inside of your cheek while you debate whether to follow Hotch into his office and ask to be part of the interview. You donât even have to be asking the questions, you just want to be there. You were the one pushing for it in the first place.
But then your brain very helpfully reminds you that Aaron Hotchner heard you say the word orgasming less than an hour ago and suddenly, being on death row yourself feels infinitely preferable to making eye contact with your unit chief.
âYou alright?â Reid asks, lingering beside you.
You sigh heavily, finally closing your notebook. âYep. Just thinking about how Iâll probably have to fake my own death and change my name after this morning.â
He shrugs. âHotch probably isnât even thinking about it anymore.â
You glance up at him hopefully.
âMorgan definitely is, though.â
You roll your eyes, letting out another resigned sigh as you stand up and follow him out of the briefing room.
The rest of the morning manages to pass without incident. You stay chained to your desk, reviewing reports and processing any files that come your way while very deliberately not glancing up any time Hotch steps out of his office. At around eleven, Morgan and JJ head out to the cafe down the street and come back with coffees for the whole team. Then thereâs a printer jam that gives the rest of the office a rare glimpse at just how angry Emily Prentiss can get when frustrated.
It isnât until just before midday that you finally get up to go to the bathroom, and when you return to your desk, thereâs one new notification in your inbox.
From: Aaron Hotchner Subject: Wallace Interview Youâre with me next Thursday. We leave at 0700.
Your stomach flips.
âWow,â Reid says, suddenly standing right beside your desk. âHe picked you pretty quickly.â
You shoot him a warning look. âSpence.â
âIâm just saying, he usually deliberates longer.â
You glance back at the screen, rereading the first five words that make your pulse skip a little faster.
âYou and Hotch do work unusually well together in confined conversational environments,â Reid adds.
You turn back to him, frowning.
He tilts his head. âThat sounded more suggestive than I intended.â
You open your mouth to tell him how deeply unhelpful heâs being when your phone buzzes twice against your deskâlike it does several times a day, but something about it feels different this time. Wrong.
You reach for it slowly, your stomach twisting tighter as you turn it over.
Two new notifications from creepy internet man. The first since last night.
You open the message threadâand your stomach drops.
DCRunner00: [Image attachment] DCRunner00: Did you and your friend have fun last night?
The image is of your apartment building. Itâs grainy, slightly crooked, clearly taken from somewhere across the streetâbut your living room windows are unmistakable. Warm light glowing through the glass. The blurred silhouette of someone inside.
Ice floods your bloodstream.
You stop breathing.
âIs that... your apartment?â Reid asks, leaning over your shoulder.
You donât answer him. You canât.
The bullpen dissolves into white noise around you.
Untilâ
âIâm done!â Garciaâs voice cuts through the static. âI canât do this anymore!â
Sheâs marching right toward you, your laptopâthat sheâd still been monitoringâtucked under one arm.
Reid gasps. âWait. Is thatââ
Morgan straightens in his chair. âWhatâs happening?â
âHotchâs office,â Garcia says, her expression dangerously stern as she stops beside your desk. âNow.â
You nod slowly, your shoes almost slipping against the carpet as you push your chair back. Reid steps aside just enough to let you stand, but before he can get too far, you reach out and wrap your fingers around his wrist, silently dragging him with you as you follow Garcia back through the bullpen.
Hotch glances up the second Garcia pushes open his office door.
âWhatâs going on?â
His tone is calm, automatic, already slipping into that low, calculated cadence he uses when heâs trying to talk someone down from the ledge. His gaze moves from her to youâand something in his expression shifts. Hardens. That muscle in his jaw ticking just once before he turns back to Garcia.
âWhat happened?â he asks, sharper now.
Garcia crosses the room quickly, opening your laptop and sitting it on his desk while you hover uselessly in the doorway with Reid still caught in your grip.
Hotch glances at the screen, his eyes flicking through the messages.
Then he looks back upâright at youâand something unreadable settles across his face. Something dangerous.
âWho sent this?â
Garcia spends the next five minutes explaining the entire situation at hyper speed while you just... stand there, leaning slightly against Reid like the whole world has tilted on its axis.
Itâs funny how you can spend years building a career around finding bad people. Thinking like them. Predicting them. Profiling them. But the moment something happens to youâsomething realâthatâs when all the theory suddenly stops feeling theoretical. And maybe itâs because you know exactly what people like this are capable of, or how quickly situations like this can escalate once someone decides theyâre emotionally invested in you.
Or maybe itâs just the horrifying realisation that some part of you knew where this was heading all along. And you still didnât do anything about it until now. Not until you put yourselfâand your friendâin danger.
âGet everyone in the briefing room,â Hotch says the second Garcia finishes. âNow.â
Garcia nods once before slipping back out the door, and only then do you finally let go of Reidâs wristâmaking a mental note to apologise later for the excessive physical contact.
Hotchâs eyes drop down briefly, following the movement almost automatically. Something tightens in his expression for half a second before his attention snaps back to the laptop still open in front of him.
âReid,â he says. âPrint the entire message history and document everything. Full timeline, screenshots, attachmentsâall of it. I want copies ready for the team in ten.â
You swallow hard. âTheâthe entire message history?â
âYes,â Hotch says simply. âEvery message.â
Could this day get any worse?
Fifteen minutes later, youâre back in the briefing room with the entire team flipping through printed copies of your dating profile and messages. It almost feels like an out-of-body experience. Like one of those mortifying dreams where you watch everything unfold from above without any real ability to stop it.
âOkay,â Prentiss says. âWhere do we start?â
âVictimology,â Morgan answers immediatelyâthen he glances at you. âSorry, baby girl.â
You wave him off. âReidâs been profiling me all week. Go for it.â
Thereâs a quiet ripple of laughter around the table, but Hotch barely blinks. Heâs sitting on the opposite side, between Prentiss and JJ, with his arms folded tightly across his chest and gaze fixed on the copies spread out in front of him like heâs trying very hard not to look directly at you.
âWe need to be careful building a victimology this early,â he says evenly. âEspecially considering how well we know the victim. Personal familiarity creates bias.â
Reid tilts his head. âNormally, yes. But stalking crimes are often highly individualised.â He starts flipping through the printed messages as he talks. âStatistically speaking, stalking victims are usually targeted for a very specific reason. The motivation is generally rooted in either resentment, fixation, revenge, or romantic obsession.â
You grimace. âFantastic.â
âMost victims also know their stalkers,â Reid continues. âApproximately seventy-five percent of stalking cases involve some form of prior relationship or perceived emotional connection.â
âOkay,â JJ says carefully, looking toward you. âIs there anyone you can think of who might hold a grudge against you? Someone you arrested, rejected, testified againstâanything like that?â
You snort quietly. âDoes every criminal Iâve ever interviewed count?â
The room goes still for half a second.
âWait,â Prentiss says, sitting forward slightly. âActually, that makes sense.â
Hotchâs eyes flick up as Prentiss pushes one of the printouts into the middle of the table, tapping the page.
âThis escalation happened fast. Less than a week. Thatâs not somebody slowly building emotional trust from scratchâthatâs somebody who already came into this interaction emotionally invested.â
âOr angry,â Morgan adds.
âExactly,â Prentiss says. âHe doesnât lash out until she has Garcia over. Thatâs jealousy. Possessiveness.â
You sink lower in your chair.
âAnd he starts reacting every time she brings up her boss,â Rossi says, flipping through the printouts. âThatâs territorial behaviour. Heâs fixating on a prominent male figure in her life.â
âNot the only one fixating on him,â Reid murmurs beside you.
You elbow him immediately.
âOw.â
Hotch glances up sharply. âSomething to add, Reid?â
Reid straightens. âUhâno. No, I think Rossi covered it.â
Hotchâs eyes narrow slightly, like he knows thereâs something heâs missing, but he lets it go.
âGarcia,â he says instead, âtell me you found something useful.â
âOh, I found things,â Garcia says immediately, the rapid clacking of her keyboard echoing loudly through the conference room speaker. âDeeply unsettling things. Our creepy little internet goblin has been very busy.â
Prentiss frowns slightly, mouthing âinternet goblinâ across the table to JJ.
âOkay, soâprofile was created nine days ago using a burner email and a VPN bouncing between three different states, which normally would make me want to set my computer on fire, but our boy got sloppy.â
Hotch leans forward slightly. âHow sloppy?â
âSloppy enough that one login pinged off a public Wi-Fi network less than six blocks from her apartment last night,â she says. âAnd before anybody asks, yes, Iâm already pulling traffic cams.â
Hotch nods once, already shifting into command mode.
âMorgan, Prentissâstart canvassing within a ten-block radius of her apartment. Garcia will feed you anything useful from the traffic cams. JJ, coordinate with local PD and see if thereâve been any complaints of suspicious activity in the area. Peeping, prowlers, stalking complaintsâanything that fits this escalation pattern. Rossi, start pulling names from old cases. Anybody with a history of fixation, stalking behaviour, or inappropriate attachment to investigators. Garcia, keep digging and keep me posted.â
Everyone starts moving immediately, papers shuffling and chairs scraping back as the room shifts into motion.
âI want to help,â you say suddenly. âThis is my mess, let me fix it.â
âYou can help,â he says evenly, âby going home, locking your doors, and staying there until we know exactly what weâre dealing with.â
You open your mouth to argue.
âI mean it,â he adds, voice low.
âIâll take her,â Reid offers immediately.
âNo,â Hotch says, gathering the printouts into one neat pile. âYou go with Morgan and Prentiss.â
Then his eyes flick up, meeting yours.
âIâm taking her home.â
The next hour is one of the strangest of your life.
Hotch tells you to take your laptop back down to Garcia, whoâs already in full FBI investigation modeâher screens covered in maps, metadata, CCTV stills, and enlarged screenshots of your own dating profile staring back at you in horrifying definition. When you finally make it back to your desk, Rossi spends twenty straight minutes walking you through every violent offender youâve interviewed in the last three years, forcing you to revisit dozens of interactions youâd long since filed away as routine.
Somewhere in the middle of it all, Morgan drops a schematic of your apartment building onto your desk and starts questioning you about entrances, exits, blind spots, and security cameras while Reid quietly replaces the coffee you forgot existed an hour ago. It isnât until Morgan leaves and JJ immediately takes his place beside you that you realise nobody has let you out of their sight for more than a few minutes at a time.
Then, finally, Hotch steps out of his officeâfiles in one hand and his go-bag in the other, like he fully intends on staying the night if necessary.
âReady?â he asks, stopping beside your desk.
You stare at the go-bag for one long, deeply horrified second.
âYep,â you manage, voice tight as you slowly push out of your chair.
Hotch drives. You donât even try to argue. You just sit in the passenger seat with your knees pressed together and your heart beating out of your chest. Itâs not like you havenât been in the car with him before. You have, plenty of times. This just feels... different.
Neither of you speak until he cuts the engine in the parking garage of your building, and you have to try very hard not to dwell on the fact that he hadnât asked for directions the whole way here.
âWait,â he mutters before climbing out of the car.
He grabs his bag from the back, then moves around the car and opens your door.
It takes an embarrassingly long time for you to unbuckle your seatbeltâyour hands are shaking and your pulse is still pounding hard enough to make you dizzyâbut once you finally do, you slip out of the car and lead him toward the fire stairs.
He never leaves more than a foot of distance between you. Never checks his phone. Never glances down. He stays glued to your side like a real protection detail. And thanks to your avid and wildly inappropriate imagination, youâve already mentally written an entire bodyguard romance plot starring Aaron Hotchner and yours truly by the time you finally reach your apartment door.
âIâuhâwasnât really expecting company,â you say as you push the door open. âSorry.â
The second you step inside, Leia leaps off the couch with a loud, rumbling trillâprobably wondering why youâre home before dark for the first time in years.
Hotch pauses, his brow furrowing slightly. âYou have a cat.â
You glance back at him as you kick your shoes off and nudge them out of the way. âIs that really the most surprising thing youâve learned about me today?â
He watches Leia for another second before glancing back at you. âItâs unexpected.â
You roll your eyes, trying to ignore the way your heart skips when he quietly toes off his shoes beside the door without even asking. Like he already expects to stay awhile.
Leia chirrups again as she pads through the living room toward you, no doubt about to demand an early dinnerâuntil she catches sight of Hotch and abruptly stops short. Her ears flicker, her tail waving from side to side as she assesses the new man in her apartment.
Hotch crouches slightly, holding one hand out toward her.
âOh, she doesnât really like people,â you say quickly. âSo donât take it personally if sheââ
Leia immediately walks straight up to him. She sniffs his hand once before pressing directly into his palm with a loud purr rumbling through her entire body.
Your eyes go wide.
Traitor.
Hotchâs mouth twitches faintly as Leia leans harder into his hand.
Oh my God. Are you jealous of your cat right now?
He gives Leia one final scratch behind the ears before straightening, the softness in his expression fading almost immediately as he slips back into work mode. He scans the apartment briefly before setting the files down on your tiny dining table and shrugging his jacket off, draping it over the back of a chair.
You stand there for a second longer than you probably should, watching him move through your apartment with the same calm focus he brings to crime scenes and briefing rooms and interrogation tables. He checks the windows, the balcony doors, glances brieflyâthank Godâinto your bedroom, then double-checks the locks on the front door.
The whole thing feels weirdly surreal. Youâve imagined Aaron Hotchner inside your apartment a thousand times in a thousand different waysâjust not like this. And nothing you imagined could have possibly prepared you for the reality of it. The way everything feels so much smaller. Warmer. More exposed.
Every object in every room suddenly feels mortifyingly personal.
If he lingers long enough in your kitchen, heâs going to notice the unusually empty trash can and realise you survive almost entirely on caffeine and convenience. If he looks too closely at your bookshelf, heâs going to find an unhealthy collection of romance novels with more trigger warnings than plot points. And if he looks into your bedroom again and turns his head just a little more to the right, heâs going to see your vibrator sitting on the nightstandâand then youâll actually have to fake your own death.
Because youâve spent years carefully curating a version of yourself that keeps people from looking too closely. Flirty. Casual. Detached enough to joke about bad dates and hookups and sex without anybody ever realising that none of it means anything. Itâs easier that way. Easier to let everyone assume your attention is scattered in every direction instead of fixed very specifically on the one person you absolutely cannot have.
But this?
This feels dangerously close to being found out.
The next couple of hours pass in strange, uneven waves of normalcy and low-grade psychological torture.
Hotch sits at your tiny dining table without complaint, dwarfing it as he hunches over files and asks careful questions about your routines, your neighbours, and whether anyone in the building has seemed overly interested in you recently. His phone rings a lot, which isnât unusual, and every time he answers it you spend almost the entire conversation staring unashamed at the way his shirt pulls tight across his back when he reaches for another printout.
Which is wildly inappropriate considering the circumstances, but you canât really help it. Youâre strung out, on edge, and, as Morgan so helpfully pointed out this morning, severely under-fucked.
And Leia, unfortunatelyâbut not unsurprisinglyâremains no help whatsoever.
By seven oâclock sheâs fully abandoned you in favour of draping herself across Hotchâs lap while he reviews new data from Garcia, completely oblivious to the fact that you havenât been able to breathe normally since he walked through the door.
âAre you hungry?â you ask eventually, moving back into the kitchen as if you have anything in there to offer.
Hotch glances up from his laptop, one hand resting absently against Leiaâs back while she purrs in his lap.
âIâm fine.â
You lean a hip against the kitchen counter, folding your arms tightly across your chest. âAny updates?â
He glances back down at his screen. âGarcia narrowed the traffic footage down to three vehicles that stayed in the area longer than they should haveâMorgan and Prentiss are running the plates now. And Rossiâs pulling relatives connected to your previous cases. Family members who attended trials, sentencing hearings, interviews. Anyone who mightâve had access to your name outside the official reports.â
You nod slowly, silence settling again for a moment before you exhale sharply.
âAre you sure sitting here doing absolutely nothing is really the best use of me right now?â
His eyes flick back up, that signature Hotchner scowl set between his brows.
âYou think this is nothing?â
His voice stays calm, but thereâs something firmer underneath it now.
âYouâve spent the last four days being threatened, surveilled, and followed by someone we still havenât identified,â he says. âMorgan, Prentiss, and Reid are out chasing leads because somebody targeted you. Rossiâs pulling case files because somebody targeted you. Garciaâs been at her desk for six straight hours because somebody targeted you.â
His jaw tightens slightly.
âMy job right now is making sure nothing happens to you,â he says quietly. âLet me do that.â
Your breath catches, something warm and uncomfortably familiar twisting in your chest as Aaron Hotchner just sits there watching you like he hasnât said anything unusual at all.
Which, to him, maybe he hasnât.
Heâs just doing his job. Looking out for his team. Heâs not here because he wants to be. Heâs here because someone threatened one of his agents.
Thatâs all.
You clear your throat, pushing away from the counter before the silence stretches too long. âIâmâuhâIâm just going to shower quickly. If thatâs alright.â
He nods once. âWant me to clear theââ
âNo,â you say immediately. âGod, no. No. Itâs fine. Totally fine.â
His brows pull together slightly, confusion flickering briefly across his face before you turn and hurry into your bedroom, shutting the door a little harder than necessary behind you.
Then you take the longest shower known to mankind. You stand beneath the scalding spray for at least ten minutes before even touching anything. Then you scrub, exfoliate, shave, condition, rinse twice, and stand there for just a little longer before finally gathering the courage to step out. All the while trying desperately not to think about the fact that your unit chief is only two thin walls away while youâre dripping wet and completely naked.
You rummage through your dresser until you find an oversized sweater that isnât totally threadbare and a clean pair of pyjama shorts. Technically, theyâre just striped flannel pants you cut into shorts, but at least theyâre not as short as the rest of your pyjama collection that definitely needs replacing.
If only you actually had time for things like shopping... and emotional stability.
âNo, wait for Morgan before you approach,â Hotch says as you step quietly back into the living room, phone pressed against his ear while he paces slowly beside the dining table. âIf the registrationâs fake, I donât want you making contact until we know exactly whoâs inside.â
He pauses, expression sharpening slightly.
âAlright. Keep me updated.â
He lowers the phone slowly before looking over at you for the first time since you re-emergedâand for half a second, he visibly loses his train of thought. Itâs only tiny. Barely there. Just a brief pause before his expression shutters back into place.
âGarcia tracked one of the vehicles from the traffic footage to a motel outside Arlington,â he says, glancing back down at the files scattered across the table. âThe driverâs been masking his activity through multiple VPNs, so she couldnât pull a clean trace from the motel Wi-Fi, but only one room in the motel was actively using the network.â
Your stomach tightens.
âThe name on the reservation was fake,â he continues, âbut the room was paid for using a credit card belonging to Daniel Mercer.â
The name hits you immediately.
âEthan Mercerâs brother,â you say quietly.
Hotch nods. âRossi confirmed it about twenty minutes ago. Morgan and Prentiss are waiting for local PD before they move in.â
You nod slowly, your pulse fluttering anxiously in your throat as you move toward the kitchen. Not because you actually need anything in there, but because standing still feels almost impossible right now.
âEthan barely spoke during the trial,â you murmur, folding your arms as you lean back against the counter. âI donât think I ever even met his brother.â
âYou wouldnât need to,â Hotch says, already gathering the files into a neat pile. âPeople build attachments to investigators without ever interacting directly. Especially when theyâre looking for someone to blame.â
Your skin prickles. âYou really think itâs him?â
âIt fits,â Hotch replies evenly. âEstablished emotional investment, personal motive, no prior record. Which explains the inconsistency. The escalation without follow-through. The long gaps between contact attempts. He knows enough to be cautious, but not enough to stay controlled.â
He straightens, turning back toward youâand for the briefest second, his eyes drop to your bare legs before snapping back up to your face almost immediately.
He clears his throat. âThis probably isnât something heâs done before. But his brother has.â
The apartment falls quiet again after that. Hotch returns to collecting files while you stare absently toward the dark balcony doors, your pulse still refusing to settle beneath your skin.
âWell,â you mutter eventually, gripping the edge of the counter to hoist yourself up. âOn the bright side, I still think Iâve dated worse.â
The joke leaves your lips lightly enough, the same way they always doâeasy, detached, halfway between genuine and ironic so nobody ever pauses long enough to look too closely.
Except this time Hotch does pause.
âWhy do you do that?â
You frown. âDo what?â
âDeflect.â He straightens again, one hand still holding a stack of printouts. âEvery time something gets too serious, you make a joke. Or you flirt. Or you say something just inappropriate enough to throw people off balance.â
You lift a shoulder. âMaybe Iâm just charming.â
âNo.â His eyes narrow slightly, brows pulling together. âNo, because it changes depending on the situation.â
Your pulse stutters.
âWith Morgan itâs competitive,â he continues, setting the papers back on the table. âYou tease him because he pushes back and it keeps conversations superficial. Garcia gets exaggerated stories because she responds emotionally instead of analytically. Half the things you say to Reid are specifically designed to make him flustered enough to stop examining what you actually mean.â
âWow,â you murmur, shifting your weight against the countertop. âStarting to feel a little attacked here.â
But Hotch doesnât seem to hear you.
âThe dating profile doesnât fit,â he says, almost to himself. âNeither does the apartment.â
Your stomach twists as his gaze moves briefly across the room. The bookshelves. The carefully organised clutter. Leia now curled up asleep on the couch.
âYou project someone impulsive. Social. Sexually confident. But nothing in here supports that.â His eyes flick back toward you again. âYou live like someone who protects their space carefully. Even the cat.â
âLeave Leia out of this.â
âShe doesnât like strangers.â
âShe likes you.â
The words slip out too quickly, and something in his expression shifts.
âYou keep people at a distance,â he continues slowly, close enough now that you can hear the quiet rasp beneath his voice. âEven the team. You let people think they know you because it keeps them from looking closer.â He hesitates, brow furrowing. âExcept Reid.â
Your fingers tighten instinctively around the edge of the counter.
âYou trust him,â Hotch says. âNot just socially. Behaviourally. You anchor yourself to him when youâre stressed. Physical proximity. Eye contact. Redirecting conversations through him.â He pauses, watching you carefully now. âAnd earlier you said heâd been profiling you all week.â
Oh God.
âWhich means Reid already noticed the pattern.â
He goes quiet for a moment, his expression tightening almost imperceptibly as he looks back over the last few monthsâyearsâin real time. You can practically see it happening behind his eyes. Every interaction. Every joke. Every look you thought youâd hidden quickly enough.
âYou track me.â
The words come quieter now. Less certain. Like heâs still realising them.
âYou know my routines,â he continues slowly. âYou anticipate questions before I ask them. You look up when you hear my office door open even when you canât see me.â He steps closer again. âYou know when I need coffee before I do. You watch my reactions before anyone else in the room.â
Your breath stutters.
And Hotch notices immediately.
His expression shifts slightly as his eyes flick across your face, your posture, your hands still locked around the edge of the counter hard enough that your knuckles have gone pale beneath the kitchen lights.
âYour breathing changes when I get too close to you,â he says quietly.
He takes another slow step forward, close enough now that you have to tilt your head back slightly to keep looking at him.
âYou stop fidgeting,â he continues. âYou go completely still.â His gaze drops briefly to your hands before lifting again. âLike youâre afraid movement alone is going to give you away.â
Your heart is beating so hard now youâre half-convinced he can hear it.
âYou lose verbal fluency,â he says, voice lower now. âYou trip over words you normally wouldnât. Your pupils dilate. Your heart rate increases. And every single time I get close to noticing itââ
His eyes lock onto yours.
âYou redirect.â
You can barely breathe now.
Heâs standing right in front of you, close enough that the heat rolling off him sinks straight into your skin, close enough that one more step would put him between your knees where youâre perched on the counter.
And somehow the worst part is that he still sounds calm. Thoughtful. Like Aaron Hotchner is profiling you with the same careful focus heâd bring to an unsubâexcept this time the thing heâs slowly uncovering is the fact that youâve been hopelessly in love with him this entire time.
You swallow hard, your gaze catching just briefly on his mouth before you drag it back up to his eyes, pulse hammering so hard you can barely think straight.
âFigured it out yet, Agent Hotchner?â you ask softly.
He goes still for half a second, something unreadable flickering across his face as his eyes drop to your mouth before lifting back to your eyes again.
The apartment suddenly feels oppressively quiet.
His throat shifts slightly.
And thenâ
His phone rings.
He steps back immediately, his expression shuttering back into something careful and unreadable.
âHotchner,â he says, pressing his phone against his ear.
You donât hear much after that. Not really. You recognise Morganâs muffled voice, but you canât quite hear what heâs saying. Not while Hotch slowly paces your living room. You catch fragments of the conversation. Questions. Short answers. The low, steady cadence of his voice slipping effortlessly back into work mode while your own nervous system continues actively collapsing in on itself.
Because holy fuck.
Holy fuck.
What the hell just happened?
âThey got him.â
Your head snaps up. âThey what?â
Hotch moves back to the dining table and starts gathering his things.
âIt was him. Daniel Mercer,â he says. âMorgan and Prentiss found him in the motel room with multiple burner phones, printed screenshots from the dating profile, and enough surveillance material to establish intent.â
âOh.â
âLocal PD recovered notebooks too,â he continues. âNames, schedules, work addresses. Everyone connected to Ethan Mercerâs conviction. Judges, prosecutors, witnesses. You were first because you were the arresting agent.â
A cold shiver slips down your spine.
âGarcia also confirmed the motel Wi-Fi matched the same VPN chain used to access the dating profile,â Hotch adds. âOnce Mercer realised the Bureau was involved, the direct contact stopped. After that he shifted to surveillance. Morgan said the room was covered in trial material. Photos. Notes. Newspaper clippings. Heâd been building the grievance for months.â
He pauses, then looks at you.
âBut they got him.â
âGood,â you say quietly.
Hotch nods once before turning back to the dining table, slipping his laptop into his bag with careful efficiency before gathering every file and printout into one neat pile.
âLocal PD will hold Mercer overnight until federal transport clears,â he says, sliding the papers into his bag. âGarciaâs already started coordinating with the U.S. Attorneyâs Office. Youâll need to give an additional statement tomorrow regarding the dating profile.â
You nod. âOkay.â
Hotch reaches for his jacket, draping it over one arm.
âThereâll still be additional officers patrolling the area tonight,â he says. âAnd if you donât want to be alone, I can have Reid or Garcia stay here.â
âIâll be fine,â you mutter, glancing down at the kitchen tiles. âYou can stop babysitting me now.â
Hotch stills.
Then slowly, deliberately, sets his jacket on the table.
âBabysitting?â he repeats.
âYou know what I mean.â
He steps toward you, brows drawn. âI donât think I do.â
âYou solved the case,â you mutter, heat crawling up the back of your neck. âYou profiled me. Thoroughly. So congratulations, I guess. You figured out the whole sad little secret, the weird avoidance issues, the entire personality disorder cocktailââ You let out a short, humourless laugh. âYou can go back to pretending none of this ever happened now.â
He closes the distance between you before you even fully realise heâs moving, stopping directly in front of the counter again. Exactly where heâd been when you asked him if heâd figured it out. Close enough that you can feel his warmth. Close enough that you can see the day-old shadow of stubble lining his jaw.
âYouâre being deliberately provocative now because youâre embarrassed,â he says. âBut embarrassment isnât actually your primary response here.â
His gaze drops to your mouth again, and your pulse stumbles.
âIf it was,â he adds quietly, âyou wouldnât still be looking at me like that.â
Your breath catches in your throat.
You want to say something. Anything. Another joke. Another deflection. Something sharp enough to cut through the tension in the air and stop him looking at you like this. Exposing you like this.
But you canât.
All you can do is stare at him. At the steady intensity in his eyes. At the way his tie has loosened slightly over the course of the night. At the slow rise and fall of his chest beneath the white shirt youâve spent an embarrassing number of years picturing on your bedroom floor.
You swallow hard, and he notices. Of course he does.
Something shifts in his expression then. Something softer. Less guarded.
His hand comes up beneath your jaw, his thumb pressing gently into your chin as he pulls you closer. You fall forward without hesitation, and he leans in, dark eyes still searching yours as if he isnât entirely sure he has permission yet.
Then he kisses you.
Itâs not rushed. Not messy. If anything, the first press of his mouth against yours feels almost unbearably controlled, like heâs still holding himself back even now.
But the restraint doesnât last long.
Your hand catches his tie, tugging him closer, and something rough slips from the back of his throat as he steps in, his hips slotting between your thighs. His hand slides from your jaw into your hair, fingers tightening just enough to tilt your head back exactly as far as he wants it.
Your lips part against his with a broken sound, and he deepens it slowly, his tongue moving against yours like he has all the time in the world. Tasting you. Learning you. Mapping every small sound and ragged exhale with the same focused intensity he brings to everythingâand somehow thatâs what undoes you the most. Not urgency. Attention.
His breath mingles with yours, hot and uneven, and when his teeth catch your bottom lip itâs deliberate, measuredâa sharp little spark shooting straight through your spine. Your hips roll toward him without permission, and his answering groan rumbles through his chest, vibrating beneath your palm and making you ache everywhere youâve been starving for him.
Then he pulls back just enough to look at you properly again. His hand still tangled in your hair. Thumb dragging once across your jaw. His eyes move over your face with the same intensity he uses in every debrief, every case, every crisis, except right now you are the thing heâs making sure of.
Like he needs to be absolutely certain this is real.
âAaronââ
âBedroom,â he says immediately, voice low and rough enough to send heat crashing straight through you. âNow.â
FRIDAY 6:15AM
Your alarm blares somewhere beside the bed, startling you awake hard enough that your heart immediately starts pounding. You reach for it blindly, determined to silence it before it wakesâ
Oh God.
The second your hand hits the snooze button, you freeze.
Your heart is beating faster now, your pulse thrumming in your throat as you turn slowlyâso slowlyâtoward the other side of the bed, where Aaron fucking Hotchner stirs sleepily.
Your stomach swoops.
You slept with your boss last night.
With a shallow, shaky breath, you carefully start to move. His arm is heavy at your waist, but you manage to slip out from underneath it without fully waking him. You shove the covers off and shiver at the sudden exposure, leaning over the side of the bed to find your discarded sweater. You pull it over your head before quietly padding toward the ensuite, refusing to glance back at your very hot, very naked unit chief still tangled in your sheets.
You only just make it around the other side of the bed before something tugs at the back of your sweater. You stop, glancing back to find Hotch half-awake, eyes half-lidded with one hand caught at the hem of your sweater.
âDo you really get up this early?â he asks, voice rough with sleep.
âYeah,â you murmur. âMost days.â
His brows pull together slightly. âWhy?â
You let out a small, breathless laugh. âBecause my boss is kind of a hard ass about punctuality.â
Something that almost resembles amusement flickers across his face.
âSounds like a terrible boss,â he murmurs.
Then he tugs on your sweater againâhard enough this time that you let out a startled laugh as you stumble backward onto the mattress and into him. He catches you easily, one arm wrapping around your waist before you can even fully recover, pulling you back against the warmth of his chest.
âYeah,â you murmur, laughing softly as his mouth brushes beneath your ear. âHeâs awful. Very demanding.â
He hums, breath warm against your skin.
âHeâs really hot, though,â you add, smiling despite yourself. âSo I like having time to put in a little effort, you know? Hope he notices.â
âOh, he notices.â
Your stomach flips. âReally?â
âMhm.â
His arm tightens around your waist. âHe notices the skirts.â
Heat floods your face. âAaronââ
âHe notices the tights.â His mouth brushes against the nape of your neck. âThe ones with the seam up the back.â
âOh my God.â
You try to turn your face into the pillow, but he just holds you tighter, pressing his lips firm against your neck.
âAnd the red bra,â he murmurs.
Your breath catches.
âNoticed that so much I had to wait until everyone left the conference room before I could get up.â
You let out a strangled sound, squirming in his arms, but itâs no use. His chest vibrates against your back, something suspiciously close to laughter.
âMy washing machine broke that week,â you whine. âIt wasnât my fault.â
âMm, sure.â
You twist around immediately. âIâm not lying.â
The corner of his mouth twitches, like he doesnât quite believe you, but before you can protest againâhe kisses you. Warm, slow, sleep-soft. His mouth moves against yours almost lazily, his hand tightening slightly at your waist when a pathetic little whimper slips out before you can stop it.
âCareful,â you murmur, breathless against his mouth. âDonât want to be late.â
You feel his lips curve.
âGood thing Iâm the boss.â
10:35AM
You made it to work well on time. Even after three orgasms, a shower, and an awkward attempt at a âWhat Now?â conversationâthat ended in the aforementioned third orgasm. Because fortunately for your rapidly fraying nervous system, Hotch hadnât even hesitated when youâd finally asked what happens next. In fact, heâd answered a little too quickly.
The first thing heâd asked was whether youâd be comfortable keeping things quiet for a while. Not because heâs worried about the team finding outâhe trusts them. Trusts you. The concern is Strauss, and the Bureau, and keeping you in the BAU while he figures out exactly how much trouble the two of you have just created for yourselves. At some point heâd even started muttering about reporting structures and supervisory chains, half-thinking out loud while pulling on his tie. Something about possibly moving your reporting line over to Rossi. Something else about needing to review the Bureauâs fraternisation policies before making any moves.
That was when you kissed himâeffectively, and very quickly, kicking off round three.
Because heâd clearly been thinking about this for a while, which means Aaron Hotchner has been noticing a lot more than just short skirts and inappropriately coloured underwear. It means that the second he decided to kiss you in your apartment last night, heâd already known exactly what he was getting himself into.
âAlright, gorgeous,â Morgan says, startling you as he raps a knuckle against your desk. âTheyâll be ready for you downstairs in ten.â
You glance up at him, brows drawnâand it takes an embarrassingly long second for you to figure out what heâs talking about.
âOh.â You blink. âRight. Yeah, Iâll head down soon. Thanks.â
Prentiss looks over from her desk. âYou gonna be okay?â
You lift a shoulder. âSure. Whatâs another case report?â
Morgan frowns, dropping into his chair. âItâs not exactly every day youâre the victim, baby girl.â
âYeah, but nothing really happened.â
Morgan and Prentiss both stare at you.
âBecause of the team,â you add quickly. âYou guys caught him before he actually did anything. So... you know, nothing bad happened.â You plaster on a smile that feels reasonably convincing. âThanks for that, by the way.â
Prentiss narrows her eyes, but before she can say anything else, Reid appears.
âYouâre in a remarkably good mood for someone who was being actively cyberstalked twelve hours ago,â he says, stirring his second coffee of the day.
You turn back to your screen, trying to ignore the heat creeping into your cheeks. âMaybe I just have a newfound appreciation for life.â
Reid studies you for a moment, clearly unconvincedâbut he doesnât push. He just moves slowly back toward his desk, setting his coffee down with unnecessary care while the rest of the team turn away, finally deciding to mind their own business.
You force your attention back to the report in front of you, determined to at least look productive for the next ten minutesâwhen a familiar voice cuts through your concentration.
âRossiâs taking Wallace with you next week,â Hotch says, setting the file down on your desk.
You blink up at him. âI thought you were leading the interview.â
âI was.â
Something in his expression tightens briefly before he lowers his voice.
âWallace has a long history of using sex, intimidation, and emotional targeting to destabilise people during interviews,â he says. âEspecially women.â
You frown. âHotch, Iââ
âAnd if he says something to you in that room,â he continues evenly, âor looks at you the wrong way, I need to know the agent sitting beside you is still capable of thinking objectively.â
Your stomach flips as his eyes meet yoursâsteady, intense, devastatingly honest.
âRight now,â he says quietly, âIâm not sure thatâs me.â
Then heâs gone. Moving through the bullpen back toward his office like he hasnât just set your pulse racing and your head spinning. You watch after him for a moment before shaking your head, glancing back at your computer screen as if youâd been focused on it at all in the first place.
ââŚHuh.â
You turn toward the sound and find Reid staring at you again. Not rudely. Just watching with the same focused curiosity heâd been wearing since your suspiciously cheerful comment about cyberstalking.
He tilts his head.
Thenâ
âOh my God.â
You close your eyes. âSpencer⌠donât.â
Š 2026 geminiwritten
you have no idea ; jack abbot
summary: even after swapping from nights to days, you just canât seem to escape the inconveniently attractive night shift attending. then a ptmc night out, a sparkly dress, and a not-so-innocent game of never have i ever leads to dr. jack abbot making sure you can never utter the words ânever have i ever finished during sexâ ever again.
notes: i really hope you guys enjoiy this! it was so much fun to write and i just feel like jack is a little easier to put into silly situations than robby, so here i am torturing the poor man! i'm sorry in advance if the smut is kind of mid, i was fighting tumblr's block limit rule with this fic so i feel like i didn't get indulge as much as i would have liked, but still! i hope you guys love it, and please, please let me know what you think! (p.s. i think i mentioned the title was originally 'unaffected' but i like this one better)
warnings: swearing, alcohol, blushing, italics, jealousy, implied age gap, jack is a yearner, reader wears a "revealing" dress (but description is very vague and there's zero detail about body-type), mildly uncomfortable male encounters, friend!santos, pittlings chaos, garsantos mention, jack gets a little possessive, reader has long enough hair to sweep off her neck, and SMUT (making out, fingering, "panties", a tiny bit of dirty talk, unprotected piv, "good girl", and jack says sweetheart a lot) 18+ only please, mdni.
word count: 18889
Jack Abbot had never thought of himself as a jealous man.
Possessive, maybe. Protective, definitely. But jealous? Never.
He had never really had anything to be jealous of.
Until now.
Now there are far too many things.
Like the pen between your lipsâand the way you bite down just hard enough to leave a little dent in the plastic while you read through Danaâs notes.
Or Dana herself, and the way youâre looking at herâsoft, sleepy, warm in a way that twists something tight in Jackâs chest. The same way you used to look at him in the quiet hours at the end of a night shift.
Or your scrubsâGod, your scrubsâand the way they fit just a little too well tonight. Too tight in all the right places. Distracting in ways that are becoming increasingly difficult to ignore.
Jack has never needed to be jealous of anything before, but now he finds himself jealous of inanimate objects, coworkers you barely glance at, and your goddamn clothes.
So, yeah. Jack Abbot had never thought of himself as a jealous manâuntil you came along.
âDr. Abbot,â Dana calls, peering over the top of her glasses. âYouâre early.â
Beside her, you glance up from your tablet, meeting his eyes across the ER with that same soft smile.
âDr. Abbot,â you say, like you canât quite help yourself.
Jack squares his shoulders and starts toward the nursesâ station, determined not to let Dana and her all-knowing, all-seeing bullshit clock exactly why heâs at work almost two hours earlier than he needs to be.
âYeah, Iâve got some stuff I didnât get to wrap up this morning,â he lies.
Princess pops up from behind the desk. âI thought you said you stayed back this morning to make sure everything was sorted?â
Jackâs gaze cuts to her. âYes. But I forgot something.â
Dana narrows her eyes. âMhm. Whatâd you forget?â
âA few notes from the three a.m. GSW,â he replies quicklyâtoo quickly.
Itâs weak and he knows it, but thereâs nothing else he could think of with Dana watching him like that and your warm, sleepy gaze still lingering from across the desk.
Dana nods slowly, adjusting the chart in her hands. âRight. Two hours early for a few notes.â
Jack just shrugs, avoiding her gaze as he walks pastâand he doesnât look back until heâs safely around the corner, standing in front of his locker. Only then does he risk a glance, just briefly over his shoulder, quick enough to catch a glimpse of you disappearing down the North hall.
God. Itâs ridiculous, really. Heâs a grown man.
More than thatâhe's an old man.
Yet here he is staying late at work and coming in early just to see more of you. Because ever since you swapped from nights to days, Jack doesnât quite know what to do with himself. Sure, he could barely concentrate when you were on shift together, but who knew not having you around would be even worse?
He spends the first half of his shift hating himself for being so hung up on someone so young and so impossibly out of reachâthen spends the second half anxiously awaiting your arrival for the day shift.
And itâs only been two weeks.
But the absolute worst part?
He doesnât even know why you swapped shifts. You never even spoke to him about it. You just told him at four a.m. two Saturdays ago that you were switching to day shift. No reason. No explanation. That was it.
At first he wondered if it was his faultâif maybe youâd simply decided you didnât like working with him.
But you still greet him every morning and every evening with that same warm smile. You still look to him first whenever someone asks for an attending and heâs still around. You still text him whenever the ER cat shows up outside the ambulance bayâwhich apparently happens much more often during the day shift.
And Jack still buys a packet of freeze-dried liver treats every Sunday to keep in the cupboard above the break room fridgeâbecause he knows how much you love feeding that cat.
âWhatâre you doing here?â
Jackâs head whips around at the sound of his friendâs voice.
âIâuhâcame in early to fix up a few notes,â he says, turning back to shove his bag into his locker.
Robbyâs brows lift. âTwo hours for notes?â
Jack sighs, slinging his stethoscope around his neck and shutting his locker before turning to face his fellow attending. âAre you of all people really going to lecture me about not having a life outside of this ER?â
Robby chuckles quietly, lifting both hands out of his pockets in surrender. âI wasnât judging.â
âGood,â Jack mutters, already starting back toward central. âAnything I need to know?â
Robby falls into step beside him. âNorth Threeâs waiting on a CT for possible appendicitis. Kid in Five came in with chest pain but his labs look clean so far. Danaâs still fighting with bed control about moving the pneumonia admit upstairs.â
They both stop at the nursesâ station, glancing up at the board.
âOtherwise itâs been unusually calm,â Robby adds. âWhich probably means youâre about to get slammed.â
Jack gives him a flat look. âThanks.â
âAnytime.â Robby claps him on the shoulder. âOhâand that R2 you gave me?â
âWhat about her?â
Robby shrugs. âSheâs great.â
âI know,â Jack says, keeping his voice carefully even.
Robby studies him for a second, eyes narrowing just a fraction, the corner of his mouth threatening to lift. The man might be a disaster when it comes to his own feelings, but he has an uncanny talent for spotting everyone elseâs.
âWeâre alright out here if you want to catch up on your notes,â he says after a moment, already turning away. âOr go make the rounds. Get some very thorough handovers from the residents.â
Jack keeps his eyes fixed on the board. âI hate you.â
Robby huffs out a quiet laugh. âThen why are you here two hours early?â
Jack exhales sharply and steps forward, pulling one of the tablets from the rack.
âNotes,â he says, a little louder than necessary.
Robby just shakes his head, still smiling faintly as he disappears down the North corridor.
For a moment, Jack doesnât move. He lingers at the nursesâ station, tablet in hand, pretending to analyse the board while ignoring the incredibly unsubtle looks from Perlah and Princessâboth of them watching him with the kind of interest that usually means someoneâs about to become the subject of a very entertaining conversation.
Then, with a polite nod to each of them, he clears his throat and steps away, turning toward the break roomâtrying very hard not to hope he runs into you on the way.
And trying not to be disappointed when he doesnât.
The break room is empty when he steps inside, the noise of the ER dulling as the door falls shut behind him. He sets his tablet on the tableânext to someoneâs half-eaten lunch and a discarded Lean Cuisine containerâand grabs a clean mug from the cupboard, pouring the last of the coffee pot into it.
Then he drops into the seat furthest from the door, his back to the bulletin board, and taps the tablet awake, pulling up the notes for the three a.m. GSW. The same notes he already finished in detail while staying back this morningâbefore Robby told him to get the hell out of his ER and get some sleep.
He barely makes it through two lines of the chart before the door swings open again.
âShit, sorry,â you say quickly, stepping toward the table.
Jackâs pulse does the same stupid thing it always does whenever he sees you, making his chest feel hot and his head a little fuzzy.
âWhat are you sorry for?â he asks, as if it isnât obvious.
Youâve already stacked the Lean Cuisine container on top of the half-eaten bowl of something grey and mushy-looking and are halfway to the sink with them.
âI only got, like, a five-minute break today and had to run out for a trauma, then completely forgot about my lunch,â you explain, cheeks flushed as you glance down at the bowl. âThis is gross. Iâm so sorry.â
Jack shifts in his chair. âIâve seen worse in here, I promise.â
You glance over your shoulder as you turn on the tap, the corner of your mouth lifting just slightly. âReally?â
He nods. âReally.â
He could almost swear your smile lifts a little higher before you turn back to the sink, scrubbing hurriedly at the bowl of slop that probably shouldnât be going down the drain anyway.
Jack clears his throat. âButâuhâLean Cuisine? Really?â
You look back at him again, brows drawn. âWhatâs wrong with Lean Cuisine?â
âNothing,â he says lightly. âIf youâre trying to survive a very stressful twelve-hour shift on only four hundred calories.â
You huff a quiet laugh, turning back to the sink. âI actually managed to eat lunch today. Thatâs already a win.â
âItâs mostly sodium and sadness,â he adds, almost absently. âNot much protein.â
You finally turn the tap off and spin around, leaning a hip against the counter. âAlright, Dr. Abbot. When I find the spare time to start meal prepping between my very stressful twelve-hour shifts, Iâll let you know.â
Jack opens his mouthâthen closes it again. Because what he wants to say is ridiculous.
But it comes out anyway.
ââŚI cook.â
You blink.
âYou cook?â
Jack clears his throat, suddenly very interested in his coffee mug.
âYeah. Well.â He shrugs. âIâve been told Iâm reasonably good at it.â
You stare at him for a second, brows knitting slightly as you clearly try to figure out where the hell that came from.
âWell,â you say with a quick smile, âI guess your dinner guests are pretty lucky.â
Before he can respond, you grab the Lean Cuisine packet, toss it in the bin, and step toward the door.
âSorry again for the mess.â
Then youâre goneâleaving Jack alone with his coffee, his notes, and the growing suspicion that there might actually be something seriously wrong with him.
-
âIs that Dr. Abbot in the break room?â Santos asks, falling into step beside you.
You keep your eyes fixed on your tablet.
âYep.â
She leans closer, steering you out of the way of a gurney.
âBut night shift doesnât start for like two more hours.â
âIâm aware.â
âSo, why is he here?â
You exhale sharply and finally look up from your tablet. âI donât know, Trin. Maybe because the universe hates me.â
She snorts. âOr maybe because he likes you.â
You roll your eyes, turning toward the South corridor. âPlease donât start.â
âIâm not starting anything,â she insists. âI seriously think that old man has a thing for you.â
âDonât call him that,â you mutter.
âOkay, fine. I seriously think that hot, older man has a thing for you,â she says, stopping beside you at the South desks. âAnd we all know how you feel about him, soââ
âNo,â you snap. âWe donât all know how I feel about JaâDr. Abbot.â
She presses her lips together to keep from laughing.
âBesides,â you go on, dropping into a chair. âI swapped to day shift so I could stop being distracted by my attending and actually focus on being a good doctorâso could you please stop distracting me?â
She leans a hip against the desk, completely ignoring you. âAnd donât you think thatâs a little strange? I mean, you swapped to day shiftâwhat, two weeks ago?â
You glance at her from the corner of your eye. âAnd?â
âAnd,â she says dramatically, âfor the past two weeks Dr. Abbot has been staying back every morning and coming in early every afternoon.â
Your gaze slides back to the computer. âSo?â
She sighs, exasperated. âItâs not a coincidence.â
âActually, I think it is,â you argue.
She stares at you for a second, eyes narrowing. âYouâre impossible.â
âAnd youâre annoying.â
She rolls her eyes and pushes off the desk. âWhatever. Youâre still coming out tomorrow night, right?â
Your fingers hesitate over the keyboard. âUhâIâm not sure yet.â
âDr. Ellis is the only person from night shift thatâll be there,â she says.
You let out a quiet sigh of defeat.
âFine,â you mutter. âIâll come.â
âGood.â She grins, already turning away. âCome to my place around six. We can get ready and pregame.â
âWhy canât I get ready at home?â you ask.
âBecause,â she calls over her shoulder, âI get to pick what you wear.â
And before you can argue, she slips into a patient room, effectively ending the conversation.
âGreat,â you mumble, turning back to the computer. âCanât wait.â
Itâs not like youâre not looking forward to finally joining in on a night out now that youâre no longer on the night shift.
You are. Youâre just... nervous.
Nervous, perpetually stressed out, and still adjusting to life as a day-walker. And Santos knows that. She probably knows you better than anyone else at PTMCâeven though youâve spent the better part of ten months working opposite shifts.
Which is exactly why sheâs pushing you to join this night out. Because she knows you need it. She knows you need to relax, forget about work, and do something other than obsess over the night shift attending whoâs had you completely undone since the day you first met.
God.
Jack Abbot. The single most dangerous man in Pittsburgh.
Not only is he stupidly hot, but heâs also annoyingly competent, irritatingly attentive, and has the starring role in every single one of your most inappropriate fantasies.
Heâs also the very reason youâre terrified of having to redo your second year of residency, because that man affects your focus so much you literally canât function. Like three weeks ago, when you walked straight into the glass door of Trauma One because you were too busy watching him take his jacket off.
His damn jacket.
That was the moment you finally decided you needed to swap shiftsâbecause Dr. Shen couldnât look at you for the rest of the night without bursting into laughter.
Jack Abbot is a liability to your health and wellbeingâwhich means he is a liability to your career. And even though asking Dr. Robby to swap to day shift was one of the most ridiculously difficult things youâve done since starting at PTMC, you stand by the fact that it was the right decision.
The smart decision. The professional decision. Even if⌠it might not be working yet.
Because now you canât just glance across central anymore and see Jack leaning against the desk, talking through a case with Lena. You canât have him step up beside you when youâre unsure about something and quietly walk you through it. Heâs not the one across from you in the trauma bays. And there isnât a coffee cup that magically appears in front of you during the three oâclock lull.
Now you just⌠think about him instead.
But itâs only temporary. Youâre sure of it. You just need to get used to the day shift and figure out how to get Jack Abbot out of your head.
Which⌠you have a sneaking suspicion is what Santos plans on helping you with this weekend.
Youâre pretty sure you overheard her the other day telling Whitaker that the only way to get over someone is by getting under someone else. And maybe thatâs exactly what you need to doâget under someone else so you can stop thinking about the maddeningly hot man whoâs nearly twice your age and most definitely does not have a thing for you. Regardless of what Santos seems to think.
You spend the rest of your shift catching up on charting and trying very hard not to think about Dr. Abbot.
When someone asks for an attending, you call Dr. Robby. When you hear his voice just around the corner, you change paths as quickly and inconspicuously as you can. And when your notes are up to date and night shift starts rolling in, you find Dr. Ellis and give herâand only herâthe rundown on your patients.
By the time you shut your locker and sling your bag over your shoulder, the sky outside is dark and there are only a few day shifters left lingering around the nursesâ station.
âDid you drive today?â Whitaker asks, shutting his locker only a moment after you.
âYeah,â you reply. âNeed a ride?â
He nods sheepishly. âThatâd be great. Santos left already, said I was taking too long.â
You roll your eyes. âYeah, I bet it had nothing to do with whatever she and Garcia were whispering about in the stairwell.â
Whitaker winces. âI just hope theyâre at Garciaâs tonight.â
You huff a small laugh and hitch your bag higher. âYou ready?â
He nods.
You both turn and start back toward centralâbut just as you reach the nursesâ station, his steps slow.
âDo you need toâŚ?â
He jerks a thumb over his shoulder.
You frown. âNeed to what?â
He hesitates. âDonât you normally say goodbye to Dr. Abbot?â
Your eyes widen slowly. âUhâno. Why would you say that?â
He shrugs. âI donât know. I just thought you two were close.â
âWeâre not close,â you say, a little too quick.
âSorry,â he mutters, raising both hands in surrender. âI justâI donât know. I thought because you were his resident you two were⌠close.â
âIâm not his resident,â you snap. âIâm just⌠a resident. I donât belong to him.â
âOkay,â he says slowly, brows drawing together. âIâm sorry, I just thoughtââ
âYou thought wrong,â you mutter, glancing over your shoulder to make sure no one is listening.
Thankfully, the two nosiest nurses in the ER have already gone home for the day.
âLetâs just go.â
You grab his wrist and walk quickly toward the ambulance bay doors, giving Ellis and Shen a small nod as you passâcompletely missing the middle-aged attending who just overheard most of your conversation.
The car ride to Santos and Whitakerâs isnât long. Whitaker fills most of it anywayârambling about the shift, about the kid in Five and whether night shift is going to get slammed, about how Dana looked like she was two seconds away from strangling bed control by the end of the day. And every few minutes he circles back around to apologising for making you drive him home.
You wave him off each time.
âItâs fine, Whitaker.â
âSeriously though,â he says as you pull up outside their building. âI really appreciate it.â
He slings his bag over his shoulder and climbs out of the car, pausing on the sidewalk to give you one last wave before heading toward the front door.
The moment the passenger door falls shut, the quiet settles in. You let out a long breath, tipping your head back against the headrest and letting your eyes fall shut for a moment. And immediatelyâinevitablyâyour brain drifts straight back to the same place it always does.
Jack Abbot. Of course.
You scrub a hand over your face before shifting the car back into gear and pulling away.
The rest of the night passes the way most nights doâwith a quick shower, something vaguely edible scavenged from the fridge, and half-heartedly scrolling through your phone until exhaustion finally drags you to bed.
When your head finally hits the pillow, you tell yourself youâre too tired to think about him. Itâs been a long dayâlong weekâand all you need right now is sleep, not fantasies.
But that doesnât stop your brain from doing it anyway. Because sometime in the early hours of the morning, Jack Abbot shows up in your dreams. Not in the ER. Not standing beside you at the nursesâ station or leaning over a chart.
Heâs in a kitchen. Cooking.
Sleeves rolled up to his elbows, moving around the stove with the same quiet confidence he carries through the hospitalâlike he knows exactly what heâs doing and expects the rest of the world just to trust him.
And in the dream, you do.
You lean against the counter and watch him the way you sometimes watch him in the trauma bays, telling yourself youâre just observing. Just curious. Just learning.
He glances over his shoulder eventually, catching you staringâand says something you canât quite hear over the soft clatter of the pan. But heâs smiling.
Then the dream shifts the way dreams tend toâlogic slipping sideways until suddenly youâre standing much closer than you should be. Close enough to smell whatever heâs cooking. Close enough that when he turns toward you the space between you disappears entirely.
His hand settles at your waist like it belongs there.
Your back meets the edge of the counter.
And when his mouth brushes your neckâ
You wake with a sharp inhale, staring up at the ceiling, heart racing.
âFuck,â you mutter, dragging a hand over your face.
So much for getting him out of your head.
For a while, you just lie there, staring at the ceiling, watching the first pale line of sunlight creep across until it touches the wall opposite your window.
At some point you realise youâre still replaying the dream in your head.
The kitchen. The way his hand had felt at your waist. The warmth of his mouth against your neck.
You groan quietly and drag the blanket over your face.
âGet a fucking grip.â
Then you throw the covers back and force yourself out of bed, heading straight into the kitchen in search of coffee.
Your small apartment is always quietâbut this morning it feels too quiet. Too still as you silently sip your coffee, one hip leaned against the kitchen counter. Which, unfortunately, leaves far too much room for your brain to wander right back to its favourite topic.
Jack Abbot.
After coffee, you take yourself for a long walk around the block, hoping the cool morning air might help clear the remnants of the dream from your head.
It doesnât.
But by the time you make it back to your apartment, your legs feel loose and your mind feels a little quieter, and for the briefest moment you almost manage to convince yourself that youâre excited about tonight. That youâre going to be able to do what Santos is clearly angling for and go home with an attractive stranger so you can stop draining your vibrator battery with inappropriate thoughts of your attending.
The rest of the day drifts past in a slow blur of small, forgettable things. Laundry. Answering a couple of messages in the group chat. Half-heartedly reviewing a few notes from earlier in the week before deciding you absolutely refuse to think about work on your day off.
Eventually the afternoon light begins to soften and stretch across the floor, which means itâs probably time to start getting ready if youâre actually going to make it to Santosâ place before she decides youâre bailing and comes knocking to drag you there herself.
So you shower, change, pack a bag, and throw it over your shoulder on the way out the doorâtrying very hard not to feel disappointed that Dr. Ellis is the only person from night shift whoâs going to be at the bar tonight.
It really is for the best.
You, alcohol, and Jack Abbot in the same room is a terrible idea.
âAlright, Iâm ready,â Santos announces, finally stepping out of the bathroom.
You, Javadi, and Whitakerâwho have spent the last twenty minutes on the couch chatting and sipping beerâlook up.
âAw, I wish I could do winged eyeliner like that,â Javadi says. âIt just doesnât suit my eye shape.â
âDonât look too close,â Santos mutters. âItâs super uneven, but I donât have time. I still have to fix this one before we go.â
She tips her chin toward where you and Whitaker are sitting on the opposite end of the lounge.
Whitakerâs eyes go wide. âMe?â
Santos scoffs. âNot you, Huckleberry. God, I donât have enough time in the world to fix whateverâs going on there.â
Whitaker frowns, glancing down at his navy-blue button-up shirt. âWhatâs wrong with this?â
âEverything,â Santos says, already turning away.
Whitaker lifts his head, glancing between you and Javadi. âIs it really that bad?â
Javadi leans forward, lowering her voice. âThereâs nothing wrong with it, Whitaker. You look great.â
You pat his shoulder. âItâs fine, really. Sheâs justââ
The words die on your tongue as Santos reappears, holding what can only be described as a sparkly scrap of fabric on a hanger.
Javadi tilts her head. âWhatâs that?â
Santos grins. âA dress.â
Whitaker chokes on his beer. âThatâs⌠not a dress. Thatâs a glittery napkin.â
âOh my God.â Javadi snorts. âMy mom would kill me just for buying that.â
âI didnât buy it,â Santos says lightly. âA friend in college gave it to me, but itâs never fit quite right.â
She steps forward, extending the hanger toward you.
âBut I know youâll be able to pull it off,â she adds, her grin sharpening.
You stare at itâglinting in the low evening sun spilling through the windows.
âSantos⌠this is a work thing,â you mutter.
She rolls her eyes. âItâs not a work thing. Itâs just an outing with people from work.â
âIsnât that the same thing?â Whitaker asks.
Santos sighs. âNo, itâs not. And are you forgetting our main objective?â
You blink at her.
âTo get you laid.â
Javadi giggles nervously, trying to hide it behind a swig of beer.
âCome on,â Santos says. âJust put it on and if it doesnât work, we try something else.â
You hesitate, staring at the glittery thing like it might catch fire at any moment. Which, given enough sunlight, it probably could.
âFine,â you say at last, pushing off the couch. âIâll try it on, but that does not mean Iâm wearing it.â
Santosâ eyes sparkle with excitement. Or maybe itâs just the dress.
âThatâs my girl.â
You take the hanger from her and trudge into her room, nudging the door shut behind you. It takes a minute for you to figure out how the glittery napkin is supposed to go onâbut once you do, you shed your comfortable clothes and shimmy into the most sparkly piece of fabric youâve ever worn.
And somehow, the shimmering scrap of nothing turns out to be an actual dressâshort, sparkling, and just structured enough to stay where itâs supposed to while still feeling mildly illegal.
With a deep breath, you turn away from the mirror and open the door, stepping back out into the lounge room.
âSo?â
For a moment, no one says anything.
Whitakerâs mouth falls open.
Javadiâs eyebrows lift. âOh.â
Santos, meanwhile, tilts her head appreciatively, one hand on her hip, eyes gleaming as she looks you over from head to toe.
âI knew it,â she says smugly.
Whitaker blinks. âThat is not a dress.â
Javadi elbows him. âStop talking.â
You tug awkwardly at the hemâwhich doesnât actually move much because there isnât very much hem to tug.
âSantos,â you say carefully, âIâm not sureââ
âRelax,â she says. âYou look incredible.â
She circles you slowly, like a stylist inspecting her work.
âAnd youâre definitely going to get laid.â
âI feel like I shouldnât be here,â Whitaker mutters, his face bright red.
Santos rolls her eyes. âYouâre only here because you live here, Huckleberry. Now go grab that bottle of tequila from on top of the fridgeâweâre going to need some liquid courage before we head out.â
After two shots of tequila and Santosâ finishing touches to your makeup, you all head out the door. Whitaker calls an Uber, the four of you pile in, and you carefully keep Santosâ leather jacket wrapped around yourself for some semblance of modesty.
You donât really plan on taking it off for the rest of the nightâeven if it isnât that cold.
The ride to the bar isnât nearly long enough. Javadi spends most of it excitedly talking about how she can finally go out drinking now that sheâs twenty-one, which Santos encourages with the enthusiasm of someone who clearly intends to make the most of that milestone.
You mostly just stare out the window. Trying not to think about the dress you shouldnât have agreed to wear and the night shift attending you definitely shouldnât be missing right now. Because if someone asked you where youâd rather be tonightâthe bar or the ER with Dr. Abbotâyour honest answer would be incredibly depressing.
Who would rather be at work than out with their friends on a Saturday night?
âWeâre here,â Santos announces, nudging your side a little too hard.
You all thank the driver before climbing out, gathering yourselves on the sidewalk in front of the familiar establishment Santos loves dragging everyone to.
âRelax,â she says, dropping a hand on your shoulder. âYou donât need this.â
She tugs at the leather jacket, pulling it off your shoulders until itâs bunched at your elbows.
âI feel naked,â you mutter. âLike this is some nightmare where I show up to work in my underwear.â
Whitaker snorts. âNot far from it.â
Santos rolls her eyes. âWell, youâre not at work. Youâre at a bar. And this is supposed to be fun.â
Right. Fun.
That is the entire point of tonight. Go out. Have a drink. Meet someone who isnât Jack Abbot. Ideally forget Jack Abbot exists for at least a few hours.
Completely achievable.
Right?
âFine.â
You draw a deep breath and drop your arms, letting the jacket slide off completely. Santos grins as you sling it over one elbow, trying not to instinctively hold it in front of your body like armour.
âSee?â she says. âMuch better.â
âLetâs just go inside before I change my mind,â you mutter, already starting toward the door.
Javadi loops her arm through yours. âYou look amazing. Seriously.â
You give her a small smile, trying not to feel quite so awkward as Santos leads the way toward the main entrance.
Itâs just a bar. Just a normal Saturday night. Youâll be fine after a few more shots of liquid courage.
You glance through the front window as you approachâmore out of habit than anything else, your eyes drifting lazily over the crowded room inside.
People. Low lights. Patrons lingering around the bar.
Andâ
Your brain stalls.
Because thereâs a man leaning against the bar with one elbow braced on the countertop, his shoulders broad under a tight black shirt, head tipped slightly as he talks to someone beside him.
A familiar someone.
Dr. Ellis.
And the manâ
Oh.
Oh fuck.
Your stomach plummets.
Jack fucking Abbot.
Your feet stop moving, your whole body suddenly forgetting how to function.
Your pulse kicks violently against the inside of your throat as a wave of heat rushes up the back of your neck, sudden and dizzying and sharp enough to make the edges of your vision blur for half a second.
Because he looksâ
He looks so good.
Relaxed in a way youâve never seen at work. One hand curled loosely around a glass as he frowns slightly at something Ellis is saying, that small crease between his brows you know far too well.
And suddenly you are extremely, violently aware that you are standing outside a bar wearing approximately three square inches of glitter.
âHey,â Javadi says beside you. âWhatâsââ
âSantos.â
She doesnât stop.
âSantos,â you say again, your voice almost breaking.
She glances over her shoulder. âHm?â
âYou knew.â
She stops, her hand hovering near the door.
Whitaker glances between the two of you. âWhatâs happening?â
âTechnically,â Santos says slowly, âI didnât know. I just... suspected.â
âYou said Ellis was the only one from night shift whoâd be here.â
She winces. âI did, but what I meant is⌠Ellis is the only one who actually told me sheâd be here.â
You stare at her. âSo you did know?â
âI knew it was his night off.â
âSantos, Iââ You glance back at him through the bar window. âI canât go in there like this.â
âLike what?â she asks. âSmoking hot?â
âHalf naked.â
She rolls her eyes. âYes, you can.â
âI will actually die.â
âNo, you wonât,â she says firmly. âYouâre an adult. You can wear whatever you want, talk to whoever you want, and just because your incredibly inconvenient attending crush happens to be inside does not suddenly revoke your civil liberties.â
She pulls the door open.
âNow stop panicking and get in the bar.â
-
âHe swore the chest pain had nothing to do with the seven energy drinks heâd had that night,â Ellis says, still rambling about a patient who pissed her off two nights ago, âwhich was a bold position to take with a heart rate of one-forty.â
Jack snorts softly. âAnd did you believe him?â
Ellisâ eyes go wide, and she takes a long drink before continuing her rant about night shift patients and the strange confidence people have when explaining why their terrible decisions definitely have nothing to do with the symptoms theyâre currently experiencing.
Jack nods along, offering the occasional comment or question where needed, meeting her gaze now and thenâbut mostly keeping his attention on the door. Waiting. Because heâs not stupid enough to ask anyone if youâre going to be here tonight, but he is naĂŻve enough to hope you will be.
He wasnât even supposed to be here tonightâhis first night off in two weeks.
He was supposed to be at home, cooking something decent for dinner, enjoying the rare luxury of not wearing scrubs, and inevitably indulging in his favourite guilty pleasureâinvolving nothing but his hand and some very inappropriate thoughts of you.
But heâs not.
Heâs here. In a crowded bar, sipping cheap scotch, listening to Ellis complain about the night shift patients and their weird confidence, just⌠waiting.
For you.
Heâd wanted to ask you yesterday if you were coming to the bar tonightâbefore he agreed to joinâbut heâd barely seen you before the end of your shift. And you didnât even say goodbye. Which isnât unusual, given how chaotic the ER can be, but then heâd overheard your conversation with Whitakerâand something about it made his chest feel too tight.
It wasnât anger. Not exactly. Not jealousy, either. It was just... wrong. Not because what you said was wrong, but because he hates that it was right. That you donât belong to him. Even if Robby calls you âhis R2â and Whitaker thinks youâre close because youâre his residentânone of it changes the fact that he has no real claim over you.
Which is ridiculous. He knows it.
He shouldnât feel territorial. He shouldnât want this. Want you. And yet, his chest still feels too tightâa slow, hot coil of frustration and longing curling up into his throat, and he hates it. Hates hearing it out loud, hates how much it matters, hates that he canât make it not matter.
âOh.â Ellis glances over her shoulder. âLooks like Santos and the others are here.â
Jackâs gaze flicks back to the door.
He tries not to react, not to straighten, not to square his shoulders as if heâs bracing for somethingâbut he can already feel his composure slipping.
Santos steps in first, her head turned slightly as she talks to Whitaker, who walks in behind her. Then itâs Javadi, an unusually wide smile on her face as she looks atâ
You.
Oh.
Oh fuck.
Jack stops breathing.
His chest burns. His stomach flips. His hand tightens dangerously around his scotch glass.
Itâs you. Of course itâs you. Youâre perfect.
But thenâ
That dress.
God.
That dressâshort, sparkling, clinging just enough to make every nerve in his body snap awake. It shimmers under the low lights as you move, and he hates himself for noticing every subtle curve, every shift of fabric, as if time itself has slowed just to torture him.
Itâs all too much.
He can feel his pulse in his throat, heat burning beneath his skin, blood rushing in the one direction it really, really shouldnât be right now. In public. In front of his coworkers.
He blinks, finally tearing his gaze away from you.
And thatâs when he notices the rest of the bar. All staring. All stunned.
He hates them all.
He hates that they can even look at you. Hates that the universe allows it. Hates that they might see even a fraction of what he seesâand feel a fraction of what he feels.
And he hates, more than anything right now, that youâre not his.
âDr. Abbot,â Robby says, appearing beside him and slinging an arm across his shoulders. âWhatâs your poison tonight?â
Jack lifts his drink, knuckles still white around the glass. âScotch.â
Robby claps his shoulder, the corner of his mouth lifting slightly. âYou might not want to have too many of those.â
Then he slips past both Jack and Ellis and raises a hand to flag down the bartender.
âAlright,â Ellis says, pushing off the bar. âIâm going to go grab a seat before the table gets too crowded.â
Jack nods, but he doesnât follow. He stays beside the bar, rigid now, eyes fixed on the group of men at a high table just a few feet from the front door. Theyâre muttering to each other, leaning in, voices lowâbut nothing about it is subtle. Their gazes are glued to you as you weave through patrons and tables to greet the rest of the PTMC crew gathered in a booth near the back.
One of themâthe dumbest looking one, Jackâs already decidedâslowly slides off his stool, nodding along while his friends murmur their advice.
Jack glances back at you, now standing beside McKay, sliding your arms into the leather jacket youâd been carrying. Santos grabs your wrist, tilting her head toward the bar as she starts dragging you with her.
And, like a fourteen-year-old boy with a crush, Jackâs pulse starts racing.
âDr. Abbot,â Santos says, grinning as you both approach the bar. âFancy seeing you somewhere other than the ER on a Saturday night.â
âI do have a life outside of work, you know,â he says dryly, lifting his drink and looking anywhere but at you.
âLike playing bingo at the senior centre?â Santos asks, resting both forearms on the bar.
You step up on her other side, squinting at the shelves of liquor on the back wall like theyâre the most interesting thing in the room.
âBingoâs on Wednesdays,â he says mildly. âTry to keep up.â
Santos snorts, shaking her head as she reaches for the small leather-bound bar menu. But out of the corner of his eye, Jack sees your head dipâjust slightlyâand you try to hide a small laugh against your shoulder.
Jack feels it like a punch to the ribs.
Because youâre listening.
And apparently⌠you think heâs funny.
âAlright,â Santos says, lifting a hand. âI think we need some tequila over here.â
The bartender steps away from where heâd been serving farther down the bar, but his attention quickly drifts past Santos and lands on you. He leans in, resting one palm flat against the bar while he wipes down the counter with a rag that doesnât really need wiping.
âSo,â he says to you, not Santos. âWhat are you drinking tonight?â
Santos blinks.
âI just told you,â she says flatly. âTequila.â
The bartender barely glances at her.
Jackâs jaw tightens.
You look briefly confused, glancing between Santos and the bartender.
âUhâwhatever she orders is fine.â
âYeah. Tequila,â Santos repeats, slower this time.
The bartender laughs like sheâs jokingâand Jack sets his scotch down slowly. Carefully.
His eyes stay locked on the man now lining up four small glasses in front of you, still completely ignoring Santos. The way heâs watching you is too much. Too close. The faint curl at the corner of his mouth makes Jack want to punch the smirk right off his face.
And by the way you shift a little closer to Santosâpulling your jacket tighter around yourselfâhe knows youâre uncomfortable.
His hand clenches at his side.
Robby pauses as he walks past, a beer in each hand.
âEasy, tiger,â he mutters. âShe can handle herself.â
âI know,â Jack says, voice low. âDoesnât mean she has to.â
Robby gives him a lookâa brief, knowing glance, somewhere between amusement and warning. âCareful.â
Jack doesnât respond. He just turns back to you and Santos, watching as you each knock back two shots of tequila, your nose scrunching as the burn hits. And he canât help the small twitch at the corner of his mouth, because the face you make as you set the second glass down is ridiculously cute for someone wearing a dress like that.
âOkay,â Santos says. âI need a vodka soda before I start making bad decisions.â
The bartender nods, already reaching for another glassâand before he can even ask if youâd like another drink, someone else steals your attention.
âHey,â the guy says, stepping up beside you. âCan I get you another one?â
He leans in, just enough to be heard over the noiseâbut itâs still too close.
You shift slightly, angling toward him. âOh. Uhâsure.â
Santos presses her lips together, clearly fighting a smile as she turns back to the bar, suddenly very invested in whatever the bartender is doing. The second he sets the vodka soda in front of her, she scoops it up and drops a few bills on the counter.
She lifts the drink to her lips as she turns away, pausing just long enough to glance at Jack over the rim of the glass.
Her brows lift. âYou really gonna let that happen?â
Jack frowns. âWhatââ
But Santos is already gone, drink in hand, halfway back to the booth where everyone else is.
Where Jack should be headed tooâbecause thereâs no reason for him to stay here. No reason for him to linger, to hover, to make sure youâre okay, to stand there glaring at the guy buying you a drink like thatâs going to change anything.
Itâs not like he can blame him. If Jack thought he had a shot with you, heâd take it too. The difference is, Jack wouldnât need the dress. Or the drinks. Or the crowd. Heâd take that shot with you even when youâre tired and stressed out and covered in blood at the end of a bad shift in the ER. Heâd take it any time. Any place.
But Jack doesnât get that shot.
Because youâre young. You donât have baggage. And youâre a residentâmaybe not his resident, but still a resident.
Itâs just too inappropriate.
Jack sets his glass back on the bar a little harder than necessaryâand the bartender glances over, brows raised as if silently asking if heâd like another, but Jack just shakes his head.
His eyes flick back to you. To the way youâre smiling nowâsoft, not uneasy. To the way you seem to have forgotten about keeping your jacket closed, and now the idiot talking to you is looking anywhere but your face.
Then you laughâlight, easyâand something in Jackâs chest tightens again.
He looks away. He canât keep standing here. Heâs not going to stand here and watch you flirt with some idiot at the bar like he has any right to care.
With a deep breath, he forces himself to turn away and start walking back to the table.
Where he should have been five minutes ago. Where he plans on staying for the rest of the night.
Half an hour later, most of PTMCâs day shift staff are gathered in the booth, half still wearing their scrubs after coming straight from the hospital. The volume of conversation builds with the growing collection of empty glasses in the middle of the table, voices overlapping, getting louder with every roundâbut Jack doesnât order another scotch. At some point, Ellis sets a beer in front of him, which he nurses until itâs too warm to enjoy.
Every now and then, he makes a point of nodding or laughing or glancing at someone across the tableâpretending to follow the conversation, pretending heâs paying attentionâwhen really, all he can focus on is you. You and your smile. And your laugh. And the way your hand settles lightly on a manâs bicep when he says something that makes you blush.
Not the same man as before, either. Noâthis one is new. This one swooped in when the first one excused himself to take a phone call, and now that one is back at the table with his friends, sulking.
Kind of how Jack is right now, sitting at the table with his friends. Sulking. Glaring. Plotting.
He knows he shouldnât. He knows itâs none of his business. But he canât stop himself from trying to come up with an excuse to interrupt you. To get you away from those men and their lingering stares.
Not that heâs any better.
âAbbot.â Robby nudges his side. âHungry?â
Jack blinks, finally dragging his gaze away from you to where Ellis is standing, looking expectant.
âHm?â
âAre you hungry?â Ellis asks. âIâm going to order some wings.â
Jack frowns. âUhâno. Iâm good. Thanks.â
Ellis nods once and turns away, heading straight for the bar.
Robby huffs a quiet laugh beside him. âYou might want to turn your hearing aids up, old man.â
Jack doesnât even look at him. âFunny.â
âIâm serious,â Robby says mildly. âYouâve missed, what, three questions in the last five minutes?â
âI heard her,â Jack mutters. âI was just... thinking.â
Robby hums like he doesnât believe that for a second.
Jack shifts, pushing his chair back as he sets his warm beer on the table. âIâm gonna hit the head.â
Robbyâs brows lift, slow and knowing, his gaze flicking briefly toward the bar.
âMm,â he says. âSure you are.â
Jack does, in fact, turn toward the bathrooms firstâmostly because he needs a second away from all the music and chatter to try and clear his head. To try and stop himself from doing what he really left the booth to do.
He locks himself in the accessible bathroomânot that he needs it, but itâs more private than the menâsâand stands in front of the vanity. He presses his palms into the porcelain sink, shifting his weight forward with a deep, steadying breath.
This is ridiculous, and he knows it.
Heâs a grown man. He shouldnât be acting like this.
This is trivial shit, for Godâs sake. Jack is a vet. A seasoned ER doctor.
So why is a goddamn crush undoing him like this?
Why are you undoing him like this?
He lifts his head and stares at his reflectionâjaw tight, shoulders rigidâtrying to get a grip. Trying to remember that he is a grown ass man, not some idiot who canât keep his shit together.
His gaze drifts across his faceâthe day-old stubble, peppered hairâthen to the reflection of the bathroom behind him. The graffitied walls, covered in stickers and spray paint, a chaotic collection of late nights and inebriated thoughts. He wonders, briefly, how many people came in here intending to leave something behind.
Then he spots something scrawled in the corner of the mirror in thick black marker.
HESITATE AND SOMEONE ELSE WONâT.
Jack tilts his head.
Thatâs not exactly... subtle.
But thatâs the thing, isnât it?
He doesnât hesitate.
Not in the trauma bay. Not out in the field. Not when it matters. Not when someoneâs life is on the line and everyone else is waiting for someone to make the call.
So what the hell is this?
This⌠standing back. Watching. Letting it happen.
Like he doesnât know what he wants. Like he hasnât already made up his mind.
He drags a hand over his mouth, shaking his head onceâsharp, annoyed.
âJesus Christ.â
Itâs not caution. Itâs avoidance.
With another deep breath, Jack reaches for the tap and braces his hands beneath the stream. He scrubs them togetherâquick and thoroughâthen turns off the water, grabs a paper towel, and dries his hands with more focus than necessary. He tosses the towel in the bin on his way out the door, his gaze sharpening as he scans the barâfinding you immediately.
Youâre still standing where you were, maybe a few steps closer to the back of the room. Thereâs a new guy in front of you now, closing you in, crowding your space just enough to make Jackâs eyes narrow.
The manâs hand settles at your waist, a little lower than what could be considered innocent. And anyone else watching might think youâre okay with itâbut Jack knows you. He sees the small flicker of discomfort that crosses your face, the subtle drop of your shoulder as you try to angle yourself away without seeming rude.
Good thing Jack doesnât mind being rude.
Heâs already moving before heâs fully decided to. Just a few long strides and heâs thereâclose enough to cut through the space between you and the guy without touching either of you, his presence alone enough to interrupt whatever the hell this is supposed to be.
He looks at you. Just you.
âHey.â
Your head turns immediatelyâand the shift in your expression is instant. Relief.
âOhâhey,â you say, a little breathless.
And then you step into him. Not too close. Not in a way that draws attention or suggests anythingâbut enough to make Jackâs pulse jump. Enough for him to feel your warmth and the way it settles under his skin.
âHey, man,â the guy says, holding out a hand. âIâm Trent.â
Jack ignores him.
âYou alright?â he asks you.
You nod slowly. âI am now.â
Your fingers curl into the back of his shirt, just for a secondâlike you didnât even think about it. Like you just needed something solid to hold onto.
Jack goes still.
Trent clears his throat. âSorryâuhâwho are you?â
You glance at him with a tight smile. âThis is my attending.â
Jack likes being called your attending.
Trent frowns. âWhat?â
âRemember how I said I was a doctor?â
Trent just stares at you.
âWell, Dr. Abbot is my attending,â you go on anyway. âHeâs like my supervisor. Iâm his resident.â
His resident.
âRight,â Trent mutters, eyeing Jack. âCool. Soâyouâre a doctor?â
Jack doesnât even look at him. His eyes stay fixed on you.
âAre you hungry?â he asks. âEllis is ordering wingsâwe can grab a menu.â
âStarving,â you reply, the corner of your mouth lifting slightly as you look up at him.
âGreat.â His hand settles at your shoulder, firm but casual. âLetâs get back to the others.â
âWait,â Trent says. âAre youââ
âIt was nice meeting you,â you cut in, flashing him one last tight-lipped smile before Jack steers you away.
He keeps his arm around your shoulders until youâre halfway back to the booth of PTMC doctors and nurses. Only then does he pull back, clasping his hands behind his back like he needs the physical restraint.
âThanks for that,â you murmur. âHe just wouldnât take a hint.â
Jack nods. âI noticed.â
He doesnât look at you as he turns back toward the other end of the table, toward his seat beside Robbyâbecause if he did, he might not be able to leave your side. From the corner of his eye, he sees Santos reach for you, already asking what happened as she pulls you into the seat between her and McKay.
And for twenty blissful minutes, Jack feels okay. The most okay heâs felt all night.
Because youâre here, at the table, talking to Santos and McKayâand not some idiot who thinks he deserves a chance with the prettiest girl in the room. In the world, according to Jack.
But only for twenty minutesâbecause once you finish your drink, Santos drags you back to the bar.
Another shot. Another drink. Another guy.
Jack shifts in his chair, trying to listen to whatever it is Ellis and Mateo are arguing about, but he canât focusânot when your hand settles lightly on this new guyâs shoulder. And especially not when it slides down his bicep, flirty in a way that makes Jack want to get out of his chair.
He tells himself heâs not going to. That he shouldnât.
But the second the lights dim and the music gets louder, he pushes out of his seat.
He finds you at the edge of the dancefloor, catching your wrist before you can disappear into the crowd.
âHey,â he says, voice raised over the music.
Your head whips around, your brows lifting slightly in that soft, expectant wayâlike youâre waiting for him to say whatever it is thatâs so important he had to stop you right here.
Jack clears his throat. âHave you been drinking water?â
You frown. âUm. Not really.â
âYou should really drink some water,â he says, tipping his head toward the bar.
You hesitate, glancing back over your shoulder at the man waiting for you to follow him into the crowd.
Then you look back at Jack.
âUh, yeah. Okay. Water.â
He knows he shouldnât have done it. He knows it was stupid and petty and jealousy-drivenâbut he canât help the flicker of satisfaction when you follow him to the end of the bar with the self-serve water tower.
The music is too loud for conversationâand even if it wasnât, heâs not sure what heâd say. Not when youâre looking at him like this. A little drunk. A little curious. Your brows drawn, your skin glistening with a thin sheen of sweat, your lips wet from the water.
God. This has the be the finest form of torture.
Because here you areâso young and so sweet, so trusting in Jack that heâs just trying to look after you, when all he can think about is the fact that youâre not his. That they think youâre fair game. That every man in this room thinks he has a chance.
And the fact that heâs not going to let them anywhere near you.
-
The third time Jack Abbot appears at your side, he catches your elbow just as youâre about to step out the door with a man named Leo. Not to leave the barâjust for some airâbut then Jack says something about Mateo buying a round of shots and guides you back inside.
You donât mind. Not really. Especially not when a free drink is involved.
So you line up beside your coworkers and sink another shot of tequila with a grimace before Santos drags you back to the dancefloor.
The fourth time Jack Abbot intercepts you, youâre just about to start dancing with a handsome stranger Santos accidentally made you bump intoâbut before you can even take the manâs hand, Jack pulls you away, insisting you take a seat for a minute and drink more water.
Which, fine. Whatever.
But by the fifth interruption, youâre starting to notice a pattern.
And youâre getting a little annoyed.
âOh my God,â Santos says, her eyes going wide as the opening notes to ABBAâs Gimme! Gimme! Gimme! start blaring through the speakers. âWe have to dance. Come on!â
You barely have time to scoop your drink up off the bar before sheâs dragging you onto the dancefloorâinto the throng of warm bodies all moving to the beat beneath the single, sparkling disco ball.
The music pulses through the floor beneath your feet, the bass thrumming in your chest as Santos drags you deeper into the crowd. Somewhere between Mateoâs round of shots and your tenth song on the dancefloor, your jacket disappearedâand now your dress catches the light with every movement, glittering under the shifting colours as bodies press in from all sides.
The bar is still pretty full, even if the PTMC booth has already lost a few soldiers. There are still plenty of prospectsâplenty of strangers who might offer to take you home and make you forget all about Jack Abbot. Which is still very much the plan.
If only the man himself would stop interrupting every interaction like heâs doing you a favour.
At some point during the secondâor maybe thirdâchorus, Santos subtly steps away and a guy ends up in front of you. Youâre not even entirely sure how. One second youâre dancing and screaming the lyrics, the next heâs thereâclose enough that you can feel the heat of him, his hands hovering like heâs trying to decide where to put them.
You let it happen. Because this is what you want, right?
This is the plan.
He leans in and says something you donât quite catch over the music, but you laugh anywayâmore out of obligation than anything else.
Then his attention shifts.
His eyes flick past you. And just like thatâhe falters.
Itâs subtle, but you feel it. The hesitation. The way his body pulls back a fraction, like something just snapped him out of it.
âUhâactually,â he mutters, already stepping away. âIâyeah. Sorry.â
Then heâs gone.
You blink, frowning slightly as you glance over your shoulder andâ
Of course.
Jack Abbot, standing just beyond the edge of the dancefloor, drink in hand, eyes locked on you with a look that makes your stomach drop.
Not angry. Not exactly.
But intense. Sharp. Focused in a way that feels⌠deliberate.
You stare at him for a secondâfrustration flickering across your faceâthen turn back to Santos, who is still dancing with her vodka soda lifted in the air.
You lean in, raising your voice just enough to be heard over the music. âYour plan isnât working!â
She turns to face you, frowning. âWhat do you mean itâs not working?â
You stare at her. âThe plan to get me laid? Itâs not working.â
âWhy not?â
You huff out a laugh, incredulous.
âBecause of him,â you say, nodding toward Jack. âBecause I let him save me from one bad interaction and now heâs justâhovering. Interrupting. Scaring people off.â
Santosâ mouth twitches.
âI think he thinks heâs being helpful,â you add, shaking your head. âLike heâs doing me a favour or something, butâGod, Iâm never going to get a stranger to take me home with a hundred-and-ninety-pound war vet glaring over my shoulder every five minutes.â
Santos just looks at you for a secondâthen smiles. Slow. Knowing.
âAnd what part of my plan isnât working?â
You frown. âAre you even listening to me?â
âI said I was going to get you laid,â she says, lifting her drink to her lips. âI never said anything about going home with a stranger.â
It doesnât land straight away.
You blink at her, still frowning as you try to follow the logicâbecause that doesnât make sense, thatâs not the plan. If youâre not going home with a stranger, then whoâ
And then it clicks.
Your stomach drops.
âWaitâSantos,â you start, eyes widening. âYou donât meanââ
Santos just looks at you over the rim of her glass. Calm. Patient. Smiling faintly, like sheâs been waiting for this exact moment all night.
You glance toward the side of the dancefloor againâto the man still focused on you in a way that feels far too intentional now. Arms folded, jaw set. He doesnât even pretend to look away when you meet his stare.
âActually,â Santos says, her hand closing around your wrist. âI think my plan is working perfectly. Now, come onââ she nods toward the booth where everyone else is, âletâs play a game.â
A game?
Before you can argue or even question it, Santos is dragging you off the dancefloor toward the booth at the back of the bar. The thrum of the music dulls the further you get from the crowd, and by the time you both slide into empty seats at the table, you no longer feel like you need to yell just to be heard.
The PTMC crew has thinned since you were last sitting here. Robby, Dana, and Donnie are gone, and McKay is holding her purse in her lap like sheâd been trying to leave when Mateo cornered her with another rant about how no patient actually seems to understand the pain scale.
âAlright,â Santos announces, picking up someoneâs abandoned drink and taking a sip like she owns it, âweâre playing a game.â
Whitaker leans forward. âA game?â
âYes, Huckleberry. A game.â Santos glances around the table with a lazy half-smile. âItâs called Never Have I Ever.â
Mateo snorts. âThatâs a middle school sleepover game.â
âGreat,â Santos replies. âThen it should be easy for you.â
Thereâs a ripple of laughter around the table, but no one else seems to object.
âCan I start?â Mohan pipes up beside Santos. âIâve got a good one.â
Santos nods. âBe my guest.â
Youâre not entirely sure when Jack rejoined the table, since heâd been at the edge of the dancefloor just a few minutes ago, but now youâre suddenly very aware of his presence across from you. Like the few people that called it a night have unintentionally left a smaller, more intimate group behindâand now Jack Abbot is almost directly across from you while you play one of the most notorious, tension-raising middle school games of all time.
âOkay,â Mohan says, sitting up a little straighter. âNever have I ever⌠called in sick when I wasnât actually sick.â
McKay laughs. Mateo groans. Almost everyone at the table lifts their drinks.
âReally?â Santos says. âThat was your good one?â
Mohan shrugs. âI thoughtââ
âNever mind,â Santos cuts her off. âMy turn.â
Her gaze moves slowly around the table before landing on you, the corner of her mouth lifting just slightly.
âNever have I ever,â she starts slowly, âfantasised about someone else sitting at this table.â
Your pulse jumps.
McKay snorts.
Mateo leans forward. âLike, intentionally. OrâŚ?â
Whitaker frowns. âYouâve accidentally fantasised about someone here?â
He shrugs. âSometimes the wrong people pop up, you know?â
Santos rolls her eyes. âOh my God. Whatever. Intentional or not.â
Mateo nods once and lifts his drink. Javadi sinks lower in her chair as she lifts hersâand you try not to look around at the rest of the table as you bring your own up to your lips.
Beside you, McKay drops her purse to the ground and straightens, clearly invested now.
âAlright, Iâve got one,â she says, grinning. âNever have I ever⌠faked it.â
Javadi chokes, Santos snorts, and across from you, Jack huffs out a quiet laugh.
âNever?â Ellis asks, eyes wide. âSo you alwaysââ
âOh, God, no,â McKay laughs. âDefinitely not. I just refuse to fake it.â
Laughter moves through the table again, a little louder this time, and everyone takes a second to decide whether or not to raise their drinks.
You lift yours slowly, looking anywhere but at Jack.
âOkay, my turn,â Ellis announces, shifting in her seat. âNever have I ever⌠hooked up with someone at work.â
The table reacts around you, a mix of laughter and quiet protest, but it all blurs at the edges when you finally glance upâbecause Jack is already looking at you.
Not surprised. Not amused.
Just⌠watching.
He doesnât laugh or say anything. He just lifts his drink, slow and deliberate.
And something sharp twists in your chest.
âWhatâve you got, Langdon?â McKay asks, nodding at him across the table.
Langdon strokes his chin thoughtfully for a momentâthen sighs.
âAlright, I already know Iâm going to get shit for this, butââ He clears his throat. âNever have I ever⌠had sex in public.â
McKay laughs, loudly, and lifts her drink to her lips without hesitation. Ellis and Santos drink too, while Mohan laughs into her hand and Javadi sinks even lower in her chair.
Across from you, Jack sips his drink again like itâs nothing.
And that sharp twist in your chest doesnât ease.
Because of course he has. Of course there are other people. Other women.
And youâ
You catch Santosâ gaze from the other end of the tableâsharp, knowing, daring.
Your grip tightens slightly around your glass.
And before you can talk yourself out of itâ
âOkay, my turn,â you say lightly, sitting up a little straighter.
Everyone turns to you, but you keep your eyes fixed on your glass.
âNever have I ever,â you say slowly, ââŚfinished during sex.â
For a secondânothing.
Then the table erupts.
âWhatânoââ Mateo is already laughing, leaning forward like he thinks youâre joking. âYouâre kidding.â
Javadi chokes on her drink, coughing as she turns toward you. âWait, seriously?â
âOh my God,â McKay says, half-laughing, half-staring at you like sheâs trying to figure out if youâre lying.
Langdon huffs out a quiet, disbelieving laugh, shaking his head. âWell⌠thatâs unfortunate.â
Whitaker just blinks at you, caught somewhere between surprised and confused, like he doesnât quite know what to do with that information.
Santos doesnât say anything. She just leans back in her seat, watching you over the rim of her glass with a slow, satisfied smile.
And across from youâ
Jack just goes still.
Completely still.
His expression doesnât change, but something in his eyes doesâsharp, dark, focused in a way that makes your stomach flip.
It takes you a minute to remember how to move. How to breathe. How to laugh and sip your drink and keep playing the game that doesnât stop just because it feels like your heart did.
Eventually, everyone eases off the third-degree on your embarrassingly real confession, and Mateo pipes up next with something ridiculous that makes the table groan. Then Javadi comes out with something surprisingly rebelliousâand blushes hard when Mateo flashes her a wink.
And so it goes on.
You know it does.
You can hear itâvoices overlapping, laughter breaking out again, someone arguing over what counts, someone else swearing theyâre being misrepresentedâbut it all feels⌠distant.
Like itâs happening a few steps away from you instead of right here at the table. Because now, all you can focus on is Jack. On the way heâs hardly moved. Hardly spoken. Hardly looked away from you.
At some point, he mutters his own confession with a small smirk and everyone laughsâbut you donât catch the words. Youâre too aware of everything else to hear them. Too aware of your pulse pounding in your ears, the thrum of the music beneath your feet, the way Jackâs jaw ticks every time you glance back at him.
Another round starts. Then another.
Someone groans. Someone laughs too loud. Santos says something that earns a chorus of reactionsâbut it all slips past you, unimportant, forgettable.
Time stretches. Blurs.
Your drink empties, refills, empties again.
People shift in their seats. Someone stands. Someone leaves.
Then suddenlyâ
âYou ready?â
You blink.
Santos is standing beside you, brows raised.
âReady?â you echo.
She nods toward the door. âTime to go. Most of us have to work tomorrow.â
You glance around at the empty table. âOh.â
Santos is already halfway to the door by the time you gather your things and catch up to her. Youâre still pulling your jacket on as you step outside, bracing against the cool night air that nips at every inch of exposed skinâwhich, in this dress, is a lot of skin.
âThe Uberâs just around the corner,â Whitaker says.
âGreat,â Mohan mutters, hugging her jacket tighter. âIâm freezing.â
Youâre not sure if itâs the alcohol or just the heat lingering beneath your skin from the way Jack had been watching you earlier, but youâre not nearly as cold as you should be.
âYou sure you donât mind if I stay over tonight?â Javadi asks, glancing between Santos and Whitaker.
Santos shrugs. âAs long as you donât mind the couchâand Dr. Shamsi isnât going to have us arrested for kidnapping.â
Javadi lets out an awkward laugh. âUhâno. Itâs totally fine. I told my dad.â
âAre you working tomorrow?â Whitaker asks.
Javadi shakes her head. âDay off. You?â
Whitaker sighs. âYeah.â
âSo am I,â Santos adds. âAnd if I donât get at least five hours sleep, I cannot be responsible for other peopleâs lives.â
âThatâs reassuring,â Jack mutters, almost startling you as he steps out of the bar.
He buries his hands in his pockets, hardly sparing you a glance as he steps closer to the group. Thereâs a faint hitch in his stepâsomething you recognise from the waning hours of a night shift, when heâs been on his feet for too long and starts to favour one leg.
âThis is us,â Whitaker announces, nodding toward the car pulling up at the curb.
Mohan hurries forward first, yanking the door open and climbing into the back seatâand Javadi is next, flashing you a smile before she ducks in beside her. You step forwardâthen hesitate. Whitaker is already holding the front passenger door open, and Santos is standing at the curb, about to join the others in the back.
âWait.â Your pulse jumps. âThereâs too manyââ
âYouâre with Dr. Abbot,â Santos says lightly, her mouth twitching like sheâs trying not to smile.
Your stomach drops.
âIâIâm what?â
Santos shrugs. âJavadiâs staying over and Mohanâs place is on the way to ours. Just makes sense.â
Then she climbs into the car, shuts the door, and rolls the window down.
âSee you tomorrow!â
Thereâs a chorus of goodbyes from the others before the car pulls away from the curbâand the cool, quiet night settles in too quickly. The only sound is the dull thrum of music from the bar, and the pounding of your pulse in your ears.
For a second, you donât turn around. You canât. Not now that youâre alone with him.
Thenâ
âIâm this way,â he says, voice low and rough and maddeningly hot.
You nod, but donât dare look at him as you start following the line of parked cars up the street.
The night air feels sharper now, cooler the further you get from the barâand it makes you pull into yourself, arms folded tightly while your jacket barely does anything to help.
Jack keeps an easy pace beside you, not crowding you, not touching you, but close enough that youâre aware of him anyway. Of the space he takes up at your side. Of the way he adjusts slightly so youâre walking on the inside of the path, further from the curb, without making a thing of it.
Neither of you says anything.
Itâs not awkward. Itâs just⌠quiet in a way that feels heavy, like the silence is holding onto everything that happened inside instead of letting it go.
Your heels click unevenly against the pavement, catching slightly every few steps, and youâre suddenly, painfully aware of everythingâthe way your dress shifts as you move, the cool air against your skin, the way your pulse hasnât quite settled.
You feel too sober. Too aware.
When his car finally comes into view, he moves ahead of you just slightlyâjust enough to reach the passenger door first and hold it open.
God. Heâs so annoyingly considerate.
You give him a small, tight smile before climbing into the passenger seat.
The car is still warm, still holding onto the heat from earlier in the day, and it smells like him in a way thatâs subtle but unmistakableâclean, familiar, something faintly sharp beneath it that you canât quite place but instantly recognise. The seat gives slightly beneath you, softer than you expect, and for a second you just sit there, hands hovering like youâre not entirely sure where to put them.
Itâs his.
All of it.
The way everything is exactly where it should be, nothing out of place. The faint scuff on the console. A pair of sunglasses tucked neatly into the centre compartment. His backpack thrown into the back seat like heâd discarded it in a hurry and never thought about it again.
The sound of the driverâs side door opening almost startles you.
You drop your hands into your lap, shifting slightly and smoothing your dress down over your thighs like that might ground you somehow.
The car immediately feels smaller when Jack climbs in. More intimate. Closer in a way thatâs almost stifling.
You keep your eyes fixed out the windshield.
Waiting.
For the engine to start. For the car to move.
But nothing happens.
The silence stretches, thick and suffocating, settling into every inch of the space between you.
And thenâ
âYou canât say shit like that around me.â
You blink, finally turning toward himâand regretting it immediately. Heâs so irritatingly handsome, so annoyingly gorgeous in a way that makes you want to be stupid and reckless and climb across the console into his lap.
âSay what?â you ask, your voice embarrassingly thin.
He looks at youânot fully, just turning his head slightly.
âYou know what,â he says, his voice low and rough with something that sounds a little too close to control slipping.
And you do.
You know exactly what he means.
But before you can say anything else, he turns the key and the engine rumbles to life. The radio crackles a little before some late-night news station fills the silenceâand he doesnât move to turn it off, doesnât even turn it down. He just drives.
The radio reporterâs voice hums through the car like white noise, talking about something youâre not really listening to as you try to focus on keeping your breathing even.
You can still hear his voice.
You canât say shit like that around me.
The way he said it. Low. Controlled. Like it cost him something to keep it that way.
Your fingers shift slightly in your lap, smoothing over the fabric of your dress again without thinking, and your mind starts turning his words over before you can stop itâpulling at them, testing them, trying to make them mean something that makes sense.
Because what does that even mean?
You glance at him, quick, like you might catch something you missedâbut heâs focused on the road, jaw set, one hand loose on the wheel like nothing happened. Like he didnât just change everything with eight little words.
You look away again.
No. He didnât mean it like that.
Heâs justâheâs your attending. Heâs responsible. Of course heâd say something. Of course heâdâ
Except he didnât say it like that.
Your stomach tightens as your thoughts circle back, slower this time, more deliberate.
The way he kept pulling you away from people tonight. The way heâd been watching you. The way he didnât laugh, didnât joke, didnât let it go.
The way he said it.
Around me.
Not here. Not in front of people.
Around me.
Your breath catches slightly, and you shift in your seat, suddenly very aware of the space between youâof how close he is, of how easy it would be to just turn your head, lean in andâ
No.
No, thatâs notâ
You swallow, gaze fixed stubbornly ahead.
Youâre just reading into it. You have to be.
Because the alternativeâ
Your pulse jumps.
God. The alternative is too much to even consider.
But the thought lingers anyway.
It settles in the back of your mind, quieter now, but heavierâpulling at everything he said, everything he did, everything you might have missed until now. The words circle back, sharper this timeâuntilâ
The car stopsâand you blink.
For a moment, you donât move. You canât.
Then Jack clears his throat.
âOhâuhâthanks,â you mutter, reaching for your seatbelt buckle.
He nods once. âAnytime.â
You push your door open before you can think too hard about it, stepping out into the cool night air that hits a little harder this time. Your heart is still beating in your throat, your pulse still too loud, your thoughts are still circling those eight wordsâeight little words that feel like they weigh far more than they should.
You hesitateâone hand on the door, the other gripping your keys in your jacket pocket.
God.
This is stupid.
This is reckless.
This isâ
âDo youââ You clear your throat, the words catching slightly before you force them out. âDo you want to come up?â
He stares at you for a second, then lets out a short, disbelieving breath, like heâs not quite sure he heard you right.
âYou canât be serious.â
Heat rushes up your neck, quick and unwelcome, and for a second you just stand there, wishing you could take it backârewind a few seconds and keep your mouth shut.
What the hell were you thinking?
âYeah,â you say, a little too quickly. âNo, that wasâthat was stupid.â
You turn away before he can say anything else, pushing the door shut harder than you mean to as you step back onto the sidewalk. You donât look back. You refuse to. You just keep walking toward the lobby door, drawing your keys from your pocket and fumbling through them to find the right one.
It takes longer than it should, but eventually you find the lobby key and wriggle it into the lock.
This door has never been your friend. Itâs old, a little rusted, and the lock has always been jankyâbut now your hands are shaking, and this stupid old door seems to think thatâs funny, because it wonât budge.
You jiggle the key and try again, but nothing changes.
Thenâ
âHere.â
His voice is low. Close.
Your hand stills as he steps in behind you, not touching, but close enough that you can feel the heat of him at your backâthe solid line of his chest just shy of pressing into you as he reaches past your shoulder.
His fingers brush yours as he takes the keyâand the lock turns easily this time.
Of course it does. Traitorous fucking door.
His arm lingers there for a second longer than it needs toâthen he pushes the door open.
You donât even glance at him as you step inside, already turning back to grab your key before the door swings shutâbut heâs still holding it, barely a step behind you.
He tilts his head slightly, nodding toward the lobby. âGo.â
Itâs quiet. Controlled.
Not a suggestion.
Your breath catches, just for a second, and you hesitateâlong enough to feel it, whatever this is, tightening between youâ
Then you turn and keep walking.
And he follows.
He follows you across the lobby, up the fire stairs, down the corridor, all the way to your apartment door. He stands a little closer than necessary as you unlock itâalmost like he doesnât think you know how doors work nowâbut the key turns smoothly this time.
You push the door open and step inside.
The apartment is quiet, dim, and you shrug out of your jacket without thinking. You can feel him watching you as you drape it over the arm of the sofa, and itâs a little... thrilling. Dangerous. Because Jack Abbot is in your goddamn apartment right now, looking at you like heâs a man on the edgeâ
And youâre daring him to jump.
âDrink?â you offer, keeping your voice lightâinnocent.
He clears his throat. âWater, please.â
You canât help the small smirk on your lips as you brush past him, a little closer than necessary.
âSo polite,â you murmur.
He doesnât move, doesnât shiftâbut you can feel him there, tense just beneath the surface.
You open the fridge and bend over to grab a bottle of water, letting your dress ride up the backs of your thighs in a way thatâs totally unnecessary. Jack clears his throat again, just a little too sharp, and when you glance back toward him, heâs turned away completely.
You press your lips together to keep from smiling too wide as you straighten again.
âHere,â you say, stepping toward him and holding the water out.
He turns hesitantly, taking it. âThank you.â
Your eyes catch his, a slow smile tugging at your lips before you bite the corner gently, just enough for him to notice. He looks away quickly, jaw tightening as he focuses on uncapping the water bottle.
You brush past him again, still a little too close, and move toward the sofa, dropping onto it and leaning forward to take off your shoes.
Jack takes a long swig of water, then clears his throat for the third time.
âAre you working tomorrow?â he asks.
You glance up, still leaned forward, and itâs hard not to notice the way his eyes dip from your face.
âIsnât that something you should already know?â
The corner of his mouth twitches, like he canât quite help himself.
âYouâre impossible. You know that?â
Heat rushes up your neck at the way he says itâshort, sharp, loadedâand you bite back a grin, letting your eyes glint just a little as you straighten.
âAm I?â you murmur, tilting your head just slightly. âOnly one way to find out.â
He freezes for a second, shoulders tight, hand curling slightly around the water bottleâand it crackles softly under his grip. His breath hitches, just barely.
âI should go,â he mutters, voice low and clipped.
He takes a step toward the doorâand you shoot up from the sofa, heartbeat racing.
âWaitâuhâbefore you go,â you say, stepping toward him, âcould you help me with something?â
He hesitates, turning slowly, as if every second in here is costing him something.
You move until youâre almost between him and the door, looking up at him through your lashes.
âCould you help me out of my dress?â
The second the words leave your lips, you forget how to breathe.
Jackâs jaw tightens, his shoulders coiling ever so slightly. His fingers twitch around the bottle, just a whisper of movement, as if holding himself together by force. His eyes catch yours, dark and sharp, taking in the faint scrunch between your brows, the small pout on your lips, the way youâre offering him something he never thought heâd be allowed to have.
He nods onceâcareful, controlledâbut the tension radiating off him is almost unbearable.
Your stomach flips.
Without a word, you turn, sweeping your hair out of the way while your pulse hammers in your ears.
You feel him shift, his warmth, and the ghost of his touch at the nape of your neck. And that first, tiny contact sends a shock straight through youâhot, sharp, impossible to ignore.
He pauses, just a heartbeat, and you catch the tiniest hitch in his breath.
Then he moves again, slow, deliberate, dragging the zipper down almost painfully slow, his knuckles grazing your skinâwarm, rough, controlled, just enough to make your heart pound in your throat.
âHow do you do it?â you whisper, voice catching slightly. âHow are you always so⌠unaffected by everything?â
âUnaffected?â he murmurs, almost tasting the word, as if testing it against himself.
His knuckles brush the small of your back, pausing where the zipper endsâbut he doesnât stop. His fingertips graze your skin, deliberate, teasing, tracing the line of your spine upward again, slow enough that it drags your breath with it, sharp enough that heat blooms through every nerve.
âYou have no idea,â he whispers, voice low and rough, almost breaking, âhow much you affect me.â
Your breath catches, sharp and sudden. Everything in your chest pulls tight, something hot and dizzying blooming low as his words sink in.
You turn before you can stop yourselfâand heâs closer now. Close enough that you can feel the warmth of him, the shift of his breath, the space between you narrowing into something fragile and dangerous.
For a second, neither of you move.
And then his hand finds your neckâ
Not rough, not rushedâjust firm enough to anchor you there, thumb pressing under your jaw like he needs to feel that this is real, that youâre real. His other hand tightens where it still holds the loosened fabric of your dress at your back, fingers curling into it like restraint is slipping through his grip.
He hesitates, just for a breath. Like heâs giving himself one last chance to walk away.
Then he kisses you.
Itâs not tentative. Thereâs nothing careful about it. It lands like something heâs been holding back for too long, all that control finally snapping under the weight of you standing here, asking for him, looking at him like that.
His mouth is warm and certain against yours, a sharp inhale breaking through you as you lean into him without thinking, your hands finding him just as quicklyâhis stomach, his chestâanything to hold onto as the world tilts. He makes a low sound, barely there, but you feel it more than you hear it, the vibration settling deep in your chest as his grip tightens.
You melt before you can stop yourself.
Your head tilts back, giving him more, and he takes it immediately, deepening the kiss with that same quiet intensity that steals the breath right out of you. His thumb shifts along your jaw, not lingering, just enough to guide you where he wants you, and the control of itâGod, the way he still tries to control it after everything, after all that restraintâmakes something in your stomach flip hard.
His hand at your back slips under the loosened zipper, fingers pressing into your bare skin now, warm and steady, but thereâs tension in it. You can feel it in the way his grip flexes, like heâs still tryingâstillâto hold the line even as he pulls you closer.
It doesnât work.
Not when you press into him like this, not when your fingers curl tighter in his shirt, not when you kiss him back without hesitation, without thinking about consequences or lines or anything except how he feels against you.
He exhales against your mouth, sharp, like youâve just undone him, and for a second the kiss faltersânot because heâs pulling away, but because heâs trying to.
You feel it. The conflict. The split second where he almost stops.
Your hand slides up to his jaw, fingers catching there, holding him in place before he can even try.
âDonât,â you whisper, barely pulling back, your lips brushing his as you speak.
And something in him gives.
You see it in the way his eyes darken, in the way his hand tightens at your back, pulling you flush against him this time, the last inch of space gone like it was never allowed to exist in the first place.
When he kisses you again, itâs deeper.
Less restrained.
Like heâs finally stopped pretending this isnât exactly what he wants.
Itâs different nowâharder, hungrier, like something in him has shifted for good. His hand slides from your jaw to your waist, gripping tight as he steps into you, crowding you back without breaking the kiss, without giving you a second to think.
Your back meets the door with a soft thud.
He doesnât stop.
If anything, it only makes him sharper, more certain, his mouth moving against yours with a kind of urgency that steals the air right out of your lungs. You barely get a breath before he takes it again, and you let himâGod, you let himâtilting into him, giving him everything he reaches for.
His hand tightens at your waist, then slips lower, dragging you flush against him again, like he needs to feel exactly how close he can get before he loses control completely.
And you can feel itâhow close he is.
Itâs in the way his grip flexes, in the way his breath turns uneven against your mouth, in the way the kiss keeps deepening like he canât quite stop himself from taking more.
Your fingers find his shirt again, pulling him closer, and he breaks the kiss just long enough to drag in a breath, his forehead almost brushing yours, like heâs tryingâone last timeâto get a handle on this.
He doesnât.
His hands are on you again, immediate, sliding up your sides, pushing the straps of your dress from your shoulders in one smooth, decisive motion. The fabric gives easily, slipping under his hands like it was never meant to stay there in the first placeâand it falls to the floor, pooling at your feet.
His breath catches, and his gaze dropsâjust for a second, but itâs enough.
âTell me to stop,â he says, voice low, roughânothing steady about it now.
You meet his eyes, chest rising and falling fast, heat still sparking under your skin.
âBedroom,â you murmur.
For a second, he just looks at you.
Something in his expression shiftsâtightensâlike that word landed exactly where it shouldnât. His gaze searches yours for a moment, checking for hesitation, for doubt.
But he doesnât find any.
He nods onceâand you turn, already moving toward the bedroom. You can feel him right behind you, close enough that his hand finds your waist again before youâve even taken two steps, steady, grounding, like heâs not about to let you get too far ahead of him.
Itâs barely a walk.
More like being guidedâpulledâacross the apartment toward your room, your pulse loud in your ears, every step charged with the knowledge of what youâve just set in motion.
The door barely makes it closed before heâs on you again.
Not rushedânever rushedâbut certain, like the decision has already been made and thereâs no point pretending otherwise. His hands find you first, steady at your waist, turning you back toward him before you can take another step into the room.
Your breath catches as you look up at him. Thereâs something in his expression youâve never seen before. Itâs not soft, not gentleâjust stripped of whatever distance heâd been holding onto all night.
Gone.
His gaze drags over you, slow and deliberate, and this time thereâs nothing in the way of itânothing to hide behind, nothing to buffer itâand the heat in it settles low in your stomach, heavy and immediate.
âStill want this?â he asks, voice rough, quieter nowâbut it lands heavier here.
You donât answer. You just step into him.
And itâs all the permission he needs.
His hand tightens at your waist as he pulls you back into him, and the kiss this time is slower, deeper in a way that feels intentionalâlike heâs choosing it, not chasing it. His mouth moves against yours with a kind of controlled hunger, every shift measured, every breath deliberate, like heâs letting himself feel it fully instead of fighting it.
Your fingers curl into his shirt, and he exhales against your mouth, something unsteady finally breaking through.
His grip shiftsâfirmer nowâguiding you back a step, then another, not hurried, not careless, but unrelenting all the same. You feel the edge of the bed behind your knees before you fully register moving at all, your focus too caught in the way heâs kissing you, the way his hand anchors you like heâs not about to let this get away from him.
His mouth breaks from yours just long enough to draw in a breath, his forehead pressing briefly to yours.
Not hesitation. Control.
Or what little he has left of it.
âLast chance,â he murmurs, quieter now.
You drop back onto the bed, gaze locked on his, breath still uneven.
âIâm not the one holding back.â
You barely have time to move up the mattress before heâs there, crowding over you, hands braced on either side as he follows you down. The mattress dips under his weight, the space between you gone in an instantâreplaced by the solid heat of him, the firm press of his hips against yours.
His mouth finds yours again, hot and insistent, teeth catching your bottom lip just enough to pull a soft sound from youâbut itâs different now. Slower. Not restrained, but deliberate. Curious, almost.
Like heâs learning you.
The way you react. The way you move under him. The way you give.
Your hands slide up his chest, fingertips digging in as heat coils low in your stomachâbut they donât stay there long. He shifts his weight slightly, steady, controlled, one hand lifting off the mattress to catch your wrist.
His fingers close around itânot tight, not forcefulâjust certain, guiding.
He lifts your hand above your head.
âJack,â you whisper. âIââ
He shushes you.
âLet me do this, okay?â His voice is rough, thick with something unsteady beneath itâsomething that makes your stomach knot. âIâve got you.â
And you believe him.
His hand slides down your body, slow and sure, brushing over your chest, your waist, the curve of your hipâeach touch deliberate, like heâs taking his time even now, even like this. His fingers hook at the inside of your thigh, grip firm as he nudges your leg wider.
âThatâs it,â he murmurs. âGood girl.â
The words go straight through you.
You can already feel the damp heat between your legs, the slick fabric pressed close, but the way he says itâthe way his voice dropsâmakes your hips shift up instinctively, chasing something you canât quite reach.
Chasing him.
And he notices. Of course he does.
You only just catch the faint lift at the corner of his mouth before his lips are back on yours, swallowing the breath from you as your back arches, pressing yourself up into him without thinking. Your fingers curl into the sheets above your head, tension pulling tight through your body as everything narrows down to where heâs touching youâwhere he isnât touching you.
His hand drags back up your thigh, slower this time. Intentional. And when his fingers finally press against you through the thin fabric, you gasp.
He takes the sound from you immediately, mouth moving against yours, deeper now, like heâs feeding off it, like every reaction just pushes him further. His fingers start to moveâslow, circling, testingâwhile his mouth leaves yours to trail along your jaw, your cheek, the side of your neck.
With your mouth free, the sounds slip out before you can stop them.
Soft. Unsteady. Needy.
And he loves it.
You feel it in the way his breath shifts, in the way his grip tightens just slightly, in the way his hips rockâslow, controlled, a subtle pressure of denim thatâs more suggestion than friction.
âJackââ your voice catches, breaking on his name. âPlease. I wantââ
âTell me, sweetheart,â he murmurs, mouth brushing your shoulder, voice low and coaxing.
âMore,â you manage, breath shaking. âNeed more.â
He groans against your skin, the sound low and rough, his body settling heavier over yours like any space between you is something he canât stand.
Then his hand shifts.
Your breath catches as his fingers slide beneath the damp fabric, dragging through your wet heat in one slow, deliberate stroke.
Your whole body jolts. âFuckâJackââ
The reaction pulls something from himâa sharp inhale against your neck, his mouth pressing there like he needs to ground himself for a second before he loses it completely.
Youâve never felt like this before. Never this hot, this open, this aware of every inch of your own body.
And youâve never wanted anyone like this before.
âGod,â he murmurs, voice thick, lips tracing back up your throat. âYouâre so wet for me, sweetheart.â
All you can do is nod, whimpering softly, your hips lifting without permission, chasing him, asking for more without the wordsâand he gives it to you. Of course he does.
His finger slides inside you, slow at first, letting you feel itâthe stretch, the heatâbefore he pushes deeper, and the sound that breaks from you is swallowed instantly as his mouth finds yours again, your back arching beneath him as he starts to move. Not fast. Never fast. He sets a rhythm instead, steady and controlled, curling his finger just enough to make your breath catch, just enough to make your hips move against him again.
And when you press into it, when your body starts to chase that feeling properly, he adds another finger, the stretch pulling a broken sound from your throat as your hands tighten in the sheets and your body rolls beneath him, helpless to it now, completely caught in the slow, deliberate way he works you open.
Every movement is intentional. Every curl hits deeper, sharper, building something tight and aching low in your stomach that makes your whole body tremble, your breath coming out in uneven gasps as you press into his hand, chasing, needing.
Then his thumb finds your clit, and the contact is immediateâdevastating.
You cry out, sharp and breathless, your whole body tightening as he starts slow, deliberate circles that send heat spiralling through you, your hips lifting again, desperate now, unable to stay still under him.
âThatâs it, sweetheart,â he murmurs, voice rough, barely steady. âFeels good, doesnât it?â
You canât answerânot when his mouth is everywhere, your throat, your jaw, the corner of your mouth, like he canât decide where he wants you most before he finds your lips again, and this time the kiss is different again. Hungrier. Messier. His tongue presses into your mouth just as his fingers push deeper, his thumb working harder, more deliberate now, and the moan that tears from you is swallowed whole.
âPlease,â you whimper against his mouth, breath breaking. âPlease, Iâneed you.â
He lifts his head, dark eyes searching yours, brows pulling together just slightly.
âYou sure?â
You stare at him, trying not to whimper as your whole body clenches around his stilled fingers, the sudden stillness almost worse than anything he was doing before.
âNever have I ever finished during sex, remember?â you manage, breathless but steady enough to land. âYou gonna fix that, or what?â
Something feral flickers across his face.
And then itâs goneâreplaced by something heavier. Something decided.
He kisses you again before you can catch your breath, all teeth and tongue, the restraint heâs been clinging to snapping clean in half as he groans into your mouth, the sound dragged straight from his chest. You feel the loss of his fingers immediately, your body protesting it, but itâs replaced just as quickly by the slow, deliberate roll of his hips, the friction of denim against your soaked panties making you gasp against him.
âFuck,â he breathes, like he canât quite believe it.
He pulls back just enough to shift, bracing himself on one arm while the other moves to his belt, not rushed but far from steady now. Thereâs a hitch in his breath, a tension in the way his fingers work at it, shoving his jeans and briefs down just enough to free himself, and your gaze drops before you can stop it.
Heâs already hardâfully, heavilyâflushed and slick at the tip, and the sight of it sends a sharp pulse of heat straight through you, your mouth going dry even as your body reacts in the complete opposite way.
âFuckââ he chokes, the word breaking out of him. âI havenât been this hard inââ His eyes flick back up to yours, dark and molten, and whatever he was going to say changes. ââever.â
It hits you low and deep, twisting something tight in your stomach that makes your hips shift under him without thinking. You finally let go of the sheets, your hands finding him, sliding up to wrap around his neck as you pull him back down, needing him closer, needing him everywhere.
Your legs come up around his waist, drawing him in, urging him forward, and his breath stutters as he presses in, his swollen tip dragging against the damp fabric between you. The contact is just enough to make your head fall back, a broken sound slipping from your throat as he triesâtriesâto hold himself up, one arm braced, the other moving between you.
You can feel the strain in him now, the way everything is slipping in real time, in the slight shake of his arm, in the uneven rhythm of his breathing as his hand hooks into the waistband of your panties.
âIâll buy you new ones,â he murmurs against your mouth, voice rough, almost distracted, like the thought barely registers before itâs gone. âPromise.â
And then the fabric gives.
The sound of it tearingâsharp, suddenâgoes straight through you, your breath catching hard as he pulls the fabric out of the way, the last barrier gone in an instant.
It shouldnât be as hot as it is.
But it is.
Jack Abbotâcontrolled, composed, always holding the lineâlosing it enough to rip your panties off you?
Fuck.
He sinks into you in one steady thrust, and both of you gasp at the stretchâthe sudden, overwhelming closeness, the way want crashes hot and heavy between you. Your pulse hammers in your ears, that dizzy edge of fear and urgency tangling together until all you can think is himâhere, now, inside you.
For a moment, you just breatheâpant, reallyâeyes squeezed shut, hands locked on his shoulders as your body clenches around him, like youâre trying to keep him right there, like you never want to let him go. He drops his head to your neck, breath hot against your damp skin, and you feel the way it shakes out of him.
âYouâfuckâyouâre so tight, sweetheart,â he pants, voice rough and muffled where his mouth presses into you. âIâm not gonna lastââ
âThen donât,â you murmur, your voice softer but no less certain. âJust fuck me. Please, Jack.â
A groan tears out of him, low and wrecked, and you feel it through his chest as he shifts above you, hips pulling back, his cock dragging against your walls in a way that makes your stomach coil tight, sparks chasing across your skin. You suck in a sharp breath, your grip tightening on himâand before you can brace, he drives forward again, deeper this time.
âFuckââ you cry out, the sound breaking loose without warning. âJackââ
He doesnât stop. His hips roll back again, slower now, controlled in a way that almost makes it worse, his head lifting so he can look at you, really look at you, like heâs checking, like he needs to see it.
âYou ready, sweetheart?â he asks, voice low, rough, barely holding together.
The anticipation coils tighter in your chest, sharp and electric, lighting up every nerve in your body until it almost hurts.
âMhm,â you manage, breath unsteady, nodding as your arms wind tighter around his neck, pulling him closer, needing him closer, like it still isnât enough.
For a secondâjust a secondâyouâre distracted by something stupid, the feel of his shirt between you, the barrier of it, the way you want it gone, want skin on skin, want to see him, feel him, all of himâ
And then he thrusts forward again. Harder again. And the thought disappears completely.
Your body jolts beneath him, every movement knocking the breath from your lungs, and the sound that leaves you is loudâtoo loudâechoing back off the walls in a way that would make you self-conscious any other time.
But not now.
Right now, you donât care who hears. Not when it feels like this.
His name spills from your lips in broken gasps, tangled with raw cries, and he answers with a rough sound against your shoulder, biting it back as his hips drive into you at a relentless pace. Heâs barely holding himself up now, his weight pressing into you in a way that feels like too much and somehow still not enough, the strain in him obvious in every uneven breath, every sharp exhale against your skin.
His hand drags down your side, back to your thigh, fingers digging in as he pushes your leg wider, and the shiftâsmall as it isâhits something deeper, sharper, your vision flashing white as your head tips back and the knot in your belly pulls tight. His grip slides to your hip, anchoring you there, holding you in place so every thrust lands exactly where it needs to, deep and unrelenting, the sound of it filling the room, wet and rhythmic and impossible to ignore beneath the broken sounds youâre both making.
And then his hand moves between you.
You feel it immediatelyâthe change, the focusâas his fingers find your clit in the slick mess between your bodies, steady despite everything else, despite the way heâs losing himself in every way. Your back arches, breath catching sharp as his touch turns deliberate, circling, pressing, coaxing, sending jolts of sensation straight through you until itâs too much, not enough, everything all at once.
âJackââ you whine, the sound falling apart as soon as it leaves you. âFuck, Iââ
âI know, sweetheart,â he mutters against your jaw, voice wrecked. âCome on my cock, yeah?â
Your hips lift to meet him without thinking, chasing the rhythm heâs set, chasing the pressure, the friction, the way heâs working you with a precision that feels almost cruel now. His hand doesnât falter, his fingers moving with intent, building and building, every touch sending sharp bursts of pleasure up your spine as the tension in your stomach pulls tighter, tighter, until it feels like it might snap.
Itâs never felt like this before. Youâve never felt like this before.
Your whole body tightens, back arching, legs trembling around him as your hips grind up against his, desperate, chasing something you canât hold onto. He keeps hitting that same spot, again and again, relentless, his pace rougher now, less controlled, while his fingers stay locked on you, steady, practiced, pushing you right to the edge and holding you there.
You cry out, the sound raw, breaking from your chest as everything finally tips.
The release hits all at onceâsharp, overwhelming, tearing through you in a rush that steals your breath and leaves nothing behind but heat and tension snapping loose. Your body locks up around him, tightening, pulsing, your hands gripping at him as your legs shake, your hips still moving against his like you canât stop, like you donât want to.
âFuck,â he groans, burying his face in your neck, his voice wrecked as he keeps moving inside youâslower now, but deeper, like heâs chasing every last pulse of you, like he doesnât want to miss a second of it. âThatâs it. Thatâs my girl.â
His rhythm falters, hips stuttering, and then he loses it completelyâa broken sound tearing from him as he drives into you one last time, deep and hard, spilling inside you as his whole body tenses, shuddering above yours.
You feel itâevery part of itâthe way he comes undone, the way he clings to you through it, like he needs something to hold onto just as much as you do. Your bodies keep moving together, slower now, instinctive, chasing the last fading edges of it as your breathing stays uneven, your chests rising and falling in sync, skin slick and overheated where youâre pressed together.
It takes a moment to come back downâa long one.
But eventually, the tension drains from him and he collapses almost fully above you, face buried into your shoulder, his weight heavy and grounding as he exhales, slow and spent. It makes it a little harder to breatheâbut you donât mind.
Not when you can feel his heartbeat against your chest, strong and real, still racing like yours.
-
For the first time in two weeks, Jack Abbot isnât stupidly early for his shift. He couldnât be, really. Because heâd woken up late this morning, limbs tangled with yours in warm sheets that smelled so much like you it made his head spinâand that had thrown off everything else he needed to get done today.
If it was up to him, he wouldnât have left at allâbut he had to. He had police paperwork to finish, a neighbourâs cat to feed, and sleep he shouldâve caught up on before being back in charge of an entire emergency department for twelve hours. But on the bright side? He knows you have a swing shift today, which means he doesnât need to be early to see you, because youâre going to be stuck at PTMC until at least ten p.m. tonight.
With him.
And he really shouldnât be looking forward to that as much as he is.
âAfternoon, Dr. Abbot,â Dana says, glancing over the top of her glasses. âWasnât sure weâd see you today. Arenât you usually here by now?â
âIâm on time,â Jack mutters. âIâm a busy man.â
Dana hums, the corner of her mouth lifting slightly as her eyes drop back down to the tablet in her hands.
Jack tries not to appear too conspicuous as he scans the department, glancing toward the trauma bays and South corridor as he passes the nursesâ station. He shouldnât be this anxious to see you againânot in the apprehensive kind of way, but in the way that makes it feel like his lungs wonât quite fill until youâre near him again.
âSheâs not here,â Dana says without looking up from her chart. âWasnât feeling well, so Ellis came in early.â
Jack spots Ellis across central, exiting one of the rooms with Santos at her side, and he opens his mouth to say somethingâdefend himself, maybe, lie about what or who he was looking forâbut he hesitates, unsure what he could say that wouldnât incriminate him further.
So instead, he just drops his head and keeps walking, fumbling for his phone in his pocket.
Heâd seen you this morning. Just this morning. You were sleepy, had a headache, so he got you water and Tylenol and kissed you before he leftâbut you hadnât said anything about feeling so unwell you were going to call in sick.
Jack doesnât stop until he reaches the lockers, then turns back to survey the ED one last time before leaning a shoulder against the wall and pulling up his text thread with you. He hadnât texted you today because he knew heâd see you tonight and didnât want to seem⌠overbearing. Even now, heâs not sure if he shouldâbut he feels off in a way he hasnât in years, like heâs waiting on something he canât control and itâs making him feel sick.
What if last night hadnât meant what he thought it did? What if you regretted it? What if it was justâ
âHey, kid,â Dana calls from the nursesâ station. âBig night?â
Jackâs head snaps upâand there you are.
The relief hits before he can stop it, sharp and instant, loosening something in his chest he hadnât realised was wound so tight. He swallows it down just as quickly, his expression settling before anyone can clock it.
âYou donât know the half of it,â you mutter.
Dana huffs a short laugh. âI have a feeling I donât want to know.â
Jack canât help but watch as you cross the floor toward him, your backpack hanging from one shoulder while the other hand presses two fingers to your temple, like you could massage the headache away. Thereâs a smug little smile on your lips when you reach him, slowing your steps until you pause just beside himânot too close, but enough to make his breath catch.
You glance down at his phone, at the open message thread where his thumb is hovering, and your smirk curves a little higher.
âMiss me?â
Jack locks his phone and tucks it back into his pocket.
âThought you were sick.â
You lift one shoulder. âA little hungover, so Ellis swapped with me.â
For a second, neither of you move. He just looks at youâand you look right back, like you both know exactly whatâs changed, even if neither of you is about to say it out loud. Not here. Not now.
âAnd I missed the night shift attending,â you say finally.
Thenâbefore he can respond, before heâs even fully processed what you saidâyou lean in and press a quick kiss to his cheek. Only brief. Barely anything.
But it feels like everything.
And just like that, Jack Abbot is done pretending he isnât yours.
Š 2026 geminiwritten
Here's a sketcharoo for my one and only @ink-and-dagger. <3
i find it absolutely hilarious that in 2x6 that Yennifer, Geralt and Ciri are out numbered and unarmed, Geralt refers to Rience as "fire fucker"
[ and they say witchers have no humor đ ]

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if i ever get a credit card, i'll be in so much debt from the amount of books i'll buy

