31. The Man Who Sleeps (Un homme qui dort, 1974) Dir. Bernard Queysanne

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31. The Man Who Sleeps (Un homme qui dort, 1974) Dir. Bernard Queysanne

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Model in Backligh, 1908, Pierre Bonnard
Medium: oil,canvas
Nude Bending Down, 1923, Pierre Bonnard
Christian Coigny.
Lebanon. 1978.
@Raymond Depardon

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Raymond Depardon Photos from France
Raymond Depardon
Longing from the Love Poems series, Damien Hirst, 2013
Photogravure etching with lithographic overlay on paper 60.3 x 60.5 cm (23 ¾ x 23 ¾ in.)
Tales of Brave Ulysses, Douglas Cantor
Sunset, Henri-Edmond Cross

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Bad at life (good at painting), Sophie Vallance
La gerbe, 1953, Henri Matisse
Medium: paper,gouache
https://www.wikiart.org/en/henri-matisse/la-gerbe-1953
"What colour eyes do you have? Blue?!”
"The French Dispatch is shot on 35mm with Yeoman finding the texture of negative film more in keeping with the story’s artisanal aesthetic. Several sequences are shot in black and white with colour used for emphasis, for instance when actress Saoirse Ronan leans forward to reveal her blue eyes."
Maximilien Luce ( 1858-1941) - Baigneuses à Saint-Tropez
Oil on paper laid on canvas. Painted in 1893.
27.6 x 32 inches, 70.2 x 81.2 cm. Estimate: £180,000-250,000.
Failed to sell Christie’s, London, 5 Feb 2020.
Jazz II, Romare Bearden, 1980
Screenprint 68.2 x 95.4 cm (26 ⅞ x 37 ½ in.)

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“The Pointe de la Galère, Port-Cros, Provence” (detail), 1891–92, by Henri Edmond Cross
Étude pour La baie de Cavalière (Study for Cavalière Bay), Henri Edmond Cross, late 19th to early 20th century
Oil on paper laid down on canvas 10 ⅝ x 13 ⅞ in. (27 x 35.3 cm)