let's talk about Bridgerton tea, my ask is open


Product Placement
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2025 on Tumblr: Trends That Defined the Year
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Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
Sade Olutola

Game Changer & Make Some Noise
ojovivo
hello vonnie
Today's Document

roma★
noise dept.
official daine visual archive
Cosmic Funnies
sheepfilms
Monterey Bay Aquarium
YOU ARE THE REASON
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@noplacefeelslikehome

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more posters with this picture
Uh huh
translation + PATD's picks:
What do the musicians who stand at the center of the 2008 rock scene think about more than fifty years of rock history?
This month's special feature began with that simple question. Rather than simply asking them to name their all-time favorite albums, we asked them to choose the best albums for each decade, from the 1960s up to the present. By organizing their selections by era, an entirely different kind of collection emerged. Participants ranged from younger artists such as Kasabian and Hadouken! to veteran musicians including Underworld and Devo. Because musicians from many different generations took part, the results proved remarkably diverse, even within the same decade. This is not a list of classic albums selected by our editorial staff, writers, or readers. Instead, we present a disc guide chosen from the unique perspective of musicians themselves!
Panic's picks for the 1960s were The Beatles (Revolver) and The Beach Boys (Pet Sounds):
Panic's 1970s picks were Queen (A Night at the Opera), Tom Petty & The Heartbreakers, and Billy Joel (The Stranger).
The 1980s clipping seems to have slipped out of this sleeve in my binder... and knowing me, I probably just shoved it into the first random sleeve I could. So I'll add the 1980s to this post later when I've finished organizing my magazine binders.
Panic's 1990s picks were U2 (Achtung Baby), Counting Crows (August and Everything After), and Radiohead (OK Computer):
Panic's picks for the 2000s were The Shins (Chutes Too Narrow) and The Killers (Sam's Town):
translation for this FBR giveaway: A set of autograph boards personally signed by each member of Panic! at the Disco, plus hand-drawn “self-portrait” boards.

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rough translation:
Ryan Talks About His Father, Who Struggled with Alcoholism
Ryan Ross (far left in the photo; guitar/vocals/keyboards) says that his parents divorced when he was three years old. During his childhood, there were many times when Ryan had to look after his father, who suffered from alcoholism. As Ryan discussed in last month's interview with this magazine, this experience is also reflected in songs on the band's album. His father passed away last July at the relatively young age of 60. Ryan says that he had gradually come to realize that his father's death was approaching. While he was out on tour, he received a phone call, and even before answering it, he somehow knew it was the call telling him his father had died. He recalls:
"It was raining on the day of the funeral. It wasn't even the season when it usually rains. After the funeral, I went back to where the casket was. I placed my hand on it and said goodbye. The moment I did that, the rain stopped. The clouds cleared away, the sun came out, and it suddenly became warm. During the eulogy at the funeral, I talked about how my father had always considered raising me to be the most important thing in his life ever since I was born. I think... maybe he'd finished fulfilling that role. There wasn't anything left he needed to do, so he was finally able to move on. Since that's what my father would have wanted, I think it's okay. Of course I'm sad, but now I feel like everything is going to be alright."
i think i will crash bang smoke today
if you think about how the onceler became a recluse after finding success in his youth

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Got hit in the head halfway through
rough translation:
Panic! at the Disco, who made their first visit to Japan this spring for PUNKSPRING 2006 and turned the audience into one giant dance floor, are now making their official Japanese debut. Their debut album, A Fever You Can't Sweat Out, which has already become a long-selling hit overseas, will be reissued in Japan on January 17, 2007 by Warner Music Japan for ¥1,980. In addition to the album, this Japanese edition includes the previously unreleased live version of "I Write Sins Not Tragedies" as a bonus track. It also features three music videos, including "Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off." It's a release packed with extras and well worth picking up. It's well known that Panic! at the Disco were discovered by Pete Wentz, bassist of Fall Out Boy (FOB), whose highly anticipated new album was scheduled for release the following February. Even from their sound alone, you can clearly hear Fall Out Boy's influence. But the younger band has also inherited another part of that DNA: their absurdly long song titles. Because of that, for this Japanese reissue, the song titles and album title aren't simply written in katakana (phonetic Japanese). Instead, they're translated into a mix of kanji, katakana, and hiragana. You can really see the creativity of Warner Japan's director in charge of the release—but let's leave that aside for now. What I personally love about this band is how much fun they clearly have. Like opening a toy box, every song and arrangement is overflowing with excitement and little surprises. Everywhere you look, you can feel their playful spirit. They genuinely enjoy making music, and that enthusiasm comes across directly through their recordings. Even their band name gives that impression. After all, they're from Las Vegas, America's entertainment capital, so putting on a show seems to come naturally to them. Their debut album has already sold more than one million copies in the United States and has been certified Platinum. It's probably only a matter of time before they're nominated for the 49th Grammy Awards in February next year. There's no doubt—they're coming. Keep your eyes on Panic! at the Disco.
cries
from Girlfriend magazine in Australia

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this clipping basically says that without stage makeup Ryan resembles Elliot Page for that month's look-alike
10/5/06 in Sydney (x)