fuuuuck i forgot to give a shit about stupid bullshit that doesnt matter đ¤Śââď¸

wallacepolsom

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romaâ
Not today Justin
he wasn't even looking at me and he found me
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

JBB: An Artblog!

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Peter Solarz
sheepfilms

Love Begins
let's talk about Bridgerton tea, my ask is open
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Sweet Seals For You, Always
YOU ARE THE REASON
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@nietopesz
fuuuuck i forgot to give a shit about stupid bullshit that doesnt matter đ¤Śââď¸

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this is going to have me on my hands and knees dry heaving
what the FUCK man.
You know how some people talk about timeless themes in literature and you kind of low-key think they're full of shit? Sometimes they're not.
Illustration | Artist Unknown
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Dancing Maenads, Roman, 1st century CE
The Three Graces by the late photographer Leonard Nimoy (yes, Spock from Star Trek!) from his Full Body Project

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"Cat and Moth" by Neva Hosking
Thriller: A Cruel Picture aka They Call Her One Eye (1973)
by Alex Fridolinski aka Bo Arne Vibenius
Old writers used to be like ohhhh geeee i hope no one finds my private letters. ohhhhh my little letters theyâre so beautifully written and personal i hope no one gets a hold of my big stack of personal letters ouhhh

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Artist Elisabeth Dubus
Daisuke Takakura
Victorian Mourning Jewelry
Often containing hair, teeth, and other physical remains of the dead, these pieces peaked in popularity in the Victorian era. Mourning jewelry is one of earliest sartorial expressions of the gothic romanticism which has defined many famed modern designers, from Alexander McQueen to Ann Demeulemeester to Lieve Van Gorp. The genre is made up of broaches, necklaces, rings, and other adornments meant to celebrate loved ones who had passed away. However, the pieces from that period rather simply served to underscore the concept of "memento mori" ("remember you will die")
i think a lot of people internalized the misogynistic idea that âmen are rational and women are emotionalâ and just went âthatâs true⌠but itâs a good thing!â instead of saying âthatâs obviously bullshit and we shouldnât perpetuate this belief in any formâ
Inspiring image by photographer Laurie Toby Edison from her 1994 book Women En Large: Images of Fat Nudes

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it's like she peers into my soul every time
Velvet Goldmine (1998) dir. Todd Haynes