Nevermore

Stephen King’s It (1990)

The Funhouse (Tobe Hooper, 1981).

Goodnight Mommy (2014), dir. Severin Fiala & Veronika Franz

    Somewhere below, in the stormdrain that was already filled nearly to capacity with runoff (there could have been no one down there, the County Sheriff would later exclaim to a Derry News reporter with a frustrated fury so great it was almost agony; Hercules himself would have been swept away in that driving current), George’s newspaper boat shot onward through nighted chambers and long concrete hallways that roared and chimed with water. For awhile it ran neck-and-neck with a dead chicken that floated with its yellowy, reptilian toes pointed at the dripping ceiling; then, at some junction east of town, the chicken was swept off to the left while George’s boat went straight.     An hour later, while George’s mother was being sedated in the Emergency Room at Derry Home Hospital and while Stuttering Bill sat stunned and white and silent in his bed, listening to his father sob hoarsely in the parlor where his mother had been playing Für Elise when George went out, the boat shot out through a concrete loophole like a bullet exiting the muzzle of a gun and ran at speed down a sluiceway and into an unnamed stream. When it joined the boiling, swollen Penobscot River twenty minutes later, the first rifts of blue had begun to show in the sky overhead. The storm was over. Part 1: The Shadow Before     1. After the Flood (1957)

Some new stills from Stephen King’s It (2017).

Dir. Ridley Scott

Alien: Covenant (2017) Dir. Ridley Scott IMDb: The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discover what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

enjoying a fruity cocktail in the interior illusions lounge

Ghost Ship

Night Of The Living Dead, 1968

House Of Wax |2005| Jaume Collet-Serra

Aspect Ratio: 1.85:1

The Exorcist |1973| William Friedkin