silly girl, you almost forgot that you're the sun.

AnasAbdin

★
todays bird
d e v o n
Claire Keane

⁂
RMH
Misplaced Lens Cap
🪼
DEAR READER
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Sweet Seals For You, Always
Sade Olutola

#extradirty
$LAYYYTER
YOU ARE THE REASON


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@nervosityperson
silly girl, you almost forgot that you're the sun.

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Beyblade heavyweight division
If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.
The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.
This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!
The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD
This was funnier in my head. Happy 4/20
the joint is actually 10 feet long but she is a giant. stop making fun of her.

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when i was a boy-child i had a friend who was a tomboy and i remember wondering (jealously) why there was no similar word for boy-children who preferred the company of girl-children, who wanted to play as they did, with their songs and their games and their whispered secret languages. there is in fact a word for that, of course, but i don't recall emily ever feeling quite as menaced by "tomboy" as i was by the one they reserved for me
how nice, these days, to happily inhabit that word. to say it warmly, tenderly, teasingly, to my sweethearts, and to laugh as it's whispered in my ear after one of the maudlin declarations of love and devotion that spill so easily from me these days.
it doesn't hurt anymore, not like that. instead, it's a sweet, welcome respite, permission to be free of an obligation that i nearly died trying to fulfill. you don't have to be a man anymore, hard and sharp and mean. faggot, beloved, nobody will ever ask you to do that again, you who never wanted to, who never could. for as long as you live, you will never again have to try and be something you're not. what bliss!
tgirl who’s a little embarrassed about being naked in front of you for the very first time so she’s making a futile attempt to cover her privates with her six foot long flaming demon blade.
let me decide for each please
A wedding should NEVER occur before noon. It shouldn’t be too late either. You want to get married at 1-3 pm so everyone starts drinking early and is so drunk they are hauled home at a reasonable hour.
not a single member of my family would come to a dry wedding. the thought of everyone I love in one place and dead sober is terrifying.
whatever these three got going on Yellowjackets 2x03 (2021-)

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YELLOWJACKETS 2.01 "Friends, Romans, Countrymen"
YELLOWJACKETS 2.01 "Friends, Romans, Countrymen"
um. i think that will make an even awkwarder silence
watching sinners with an inflation calculator open in a second tab so i can understand just what kinda money the smokestack twins are throwing around. nerdiest possible movie experience i think.
Okay coming out of lurking for this because among the many great features of Sinners is you don't actually have to go outside of the movie to understand what kind of money they're throwing around. The movie tells you itself.
In the scene where Smoke teaches the young girl how to negotiate, they're standing in front of of a cafe. The shot of them negotiating is framed so that you see a sign in the cafe window advertising a Ham and Eggs breakfast - in other words, a full meal - for 25 cents. The editing makes sure to put that sign back into frame whenever the question of the value of money arises in their discussion.
Smoke offers her 10 cents a minute and asks if that works for her. She says yes. He says no, it does not and tells her to negotiate higher. The 25 cent sign is framed in the shot when he tells her no, reminding us *why* it's not a good value.
She comes back with 50 cents - which the sign has informed us is the cost of *two* meals. Smoke tells her that's too much and counters with 20, which is just under a full meal but we now know that's a fairly respectable price because we just got the high/low contrast of 10 being too little and 50 being too much.
The negotiation ends with her getting 20 cents per minute and we now know 1) 25 cents is the cost of a filling meal in this environment 2) This girl only needs to do five minutes of work to be able to feed herself for a over day (20 cents per minute times five is a dollar, which is four meals) 3) Smoke has the kind of money to throw around that over a day's worth of food for someone can be to him - as it is to our modern eyes - mere pocket change and 4) Smoke's the kind of person who can both be a violent gangster but also care about teaching this girl how to look out for herself so that one day maybe she too can throw over a day's worth of food around like pocket change.
Combined with 5) you can now use that 25 cents = a meal to do the math every other time money gets mentioned in the movie to understand just how much cash the Smoke Stack boys are dealing with.
And that's just ONE detail which, thanks to props (Hannah Beachler), editing (Michael P Shawver), and cinematography (Autumn Durald Arkapaw), told you almost everything you needed to know about how finances work in this environment. This movie is unfair to all other films in how fucking good it is.
Aliens (1986)

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Aliens (1986)
a squirrel or perhaps a cardinal posted this
How about you mind your own damn business