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⠀⠀⠀⠀ ⠀⠀⠀⠀ yoongi layouts ͘ ࣭⸰ 𓏳

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Détective (Jean-Luc Godard, 1985)
“Conservative fools, nepotic fools, arrogant fools, and simply idiotic fuckers. It’s a bargain sale for rotten oranges. I’ll hit reset on the shithole that the world of sorcery is.”
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“Dazai was born in the northernmost part of Honshū, the tenth child of his parents. The household included not only parents and the surviving children but many relatives, ranging down from Dazia’s great-grandmother to small cousins, and also fourteen or fifteen cooks, maids, manservants, and other domestics, who swelled to total number of people living under the one roof to more than thirty. The Tsushima family (Dazai’s real name was Tsushima Shūji) was one of the richest in that part of Japan. The wealth was not of long standing: the founder of the family fortune was Dazai’s great-grandfather who, shortly after the Meiji Restoration, had established a trading company that had prospered. He used the profits to increase the family property holdings by buying up fields abandoned by the samurai, who were free after 1871 to sell their land. The great-grandfather’s business acumen enabled him to rank among the dozen highest taxpayers in Aomori Prefecture and he eventually obtained political office. His grandson, Dazai’s father, increased the family fortune and built the imposing house in which Dazai was born. Dazai often referred to himself as a farmer’s son, but this no doubt was by way of apology to the world for the privileges he had enjoyed as a child. Wherever he went in the vicinity he was treated with the deference due to a ‘young master.’ Dazai’s mother, perhaps exhausted by repeated childbirths, was unable to look after him, and he was left in the care of an aunt whom he supposed for years to be his mother. A feeling that he had been rejected by his mother may account for his unhappy disposition.”
—
Donald Keene, Dawn to the West, page 1026
“All my life I’ve had this vulgar, detestable ability to sniff out a shameful emotion. One look and I can spot a weakness.”
—
Dazai Osamu, “Hear My Plea” from Akutagawa and Dazai: Instances of Literary Adaptation

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EXHIBITION PREVIEW // Get ready for @stupidanimals’ imaginative “13 Foxes and the End of the World” solo exhibition, opening this weekend at @darkartemporium! Visit https://ift.tt/1a20IOv today [link in our profile] for details and a preview by @bellaharrisart. . The Dark Art Emporium will once again host a Facebook live reception event at 7pm Saturday, July 11th with Kat Philbin co-hosting from the gallery! . . . posted on Instagram - https://instagr.am/p/CCeuTiOowjR/
Créditos al autor.
ojalá a mí también me pasaran cosas bonitas

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