Sophie Taeuber-Arp
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

ellievsbear
2025 on Tumblr: Trends That Defined the Year
KIROKAZE
AnasAbdin
hello vonnie

blake kathryn
Claire Keane
I'd rather be in outer space šø

@theartofmadeline
occasionally subtle

ē„ę„ / Permanent Vacation
Lint Roller? I Barely Know Her
Misplaced Lens Cap

Andulka
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Sweet Seals For You, Always
DEAR READER

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@neith-the-weaver
Sophie Taeuber-Arp

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Barbara Kruger - It's a small world but not if you have to clean it, 1990
Untitled (Spider and Snake), Louise Bourgeois, 2003, MoMA: Drawings and Prints
Gift of The Easton Foundation Size: plate: 9 15/16 x 11 15/16" (25.3 x 30.4 cm); sheet: 17 ½ x 19" (44.5 x 48.3 cm) Medium: Drypoint and engraving, with hand additions
http://www.moma.org/collection/works/163550
Spider by Louise Bourgeois, born in 1911. This can be a nightmare come true. VĆa @hauserwirth Photo @andersnorrsell
Anni Albers, Red Meander, 1969

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Charline von Heyl Itās Votās Behind Me That I Am (Krazy Kat) 2010, Acrylic, oil on linen and canvas 82 x 72 inches
Anni Albers
Amelia Toledo
Seascape with Dunes, 1962, Helen Frankenthaler
Abstraction, Georgia O'Keeffe

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Louise Bourgeois, End of Softness, 1967, Bronze, gold patina, 7 x 20 3/8 x 15 ¼ inches 17.8 x 51.8 x 38.7 centimeters
Wendy Pasmore (1913-2015) - Untitled, 1990.Ā Ink and paint on paper, 35 x 37 cm. Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
Artist: Magdalena Abakanowicz
Title: Abakan 27, 1967
Textile Tuesday
Ā Magdalena Abakanowicz
HEIDI BUCHERĀ

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The common narrative among writers describing the women artists in the Abstract Expressionist movement is that they were ātrying to be like the boys,ā to act macho so as to be taken more seriously as artists. That observation, which is actually criticism, is made regarding Grace [Hartigan] and Elaine [de Kooning] because of their heavy drinking and their many sexual liaisons. And it is made about Joan [Mitchell] because of her appearance, her drinking, her brawling, and her language. But in each of those cases, the character traits the woman supposedly assumed to fit into a male universe developed out of the person she was before she arrived on the scene. These three were not reacting to an environment and engaging in role-playing for career or social advantage. They were strong women, and they had gravitated toward the downtown scene in part because they believed they could be themselves there without censure. And for the most part, among their peers, they could. Especially Joan. Once, in the Cedar, the veteran artist and Club Ć©minence grise Landes Lewitin, who was notorious for undressing women with his eyes, came up behind Joan and cupped her breast in his hand. 'Without missing a beat,ā Joanās biographer Patricia Albers wrote, 'she swung her arm downā and grabbed him by the balls. The bar went silent. And then it exploded in laughter at the stunned old manās expense. It was a new day for those women who dared to seize it, and woe to those men who were too slow to recognize the change.
Mary Gabriel, Ninth Street Women (via pintoras)
Harmony Hammond, US artist known for her textile installations who created some of the first gallery spaces for gay artists, particularly lesbians and was a prominent figure in the founding of the feminist art movement in the 1970's āļøš³ļøāš