The Capuchin Crypt beneath the Church of Santa Maria della Concezione, Rome / Photo: Felix Lipov

simon yotsuya byouin gallery (2003)

A rare representation of Cain and Abel's biblical story in which Cain kills Abel by biting him, instead of hitting him with a rock.

Body modification images scanned from “SALE2: Skin To Skin,” early 80s.

“Anamorphosis” by Ashley Czajkowski

Cy Twombly, preparatory sketches from 1961

Beach of Foncillon photographed by Jean Gaumy, 1982

Katinka Bock’s book Der Sonnenstich appears with the first exhibition to focus solely on her photographic work. Parallel to her work as a sculptor, she often takes pictures using an old analogue camera. The subjects are diverse, and when people come into the frame they tend to be anonymised, close-up details of body parts like hands, feet, and necks. The book includes 55 reproductions of analogue photos taken between 2015 and 2023, attesting to the ‘sculptural’ view she has on objects, spaces, bodies, and living organisms. Many of them appeared previously in Bock’s ‘One of Hundred’ publications, an ongoing irregular series in collaboration with graphic designer Louis Lüthi.

C.P. Family Publishers

Ken Unsworth, Five secular settings for sculpture as ritual and burial piece, 1975

Picnic, 1984 - by Mario Lasalandra (1933), Italian