Recently, while listening to the very nicely eclectic radio station named FIP, I discovered the song âCâest normalâ (âThis is normalâ) by Brigitte Fontaine and Areski Belkacem, from 1973. Listen: [YouTube/Spotify/Deezer]
The song consists of a dialogue between two characters in an apartment, recorded over some simplistic, innocent music. The apartment is bit by bit revealed to be on fire, and the duo on their way to death. It is first a very amusing piece of exchange, with an absurd contrast between how disastrous the events are and how laid-back the characters stay, featuring lengthy descriptions of how the catastrophe unfolds, describing in four minutes something that would happen far quicker.
The character played by Areski is a jaded man, somewhat condescending, who canât see things going another way and takes a great care of explaining, borderline mansplaining, why what is happening is entirely ânormalâ or, said differently, âfineâ. Brigitte plays the only lucid person in the room, truly realising the disaster but not seeing how to escape it, not entirely believing it and therefore seeking reassurance by asking many questions.
âAreski?â
âWhat do you want again?â
âDonât you feel like weâre somehow falling down?â
âListen, try to understand, itâs simple.â
âOkay.â
âDo you remember the combustion?â
âYes.â
âAnd the building being burned down by the fire?â
âYes.â
âWell, it means that all under us, the walls and the floors have disappeared in flames. So we arenât supported by anything any more.â
âYes.â
âNow, something that isnât supported by anything falls down. Thatâs what we call gravity. This is normal!â
After listening to it several times, I found it echoing the talks about ânormalisationâ that have been taking place these last months. In that way, it resembles greatly to the notorious comic strip âThis is fineâ by @kcgreenn (freely adapted as the header image of this post).
Although I have no idea if the allegory was intended when Fontaine and Areski wrote the song, I now think of the âla la la la laâ tune they keep doing as a sort of vocal version of the âThis is fineâ meme, something you can hum when things are clearly not fine.
Iâll end this with a nice cover of the song, recorded last year by the great Yolande Moreau and François Morel, both very finely fit to the roles â for the latter I canât help but picturing him as the scientific he also voices in âTu mourras moins bĂŞteâ. You can listen to this new version right there: [Spotify/Deezer]