idk.

Many people are noting that Nimona isn't very subtle about its message and themes (cue the rainbow breathe weapon). And you know what, I think it's awesome. We're used to thinking subtlety is good, and even queer people frequently agree that queer stories should be "well made" and "not too preachy". That's not wrong in itself, but here's the thing: after spending millennia as "the love that dare not speak its name", we desperately need stuff that isn't subtle, but loudly, blatantly, obnoxiously queer... AND well made, because these are not opposites. Subtlety for its own sake becomes just another closet. After realizing it, I won't be comfortable writing queer subtext anymore -- not until I see queer text become commonplace.

cowabummer!!