All That Jazz (1979), dir. Bob Fosse
let's talk about Bridgerton tea, my ask is open
cherry valley forever

pixel skylines
Sweet Seals For You, Always
almost home
Not today Justin
PUT YOUR BEARD IN MY MOUTH

titsay
The Bowery Presents

Love Begins

PR's Tumblrdome
I'd rather be in outer space πΈ

bliss lane
NASA
π
Sade Olutola
Monterey Bay Aquarium
sheepfilms
macklin celebrini has autism
noise dept.

seen from T1
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@nameless-and-joymaking
All That Jazz (1979), dir. Bob Fosse

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π’ feminize your ldpdl βΌοΈfeminize your ldpdl βΌοΈ feminize your ldpdl βΌοΈ feminize your ldpdl βΌοΈ
everybody's gotta have a guy named michael
Why do you blog?
Honor
Glory
Duty
Justice
βshould i do like you instead? read the first ten pages of every book, pass myself off as cultured? use my middling command of literary canon to impress some hapless human iβm gonna kill in a few hours anywayβ this gagged me like nothing has gagged me before friend youβre very sharp i love that about you

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ThéÒtre des Vampires on Letterboxed
great advice honestly
"hugging heart bear valentine's cookie", nadia bakes (2017)
everybody say i love you black trans women

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interview with the vampire was an accident. it wasn't supposed to be that good. the production approached and for a moment crossed into a queer television space that would have been extraordinary. but the unexplored terrified them. they needed to map the territory with structures they are familiar with, and so a Tumblr/subreddit gothic uptake of AR's the vampire lestat. it is exactly the radical reimagining AMC and Rolin Jones had in mind and executed, and they ensured the audience they needed would be there (s2's sudden post-show outsourcing to white YouTubers/participatory culture vultures) once the bag was secured. never forget the quickness with which the vampire lestat was announced and the excitement AMC, EPs, and Jones demonstrated once they were finally done with iwtv. never forget how the vampire lestat novel made talismanic appearances during early interviews and promotions. they don't even call it a gothic gay romance like Jones and AMC promoted interview with the vampire.
what the vampire lestat reveals is how blackness operates as a fetish, a a magical object that is at once grotesque in its capacity to withstand graphic body horror and mundane in that the mutilation and exhibition of black bodies has been, historically, a quotidian exercise. Blackness has value as a commodity fetish. For all the unnaturalness of this gothic horror show, what is most natural and not discussed in trades, by majoritarian fandom, the cast, the crew is the series' fascination with showing mutilated, disfigured, charred, burning, terrorized black flesh. What appears to be the true horror would be to show a black body reveling in their monstrousness, in their making a paradise out of hell.
Jacob Anderson's performance is the lever that turned a trapdoor into an escape route, and i am grateful for the work he put into Louis. going back to s2 finale interviews where JA looked at it as closure for Louis makes sense in light of the vampire lestat.
tl;dr: AMC's the vampire lestat channels it and its source material's anti blackness through and on the brown and black bodies previously viewed as characters, but have now flattened into narrative tools to pave the way for the rehabilitation of Lestat.
I hated sleeping without you.
Ahed Alanqar, who is verified #624 on GazaVetters, is a wonderful friend. It's clear within moments of speaking to him that he carries a deep compassion for everyone he meets, and everything around him. The world around him has not always returned this compassion. Before the war started, Ahed owned an aluminum manufacturing workshop with his father, and a house where he lived with his family, including three young daughters. Today, he is surviving off of donations.
Ahed is devoted to his daughters, and when he speaks with me about Iman, who is seven years old, I feel his love for her like it's my own. He told me, "I swear to you, I don't know the taste of sleep, and I stay up many nights thinking about this child and how I will help her." In his own words, his family is his whole life. Iman was injured on her way to a grocery store, when a house nearby was bombed. A large stone struck her feet, causing constant pain and difficulty walking. Iman requires an open reduction and internal fixation surgery on her feet β as Ahed describes it, this is a difficult and expensive surgery, which involves inserting metal plates to hold her bones together for a year until they heal. Because of the blockade and lack of resources in Gaza, Iman must be evacuated outside of Gaza for the procedure. This would be challenging under normal circumstances, but for Ahed's family right now, it won't be possible without donations. Please share his campaign, donate what you can, and remember their story; don't let this fade away. Everyone on here can do something to help.
Donate here!
baby jimothy
It is the Bimmy Birthday!!

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louis du pointe du lac if he was born in the 90s: it was the two thousands... a new age, not only on the calendar, but across the ramshackle collage of fields and mountains and strip malls we somehow had the gumption to call a country. the era of the glossy Seventeen magazine, pilfered from a friend's older sister, the secrets of a womanhood we could only imagine grasping spilling out from its pages in a private, sordid puddle that we wished desperately to drown in. the siren call of claire's, a klaxon of childish hedonism, luring us with its gauche, sparkling fuschias and and royal purples and ever-present ocean deep ceruleans... an era of bedazzlement, not only on our clothes but on our TV screens, our magazines, the pulsating paisleys of the deLiA's catalogue promising us a future where a beaded curtain could bring a touch of Bohemian mystery to our banal, suburban homes...
That's your thing, then? You like to watch?