Noah Kahan

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@mystoriia

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Cold, the floor was cold but it was more than welcome–
Jakob needed this, the feeling of relaxation coursed throughout him as he laid on the tile floor, Jewel next to him with her head on his stomach comfortably. They were in the way, yes, but it was semi out of the way in a back hallway that seemed like no one even used. But that was where he was, sprawled out in the middle of the hallway, one hand behind his head and the other lazily draped across Jewel as the large chocolate lab snorted in her sleep. The two of them perfectly comfortable with just lying there. Jakob used to do this sort of thing all the time, mostly in the bathroom or the kitchen floor. It was a method to calm and comfort him, just as it was doing now.
A content and eased sigh left the mans lips as he finally let his eyes close. Yes, he was safe here– This moment, it was taken so that he could relax, replenish the hope that had almost been torn from his very soul. There was someone else there, a being scratching at the back of his skull but he ignored it as best as he could. “Please--- G-Go away if you’re here to bother me.” He just wanted this moment, this peace for his soul.
From Jake Abel’s instagram: “Back lot tour buddies. Tim Fenton I think his name was? Nice chap.”
“I would miss months of school and then return with bright blond hair. Needless to say, there was bullying. I wasn’t beaten up daily, but there was name-calling and jealousy. You have to bear in mind that ‘Harry Potter’ wasn’t cool. I wasn’t part of the 'Terminator’ franchise.”
jvh1988:
Tom Felton and Jake Abel

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Either---
You live
with it.
Or,
die from it.
compos-h-er:
Henriëtte Hilda Bosmans (1895-1952, Netherlands)
Sonata for Cello & Piano (1919) - 2. Poco Allegretto
Cello: Iris Van Eck Piano: Allende Vernede
Happy birthday, Henriëtte Bosmans!
Tom Felton// Photoshoot 2011// New Outtakes
Tom Felton
Tom Felton // #leaveyfilm

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@lyradyson
Before you go,
darling.
Just know that-
you mean everything to me.
frenzy-of-exultations:
Gabriel Urban Fauré (1845-1924).
Fauré's talent became clear when he was a small boy. At the age of nine, he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend.
The Élégie (Elegy), Op. 24, was written in 1880, and first published and performed in public in 1883. Originally for cello and piano, the piece was later orchestrated by Fauré.
The Heart of the Fauré Elegy is the vivid expression of the wide-ranging emotions that accompany loss; when Fauré was 34, devastated and grieving over his broken engagement to his long-time love. Tonal shifts, the use of dissonance and harmonic ambiguity, and expansive register changes on the cello give this piece tremendous emotional range and depth.

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