Cold War (2018) dir. Paweł Pawlikowski
DEAR READER
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

roma★

ellievsbear
Keni
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH

cherry valley forever
trying on a metaphor
NASA

YOU ARE THE REASON
Peter Solarz

Love Begins

JBB: An Artblog!
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Show & Tell

seen from South Africa
seen from United Kingdom

seen from Argentina
seen from Georgia
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seen from United States
seen from United States

seen from Canada

seen from Malaysia

seen from United States

seen from United States
seen from Netherlands
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seen from United States

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seen from United States
@mykyoto
Cold War (2018) dir. Paweł Pawlikowski

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Ogwen Valley
The Handmaiden (2016) dir. Park Chan-wook

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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8 ½ dir. Federico Fellini
Audrey Hepburn in Love in the Afternoon (1957) dir. Billy Wilder
Laura
www.marcodewaal.com
Liquid memory, 2020

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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old port town
moyamii via instagram
Painter, model, and actress Anna Zaiachkivska in New York, summer 2018.
(Photo: Ian Garrick Mason, iangarrickmason.com, IG iangarrickmason)
Stretching break
Neues Museum - Berlin
© 2019 Oscar Alcañiz - Please, do not erase this text if you reblog this picture

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
FEMME FATALES IN FILM NOIR:
Laura (1944) dir. Otto Preminger Gilda (1946) dir. Charles Vidor Out of the Past (1947) dir. Jacques Tourneur Double Indemnity (1944) dir. Billy Wilder The Postman Always Rings Twice (1946) dir. Tay Garnett The Big Sleep (1946) dir. Howard Hawks Scarlet Street (1945) dir. Fritz Lang The Letter (1940) dir. William Wyler The Killers (1946) dir. Robert Siodmak