My anxiety level was SO high yesterday, but today itâs time to do some writing! I am determined to get to 50,000!
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@mvschinosaved
My anxiety level was SO high yesterday, but today itâs time to do some writing! I am determined to get to 50,000!

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Injuries Reference List
fictionwritingtips:
If youâre writing anything where your characters are getting injured a lot, it might be helpful to have an injuries reference list on hand. WELL, DONâT WORRY ABOUT IT BECAUSE I CREATED ONE. This is mostly the result of me having to look up something every time a character was gravely injured/being a lifeguard for seven years. I have some knowledge of first aid and how it might apply to the characters in your story.
Simple scrapes/cuts: Thereâs usually not much to worry about besides MAYBE an infection, which can be avoided with rubbing alcohol or peroxide. Remember, peroxide usually doesnât burn or sting, but rubbing alcohol probably will. These injuries will bleed for a short amount of time, but it shouldnât last too long.
Bruising: These occur when the blood vessels break under the skin, forming discoloration of the skin. The colors can vary, but they are usually purplish, bluish, or yellow. Again, this injury is usually not serious if itâs a result of a bump or cut, but if thereâs significant bruising over a large area of the body there might be a serious problem. Usually time heals bruising.
Sprains: A sprain is torn or stretched ligament, but it is NOT a break. It is very common for someone to sprain an ankle or a wrist and it usually doesnât require serious medical attention. The area might swell and should be iced. Sprains are usually treated with rest and a device that compresses the areaâsuch as a sling or a bandage.
Broken bones (arms, fingers, legs, toes): Breaks can be serious, especially if they have to be set back into place. A person will most likely not be able to put pressure on a broken bone until it is healed (which could take weeks). A broken bone is REALLY serious when it fractures or breaks through the skin completely. If you write a character in this sort of situation, they will need to worry about infection and they might have to wait until the swelling goes down before splitting or covering.
Burns: Obviously, there are different degrees of burns, but simple burns will most likely be treated the same. Even the smallest burns will probably sting like hell, so it can be hard to function with an untreated burn. SERIOUS burns might require amputation (Iâm talking about maybe 3rd to 4th degree burns). As a 1st degree burn is healing, it might itchâthink how sunburn starts to itch after a while.
Broken back: A broken back can lead to paralysis, so you need to be very careful with how you treat someone. Your characters shouldnât be throwing anyone over their shoulders with a back injury because it will only lead to more serious problems. If you suspect that someone has broken or injured their back, you need to keep them still until there is a way to safely move them.
Amputation: This happens when the removal of a body part because necessary to someoneâs survival.If someone has a bad infection or thereâs no way to stop the bleeding (youâve applied a tourniquet, which will most likely end up causing an amputation later), a character might have to amputate in a serious situation.
Dislocated limb: If a bone âpopsâ out of its socket, a character might have to put it back into place. A dislocated limb restricts movement, so your character might not be able to go forward until the situation is resolved. Arms and fingers are commonly dislocated and there will probably be pain when theyâre set back into place. Those limbs should be rested and iced to prevent swelling.
Jammed fingers: If you get your finger caught in a door, for example, and it doesnât break; you might have a jammed finger. Iâve had a few of these in my life, which usually causes bruising and some pain, but it heals on its own. These types of injuries can be from jamming your fingers against something hard and you might lose a finger nail. They will most likely hurt for a while until they are healed.
Stab wounds: These are usually deep cuts by a knife or a sword or another sharp object. They need to be treated, as they are prone to infection, and they should be bandaged. If the bleeding is excessively bad, a common way to stop the bleeding is to get stitches or cauterize the wound. Cauterization is the process of burning the wound in order to seal it up. Think of lightsabers in Star Wars. No one bleeds when theyâre cut because the âbladeâ of the lightsaber cauterizes the wound as it cuts. Your characters might have to stitch someone or cauterize someone in an emergency situation.
Gunshot wounds: Getting shot is a serious/life threatening situation, so your characters would need immediate medical attention.In an emergency situation, the bullet might have to be dug out and the wound cauterized if the bleeding is severe. If the bullet goes in and out, you might just have to worry about infection and covering the wound. A gunshot wound will be painful and will take a while to heal. If someone is shot in the leg, they will have trouble walking. The limbs will need time to heal.
Poisoning: This is a wide topic that could include food poisoning to being poisoned by another character, but they will probably feel very sick. Symptoms will include vomiting, dehydration, diarrhea, etc. Your character might get severe stomach aches and will not be able to function. Being poisoned can be deadly and can happen quickly. A medicine called Ipecac will induce vomiting in order to get the poisons out of someoneâs symptoms, but will not work for EVERYTHING. Further treatment might be necessary.
Stomach wound: A person with a stomach wound will not last very long without addressing it. If it is deep enough, it will kill off your character unless the bleeding and infection can be stopped. Infection is usually what kills people with stomach wounds or gunshot wounds.
This is a list to be used for WRITING purposes only. Obviously you should call a doctor or get emergency treatment if something is serious. I also wrote this list assuming that your characters donât have access to medical professionals, so keep that in mind. Hope this helps!
-Kris Noel
I canât wait to revise in December and make this novel even better! But I currently have 7,845 words and Iâm just focused on getting to 50,000. I wouldnât say everything is as good as Iâd like, I sometimes struggle with descriptions and stuff, but as Iâve been telling myself every day, this month is just about getting the story written! Then December will come and I can make it all nice and whatnot.
I reached my goal for the day, but now I am tired, which means it is definitely time to stop for the day! đ
Itâs not you. Itâs anyone. Sometimes I donât want anyone around.
Joan Didion (via thoughtkick)

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I was searching for spooky piano music to listen to while I write and I found THIS. Itâs totally giving me extra inspiration. Iâm just picturing the story in my head as Iâm writing it!
3 Ways To World-Build
When youâre starting a new writing project, youâll probably do a lot of exploration of the world youâre creating. Whether you know a lot about your setting already or itâs all just a question mark on a big blank map, here are some tips from participant Victoria Schroeder for building your novelâs world:
1. Draw a map of your world.
When I was fourteen, I spent a hot summer week drawing a map.
I took a blank sheet and said âI am going to draw the best map anyone has ever seen. There are going to be borders. There is going to be one big river.â I drew the map (and letâs just say it needed work). Then I remembered that countries have people. âHuh⌠country in the north means itâs⌠cold? So⌠what do I know about Russia?â I followed that up with  âI will use my history knowledge to develop a world for a story! Theseâll be the best countries ever!â Six years later Iâve cared for that map like a rosebush; prune the stuff thatâs not working, water it, and let it grow as it pleases.
2. Draw a map of your characters.
A separate map took longer because it was built around someone. This character was, H, was originally designed as someoneâs love interest, so she was inserted into a strong, well developed group. I wanted H to be more than âthe love interest.â I had questions and H made me think. How do I make her interesting?
Keep reading
Day 2 of NaNoWriMo! Madden has a plan to win Devon over and now sheâs just hoping it works. Sheâs going to take him to one of the locations she had previously investigated and if the plan works, heâll be convinced to allow her to do a paranormal investigation of his house. Once that happens, all hell breaks loose and the fun really begins. Well, fun for me. Not so much for them.
4,065 words so far! My writing so far, especially the dialogue isnât very âprettyâ or âfancy,â but November is about getting the words down and a plot in place, so as long as I remember that, I feel very confident that I will get to 50,000! Then I can begin working on a second draft in December.
Now, Maddenâs dying to get to the bottom of the mystery behind the rumors surrounding Devonâs house, but heâs stubborn af, so sheâs trying to get some advice from one of her neighbors who also happens to be one of his best friends.
Why is she so fascinated by the place? She has no idea, but something is drawing her in. She just needs to figure it out.

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I tend to be very self-critical of my writing and sometimes that has caused me lose inspiration, but not this time! I am forcing myself to realize that I donât need to write a perfect first draft. NaNoWriMo is just about getting the words down! I can worry about revision in December. Happy NaNoWriMo, everyone!
916 words so far! So far, Maddenâs car has broken down in front of a haunted house (that she has, admittedly, been stalking a bit), her cell phone lost its signal, and now sheâs been forced to ask the owner, Devon, if she can use his phone. He refuses to let her come inside, though. I wonder why đ¤
Less than four hours until NaNoWriMo officially begins! Iâm so excited to get started.
Writing advice #1
*This is a compilation of my own thoughts. I have no way of knowing whether these will personally help you, but it is how I operate and maybe will strike a chord with someone.
During NaNo, simply donât look back. I know. You want to read what you wrote and perfect everythingâŚ.. Donât. If you force perfection on top of the 1600 daily word count, youâre going to stress yourself out.Â
Let yourself warm up. The first 15 minutes of your writing session is going to feel like it sucks. Sorry, I donât make the rules. ITâS FINE. You can fix it, but later.
Exceptions to suggestion #1: At the end of my writing sessions, Iâve started leaving notes such as [the ghost appears, x freaks out]. So when I restart, I parse through the last three-ish paragraphs and add a sentence here or there until I reach my brackets and keep going. Itâs a form of warming up imo.
Scream about your accomplishments. I donât think anyoneâs going to argue with me when I say that we writers thrive off other people going !!!! in the tags. Even if you donât end up keeping the wild idea you had, even if you just said something about something⌠Be excited! Tag this blog, cram it with all your rambling thoughts and let someone go off about it. Itâll keep you fueled for a bit.
Sometimes, just sit and watch. Iâll acknowledge this one is probably harder now. When I didnât know what to make my characters do, Iâd just stare around my classroom or the bus stop or the cafe and just.. try to be unsuspicious about my people watching. Sometimes, thatâs enough to generate more ideas.
Do NOT beat yourself up. Nano is grueling, especially for students and those whose careers pick up at the end of the year. Be able to acknowledge that not meeting your daily goal is not a failing on your part and sometimes it just canât be helped. It does not make you less of a writer. It does not mean youâre failing at nano if you take care of your other priorities first.Â
Evaluate yourself now, in October. Okay. You know November is going to be a LOT. Get a good grip on how you handle your daily life. What I mean is.. I know that my moods are very weather based. This means I wonât want to write on rainy days. This means that when it rains for a week in November and I just want to avoid eye contact with my wip as much as possible, I can evaluate myself and compare âam i completely burnt out and touching the doc will only cause suffering and detrimental brain stuffâ vs âam i having a bad day of minor inconveniences and being a baby who can write 100 words if she tried.â Iâll know what times I tend to get lazy, so I wonât schedule writing sprints in that time.Â
Do not deprive yourself of anything. No âI can eat dinner after I finish thisâ âiâll take a bathroom break after i finish thisâ âIâll go to sleep after 400 more wordsâ funny business. Itâs not good for you or your brain. (Okay, like, if you literally have half a sentence and say âIâll eat after this,â fine, but no âI said Iâd eat half an hour ago but I havenât finished this scene so i canâtâ) I used to do that. All it did was make me miserable and less productive.
some mini collections of tips for writers
(based on things that yours truly notices as a freelance editor. This list is in no way complete, and will probably be added to as I continue to find repeated mistakes)Â
Dialogue
Use beats in your dialogue to break it up. Even âsaidâ can make a very effective beat between lines.Â
(No beats: âItâs not lethal. Just highly dangerous with a good chance of being mutilated.â // Beats: âItâs not lethal,â he said. âJust highly dangerous with a good chance of being mutilated.â)
Note how the break allows a bit of a pause for ~dramatic effectÂ
thinking of dialogue, use punctuation and distinct speech patterns! âLife, uh, finds a way.â is an iconic line anyway, but Jeff Goldblumâs signature verbal tic gives it character.Â
Itâs okay if characters stutter. Donât let the condemnation of stuttering characters as âcringeyâ in fanfic put you off. (and on that note, fuck cringe culture. Seriously. It saps all the fun out of creativity and fun is important.)
Start! A! New! Line! Whenever! Someone! New! Speaks!!
DO NOT FEAR THE WORD âSAIDâÂ
Setting & Blocking
 Use the landscape and settings around your character, and always, always remember a sceneâs blocking. Where is everything in relation to your characters? Have you left someone holding a coffee cup for the last three scenes? Did you lose a character somewhere along the way?Â
using the contents of a scene is also great for fight sequences.Â
Similarly, large character casts are hard to keep track of so donât be afraid to break them up. Sending someone off somewhere else can create some nifty little subplots.Â
Keep a personal note of how time passes. Trust me, itâs incredibly helpful to you as a writer and also for future readers.Â
Characters
Character growth does not have to be positive. Sometimes characters fail or suffer or get their motivations twisted up, and they finish the book as a villain rather than a hero.Â
All that matters is that a character changes throughout the plot in a way that readers can see; the sort of change they go through is entirely up to you.Â
scrap the idea that someone has to deserve a redemption arc. They probably donât deserve it, which is the whole point. So donât be afraid to make your villains seem completely irredeemable.Â
and you donât need to redeem your antagonists in order to make them complex, sympathetic villains, anyway. Sometimes people get so stuck in their beliefs that they canât see another way and it goes too far. Not everyone comes back from that.Â
Also, motivations and goals can absolutely change. Thatâs okay. You just need to have something that drives your character so that your readers are rooting for them.Â
Protagonists donât need to be heroic. How you define the protagonists and antagonists in your story is based entirely on the morality in your story-world, NOT the moral ideas in the real world. What counts as a complex protagonist in a world torn apart by biological warfare will be very different than one living in our world.Â
Prose & Grammar
simple prose is just fine and you donât need to fluff it up for pretty quotes.
Remember to vary your sentence structures and length. Start smaller and build it up, drawing your readerâs attention.Â
âAndâ and âButâ are very valid sentence starters that are great for communicating the tone of internal narrative. Youâre allowed to tweak grammar if thatâs helpful for telling the story, it just needs to be accessible. Test out what youâve written on other people.Â
Check that your tenses are consistent!!Â

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A short post on the most underrepresented eye color in fiction and the most common eye color in the world.
Shades of Brown
Gold
Amber
Russet
Tawny
Fawn
Copper
Chestnut
Rust
Sepia
Umber
Copper
Caramel
Ebony
Inky black
Things that are Shades of Brown
Whiskey/beer (gold)
Wood (range from light brown to black)
Chocolate (mid to dark brown)
Coffee (pale gold to black)
Henna (reddish brown)
Bronze (light brown)
Afternoon sunlight (gold)
Obsidian (black)
Animals (and their eyes)
Earth (wet earth = dark brown, red clay = reddish brown, wet sand = light brown)
Ink (black)
Topaz gemstone (orange to dark brown)
Leather (mid to dark brown)
Brown Associations
Autumn or winter: Brown, an earth tone, is closely associated with dead plants, which are brown and not very romantic. You can link this to the smell of woodsmoke, bark, or new snow; the taste of frost or hot chocolate; the sight of bare branches and southward-flying birds; the touch of warm sweaters or rake handles; the sound of crunching leaves or fire crackling.
Earth: Again, brown is an earth tone. You can link this to petrichor, the smell of flowers, animals, or water; the taste of crisp cold air or freshwater; the sight of fresh soil, stones, bark, or a low-slung, comfortable cabin; the touch of rain, leather, dirt, or fur; the sound of birds calling, rain falling, plants rustling
Alcohol: Most liquor is gold or brown. You can link this to the smell of alcohol and a well-packed bar; the taste of ice, glass, garnish, and alcohol; the sight of a polished bar, a half-empty glass/mug, and the shotgun resting below the bar; the touch of a mild buzz, an arm through yours, or the mild jostling as you find a barstool; and the sound of barroom buzz, a pool table, jazz music, and pouring drinks.
Animals: Many animals - predator and prey - have brown or golden eyes. You can link this to the smell of (wet) fur; the taste of cold wind, blood, or plants; the sight of moving branches, unblinking eyes, feathers shining in the sun, and fur ruffling in the breeze; the touch of the ground beneath your bare feet, branches whipping along beside you, and the weather; and the sounds of panting/breathing, or soft footfalls or wing beats.
Material: Brown is a tactile color, bringing with it the touch of copper or velvet or hemp or satin in addition to the hue. You can link this to the smell of metal, wet fabric, or hemp; the taste of blood (sometimes described as coppery) or champagne at a luxurious event; the sight of a richly decorated bed, a burnished weapon or set of buttons, or a lovely gown; the touch of cold metal, soft velvet, or course fur; and the sounds of rubbing fur, rustling fabric, and chiming metal.
Blackness: This is for all the very dark-eyed people out there who appear not to have irises at all. You can link this to the smell of a cold night or of rock; the taste of regret, lies, or red wine; the sight of ravenâs wings, obsidian, flickering shadows, mourners at a funeral, coals, and endless pits; the sensation of being about to fall into a hole, the secret thrill of illicit behavior, nothingness, warmth, or compelling mystery; and the sounds of murmured conversations, rustling feathers, and drowsiness.
Old Things: When I think of brown, I think of all of the above, yes, but I also think of old houses and antiques. Maybe because old houses tend to use wood paneling and because paper yellows as it ages? You can link this to the smell of old books, white-out, India ink, mildew, wood polish, and paper; the taste of musty paper, dust, and history; the sight of fireplaces, antique globes, solemn old portraits, overflowing bookshelves, and overstuffed, tatty armchairs; the feeling of a comfortable chair, paper between your fingers, warmth, and familiarity; and the sounds of a crackling fire, an old house settling after a storm, turning pages, and a scratching pen.
Warmth: The brown found in brown eyes is a warm, comforting color. You can link this to the smell of warm earth and a full house; the taste of hot summer days; the sight of dust motes swirling in the air, golden sunlight arcing across the ground at morning or dusk, and wood in the fireplace; the feeling of mild warmth from sunlight filtering through treetops; and the sounds of birds singing or quiet conversation.
Food: Probably from its association with chocolate, brown is associated with all sorts of rich, unhealthy food. You can link this to the smell of baking brownies or cookies; the taste of chocolate, cake, pastries, or frosting; the sight of chocolate; the feeling of fullness or indulgence; and the sounds of baking.
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How do I deal with flat writing that lacks enough details and kind of moves the plot along too quickly? I'm writing in first person, present tense and my writing comes out really fast paced (as it goes with present tense) but I feel like it lacks...meat, metaphorically speaking. How can I fatten it up without taking away from the action sequence?
Write through it first and then go back to pick out the places that seem to be going too fast. Here are some reasons for why they seem rushed:
Word Choice: Your word choice determines the way a sentence flows by itself and how it flows with other sentences. If a section of your writing seems too fast, rewrite it and rearrange it until is sounds right.
Not Enough Something: If you look at a scene that is much shorter than you thought it would be, you might be missing detail or story. You can add more to the story by introduce subplots, adding in a little bit more conflict, or adding something else that puts more space between the beginning and the end. For tips on detail, go through the description tag on the tags page.
Pacing: Your pacing is probably off. This goes back to the above points. If you need help with pacing, go through the pacing tag on the tags page.
No Down Time: You need some down time in a story. The action scenes can go fast, but after that something should slow the story. The reader needs time between fast paced scenes to wrap their head around what had just happened, but this doesnât mean it should be a pattern of fast-slow-fast-slow. Mix it up. Entire chapters or scenes shouldnât be fast or slow. They can be a combination. There can be little moments of quiet in an action scene where you can catch up on everything that happened within the narration and where you can put in more detail about the world around your character.