'The Nymph' by Giovanni Battista Lombardi (1822 - 1880) is in Palazzo Facchi, Brescia, Italy.
Look at the detail showing the extreme skill in depicting water with marble.

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'The Nymph' by Giovanni Battista Lombardi (1822 - 1880) is in Palazzo Facchi, Brescia, Italy.
Look at the detail showing the extreme skill in depicting water with marble.

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The Intruder, c. 1910 by Leonard Campbell Taylor (English, 1874-1969)
source: thewildwoodmoth on instagram
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â⊠Clouds beyond clouds above me, Wastes beyond wastes below ; But nothing drear can move me : I will not, cannot go.â
â Emily Jane BrontĂ«, from The Night Is Darkening Around Me
Gustav Pope (1831 â 1910 (d.1895)) Lilies (detail)
Courtyard in Venice by Julius Eduard Wilhelm Helfft
The Ruins of Holyrood Chapel by Louis Daguerre

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Tamara and Demon by MihĂĄly Von Zichy
AnaĂŻs Nin - Create a world
"I could not live in any of the worlds offered to meâŠthe world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself... That, I believe, is the reason for every work of art. The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world."
âDon't wait for it," I said. "Create a world, your world. Alone. Stand alone. Create. And then the love will come to you, then it comes to you. It was only when I wrote my first book that the world I wanted to live in opened to me."
Nietzsche, La naissance de la tragédie
« Or lâhomme douĂ© de sensibilitĂ© artistique adopte Ă lâĂ©gard de la rĂ©alitĂ© du rĂȘve la mĂȘme attitude que le philosophe Ă lâĂ©gard de la rĂ©alitĂ© de lâexistence ; il se plaĂźt Ă lâobserver attentivement : car Ă lâaide de ces images, il interprĂšte la vie, et au fil de ces Ă©vĂ©nements il sâexerce Ă vivre. Et ce dont il fait lâexpĂ©rience avec cette intelligence universelle, ce ne sont pas seulement des images agrĂ©ables et avenantes : mais câest aussi tout ce qui est grave, trouble, triste, sombre, les empĂȘchements soudains, les ironies du hasard, les attentes inquiĂštes, bref, câest toute la « divine comĂ©die » de la vie, sans oublier son Inferno, qui passe devant ses yeux, non pas Ă la façon dâun simple jeu dâombres â car ces scĂšnes, il les vit et en souffre â mais pas non plus cependant sans quâil Ă©prouve le sentiment fugace que tout cela nâest quâapparence.»

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Ed van Elsken
Paris 1959
âAinsi nous ne sommes rien, ni toi ni moi, auprĂšs des paroles brĂ»lantes qui pourraient aller de moi vers toi, imprimĂ©es sur un feuillet : car je nâaurai vĂ©cu que pour les Ă©crire, et, sâil est vrai quâelles sâadressent Ă toi, tu vivras dâavoir eu la force de les entendre.â
â
Georges Bataille (via moonsoledad)