I JUST READ THE WOMAN IN THE DUNES BY KOBO ABE. A lot of it centered around a fairly problematic sexual relationship (OR LACK THEREOF) and a weird emancipatory sexual assault thwarting, SO IF YOU DONâT WANT TO READ ABOUT THAT DONâT READ THIS. Anyway, pretty solid book, though really sexual in strange ways, and I was definitely frustrated with many aspects of it. It is BASICALLY like, a guy goes to a dune-filled place searching for bugs, but then is trapped in a terrible pit where he has to do repetitive meaningless tasks constantly and is at the absolute mercy of the villagers. Eventually he comes up with an escape plan, escapes, but then falls in to quicksand and is rescued by THOSE SELF SAME villagers. After that, he kind of resigns himself to living in the sand pit, and focuses on building a trap for a crow, which eventually fills with water and gives him like, a project to do. He then settles for having a project to do, and acclimates/assimilates to Dune Living. The whole time he is in a strange relationship with this woman who also is in the sand pit, and they have lots of sex and he looks at her like a sex object all the time. Their relationship kinda culminates in him attempting to rape her in front of the whole village so he can see the ocean, but she beats him up and then they are better at domestic life? Itâs a weird book.
The role of the woman is also weird!!! Throughout it all she is just like, super passive, not really talking, and her only real active actions are washing his body, which she seems to like, shoveling sand, and eventually physically stopping him from raping her. She seems to gain a lot from the experience, but more importantly (apparently?!?!), the main character seems to only view her as an equal or agent in their situation either when sheâs not there, like when heâs running away and keeps thinking about her ability to interact with society without him present, and after she physically dominates him to rebuff his absurdly motivated attempted rape successfully. So she is only ârealâ as an image in his mind, an explicitly absent image that he created and controls, until she proves her reality by frustrating his already limited exercise of âwill,â despite that will being determined by the villagers and the experience of sexual assault having no other impact on their relationship to each other. So he can only respect and recognize people and things that have a physically powerful existence in relationship to him! Actually thatâs a pretty consistent theme. I guess his consciousness only reacts to being limited ABSOLUTELY. Like he canât deal with people just asking him to do things, he has to be FORCED or heâll keep trying to assert HIS dominance. Heâs very hard to empathize with, but an ok like, spectacle of a dumb version of âthe masses,â whereby people require physical domination to exist in society without raping and killing each other. It makes one question the politics of the work!!!! WEIRD.
SPEAKING OF WHICH, the whole book STARTS OFF implying itâs about a guy trying to get back to society, but you never actually hear of what his life in society was like! Itâs all very spectral. It reminds me a lot of like, a fictional utopia where he feels like heâll be âFreeâ because the ordering of society is in a way he understands, but doesnât feel free when he doesnât like the constraints. Like he wants to feel like crimes are punished, jobs are rewarded, and social structures exist in determinate ways, but in the sand he feels like itâs arbitrary, even though there are still just rules that reward certain behaviors and punish others. The structures are equally determinate and like, rule bound, but he just strives for one heâs accustomed to. Then, by virtue of being in the sand a long time and consistently running in to firm, violent limits to his (also violent and bad?!!) will, he acquiesces to their logic and then can be happy.
WELL. Ainât that a metaphor!!! In reality it seems like the sand dunes and the villagers are the REAL society, an arbitrary, essentially violent repressive apparatus that slowly interpelates its subjects until they WANT to be under its sway. By forcing the main character to find a way to cope with the terrible situation, making sure his only social interactions are people on board with the current regime, and, by the end, giving him a super limited sense of agency by virtue of appreciating his construction of a water capturing machine, they are able to totally flip his way of talking and thinking about the experience!!!! Really wacky. Itâs like he has this intense desire to escape the ordering of his life by outside forces, BUT THATâS ALL SOCIETY EVER WAS. Dun dun dun!!! TWIST. So heâs REALLY got this fixation on an ideal, extra-societal existence where he can live unfrustratedly without incessant repetition, but REALLY he likes the repetition and social reinforcement!!! By the end. UGH!!!!! I dunno I think that is also his relationship to the girl?! Like, she is so simple and capricious and ambiguous because that is the societal version of âwomanhood?â It seems like his actual wife had more opinions and thoughts than the woman in the dunes, but âthe other womanâ (which is how he constantly refers to his wife?) he felt alienated from. But she actually expressed her desires?!?! Whereas the only time the woman in the dunes is given like, the ability to express herself, it is in the super absurd exhibitionist rape scene.Â
One feels as though if he were transported back to society, instead of being happy like he is with his project and co-worker, he would find mainstream societyâs rules frustratingly arbitrary! Heâd probably try to rape someone again, to like, get a donut or something. Man that scene was frustrating.Â
ALSO, and this could be organized better, but I do feel as though his attempted rape and the womanâs physical rebuff (because he would not accept her agency when she only expressed it verbally. Like at all.) was a PRETTY classical master/slave dialectic moment. Like he didnât REALLY feel like he was âsuccessfullyâ constrained or that there was ârealâ order in the society of the dunes until he decided to exert physical domination of another person and was stopped. Thatâs just... such a frustrating vision of humanity. I get that itâs appealing for various like, reactionary politics, but... Actually no but, thatâs just the point Iâm making, that vision of humanity is only appealing for a reactionary politics, like Hegelâs insistence on monarchy, or colonialismâs violence-as-man-making wherein conquerors go to earn their glory and masculinity by killing subjugated people. UGH. UGH.
Though I guess, interestingly, he gains like, not a full consciousness but more of a respect for the other in the form of the woman through his will being frustrated. So not like, self consciousness, but consciousness of the otherâs consciousness?? SO thatâs an interesting permutation. Also, gaining respect/cognizance of the other personâs agency and humanity is pretty contemporaneous with his full integration in to Dune Society. So like, because he feels like he does NOT have agency, he just accedes to the (previously seeming) arbitrary and whimsical desires of the village. I dunno. There are both favorable interpretations and negative interpretations to be interpreted from this book, and I guess that makes it a good book?!?!?!?!!?!!? 3/5 stars.Â