And she spoke to the mirrors. Because of course they answer.
Fleur Jaeggy, from Sweet Days of Discipline (via wishbzne)
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@mulieer
And she spoke to the mirrors. Because of course they answer.
Fleur Jaeggy, from Sweet Days of Discipline (via wishbzne)

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LOOK AWAY (2018) dir. Assaf Bernstein
Rajiv Mohabir, fromĀ āTattvamasi, You Are Thatā
Girl frightened. Girl destroyed. Girl as a symptom. / Girl in a paroxysm of rage. Girl disappeared in a / death-like loss of feeling. Girl as indescribable evil.
Juliet Ashbury, The Only Good Girl is a Dead Girl (via godswollen)
Itās not so bad, my darling. Being dead. Itās like being alive, only colder. Things taste less. They feel less. You forget, little by little, who you were.
Catherynne M. Valente, from Deathless (via luthienne)

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Erica Jong, Where It Begins
itās not youāre* or your*. itās all Mine. everything is Mine
Lunch Poems: āThree Airsā (c. 1958) by Frank OāHara
Rabindranath Tagore, from Selected Poems; āFlute-musicā tr. by William Radice
ļ¹ Text ID: Lifeless and numb. / Day and night I feel strapped bodily / On to a half-dead world.ļ¹
Bruce Bond, fromĀ ā[The passports of the tombstones]ā

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This is about my body & my hands & my hands touching my body. & maybe thatās all a monster is: a body thatās survived
Jasmine C. Bell, fromĀ āTo Be a Monster,ā published in Monstering (via lifeinpoetry)
art details // hair
https://www.instagram.com/p/Bfx9QJBn0dy/
anne sofie madsen ss16

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Jane Fonda in Five Acts (Susan Lacy, 2018)
ballerina looks @ katie gallagher rtw spring 2o19