Lana Del Rey - “Fuck It I Love You” / “The Greatest” (2019)
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Lana Del Rey - “Fuck It I Love You” / “The Greatest” (2019)

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21st century horror + “unhinged” female leads
“Perhaps what we’re witnessing in horror right now is not a commentary on a single anxiety, but a culmination of all the anxieties that exist in culture—the shit that’s built up, affecting generation after generation, especially women … who’ve internalized the brunt of trauma for so long and are only now able to channel it. The rage that stems from internalising trauma (while coddling men) … is perfectly visualised by Toni Collette literally crawling up the walls in Hereditary.” — Ryan Bradford
“This is what horror tells us—that in the collective unconscious of all women are psychic wounds so deep and raw that even to brush against them is to become a conduit for their primal violence… We self-censor our every reaction, debating endlessly with ourselves over which thoughts are permitted and which are forbidden or unclean… Perhaps that’s why, after so long spent boiling within us under such terrible and unrelenting pressure, women’s desires hold such power to fascinate and terrify.” — Gretchen Felker-Martin
I like to see everything in neon Drink lime green, stay up ’til dawn
Fuck It I Love You & The Greatest (2019) dir. Chuck Grant & Rich Lee
Fuck it I Love You & The Greatest (2019) dir. Chuck Grant & Rich Lee
I’m facing the greatest The greatest loss of them all The culture is lit and I had a ball I guess I’m signing off after all

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The culture is lit and if this is it I had a ball but i guess that I’m burned out after all.
F*CK IT I LOVE YOU! AND THE GREATEST. (2019) Dir. Rich Lee
in december 2017 i really paid actual money for my ticket to sit in the cinema and watch them disrespect finn like that for two hours
like the stark contrast between his character arc in tfa to his... whatever that was in tlj.... is so frustrating. like we're introduced to a character with a clear connection to the force and a past shrouded in mystery. a character who experiences a massive shift which drives the plot. who turns away from evil but is still afraid. who knows first hand the horrors of the first order and wants to run as far away as possible but stands and fights anyway. who overcomes fear and tyranny for love and righteousness.... the heroic potential that had. but instead of progressing that arc in a natural and complex way we're suddenly meant to believe that actually he's a cowardly secondary character with a handful of scenes who has to "learn" not to be ~selfish~ and to attempt to sacrifice himself (senselessly) as if he didn't take a lightsaber to the back for a girl he just met. oh and the guy who defected from an evil regime also has to "learn" that ...people are bad sometimes and are... cruel to animals. OH and that both sides in a war against fascism are meanies actually :// pathetic
Can I go where you go? Can we always be this close forever and ever?
ariana grande during soundcheck at The O2 Arena on August 17, 2019 in London.
Ariana Grande photographed by Hannah Lux Davis (2019)

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Killing Eve, but as a 1960s thriller.
Fun little personal project!
are you living or are you just jumping from one obsession to the other to run away from yourself
♡♡♡♡♡♡
3.20 | 5.13
WINONA RYDER queen of wearing all black

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lost 6x05, lighthouse
Power belongs to the people that take it.