perhaps nothing can be done to save the day after I sleep on my neck wrong. maybe I should treat them as lost causes as a rule
ojovivo

Discoholic 🪩
Peter Solarz

Love Begins

blake kathryn
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
styofa doing anything

Kiana Khansmith

JBB: An Artblog!
Cosmic Funnies
RMH
Xuebing Du
I'd rather be in outer space 🛸

Origami Around

shark vs the universe
Mike Driver
Keni
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@muffyblogs
perhaps nothing can be done to save the day after I sleep on my neck wrong. maybe I should treat them as lost causes as a rule

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Valentino Spring 2015 fairy hair
Mary Oliver, from a poem titled "August," featured in White Pine: Poems & Prose Poems
Lou Benesch

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things I Know about myself for sure from decades of experience: I thrive better with structure. for better or worse, I need some kind of moral permission or suffering before relaxing or indulging. I like planning and anticipating as much or more than I like the things I plan and anticipate.
things I do to myself: give myself a completely plan-less and directionless day and then get mad when I'm not relaxing or having fun.
November moon
vessels of desperation
acrylic and ink on wood
it's already a BAD week so I'm going to brave and admit something else bad that I've been in denial about:
I definitely have a stress fracture in my right foot!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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does anyone know if it’s okay to want things or let yourself have them
when everything is wrong. and you're despairing. and you want to just give up
but then you remember you have exactly everything you need to make crispy chicken caesar pasta salad
Victoria Findlay Wolfe
Double Edged Love
2013
New York City
International Quilt Museum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Clients love to make me look like a fool who is bad at her job
Mark Rothko on the "recipe of a work of art," lecture at the Pratt Institute, 1958:
1. There must be a clear preoccupation with death—intimations of mortality... Tragic art, romantic art, etc. deals with the knowledge of death.
2. Sensuality. Our basis of being concrete about the world. It is a lustful relationship to things that exist.
3. Tension. Either conflict or curbed desire.
4. Irony. This is a modern ingredient—the self effacement and examination by which a man for an instant can go on to something else.
5. Wit and Play..for the human element.
6. The ephemeral and chance...for the human element.
7. Hope. 10% to make the tragic concept more endurable.