Miranda Croft

"You never talk to me any more."

"I haven't heard you speak in days."

"Why are you being so quiet?"

"I'm worried about you."

"Is there anything you need to tell me?"

"I just ... want to help you?"

"Is there something wrong?"

"You should tell someone, even if it's not me."

"We can just sit together if you want."

"Do you want me to come cook dinner and play video games?"

"I just don't want to talk about it."

"I want a few days away, that's all."

"What does it matter?"

"I just don't have anything to say."

you're fucking kidding me, right?

stop. just -- stop.

you don't care about anyone but yourself.

you were a mistake.

hit me, then.

fuck you.

get fucked.

screw you, dude.

i swear to God if you don't shut up . . .

don't fucking touch me.

do us both a favor and just die.

you're a joke.

you really think you have the upper hand?

you'll have to kill me, then.

i wasted so much time on you.

i saw what you did.

i'm going to turn you in.

you can't hide from the truth.

the law will catch up to you, just wait and see.

you must think you're untouchable.

your secret is out.

are you threatening me?

am i supposed to be afraid of you?

you don't scare me.

was that your plan?

you're pathetic.

how do you live with yourself?

Feel free to alter dialogue to suit your muse!

“That really spooked you.” 

“I don’t want to pry, but.. I want you to know I also want to listen, if you want someone to talk to.” 

“Well, pretend I’m not here. What would you say if nobody could hear it?” 

“Does this happen a lot?” 

“Hey, what happened between you two?” 

“When is the last time you ate?”

“Is this okay?” 

“Hey.” 

“This is the third meal you’ve missed this week, are you okay?” 

“[Name]?” 

“What did he/she/they do?” 

“This … hurts you.” 

“You don’t feel safe, here.” 

“When you look at [trigger], you… what is that?” 

“What can I do?” 

“You were crying in your sleep.” 

“What do you dream about?” 

“Whenever you get stressed, you do this thing with your hands. What is it?” 

“You’re right, I don’t understand, yet. Will you help me?” 

“Should I leave a light on for you?” 

“I brought you some water.” 

“I won’t judge you.” 

“It doesn’t have anything to do with trust. You don’t have to tell me. But I’ll listen, if you do.” 

“Count your breaths with me, okay? Ready? One, two, three, four…” 

“I’m here.” 

“Talk to me.” 

“You don’t need to tell me everything. I just want to know how I can help.” 

“Let me hold your hair back, at least.” 

i said i'd make them! i hope you enjoy these, and as always: DO NOT ADD, EDIT OR CLAIM THIS LIST AS YOUR OWN!

[ WAKEN ]: the sender touches the receiver's shoulder to waken them from a nap or sleep.

[ STILL ]: the sender places their hands on the visibly angry/upset receiver to try and restrain them.

[ STAY ]: the sender, noticing the receiver attempting to escape a meeting or a conversation, quietly rests a hand on their shoulder and pulls them back into their seat.

[ REST ]: the sender places a gentle but firm hand on a weakened/sick/injured receiver's shoulder to push them back into their bed to rest more.

[ PUNCH ]: the sender places a hand on the receiver to draw their attention away from another focus, and once they've turned around, the sender swings a punch at them in the moment of confusion.

[ PRIDE ]: the sender, having heard or seen the receiver successfully achieve a remarkable feat, places a hand on their shoulder to express their wordless pride in them.

[ HUG ]: the sender places their hands on the receiver's shoulders to yank them into a hug.

[ COMFORT ]: the sender, noticing a visibly upset receiver, solemnly moves to their side, and places a hand on their shoulder in an effort to comfort them.

[ SURPRISE ]: the sender, noticing an otherwise occupied receiver, moves forward silently and suddenly grabs their shoulder to startle them.

[ STUN ]: the sender, having been apart from the receiver for some time, makes an unexpected return and greets the unaware receiver with a hand on their shoulder.

[ TIDY ]: the sender reaches forward and lightly sweeps something from the receiver's shoulder.

[ WORRY ]: the sender grabs the receiver by the shoulders to take a good look at them for any sign of harm or injury.

[ ARM ]: the sender rests a hand on the receiver's shoulder, their arm draped around them in order to do so.

[ FOCUS ]: the sender, noticing the receiver has become distracted during a conversation, places a hand on their shoulder to redirect and focus their attention.

[ GOTCHA ]: the sender, noticing the receiver has unknowingly walked into the path of a source of danger, grabs them by the shoulder and hoists them back to safety.

[ PRAISE ]: the sender, having heard that the receiver has achieved great success in a task or accomplishment, gives them a proud pat and squeeze of the shoulder to convey their congratulations.

[ STEADY ]: the sender rests a hand on the shaken and panicked receiver's shoulder to steady and ground them.

[ CAUGHT ]: the sender plants a hand on the receiver's shoulder to stop them from fleeing a potential arrest or accusation.

[ DELIVER ]: the sender, about to deliver some bad news to the receiver, gently places a hand on the receiver's shoulder to stop them from running away from the bad news.

[ SHIELD ]: the sender catches hold of the receiver's shoulder and draws them back and away from a threat, pulling them behind them for their safety.

[ SOOTHE ]: the sender places their hands on the receiver's shoulders and begins to give them a massage.

[ LEVER ]: the sender, wanting to sit next to the receiver, places a hand on their shoulder to ease themselves to the space beside them.

Concerned  roleplay  starters.  Send  me... (Send  🔄  +  any  emoji  to  reverse  the  outcome.)

feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.

Panic attack

The sender is having a panic attack

"I-I can't... I can't control it."

"I-I can't breathe... everything's spinning..."

"I-I need to get out of here... please, I can't stay... it's too much..."

"N-noise... too much noise... I can't think... I need to..."

"I feel like I'm going to die..."

"I-I can't stop crying..."

"I'm sorry... I'm so sorry for falling apart like this..."

"I'm scared... I don't know what's happening..."

"I feel like I'm going to pass out..."

"I need to get out of here... I can't handle this..."

"I-I'm fine, just give me a moment. It's nothing..."

: "I'm okay, really... Just need a moment to... to collect myself..."

Comfort

The sender is comforting receiver having a panic attack

"Hey, hey, it's okay. Just breathe with me, alright? Nice and slow. You're safe here, I've got you."

"Tell me five things you can see, four things you can touch, three things you can hear, two things you can smell, and one thing you can taste."

"'You're not alone in this. Take your time; I'll wait."

"Let's count backwards from 100. One number at a time. You've got this."

"Shh, I know it feels overwhelming right now, but you're not alone. I'm right here beside you, and I'm not going anywhere."

"Focus on my voice, okay?"

"I'm right here beside you, holding your hand."

Lonely Sentences

(Sentences for lonely muses, and those trying to help them. Adjust phrasing where needed)

"And then I think that maybe I was designed to be alone..."

"You're alone. You've been alone your whole life."

"Do yourself a favour and do what lonely people do: get a dog."

"I imagine you were lonely - a mind like yours in a place like that."

"You don't seem the kind to make friends easily."

"My books have been my only true companion since childhood."

"What's your plan then? To stay alone forever?"

"You are, in your own way, a lonelier man than me."

"So, what makes you think I'm lonely?"

"Don't get many visitors here, do you?"

"I just don't understand why you work so hard to be alone."

"I know what it's like to be alone."

"There's nothing wrong with being alone."

"Don't say that! You don't have to be alone!"

"Do you know what it's like to be alone? Really alone?"

"You must be so lonely."

"How long have you been alone? Are you lonely?"

"Does it ever bother you? Being alone?"

"If you work for a living, why do you kill yourself working?"

"We're better off alone. We suffer alone. We die alone."

"We're all alone in the world. I have you, you have me. Only for a little while, I mean."

"I have felt alone all my life, except with you."

"To one extent or another, I've always been alone."

"You're lonely, and sometimes loneliness turns to bitterness."

"Have you lived a lonely life?"

"I was lonely. Almost no one there thought like I thought."

"Some things are better left alone. Like me, for instance."

"I like being alone - at least, I convince myself that I'm better off that way."

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

An assortment of both dialogue and action prompts featuring a variety of hugs, embraces, cuddles and more alike. If sending action prompts, don't forget to tell receiver who is Muse A and who is Muse B. Adjust as necessary to fit pronoun and/or descriptor. In case of Multimuse, don't forget to specify which one/s. Reblog, please do not repost or add.

“ Don't let go just yet, please. ”

“ Just hold me. ”

“ I could really use a hug right now. ”

“ Ow, ow! Careful with that hug! ”

“ Does someone need a hug? ”

“ I don't like being hugged. ”

“ Can I hug you? ”

“ Please, I... I just want a hug from you. ”

“ One last hug for the road? ”

“ You have no idea how huggable you look right now. ”

“ Don't ever hug me again. ”

“ I'm going to hug you now. Okay? Okay. ”

“ Kindness starts with a simple hug and a good word, you know. ”

“ Someone's cuddly today. ”

“ I just want to stay in your embrace forever. ”

“ It's so good to feel you in my arms again. ”

“ There's nothing a good hug can't resolve! ”

“ Too tight, too tight! You're squeezing me! ”

“ Hold me like this a little more. Maybe forever. ”

“ I can only fall asleep when you cuddle me. ”

“ Why would I ever want a hug from you? ”

[ HOME ] Muse A had a bad day and comes back home to Muse B, either asking for a comforting hug or getting one without asking.

[ APOLOGY ] Muse A has done Muse B wrong, and asks for forgiveness while giving them a hug.

[ NIGHT ] Muse A and Muse B part with a hug after having an amazing night together.

[ DEPART ] Muse A and Muse B part from each other with a loving/friendly embrace since one of them has to go for a while.

[ GOODBYE ] Muse A and Muse B embrace for the final, last time.

[ STAY ] Muse A, in a desperate act, hugs Muse B so they won't be able to leave.

[ BED ] Muse A and Muse B cuddle after having some intimate time together in bed.

[ ONE WAY ] Muse A gives Muse B a hug that isn't returned.

[ LOVE ] Muse A loves Muse B so much they won't know how to express it other than giving them a tight hug in that moment.

[ ALIVE ] Muse A pulls Muse B in for a tight hug, glad to see they're alive.

[ TENSION ] Muse A and Muse B hug, but it lasts a little longer than a platonic hug should last for.

Perhaps i should phrase myself better. You. Wont. Lay. A. Single. Finger. On. Her.

Yeah, I killed him. I won't apologize for that.

He had it coming.

"He was asking for it." "For a beat-up?" "Yeah."

I don't care if you want me here or not. I'm staying.

You're in a hospital because of them and I'll put in a morgue everyone who is responsible for that.

He said what?!

"He had it coming." "you killed him." "Exactly."

He was asking for it.

You have my permission to kill him whenever you like, darlin'.

Are you falling in love with me, hon'?

You're playing a dangerous game, darlin'.

"My father wants to meet you." "I swear, one single bad word about you comes out od his mouth... I'll kill him."

You’ll stay by my side until I tell you so.

„You’d defy the gods, only for me?” „i would destroy the gods for you.”

You can change what you do but you cant change what you want.

If I cant have you no one should.

*someone’s bothering her* him: would you like to fuck off?

How many drinks would it take to make you mine?

Who. Did. This. To. You?

A collection of one hundred tropes of varying nature. Spiritual successor to my previous An Extremely Self-Indulgent Meme. Some of these pair well together and can easily be sent in various combinations. Some are also highly suggestive in nature. Engage appropriately.

one muse steps protectively in front of the other

one muse tends to the other’s injury

one muse is not acting like themselves and the other has to snap them out of it

one muse kisses the other during an argument

one muse pins the other to a wall

one muse kisses the other on their hand or wrist

one muse kisses the other on their neck or shoulder

one muse helps the other put on a necklace or tie

our muses aren’t supposed to be together but keep meeting anyway (on purpose or by accident)

our muses have a secret relationship

one muse takes a blow meant for the the other

one muse fights away enemies attacking the the other

one muse asks the other for their favor / a token before battle or a tourney

our muses share a night together believing it might be their last

our muses are in an arranged marriage / betrothal

our muses willingly marry for political reasons

our muses get married for love

our muses get married in a spur-of-the-moment decision

one muse has taken the other captive

our muses are in love but one thinks they aren’t good enough for the other

our muses are forced to ally for a common goal

our muses are enemies or former enemies but have started to fall for each other

our muses claim to hate each other but there is palpable tension between the two

our muses are trying to manipulate each other

one muse is trying to manipulate the other

our muses have feelings for each other but have conflicting loyalties

our muses are friends but have started to fall for each other

our muses are childhood friends that have been slowly falling for each other over the years

one muse has been in love with the other for a long time but is afraid their feelings are not reciprocated

one muse is in love with the other but they are in a relationship with or engaged to another person

our muses engage in a courtly romance

one muse is a knight in service to the the other’s family

one muse seeks comfort from a loveless marriage with the other, their lover

one muse traces the other’s scars

one muse kisses the other in a moment of heightened emotion

one muse confides in the other in a vulnerable moment

our muses are in love but circumstances prevent them from being together

our muses are exes who discover lingering feelings after reuniting

one muse confesses love to another after that person is injured

one muse confesses love to another because they believe they may die soon

our muses must share a bed

one muse lifts the other’s chin to look them in the eye

one muse places a hand at the back of the other’s neck to pull them extremely close

our muses have been hooking up, no strings attached

our muses have been hooking up, but one or both has developed deeper feelings

our muses are exes that hook up against their better judgement

one muse presumes the other is dead but is shocked when they show up alive again

one muse betrays their long held loyalties in order to save the other’s life from their own allies

our muses fake a relationship but have no actual interest in each other

our muses fake a relationship but start to genuinely fall for each other

one muse is known for their hard exterior and softens only in the other’s presence

one muse is the other’s weakness, something an enemy is trying to exploit

our muses are stuck somewhere together and must occupy their time

one muse has feelings for the other but has not acted on them due to their association with another character (a sibling / relative / ex / etc. ) or an organization

one muse is scared to act on feelings for the other due to poor experiences with love in the past

one muse is oblivious to the other’s feelings for them

one muse acts oblivious to the other’s feelings for them but really they are aware

one muse has unrequited feelings for the other

our muses are co-workers engaging in a hidden romance

one muse reveals one of their darkest secrets to the other

one muse comforts the other during an emotional breakdown

one muse calms the other from an intense rage

one muse’s family forbids them from seeing the other

our muses are in love but their friends / family do not support their relationship

one muse seeks redemption for past actions and comes to the other to atone

our muses regularly exchange letters

our muses move in together

our muses adopt a pet together

our muses have a child together

our muses adopt a child together

one muse discovers they are pregnant by accident

our muses have been set up by mutual friends

our muses have been set up by a matchmaker

our muses are in love with each other but are in denial

one muse is the other’s bodyguard / protector

one muse is royalty while the other is a commoner / rogue / societal outcast

one muse kisses the other for a bet

one muse relentlessly flirts with the other

our muses kiss for the first time ever

one muse wins a date with the other at an event

our muses dance together for the first time

one muse brushes their fingers through the other’s hair

one muse drunkenly confesses something to the other

our muses drunkenly hook up and wake up next to each other

our muses are roommates

our muses are partners in crime

one muse is a supernatural creature who falls for the other, who is a mortal

our muses are supernatural creatures from opposite clans or species that are historically hostile to each other

one muses is under a spell / in the middle of a monstrous transformation but somehow recognizes the other and refrains from harming them

our muses cuddle for warmth

our muses run away together

one muse wears piece of clothing or jewelry that belongs to the other

our muses bathe together

our muses cook together

our muses cuddle in bed

one muse serenades the other

one muse holds a weapon to the other as a threat

one muse physically lifts the other up

one muse protectively wraps an arm around the other

[OFFICE]: sender and receiver are making out in receiver's office

[CAR]: sender and receiver are making out in receiver's car

[BITE]: while kissing, sender bites receiver's lips

[PULL]: sender pulls on receiver's hair to expose their neck

[PINNED]: sender pins receiver against a wall

[LAP]: sender pulls receiver onto their lap

[ELEVATOR]: sender and receiver are making out in an elevator

[FLIRT]: sender flirts with receiver to make them blush

[CHOKE]: sender grabs receiver by the throat

[KNIFE]: sender uses a knife to rip receiver's clothes

[GROWL]: sender growls in receiver's ears

[QUIET]: sender orders receiver to be more quiet

[COLLAR]: sender grabs receiver by the collar to pull them closer

[WRESTLE]: sender wrestles receiver, pinning them on the floor

[WHISPER]: sender whispers sweet nothings into receiver's ears

[KNOCK]: sender walks into a room without knocking only to find receiver in their underwear

[HALLWAY]: after inviting receiver into their flat, sender and receiver start making out in the hallway

[INJURY]: sender gently tends to receiver's wounds, which leads to them kissing

[MUFFLE]: sender puts their hand over receiver's mouth to keep them quiet

[PUBLIC]: sender and receiver are making out in a secluded but public place

𝚂𝙿𝙾𝙺𝙴𝙽 :

" that's a lot of blood. "

" it isn't mine. "

" what did you do ? "

[ sigh ] " what did you do ? "

" come on. have a taste. "

" holy shit, are you okay ? "

" it looks worse than it feels. "

" you should see the other guy. "

" it's a good look on you. you should get covered in blood more often. "

" lean on me. "

" oh my god. oh my god, oh my god, what the fuck ? is that what i fucking think it is ? "

" . . . gross. "

[ standing over a body ] " oops. "

" is that a fucking body ? "

" look, i'm sorry, okay ? "

" what the hell happened ? "

" before you say anything, it wasn't me. "

" at least it wasn't me this time. "

" look at me. this is who i am, no matter how much you pretend it isn't. "

" look at me. this is who i am, no matter how much you wish it wasn't. "

" i'm not scared of you. "

" you don't scare me. "

" shut up and let me help you. "

" i got your shirt all bloody. "

" let's get you cleaned up. "

" that looks like it hurts. "

" i'm fine, just. . . give me a minute. "

" we are so fucked. "

" what the fuck is wrong with you ? "

" are you gonna help me clean it up or not ? "

" the fucker deserved it. "

" red looks good on you. "

" what the hell did you do ; tap - dance all over the body with ice - skates ? "

" what, did you run over the body with your car a couple times after ? "

" i. . . i didn't mean to. . . "

" sorry. fuck, i'm sorry. "

" this isn't what it looks like. "

" it was an accident. "

" motherfucker ran right into my knife, i swear. "

" people need to look both ways before crossing. . . bullets. "

" would you believe me if i said wrong place, wrong time ? "

" hey, look at me. i don't care. are you okay ? "

" they deserved it, right ? please tell me they deserved it. "

" you're bleeding. "

" what the fuck happened to you ? "

" you're getting blood on the carpet. "

" sit down before you fall down. "

" that looks like a you problem. "

𝚄𝙽𝚂𝙿𝙾𝙺𝙴𝙽 :

sender spits out a mouthful of blood at receiver's feet

sender spits out a mouthful of blood on receiver

receiver finds sender covered in blood

sender tries desperately to stop receiver's bleeding

sender helps receiver clean up after a kill

sender wipes blood from receiver's face with a washcloth

sender wipes blood from receiver's face with their thumb

sender licks receiver's blood off a knife

sender licks receiver's blood off their thumb

sender lights up a cigarette a foot away from someone they killed before offering one to receiver

receiver finds sender stood over a body

sender stitches up receiver's wound [ optional wound placement ]

sender digs their finger into receiver's wound [ optional wound placement ]

sender frantically checks receiver for injuries under all the blood

sender guides receiver's bloody hands under a faucet / water source and begins washing them clean

sender bites receiver hard enough to draw blood

sender tilts receiver's head back to staunch a nosebleed

sender draws a smiley face out of the blood they spilled :)

receiver finds sender cleaning up a kill in a daze

sender looks receiver in the eye as they shoot / stab / kill someone

sender ruffles receiver's hair, getting blood all over their hand

sender gets some of receiver's blood on them and makes a face

sender flicks blood at receiver to annoy them

sender stomps in a pool of blood to splash it on receiver

sender slips in their victim's blood but receiver steadies them before they can fall

sender steadies receiver when they slip in the blood sender spilled

receiver comes home to sender covered in blood and waiting for them with all the lights off

sender spits out a tooth and it hits receiver

sender tries to wipe blood off receiver but the blood on their hands just makes it worse

sender takes an injury meant for receiver

sender shows up on receiver's doorstep covered in blood

sender sits down quietly next to receiver after receiver kills someone

sender punches receiver in the mouth

receiver watches sender lick the blood off their fingers like its cheeto dust

sender helps receiver bury a body

sender hugs receiver just to get their victim's blood all over them <3

sender hugs receiver just to get their blood all over them <3

sender leans on receiver for support

sender kills someone to protect receiver

receiver finds sender in a frenzy maiming a body after they've already killed it

sender kills someone and the blood spatters on receiver

receiver finds sender desperately trying to wash the blood off of themself

sender kisses receiver to taste the blood on their busted lip