what the road brings
PAIRING: bounty hunter!Baelor Targaryen x outlaw!f!reader
SUMMARY: step one, rob a beautiful stranger; step two, keep his ring for three months; step three, find him again in valentine and make a bet you're both too proud to lose
WARNING(S): Wild West AU, +18 MDNI, enemies to lovers (kinda), strangers to lovers, outlaw reader, bounty hunter baelor, crossover work (AKOTSK / RDR2), reader insert (no use of y/n), dual pov, fast burn (if u squint), slow burn (if u squint harder), mutual pining, one night stand that's clearly not a one night stand, explicit sexual content, oral sex (f and m receiving), pinv sex, dirty talk, light power dynamics, no actual dom/sub just bratty behaviour from both parts, baelor is smooth in this one, save a horse ride a targaryen
WC: 17.3k (yeehaw)
A.N.: yes, this is a crossover between AKOTSK and RDR2. niche audience, i know. replaying this game had me creating some very specific scenarios. the changes in the POV are intentional, i wanted to try and be a bit more dynamic (hope it wasn't a mistake). also, baelor might seem a bit OOC, but that's intentional and reduced to this AU. Dividers by @bbyg4rlhelps
The dirt was not comfortable.
You knew it wouldn't be. You'd picked this spot yourself â a shallow rut on the inside curve of the trail, sheltered enough from the wind that a horse wouldn't smell you until it was practically on top of you, open enough that any rider coming around the bend would have a clear sightline to a person lying in distress by the side of the road. You had done this before. You knew exactly what you were doing.
That didn't make the dirt any more comfortable.
You'd been here the better part of an hour. Long enough that the sun had shifted and left you half in the shade of a cedar that smelled like dry rot. Long enough that a beetle had investigated your left boot twice and found it wanting. Long enough that you'd started, against your better judgment, to feel a little sorry for yourself.
Arthur had laughed when you'd volunteered for this one.
You sure you don't want me to come along? he'd said, that corner of his mouth doing the thing it did when he was trying not to grin. Case you get lonely out there on the road.
I'll manage, you'd told him. Go bother someone else, Morgan.
He'd laughed properly then and gone back to his horse, and you'd ridden out here feeling perfectly confident, and now you were lying in the dirt with a beetle circling your boot and the sun going long in the sky, wondering if today was going to be a loss.
Then you heard hoofbeats.
Not fast. Not slow, either. A steady, unhurried pace that said the rider wasn't worried about where they were going or what they'd find when they got there. You let your eyes fall half shut. Arranged your face into something appropriately pained. Pressed your hand flat against your side the way a person would if they'd taken a bad fall and weren't sure yet how bad. And started to hiss in pain. Oh, the theatrics of it all.
The hoofbeats slowed.
Good, you thought. Curious.
They slowed further. Stopped altogether, some twenty feet up the road. A horse â a nice one, dark and well-fed and tacked properly â stood at the edge of the trail. Its rider sat very still.
You gave a soft groan with the hissing. Sold it just enough. Not too much.
A beat of silence. Then the rider dismounted.
He was tall. That was the first thing you registered as he crossed the road toward you â taller than he'd looked on the horse, which was saying something â and he moved with the careful deliberateness of a man accustomed to approaching things that might be dangerous. Not cautious exactly. Something more composed than that. He lowered himself to one knee in the dirt beside you and you kept your eyes mostly closed, tracking him through your lashes, and he didn't say anything at first. Just looked. Assessing.
You gave it three seconds and then opened your eyes. The world did something strange.
He was close. That was the first coherent thought â closer than you'd expected, close enough that you could see the specific texture of his beard, dark shot through with silver, close enough to see the lines at the corners of his eyes that said he was somewhere north of forty and had spent a good portion of those years outdoors, judging by the tone of his skin. His jaw was sharp underneath the beard. His coat was good quality, dusty from the road but well-made, and his hands were resting on his knee. They were the hands of a man who had seen his fair share of work, broad across the knuckles but still with a certain elegance to them, the digits themselves somewhat slender but sturdy.
He was looking at you with focused concern, the kind of look worn by someone assessing a situation before committing to it.
And then you saw his eyes. Right eye blue. Left eye brown.
You felt it land somewhere below your sternum, that specific wrongness of a detail that didn't fit any category you already had â something your brain wanted to keep looking at, needed to resolve, couldn't. Deep ocean blue on one side and warm turned-earth brown on the other, watching you with an expression of careful attention, and you were staring, you realized. You were staring directly at a stranger's face from a distance of less than two feet, and your mind had gone somewhere it was not supposed to go.
He had, that was part of the problem, a very good face.
Not young. The kind of face that had been somewhere, that had accumulated itself over time into something that held your attention without demanding it, and at this distance you could see the grey threaded through the dark of his hair, salt and pepper at his temples, and the particular stillness of a man who was not in the habit of fidgeting, and your body had registered all of this in the span of about two seconds and was now doing something deeply inconvenient about it.
You have a job, said the professional part of your brain.
The rest of you was still looking at his eyes.
"Can you hear me?" he asked.
Not from here. The accent knocked against your ear like something from another world entirely. His accent was rounded and precise, the vowels clipped and unhurried in the same breath, and up close it was even more disorienting because his voice was low and sweet, and he was near enough that you felt as much as heard it.
"Yes," you managed.
Get it together.
"Can you tell me where you're hurt?" He was scanning you with that careful attention, not touching, just looking. His hands stayed on his knee. Patient. "Did you fall?"
"My horse spooked." You'd rehearsed this on the ride out, the words came easy. "Threw me. My side â" You let your voice tighten. "I don't know if something's broken."
He nodded once, slowly, the way a person did when they were deciding whether they believed you.
Careful, you thought. This one is careful.
"There's a town about four miles east," he said. "I can take you there. Or ride for a doctor if you're not able â"
"I just need a moment." You shifted, just a little, wincing for the theater of it. "Caught my breath. Wasn't expecting â" A pause. A good one. "Thank you for stopping. Most people don't."
Something moved through his expression at that. Brief and complicated and gone.
"Iâm afraid I am not most people," he said, with an inflection you couldn't quite name.
Well, you thought.
He leaned in to help you sit up.
That was the thing that did it â that last halving of distance, the warmth of him suddenly closer, the shadow of his jaw at the edge of your vision, close enough now that you registered the smell of him, leather and horses and something else underneath, something you didn't have a word for and your mind went sideways trying to find one. His hand came up to brace your arm and it was a careful touch, deliberate, and you felt it through your sleeve and your body responded to it the way a compass needle responded to north, involuntary and immediate, and for one half-second you forgot entirely what you were supposed to be doing.
Then your hand found the grip of your revolver.
The motion was reflex â old habit, older than the distraction, deeper than whatever your body had decided it wanted â and you pressed the barrel gently but firmly against his ribs before the thought was fully formed.
He went very still.
Not startled. Not panicked. The kind of still that came from training or experience or both, where the body understood the threat and chose, deliberately, to wait. You felt the stillness of him, the way it moved through him like something settling. And then, slowly, he turned his head and looked at you.
The mismatched eyes were very close. Unreadable. Not angry, not afraid â something more measured than either, and you found it more unsettling than anger would have been, because anger you knew how to handle. This you weren't sure about. This was a man taking stock of the situation and not liking his odds and simply deciding, quietly, to remain calm about it.
"Oh," he said. Soft. Almost conversational.
His lips rounded and your heart did something it had no business doing.
"Oh," you said back with a smile. "Your wallet," you indicated. "And anything else you've got worth taking. Nice and slow, please. I'd hate for this to get complicated."
He looked at you for a moment longer, that assessing, unhurried look, and then he reached slowly into his coat.
"Left hand," you said.
"Yes." He did. No argument. His wallet was thick, which was satisfying, and when you took it from his fingers, he made no move to resist. "You're very good at this," he said. It didn't sound like flattery. It sounded like an observation from a man recalibrating.
"I've had practice." You kept the gun level. "The ring too."
He paused. Something shifted across his face â too fast for you to name â and then he removed the signet ring from his left hand and held it out between two fingers. Silver, heavy. A crest on it you didn't recognize, some winged beast that had eroded through generations. You almost felt bad for taking what you correctly guessed was an heirloom. Almost.
"Anything else in those saddlebags worth bothering with?"
"Some food," he said. "Tools. Nothing of significant value."
"I'll take your word for it." You normally wouldn't â you never did â but you had what you'd come for, and the longer this went on the more variables there were.
You rose to your feet slowly, keeping the gun on him, stepping back. He remained where he was, still on one knee in the dirt, watching you with that expression you couldn't look away from.
"You were never hurt," he said.
"Clever of you." Another step back. "A little late, though."
"Yes." The faintest thing moved through his voice. Not amusement exactly. Something adjacent to it, patient and wry and almost â almost â warm. "Quite late Iâd say."
He was still looking at you. You had been looking at him since the moment you'd opened your eyes and found his, and you were beginning to understand that you had a problem, which was that something in your chest had made a decision without consulting you, and that decision was going to be very inconvenient going forward.
You put two fingers to your lips and whistled â loud and carrying, the way you'd taught Ghost to hear you across half a mile of open country.
The answer came from the treeline to the south. Hoofbeats, and then Ghost came through the cedars at a trot, tossing his big grey head, ears up and forward, and slowed without being asked to fall in beside you. His warm muzzle found your shoulder for half a second, that familiar greeting.
The man in the dirt watched this. Something in his expression shifted â something brief that might have been appreciation â before he put it away.
"Good horse," he said.
"The best." You set your foot in the stirrup. "Don't feel too bad about yours. I ainât taking him." You settled in the saddle and looked down at him, and he was looking up at you, and the light was going gold and low and it caught the silver in his hair and the particular quality of his attention, and your chest did that inconvenient thing again. "Just because I'm a nice girl," you said, and heard yourself, and nearly smiled. "Nothing personal."
"Of course not." A beat. "May I ask your name?"
"You may ask," you said. âDoesnât mean Iâm going to give it, though.â
The corner of his mouth moved. Almost.
You urged Ghost to the poor manâs horse and cracked your palm against his rear. You watched from your saddle as the animal, startled forward and began galloping away from the scene with an anguished neigh. You directed one last look at your new acquittance and grinned at him.
âBe careful out there,â you said putting your pistol back in your holster. âYou might get robbed.â You winked at the man â after all, you were never going to see the poor bastard again â and spurred Ghost into galloping.
You put a mile between yourself and the road before you let Ghost settle to a walk, and by then the sky was going orange at the edges and the wallet sat heavy in your saddlebag and the signet ring was in your vest pocket, the raised crest pressing into your chest.
You were still thinking about his eyes.
That was the part you couldn't shake. It was honestly irritating. You had done this particular job many times, you had robbed many people, and you had never spent the ride home thinking about any of them. You always thought about the take. About the gang. About whether Dutch would nod at you the slow approving way he nodded at Arthur when Arthur did something well.
You were not thinking about any of that.
You were thinking about the way he'd gone still when you'd pressed the gun to his ribs â not rigid the way most people went, electric with fear, but calm, that immediate and total calm, as though he'd been somewhere considerably worse than this and had learned what to do with himself there.
You were thinking about the warmth of him when he'd leaned in close. The specific, unavoidable warmth of another person at that distance, the way your body had registered it before your mind had caught up. You were thinking about his voice, and about the way the corner of his mouth had moved when you'd told him he could ask your name.
He hadn't given you his, either.
You noticed this now, too late to do anything about it. You'd deflected his question and it hadn't occurred to you to ask in return, because you'd been too busy cataloguing his face and trying to pretend you weren't, and now you had a ring with a crest you didn't recognize and a stranger's face that was going to stay with you longer than it had any right to.
It doesn't matter, you told yourself. You'll never see him again.
The road stretched ahead of you in the fading light. Ghost walked on steady and unbothered, and you sat the saddle and watched the treeline darken and tried to make yourself believe it.
You werenât very successful at that.
The horse came back, eventually.
They usually did â Baelor had known this, had stood at the side of the road and waited with the specific patience of a man who had decided that panic was not useful, and after perhaps twenty minutes he heard hoofbeats coming back the way they'd gone, and his dark gelding rounded the bend with his reins trailing and his ears flat with residual embarrassment.
"There," Baelor said, and caught the reins, and ran a hand down the gelding's neck until the ears came up again. "There," he allowed himself an apologetic smile.
He stood for a moment with his hand on the horse's neck and looked at the road.
Empty. In both directions, nothing but dust and the long shadow of the cedars and the last of the light going amber over the hills. The sound of her horse was long gone. She'd moved fast. She'd wanted the distance.
He looked down at his hands.
Empty wallet. No ring. The ring was going to be a problem when he told Maekar, and he was going to have to tell Maekar, and Maekar was going to be extremely unpleasant about it because Maekar was always extremely unpleasant about things that Baelor had allowed to happen, and this qualified.
He stood in the road in the long evening light and found that he was not thinking about the ring.
He was thinking about a girl who had been lying in the dirt and hadn't been hurt at all. Who had looked at him â directly, without flinching, from a distance close enough that he had been aware of every breath â and had not looked away first. He was thinking about the way she'd held the gun on him, level and unhurried, the same calm competence he might have admired in another context and could not stop admiring now despite every reason not to. He was thinking about the whistle that had brought a grey stallion out of the trees like a conjuring trick, and the ease with which she'd risen to the saddle, and the fact that she'd looked at him â winked at him â one last time before she'd gone.
He was thinking about the line of her mouth when she'd told him she wasnât telling her name.
He gathered the reins and stepped up into the saddle and pointed the gelding east, toward town, toward Maekar and the conversation he was already dreading. The road was empty. The cedars were going dark. Four miles was four miles, and he still had them ahead of him.
Better like this instead of walking, he thought. He had to content himself with the little things.
He didn't know her name. He didn't know who she rode with, what she looked like on a wanted poster, whether there was a poster at all. He knew almost nothing about her except the particular quality of her attention, and the fact that she'd left his horse, and the sound of her voice when she'd said nothing personal in a tone that had suggested, to him, that she hadn't entirely meant it.
He was a patient man. It was, in this territory, one of the more useful things to be. Heâd find her, eventually.
He touched his heels to the gelding's side. He was almost smiling.
Valentine in fair season smelled like manure, fry bread, and trouble, which made it feel more or less like home.
The main stretch had been given over to pens and stalls since morning â cattle lowing in long rows, horses circling their enclosures with their ears pinned, the kind of organized chaos that drew every rancher and drifter and idler within forty miles and made the town's one decent saloon impossible to get near until well after dark.
You'd been here three hours already. You'd eaten something on a stick that you hadn't been able to identify and hadn't asked about, and Arthur had stolen half of it without asking, and you were currently watching a man try to sell a one-eyed mule to another man who clearly already knew the mule was one-eyed but was pretending he didn't for the sake of the negotiation.
"You could take that mule," Arthur said, from beside you.
"I don't want that mule."
"I'm just saying. Fast hands, nobody's looking â"
"Arthur."
"Dutch'd probably like a mule."
"Dutch would hate a mule." You watched the negotiation reach some kind of critical juncture, both men gesturing at the mule's bad eye. "Dutch has opinions about mules."
"Dutch has opinions about everything."
"Including mules. The answer's no."
Arthur made a sound that was not quite agreement and ate the last piece of the thing on the stick. You let him. Twenty years of this and you'd learned to pick your battles, and the thing on the stick was not a battle worth having.
You'd come into Valentine because the gang needed supplies and Dutch had wanted eyes on the town. New faces meant new money flowing in for the fair, which meant new opportunities if you looked at it right. Arthur had come because where he went, you generally went too. Or, more accurately, where you went, he generally always followed. After two decades neither of you had bothered to work out which version was truer anymore. You simply arrived places together the way weather arrived, without much deliberate planning.
He was watching the crowd the way he always did in public: easy on the surface, clocking everything underneath. You did the same. It was a habit so old it had stopped feeling like a habit and started feeling like breathing.
"There's a contest," you pointed out.
Arthur followed your gaze to the far pen, where a small crowd had gathered around a corral. Inside it, a horse was trying to remove the fence from the ground.
He was a blue roan, or had been once, now mostly mud and fury, quarters bunched and neck bowed and hooves finding the rails with a regularity that suggested personal grievance rather than panic. Stocky. Deep-chested. The kind of horse that had opinions about being a horse and expressed them at volume.
A man at the gate was shouting something about prize money.
"No," Arthur said.
"I haven't said anything."
"You've got your face on."
"I have one face."
"You've got the face you make before you do something I'm gonna have to watch and pretend I'm not worried about." He looked at you sideways. "That one."
You looked at the roan. The roan was currently spinning in a tight circle for no apparent reason, which was either a sign of high spirits or a behavioural problem, and either way it was spectacular to watch. Your hands had started doing that thing they did, that low restless pull in the palms that meant your body had already made a decision your mouth hadn't caught up to yet.
"Prize money," you said and shrugged.
"How much?"
You looked at the man by the gate.
"Enough," you said. You had him.
Arthur exhaled through his nose, long and slow, the particular exhale of a man who had been through this before and knew exactly how it ended. "You sure about that horse?"
"No," you said cheerfully.
"Great." He crossed his arms. "Great, that's real reassuring, thank you."
"I'll be fine."
"You always say that."
"And I'm always fine."
"You're always mostly fine," he said, "which is a different thing and you know it."
You were already moving toward the gate.
The man running the contest had a waxed mustache and the energy of someone who had underestimated how many people would actually try this, which meant he asked you approximately two questions before taking your entry fee and waving you toward the corral with the expression of a man washing his hands of the outcome.
Arthur stationed himself at the rail.
"If you get thrown," he said, "I'm gonna laugh first and then check if you're alive."
"That's the correct order of operations," you agreed, and climbed the fence.
The roan was at the far end of the corral, sides heaving, watching you with the specific expression of a horse that had already made up its mind. Not scared. Calculating. There was a difference and you'd learned it young â a scared horse was dangerous in a particular way, reactive, all instinct. This one was something else. This one was thinking about it.
"Alright," you said quietly, dropping off the fence into the dust. "Alright, let's have a look at you."
The crowd noise muted itself at the edge of your attention the way it always did. Fair sounds, cattle sounds, the low roar of people watching something they expected to go badly. You let it blur to background and walked easy, shoulders loose, no direction in particular. Not toward the horse. Not away. Just present in the space, the way had taught yourself before Dutch had corrected you about it and really taught you.
The roan watched you. You watched him back. He had a good eye, dark and rimmed with white at the edge, the kind of eye that meant he was reading you the same way you were reading him. His ears moved â forward, sideways, forward again. Working it out.
You kept walking. Easy circles. Letting him track you without pressure. He snorted once, loud enough to get a reaction from the crowd, and you didn't react, and he noted that you didn't react, and something in his posture shifted a fraction.
"There," you said, to no one in particular.
Three minutes of this. Maybe four. Long enough that the crowd noise shifted from anticipatory to confused, because this was not what they'd been watching the previous riders do, and none of the previous riders were still on their feet, which you'd noted from the rail. The roan's ears settled forward and stayed there, which was not a concession but was an opening, and you angled toward him slowly on a curve and he stood.
You put your hand on his neck. He trembled. Held.
"Good," you whispered.
It took another few minutes after that. patient, slow, the old language of weight and breath and stillness, before you had the loose rope over him and his feet settled under him properly, and by then the crowd had gone quiet in a way that was different from before. Attentive rather than anticipatory.
Arthur, at the rail, had his hat pulled down and was watching through the gap with the expression he used when he was trying not to look impressed.
You took a breath and swung up. The roan exploded.
There was no other word for it. One moment standing, the next a full-body detonation, hindquarters driving up and forward in a buck that took you airborne for a moment and then slammed you back down, and you grabbed mane instead of reins and stayed low and let him have the first three because there was no point fighting the initial wave, you just had to survive it. Dust and noise and the crowd erupting and the roan screaming his displeasure at the sky, and you stayed on him, stayed centered, shifted your weight into each movement and found the rhythm underneath the chaos the way you found rhythms in everything, because everything had one if you waited long enough.
He came down from the fourth buck at an angle. You were ready for it.
You sat him through the fifth, and the sixth, and somewhere around the seventh something changed. The bucks went flatter, shorter, the energy converting from fury into something more like argument, and you moved with him and he felt you move with him and by the tenth he was just running, flat out around the corral with his neck low and his ears back, burning it off.
You let him run. The crowd was very loud. You didn't hear most of it.
You were breathing with the horse, feeling the point when the run started to cost him more than it was worth, when the argument left him and something else came in â not surrender, not quite, but a kind of provisional truce, which was all you'd ever wanted. When he slowed to a canter you followed it. Trot, you followed it. Walk, you sat him quiet and easy and he blew out a long breath through his nose and shook his head once, and you put your hand flat on his neck and felt the sweat-heat of him and the settling of his heartbeat under your palm.
Arthur's voice, from the rail, said something that was probably profane and was definitely fond, and you looked over at him and he had his hat pushed back and was grinning the grin that he saved for things he was going to deny being moved by later, and you grinned back, because twenty years and some things didn't need words.
You became aware, then, of the rest of the crowd. The noise of it, the press of faces at the rail. You'd tuned it out and now it came back in. Cheering, some of it, the particular appreciation of people who'd expected to watch something go wrong and had instead watched something go right. You sat up straighter and looked out at the ring of faces without really seeing them.
And then you saw one, and the world did something it had done once before, on a road outside of town three months ago. It tilted.
The fair had been Maekar's idea, which meant Baelor was already predisposed to find it mildly irritating. It was a curious dynamic: most of the things that Baelor proposed annoyed Maekar from the start, and most of the things that Maekar proposed ended up annoying Baelor. That had been their dynamic since they could remember. For the last three months, however, their roles had somehow reversed, and Baelor usually found himself ridden of patience when it came to the simplest of tasks.
If Baelor had to be fair, which he was most of the times, this was not a bad idea. Valentine in fair season drew exactly the kind of crowd that made information easy to gather: loose tongues, loose wallets, the particular loosening of caution that came when people felt like they were somewhere festive and therefore safe. It was sensible. Baelor had agreed to it for sensible reasons and had spent the better part of the morning walking among cattle pens and livestock stalls feeling sensibly productive about the whole enterprise.
It was the company that wore on him.
"Maybe we could find a replacement for that ring," Maekar said, noticing how his brother fidgeted with the naked digit on his left hand. âAt least until we find that girl.â
"Don't," Baelor simply said.
"I'm only saying â"
"You've been saying it for three months."
"You have to admit itâs funny." Maekar fell into step beside him with the loose, unhurried stride that meant he was in good humor, which was always slightly worse than when he wasn't, because good humor in Maekar generally meant someone else's expense. He was a bulky man, his brother, unmovable both in a physical and conversational way. He possessed of the specific patience of someone who had found a good thread and intended to pull it until it unraveled completely. "A girl, Baelor. She took the ring off your hand."
"She was a professional."
"She was a girl."
"The two are not mutually exclusive." Baelor kept his eyes on the crowd ahead, cataloguing. A man near the cattle pen who was watching the exits more than the livestock. A pair of riders who'd come in together and separated immediately, which was either habit or coordination. "She knew what she was doing. She'd done it before. The approach, the position on the road, the horse waiting â that was rehearsed."
"And yet you couldnât put two and two together."
Baelor looked at Maekar with the flatness of a man who had accepted a particular reality and declined to be embarrassed by it anymore and decided not to elaborate further.
Maekar smiled. It was not a comfortable smile. It was the smile of a younger brother who had found something he intended to preserve indefinitely, like a specimen in a jar. "You know what I think?"
"I donât want to hear what you think."
"I think she was pretty," Maekar ignored his older brother.
Baelor said nothing.
"I think," Maekar continued, with the unhurried pleasure of someone delivering a speech they'd been composing for some time, "that she was very pretty, and that you were so busy looking at her that she had your wallet and your ring and was halfway gone before your brain caught up with the situation, and that this is both the most entertaining thing that's ever happened to you and completely consistent with your character, andâ"
"There's a man by the grain stall who's been watching us for the last ten minutes," Baelor said. "Left side. Brown coat."
Maekar didn't look. He had learned, over the years, to receive information like this without moving his eyes, which was one of the genuinely useful things about him. "Saw him. Not a threat. He's watching the red-haired woman two stalls over." A pause. "She was pretty, though. Wasn't she."
"Maekar."
"Just say yes and I'll leave it alone."
"You'll never leave it alone."
"Fair enough," Maekar agreed pleasantly. "But I'll leave it alone today if you justâ"
The crowd noise shifted.
Not dramatically. Just a change in quality â a swell from one direction, the particular roar that meant something was happening that was worth watching, the kind of spontaneous attention that moved through a crowd like weather. Both of them turned toward it by reflex, the old habit that made a sound like that mean threat before it meant anything else and then calibrated when they saw the direction: the far corral, where something was clearly going very wrong or very right, and the crowd around the rail had doubled in the last thirty seconds.
"Come on then," Maekar said.
They found a gap in the crowd at the rail without much difficulty. People shifted for Maekar without knowing why they were doing it, something about the particular quality of his presence that suggested space was advisable. Baelor looked at the corral and saw the horse first.
Blue roan. Sixteen hands at least, and furious. Not the blind fury of a panicked animal but something more deliberate, more personal, the kind of fury that had decided to become an inherent trait. He was in the middle of the corral demonstrating this to anyone who cared to watch, and most of the crowd was watching with the particular enjoyment of people who expected to see something go badly.
Then he registered the rider.
She was moving with the horse in a way that should not have been possible, given what the horse was doing. Each buck was an argument, and she was answering it not with force but with something more like conversation. Her weight shifted before the movement rather than after it. Her hands were low and quiet on the mane. She was not fighting him. She was not even, exactly, staying on. She was something more active than that, more deliberate. She was listening to him with her whole body and responding in kind, and the combination of it was something that bypassed ordinary watching and went somewhere else entirely.
"Hm," said Maekar, which from Maekar was considerable.
The horse came down from a buck at an angle and the girl moved into it like she'd seen it coming, and the crowd lurched forward at the rail with a collective noise that was half alarm and half something rawer than that.
"She's good," Maekar said.
Baelor didn't say anything.
He was watching the way her back moved. The line of her spine through the turns, the way her hips followed the horse's motion without resistance, the specific quality of ease in her body that came not from relaxation but from absolute knowledge â of the horse, of herself, of the exact nature of the conversation she was having with eight hundred pounds of fury. She knew what she was doing, Baelor thought. This was a woman who had been doing this â or some version of it â for most of her life, and it showed in every line of her, and Baelor watched it with the unsettling awareness that he had stopped breathing at some point in the last thirty seconds.
"That takes courage," Maekar said. "Or stupidity."
"Courage," Baelor said, without thinking. Maekar glanced at him.
The horse ran, now â not bucking, just running, flat and low around the corral, burning the argument out of himself â and the girl sat him with her neck long and her chin up and her hair loose from whatever she'd had it in, and the crowd was very loud, and Baelor watched the line of her jaw as she turned with the horse and felt something shift in his chest.
The horse slowed. Canter, trot, walk. The girl brought her hand to his neck and the horse blew out, a long shuddering breath, and the crowd broke open.
She looked up. Up at the crowd, at the noise of it, a quick sweep, and Baelor saw her face clearly for the first time in three months, and his chest did something it had done once before, on a road outside of town, crouching in the dirt.
It dropped.
"Maekar," he said.
"What."
"The girl." He couldn't look away from her. She was scanning the crowd, not seeing him yet, that same quick professional sweep he remembered from the road. "Thatâs her."
Maekar turned to look at him properly for the first time since they'd arrived at the rail. "Her?"
"From the road. Three months ago." A pause. The words felt strange in his mouth, not quite adequate to what he meant.
Silence. He felt Maekar go very still beside him, in the way Maekar went still when something had genuinely surprised him, which was rare enough to be notable.
"That," Maekar said, slowly, "is the girl who robbed you."
"Yes."
Another silence. Longer this time.
"Well," Maekar said. Something had changed in his voice, the teasing edge of it replaced with something more considered, more careful. He looked back at the corral. At her. "I owe you an apology."
Baelor said nothing.
"She is very pretty," Maekar said.
"Maekar."
"And clearly dangerous." A pause. "Which you failed to mention."
"I mentioned she was professional."
"Professional is not the same thing asâ" Maekar stopped. Looked at his brother. Looked back at the corral. His expression, when Baelor glanced at him, had shifted into something more serious, more measuring. "Baelor."
"Iâm watching her."
"I know you are. That's what I'mâ" He stopped again. Then, more quietly, "You're staring."
Baelor made himself look away. He looked at the cattle pens. At the grain stall. At the man in the brown coat who had, it turned out, successfully introduced himself to the red-haired woman and was now in significantly better spirits about it.
He looked back at the corral. She was still there.
"She's connected to someone," he said, because thinking about it practically was better than thinking about it the other way. "She's not operating alone. The setup on the road was too well-organized. Someone's running her." He kept his voice level. Professional. "If she's here in Valentine, her people aren't far."
Maekar was quiet for a moment. "And you want to find them."
"It's our job to find them."
"Of course it is." A pause. Maekar's voice was careful now, the teasing entirely gone, which was in some ways worse. "Aas Iâm sure itâs nothing personal, right?" Baelor blinked at Maekarâs words, an echo with anotherâs voice. He said nothing. "Or the fact that you haven't looked away from her for longer than about four seconds since you recognized her."
"We should find out who she's with," Baelor ignored his brotherâs comments yet again. "Carefully. Without being seen."
Maekar looked at him for a long moment.
"Right," he said. "Carefully." He looked back at the corral, where the girl was still sitting the roan, one hand flat on his neck, the crowd beginning to disperse around her. "Although," he added, "given your track record with this particular woman, I'm not certain carefully is entirely up to you."
Baelor did not answer this, because there was no answer that would have improved his position.
He watched her sit easy in the saddle, the horse quiet under her now, and felt the specific weight of three months of a road and an empty hand and the corner of a mouth he'd been carrying around without meaning to, and thought that Maekar was, irritatingly, not entirely wrong.
The prize money was better than expected, which was the first good thing.
The man with the waxed mustache handed it over with the expression of someone who had not anticipated having to actually pay out, and you took it from him with a smile that was pleasant enough to be unreadable and tucked it into your coat before he could think of a reason to renegotiate. The roan was already being led away by a handler, ears still pinned but feet moving quiet, and you watched him go with a feeling that was close to fondness. Good horse. Difficult, but good. The best ones usually were.
Arthur was waiting at the gate.
"Not bad," he said.
"Not bad?"
"For someone who had no idea what that horse was gonna do."
"I had some idea."
"You had none," he finally declared, and you didnât reply because it wasnât entirely false.
He fell into step beside you as you came through the gate, and you could feel him looking at you with that sideways look that meant he was doing the thing where he checked you over for damage without wanting to appear like he was checking you over for damage. You'd learned to let him. It cost nothing and it mattered to him.
"Couple of those bucks looked bad," he mentioned.
"They weren't."
"The fourth one â"
"Wasn't as bad as it looked." You rolled your shoulder experimentally. Twinge, nothing more. "I'm fine, Arthur."
"Yeah." He pulled his hat down. "You're always fine."
"And I always am."
He made the sound. The exhale. You'd been hearing that exhale for the better part of two decades and it still made something in you settle, the specific comfort of a person who knew you well enough to be exasperated by you. He reached over and pushed your shoulder lightly with two fingers, which was as close as Arthur Morgan got to a hug in public, and you knocked your arm against his in return.
"Money's good," you said. "Dutch'll be pleased."
"Dutch is never pleased."
"Dutch'll be less displeased. Close enough."
Arthur almost smiled. Then: "You eat anything else? Besides that thing on the stick?"
"You mean the thing you half ate?â you laughed and earned a slight flush on his cheeks. âYeah, the thing on the stick was enough.â
"It really wasn't."
"Arthur," you stopped walking. He stopped a half-step later and turned to look at you, and you kept your voice easy and your eyes moving over the crowd behind him, tracking. Casual. Nothing to see. "I saw someone."
He read your face the way he always did, fast and complete. "Trouble?"
"Maybe. I don't know yet," you started walking again, slower, taking the long way around the edge of the fair toward the main stretch. "You remember a few months back. When I did the road job outside of town."
Arthur was quiet for a second. Then, "The one you kept the ring from?" A pause. You could hear him working to keep his voice even. "The one you wouldn't stop talking about his eyes?"
You punched his arm. It was like punching a barn wall. He didn't move, just made a small sound that was technically a grunt but was mostly a laugh, and you shook out your hand and kept walking.
"I wasn't talking about his eyes."
"You mentioned his eyes."
"Once."
"Three times."
"Arthur â"
"The mismatched ones." He was grinning now, you could hear it without looking. "Blue and brown, very striking, never seen anything like â"
"I will leave you here," you said. "I will walk away and leave you standing in the middle of Valentine fair and feel nothing."
"No you won't."
"No," you agreed, "I won't. But I want you to know I considered it."
He laughed, properly this time, the low easy laugh that he kept for the two of you, for camp when things were good, for moments like this when the world was briefly uncomplicated. You let yourself have two seconds of it and then reeled yourself back in.
"He's here," you said. "At the fair. I saw him at the rail when I came off the horse." You glanced over your shoulder without making it look like a glance. The crowd was thick and noisy and unhelpful. "He wasn't alone. There's another man with him. Big, bigger than you, white hair and beard. Gruff. The kind of face that's been broken at least twice and didn't learn anything from it."
Arthur absorbed this. "You think they're Pinkertons?"
"I don't know. Don't feel like Pinkertons to me," you turned it over as you walked, the way you'd been turning it over since that road three months ago. The quality of him, that calm. The ring with the crest. The coat that wasn't from here. "They're not from around here, either of them. The one I robbed â he's English. Educated. The other one I'd guess the same."
"English Pinkertons."
"I said I don't know. Could be private contractors. Could be law. Could be something else," you paused. "Whatever they are, they're not ranch hands at a county fair."
Arthur nodded, slow, chewing on it. "And the one you â"
"Don't."
"â robbed," he finished, with innocence so performative it was almost admirable. "He recognize you?"
"I don't know yet," you did know, actually. You'd seen his face when you'd looked out at the crowd from the horse â had seen the specific quality of stillness that crossed it, the same stillness you remembered from the road, and something else underneath it that you were not going to think about right now. "But I'd bet on it."
Arthur was quiet for a moment, doing that thing where he turned information over and looked at it from all sides before he said anything. It was one of the things you'd always trusted about him. He didn't react, he considered. "What do you want to do?"
"Keep our heads." You stopped at the edge of the main street, the saloon visible half a block up, warm light already spilling from its windows in the late afternoon. "Eyes out for both of them. Don't approach, don't make it obvious you're watching." You looked at Arthur and found him already watching you with that steady, considering expression. "The big one â white hair, you'll know him when you see him â you could probably take him in a fight if it came to that."
Arthur looked mildly offended by probably.
"He's got that look," you said, which was both a concession and a peace offering. "The kind of man who knows what he's doing with his fists. Dutch would hate him." You considered. "You'd probably get along fine, other circumstances. Buy each other a drink, argue about something, be friends by the end of it."
"Wonderful," Arthur said dryly. "Love when that happens."
"Different world." You looked back up the street. "Right now, watch him. Watch both of them. Don't let them see you watching."
"And you?"
You were already moving toward the saloon. "I'm going to have a drink and look like someone who has nothing to hide."
"You have plenty to hide."
"That's why it's called looking like." You glanced back at him over your shoulder. "Give me twenty minutes."
Arthur's expression did the thing it sometimes did, the thing where everything he wanted to say and had decided not to say passed across his face in about half a second. He settled on: "Be careful."
"Always."
"Mostly."
You turned back toward the saloon and didn't answer, because he was right and you both knew it.
The Valentine saloon was doing good business for the hour.
Fair crowds had been filtering in since mid-afternoon, and the bar was lined three deep with ranchers and drifters and men who'd come for the livestock and stayed for the whiskey, which was the natural order of things. You found a spot at the far end of the bar, back to the wall, sightline to the door, and ordered something that came in a glass without further specification, and settled in to look like a woman with nowhere particular to be.
You were good at this. You'd been doing it since you were young enough that Dutch had had to convince barkeeps you were old enough to be inside, and even then you'd understood the particular performance of ordinary: how to hold your glass, how to let your eyes move without appearing to move, how to be present in a room without declaring yourself.
The whiskey was bad, which was fine. You weren't here for the whiskey.
You were here because you knew, with a certainty that lived somewhere below conscious reasoning and didn't feel like guessing, that he was going to follow you.
Not out of threat. Not because he'd decided what to do with the information yet â you didn't think he had, he'd looked too unsettled for a man executing a plan. But because he had recognized you and the recognition had done something to him that he wasn't finished with yet, and a man like that, patient and careful and carrying something for three months without putting it down, was not going to let you walk into a saloon and disappear when he'd only just found you again.
You turned your glass on the bar. He'd held your gaze on that road. Even with the gun in his ribs, he'd held your gaze.
You took a sip of the bad whiskey and watched the door and waited. He came through the door eleven minutes after you did.
You knew because you'd been counting, not deliberately, just the way your mind ran numbers when it had nothing else to do with itself, and when the door opened and the specific quality of the light changed you felt it before you looked up. The saloon had filled a little in those eleven minutes â two more men at the bar, a card game starting up in the corner, the barkeep engaged in an argument with someone about the price of something â and the noise level had risen enough that the door opening barely registered on anyone else.
You looked up anyway.
He was taller than you remembered, which was strange because you remembered him as tall. Then again, you never allowed him to even stand up that one time. You noticed his coat was brushed and his beard was slightly longer, but still well kept. He stood just inside the doorway doing what you'd done when you'd come in, which was take the room apart and put it back together in the span of about five seconds. Not looking for threats exactly. Looking for information.
His companion was not with him.
Good. You let yourself register that quietly. Outside, then, or around the corner, which meant Arthur could manage him if the evening went sideways. Good. That was one variable simplified.
He was scanning the room. You watched him do it without giving him anything to find, just another body at the bar with a glass and nowhere to be, and when his eyes moved to your end of the bar you let them land. Didn't look away. Didn't adjust your expression. Just held it and let him find you the way you'd known he would, the way you'd counted eleven minutes toward.
He stilled.
Even across a half-full saloon you could see it â that particular quality of stillness you'd felt from two feet away on a dirt road, the whole body settling into a different kind of attention. He looked at you for a long moment, and you looked back, and the noise of the room went somewhere distant.
Then he started walking toward you. You turned to the barkeep and held up two fingers.
By the time he reached your end of the bar, there were two glasses of whiskey on the wood. You picked one up and held it out without looking at him, because you'd heard his footsteps and you knew exactly where he was, and the looking-without-looking was its own kind of statement.
He stopped at your side.
You turned and looked up at him and smiled â not the smile you used for marks, not the smile you used for Dutch or for strangers whose intentions you were still mapping. A genuine one, which surprised you a little even as you did it. "Tastes like shit," you said, "but I think I owe you for the last time."
He looked at the glass. Looked at you. Something moved through his mismatched eyes â that deep blue and warm brown, close enough again that you felt the specific impact of them â and he took the glass from your hand with the unhurried deliberateness of a man who had decided to find this situation acceptable.
He didn't drink yet. Just held it.
"Am I going to get your name this time?" he asked. His voice was the same as you remembered, low and velvety and precisely accented, and it landed in your chest the same way it had on the road, which was irritating and also not something you could do anything about.
"That depends," you turned back to the bar, rested your forearm on the wood, looked at him sideways. "Are you going to get me in trouble?"
"You robbed me," he said. There was no heat in it. Just the fact, stated plainly, with something underneath it that was almost amused. "And you're now asking for no consequences?" A pause. "Bold."
"Am I pretty enough to get out of here unharmed?"
He didn't answer. He raised the glass and took a slow sip, and looked at you over the rim of it, and the look was very steady and very level and said approximately nothing useful, which was its own kind of answer and not an unpleasant one. He lowered the glass.
"Baelor Targaryen," he said. Like he'd decided something. Like he was placing a card on the table and watching to see what you'd do with it. "Now tell me yours so we can be even, little thief."
The name settled into you. You turned it over. Targaryen wasn't a name from around here â wasn't a name from anywhere you could immediately place, which fit, because nothing about him fit anywhere you could immediately place. You held his gaze and thought about what you knew, which was: not Pinkerton, the Pinkertons had a particular smell about them, something officious and watchful in the wrong way, and he didn't have it. Not local law, obviously. Not a rancher or a drifter or anything that fit the ordinary categories.
Which left things that were less comfortable to consider.
"Humor me," you said. "What's the price on my head?"
Something moved through his eyes. Brief, there and gone â not surprise exactly, more like recognition, the specific look of a man who'd just had a suspicion confirmed. He was quiet for a moment, long enough for you to notice that the card game in the corner got loud about something and settled again.
"None that I've been told yet," he simply said.
The yet was doing a lot of work in that sentence, and you both knew it, and neither of you addressed it, and you laughed â genuine, short, the kind that came up before you decided to let it â and watched him absorb it. He blinked, just once, something shifting in his expression that he almost caught before it landed. Almost.
"So you're telling me," you said, when the laugh had settled, "that this is entirely personal?" You let your head tilt slightly. Watched him. "My, my. Didn't know I still had that effect."
The corner of his mouth moved.
You'd been thinking about that corner of his mouth, on and off, for three months. You were not going to admit this to anyone, including yourself, beyond the bare acknowledgment that it was happening.
"You have a considerable effect," he said, which was not the deflection you'd half-expected, and the directness of it landed somewhere in the center of your chest and stayed there.
He was looking at you with that full, unhurried attention â the same attention he'd given you on the road, the same attention he'd clearly given everything he'd decided was worth looking at â and the room was loud and warm and smelled like bad whiskey and sawdust and you were acutely, inconveniently aware of how close he was standing. Close enough that his arm was almost against yours on the bar. Close enough that when he turned to set his glass down you felt the shift of the air.
"Baelor Targaryen," you said, trying the name again. Letting him hear you try it. "That's not a name from around here."
"No," he agreed.
"Not a name from anywhere I know."
"Also true."
"English," you said.
"Is that a question?"
"Observation." You picked up your own glass. "You've got the accent."
"You've got one too," he said. "American. Frontier." The way he said it wasn't unkind, just precise, cataloguing in return. "You didn't grow up in a town."
You looked at him.
"No," you said, the smile renewed at your lips. "I didn't."
He nodded, once, the way he'd nodded on the road â slow, considering, filing it somewhere. His glass was almost empty. Yours was getting there. Around you the saloon moved and breathed and paid you no attention whatsoever, which was exactly how you needed it, and you were sitting in the middle of it with a bounty hunter who had three months of reasons to turn you in and was instead standing close enough that you could feel the warmth of him and asking you about your name.
"Well then," you said. You set your glass down and looked at him, and let him look back, and held the space between you at exactly the distance it was, not closing it and not widening it. "Seeing as you've given me yours."
You told him your name. He said it back, once, quiet, like he was testing the weight of it. Like he'd been waiting for it for three months and wanted to make sure it fit. It did something to you, your own name in that accent. You were going to think about that later, privately, and be most definitely annoyed about it.
"Now weâre even," he said.
"Even," you repeated. "Though I'm keeping the ring."
Something in his expression shifted into something that was, unmistakably, despite everything â warm. He probably figured that, by the, you would have already sold it.
"I expected nothing less," he said.
The second glass went down easier than the first, which was either a sign that the whiskey was improving or that you'd stopped noticing it, and by the third you had stopped noticing quite a few things.
The card game in the corner. The barkeep's ongoing grievances. The general noise of the room, which had thickened as the evening came on and the fair crowd filtered in looking for somewhere to put the rest of their day.
You had stopped noticing all of it.
What you had not stopped noticing was Baelor Targaryen, who was standing perhaps four inches closer than he'd been at the start of the first glass and showed no signs of correcting this, which you found you had no interest in correcting either. At some point the conversation had stopped being a careful exchange of information and had become something else â easier, warmer, the kind of talk that happened when two people discovered they were, against the available evidence, enjoying each other. He asked questions that were precise without being interrogating. You answered them in the same currency, specific enough to be interesting, vague enough to be safe.
You were good at this. You'd always been good at this. You were finding, with him, however, that you were working slightly harder at it than usual.
"The man you came in with," Baelor said, during a pause that had been comfortable enough not to need filling. "The one who was watching you ride. Is he your man?"
You laughed before you could stop it. Not at all performed, just the genuine, immediate laugh of someone who had been presented with an image their brain rejected on instinct. Arthur Morgan, your man. Arthur, who had once spent forty-five minutes helping you get a raccoon out of your tent and had never once let you forget it. Arthur, who called you troublesome the way other people said beloved.
"More like a dumb brother," you said. "We grew up together. More or less." You picked up your glass and looked at him sideways. "Why. You jealous?"
He didn't miss a beat.
"Just didn't seem like your type," he said, smooth and even, like the question hadn't been asked at all.
You blinked.
"You know what my type is," you said. It wasn't quite a question.
"By the eyes you've been giving me since the first time on that road," he paused, just for a beat, just long enough, "I'd bet money on myself."
The floor did something minor and structural. You kept your expression where it was through an act of will that you felt was frankly admirable, and held his gaze, and after a moment you smiled at him slowly.
"Is that right," you said.
"That's right."
You turned to face him a little more fully, which closed the four inches to something closer to two, and looked up at him with your elbow on the bar. "Do you even know how to handle a pistol, English boy?" You let your voice sit easy, let the tease live in it. "Girls from these lands aren't easily managed."
"Seems to me," he said, and his voice had dropped just slightly, just enough, "like you'd know exactly how to handle one. Am I correct?"
There it was. Said with perfect composure, with that precise and unhurried attention he brought to everything, and the room was warm and the whiskey was in your blood and he was close enough that you could see the grey in his beard and the specific quality of what was in his mismatched eyes, and you felt the heat of it move through you like the swallow of something stronger than what was in your glass.
You held his gaze.
"Been known to," you admitted.
The corner of his mouth, that same corner, rose again.
"I thought as much," he said.
The conversation slid after that, the way conversations did when both people had decided something without saying it â not lurching, not awkward, but with the easy momentum of water finding a channel it had been looking for. He said something about the roan, about the way you'd moved with him, and what he said was technically about the horse and was not about the horse at all, and you answered him in kind, and the space between you stayed at its two inches and neither of you moved to change it, because the two inches was its own kind of conversation.
Outside, somewhere, Arthur would be watching Maekar, something you suspected was reciprocated. Dutch would be in camp waiting for the money you'd won, and the Van der Linde gang existed and had needs and operated on a schedule that did not account for saloons and Englishmen and three glasses of bad whiskey.
You were aware of none of this.
You were aware of the warmth of him at that distance. The way his voice moved through the noise of the room. The specific, patient quality of his attention, which had not wavered since he'd walked through the door, which had not wavered on the road three months ago, and which was beginning to make you feel â in a way that was inconvenient and also not unwelcome â like the only thing in the room worth looking at.
"You know what your problem is," you said eventually.
"I'm sure you'll tell me."
"City men." You turned your glass on the bar. "All of you. All talk and no action." You looked at him. "You're telling me all these pretty things and in truth you wouldn't dare to do any of them."
He was quiet for a moment. Not the quiet of a man who'd been caught out. The quiet of a man who was deciding how to spend something he'd been saving.
"Want to bet," he said, his voice was level and low and the mismatched eyes were very steady on yours "little thief?"
"Depends on the stakes."
"My ring," he said. "The one currently in your possession." His eyes didn't move from yours. "Here are the terms. I take you upstairs, find a room, and I fuck you until you're begging me not to stop." A pause, measured and unhurried. "If you beg first, the ring comes back to me. Where it belongs."
"And if I don't?" you managed your treacherous breath not to hitch.
"Then you keep it." The corner of his mouth moved upwards. "Which won't happen."
The heat moved through you fast and total, the way heat did when it had been building toward something for three months and two conversations and a number of glasses of bad whiskey, and you felt it in your throat and your chest and lower than that, and you held his gaze through all of it and did not let a single thing show on your face beyond the slow, deliberate smile that you brought up from somewhere that knew exactly what it was doing.
"Bet you I'll be the one to make you beg instead," you said. "And I'll keep that ring either way."
The corner of his mouth moved. All the way, this time.
"Then we have a deal," said Baelor, and held out his hand.
You shook it. His grip was warm and unhurried, and he held it for exactly one second longer than a handshake required, his thumb pressing briefly against the inside of your wrist, and you felt your pulse against it and hoped â without much conviction â that he hadn't.
By the look in his eyes, he had.
The room you got from the barkeep was small and the lock was stiff and Baelor got it on the second try, which you noted because it meant his hands were steadier than yours, which was irritating and also motivating.
He hit you with a teasing ladies first and you entered the room. The door had barely closed before you turned to face him in the dark. Not quite dark â a window facing the street let in enough of the evening to see by, the warm spill of lantern light from below cutting across the floor, and in it you could see his face, the particular quality of his attention, the way he was looking at you like he'd been looking at you since the road and had simply been waiting for permission to do something about it.
You grabbed his lapels and pulled him down.
The kiss was not gentle. It wasn't what either of you had been building for the past hour. It was immediate and hard and his mouth opened against yours with a low sound that you felt in your sternum, and his hands found your waist and then your jaw, tilting your head where he wanted it, and you bit his lower lip in response to that because you were not going to be tilted anywhere without making your opinion known.
He made a sound against your mouth. Good, you thought, distantly. File that away.
His hands moved to your coat and you were already working his, and between you it was more efficient than romantic, pulling and shrugging, coats dropping somewhere behind you both, and then his hands were at your shirt and yours were at his and the buttons of his went faster because your fingers were steadier than his now, a fact you were choosing to be pleased about. You got his shirt open and pushed it off his shoulders and put your hands flat on his chest and felt him â warm skin, the shift of muscle, the specific texture of chest hair going grey at the center â and pulled back from the kiss long enough to look.
He was looking at you too.
"Your turn," you said.
His fingers moved to your shirt with that same unhurried precision, working each button from the bottom up, and the deliberateness of it was worse than if he'd been hurried because it meant he was thinking, still thinking, still entirely in possession of himself, and you were going to do something about that. He got your shirt open and pushed it off and his eyes moved over you in the low light the way his attention always moved â complete, specific, giving nothing away â and then he reached out and traced the line of your collarbone with two fingers, light enough to feel like a question.
You reached up and pulled him back down by the back of his neck.
This kiss had teeth in it. Yours, first â his lower lip again, harder, and he exhaled sharp through his nose and the hands on your waist tightened and pulled you in, and that was more like it, that was the thing underneath the composure, and you filed that away too alongside the first sound and the tightening grip. His mouth moved to your jaw and then your throat and you tipped your head back and felt his beard drag against your skin and the specific shock of that, rough and warm and slower than you'd expected.
"Baelor," you said. Not a plea. Just his name, placed there deliberately, because you wanted to hear how he responded to it.
He responded by finding a place below your ear and doing something with his mouth that made your knees recalibrate their purpose.
His hands were at the fastening of your trousers. Yours were at his, and you got there first â got him open and pushed the fabric down and wrapped your hand around him and felt him breathe in, sharp and held, his forehead dropping to your temple.
"Talking about handling guns," you said quietly and chuckled.
"You â" he started, his voice a bit more exasperated by your tease, but you could sense the breathed laugh in it.
He recovered in about two seconds, which was genuinely impressive and also meant you had more work to do. His hand slid inside your waistband, and you were already wet and when his fingers found that he made a sound â low, not quite controlled, the first crack in the composure â and stroked through once, slowly, as though confirming a hypothesis.
"I thought as much," he said, against your temple, which would have been unbearable from anyone else and was unbearable from him in a way you found you didn't want to stop.
You stroked him once in return and he shuddered against you. "Likewise, wolfer."
The remaining clothes came off with more cooperation and less dignity than the coats had, boots pulled off and dropped and trousers pushed down and kicked free, and you ended up on the bed with him over you and his mouth already moving down your throat to your collarbone, your sternum, and you watched him go with your hand in his salt-and-pepper hair, the silver of it between your fingers, his beard dragging a line of heat down your skin wherever his mouth led.
He looked up at you once, from your ribs, just once. You raised an eyebrow, was he really asking for your goddamn permission now? Â The corner of his mouth moved, acknowledged, and he kept going.
He was thorough. That was the thing you hadn't anticipated, though you should have â it was there in everything about him, the patience, the specific attention, the way he didn't skip anything â and when he settled between your thighs and looked at you for precisely one second before lowering his head you had time to think oh and then he was working his tongue through you in a slow flat stroke and you stopped thinking particularly clearly after that.
He learned you the way you suspected he learned everything else â methodically, tracking response, adjusting. Flat strokes first, broad and slow, mapping. Then focused, circling your clit with the specific, unhurried precision of a man who had filed your first sound and intended to replicate it. You felt the deliberateness of it, the way nothing he was doing was accidental, and it was maddening and extraordinary in equal measure.
You pushed your hips up. He pressed them back down. Both hands, flat on your hip bones, holding you where he'd put you with a ease that sent heat straight up your spine.
"Don't," he said, against you, and the vibration of the word was its own thing entirely. âI want you to stay still for me.â
"Then do something worth staying still for," you bit down on the sound that tried to come out.
A pause. A breath against your skin that cost him a bit of his remaining composure, you could tell. Then he worked his tongue directly over your clit in slow, tight circles and slid two fingers inside you at the same time, curling on the press in, and the sound you made was not what you'd intended.
He made a sound of his own, low and private, against your skin. The fingers worked in a steady rhythm â in, the curl, a drag on the withdrawal that found something â and his mouth stayed focused and relentless and you had your hand twisted in his hair and your head back and the ceiling of a Valentine saloon room above you andâ
"Baelorâ," you almost cried out.
"I know," he said. Against you. Eyes up, watching your face as it twisted in pleasure. "Come for me, let me drink you up."
The orgasm unwound from somewhere deep â his fingers curling on the withdrawal at exactly the moment his tongue pressed flat â and your hand gripped his hair and your other hand found the headboard and you came with his name broken somewhere in the middle of it, his hands holding your hips steady through all of it, feeling every second of it, not letting you move away from his mouth until you were finished.
He pressed one last kiss to the inside of your thigh. Then he started to move up. You stopped him with a hand flat on his chest.
He looked at you. "Lie down," you said.
Something moved through his expression â surprise, and then something warmer than surprise, and then he lay back and you moved over him and looked down at his face in the low light. His jaw. The grey in his beard. The mismatched eyes watching you with that full attention that was already slightly more undone than it had been ten minutes ago, which was satisfying and also not enough.
You wanted more undone. You wanted the composure in pieces on the floor with the coats.
You ran your tongue up his throat, feeling him swallow, and bit the hinge of his jaw. He made a sound that was entirely private and not quite controlled and his hands came up to grip your hips.
"You're going to â" he started.
"Yes," you said, and moved down his body.
He was warm in your hand, heavy, and when you ran your tongue up the length of him his head went back against the pillow. You watched him do it. Watched the column of his throat work. Watched his hands find the sheets.
You took him into your mouth slowly, thick head first, tasting the bead of arousal and swirling your tongue to its saltiness. You took your time the way he'd taken his, and felt him breathe in through his teeth.
"Fuck," he said, which was the first genuinely unguarded thing he'd said since he'd walked into the saloon, and you filed it at the top of the list alongside the grip and the jaw-sound and the first crack over your hip bones.
You worked him with the same attention he'd given you â learning first, then focused, your hand at the base and your mouth taking him deeper by degrees until you felt him hit the back of your throat. The sound he made then was not a word. You held it, a beat, two, and felt him tremble â actually tremble, the whole body, hands still in the sheets because he was holding himself back from gripping your hair, you could see the effort of it in the tendons of his forearms â and then you pulled back slowly and did it again.
"God â" and the sentence didn't finish.
You pulled back and looked up at him, his cock in your hand, your chin tilted up, and said with a smile, "You were saying something about making me beg, I believe."
He looked down at you. His chest was heaving. His jaw was tight. His eyes were blown dark and the composure was fractured all along the edges and he was the most beautiful thing you'd seen in recent memory. You were so keeping that ring.
"Fucking come here," he said. Quiet. Absolute. The voice still controlled, just barely, which meant he'd decided to stop spending effort on sentences and put it somewhere else. "Now."
You teased him one last time by taking him into your mouth, to the back of your throat, slow as you could stand, and felt him make a sound that was not a word at all. Then you came up his body.
"Since you asked so nicely," you said with a smile.
You swung your leg over him and settled your knees on either side of his hips and looked down at his face, and his hands came to rest on your thighs, and you reached down and wrapped your hand around him and felt him twitch in your grip.
"You liked how I moved on that horse, didnât you," you said. An affirmation more than a question. "How about feeling it yourself."
You sank down on him.
Inch by inch, slow, taking your time with it because the time was warranted â he was bigger than you'd expected, girthier, and the stretch of it wasâ You lost the thread of whatever you'd been about to think, the thought dissolving into white at the edges of your vision as you worked your way down and down and the fullness of it built past what you'd prepared yourself for and kept building. You heard yourself make a sound. Couldn't have told yourself what kind.
Baelor's hands on your thighs had gone rigid.
"Fuck," he said, again, this time through gritted teeth. âFuck you feel so good.â
You bottomed out.
Sat there, fully seated, and took three breaths. Felt him everywhere â the deep internal pressure of it, the specific fullness that made your thoughts go simple and white-edged, and you circled your hips without pulling back, just a slow roll, feeling the shift of him inside you, reaching something deep that made your toes curl against the sheets.
His jaw had gone tight. His hands flexed on your thighs.
You angled yourself back, just slightly, shifting your weight more on his thighs, and looked down â and laughed, short and breathless, because you could see him. The faint ridge of his cock pressing against the lower plane of your stomach from the inside, visible even in the low light, and the sight of it sent a wave of heat so acute through you that your laugh collapsed into something lower.
"Look at that," you managed.
His eyes were tracking the same thing you were, and the look on his face was the most undone you'd seen it yet â jaw tight, eyes dark, a quality of focused restraint that was costing him something visible.
"Feel good?" you asked and wiggle slightly.
âWant me to show you how good it feels?â he cantered his hips upwards once, in a hard thrust that you didnât expect, and it tore what was almost a growl from your own throat. âThat good.â
You rolled your hips again, slower this time, and watched his face do several things in quick succession.
Then you started to move. Up and down, finding the pace, and your first full stroke dragged a sound out of you that you didn't try to suppress because suppressing things was for when you needed to maintain a position, and you didn't need to maintain anything right now except the rhythm.
He felt extraordinary. There was no more precise word for it. Baelor filled you on every downstroke completely and the drag on the upstroke found things that made the white come back at the edges, and you set your hands flat on his chest and moved and let yourself have it.
Baelor made a sound low in his throat. Then another.
His hips rolled up to meet you â slower this time, tentative at first, finding the rhythm, and then harder when he felt how you responded to it, how your breath caught on each upward drive. His hands moved from your thighs to your hips and gripped, guiding rather than directing, moving with your body rather than against it, and the combination of his upward roll and your downstroke had you seeing spots.
"Fuck," you said, eyes closing momentarily.
âKeep your eyes open,â one of his hands came to rest around your neck, his thumb tracing your jawline. âYou are so beautiful.â
"Is that the best you've got, English?" You chuckled and rolled your hips on a downstroke just to feel him curse. He did. Under his breath, in a voice that was no longer trying very hard to be composed, a word you hadn't heard him use before that sounded considerably better in that accent. "There it is," you said, and did it again.
"You â" His grip on your hips tightened to the edge of bruising. "You are â"
"Finish the sentence."
"Impossible," he managed. "You are completely â"
"Impossible, that's not very nice â"
"Impossibly good," he said, and the word good came out wrecked, and you felt it somewhere below your ribs. âYou are a fucking vision.â
You leaned down and kissed him, open-mouthed and slow, and felt his hands spread across your lower back pulling you in, and you bit at his throat on the way to his ear, felt the shudder move through him at that, the way his hips stuttered and then drove up harder. You dragged your teeth along his jaw.
"Say some more of those pretty words," you said, against his ear.
"You're going to ruin me." Low, close to your ear, and the way he said it â not like a complaint, not like a warning, like a thing he'd already accepted and was simply stating â moved through you like the whiskey had, warm and total. "You have been ruining me since that road."
"Good," you breathed.
"This is not â" His hips drove up and your breath left you entirely for a second. "This is not good. This is a catastrophe."
You laughed, and the laugh became a moan halfway through because his hand had found your clit and was pressing in slow circles, and the combination of his cock filling you on every stroke and his thumb working you had the white coming back fast and insistent.
"Baelor â"
"I know," he said. The same thing he'd said earlier, against your skin. Low and certain. "I know you're close. Don't."
"Don't?"
"Not yet," his voice had dropped to something barely above a murmur, controlled and direct. "Not until I say so."
You bit his shoulder. He made the sound. The private, unguarded jaw-sound, the one from the beginning, and his hips drove up hard and his thumb pressed and you made a noise that was absolutely undignified and didn't care at all.
"You â" you started.
"Hold on," he said, and his arms wrapped around you.
The world turned over.
You hit the mattress with him above you and barely had time to register the shift before his hands were at the backs of your thighs, pushing your legs up. The new angle drove him deeper than before and you made a sound you had no name for and grabbed the headboard because you needed something to hold onto.
Your legs went over his shoulders. He looked down at you, chest heaving, that fractured composure all over his face, and he looked like something magnificent, and then he pulled back and drove into you and all higher thought concluded.
The pace he set was not forgiving. It was hard and it was deep. The kind of pace that had a point to make, and what it was saying was unmistakably I had you close and I wasn't done yet â each stroke to the hilt, the angle hitting something that made your hands go white on the headboard, and the sounds you were making had stopped being strategic about three strokes in.
"Still feel like city men are all talk?" he said. Rough-voiced, barely controlled, sweat at his temple, and the fact that he could form a sentence at all was genuinely offensive.
"Ask me â" you managed, and lost the thread on a particularly brutal stroke. "Ask me when you're done."
"Mm." He pressed your legs higher and the angle shifted and you stopped being able to argue about anything. "How about now?"
"Baelor â"
"There's my answer," he said, and the composure cracked properly â a rough, low laugh that dissolved immediately into something that wasn't a laugh, his forehead dropping to your knee, hips driving harder, and the headboard had made your knuckles white and you were not begging, you were not going to beg, you were going to win this bet if it took every last thing you had â
"Tell me," he said, against your knee. "Tell me you want it."
"I â" Your back arched. "I'm not â"
"Not begging," he said. "I know. Just tell me you want it."
"You know I want it, you insufferable â"
"Tell me anyway."
"I want â fuck â I want to come," you said, and it came out wrecked, came out like something true, and he made a sound of his own at that â low and enormous and private, muffled against your calf â and drove in deep and stayed there a moment, grinding, and you came apart.
Your hand gripped the headboard so hard you felt it in your wrist, the other one came to the back of Baelorâs neck and pulled him down to you. His name broke in the middle somewhere. His hand went to join yours at the headboard, his other one pressed flat to your stomach, over the place where you could feel him, and the pressure of it was â there were no words for the pressure of it. He kept moving, slower now, working you through it, his breathing ragged against your skin.
"That's it," he said, rough and low. "God, your legs are shaking so much," the hand that was on your middle started to caress up and down your thigh, and he finally released them from his shoulders where they had been the entire time. They came around his waist, pulling him closer to you.
He didn't stop moving. Slower, longer strokes, drawing it out, his forehead dropping to yours, and you could hear what it was costing him in his breathing â ragged, effortful, the composure entirely gone now and nothing in its place but this.
You put your hands in his hair.
"Come on then," you whispered against his ear and nipped his lobe. "Come undone for me."
He made a sound against your temple that had no language in it.
His hips drove deep and stuttered and drove again, deeper still. He came with his face pressed into your hair and your name in his mouth, just your name, once, like he'd been saving it, and the shudder of it moved through him and into you and you held him through it with your hands in his salt-and-pepper hair and felt his whole body go heavy.
For a moment neither of you said anything.
The Valentine saloon carried on below you. Someone would still be playing a bad hand of cards. The world outside the room existed, with its gangs and its bounty hunters and its prices on heads and its complications, and in a little while you were going to have to go back to it.
Not yet.
"Well," you said, when your breathing had mostly returned, your nails scrapping softly at Baelorâs nape. "I didn't beg."
He lifted his head and looked at you.
"No," he agreed. A pause. The mismatched eyes, close enough to see clearly, finding yours in the low light. "You didn't."
"Didn't hear you beg either," you said. He was quiet for a moment. "So the ring stays with me."
"The ring," he said, slowly, "stays with you." His thumb traced the line of your jaw, once, unhurried. "I find I'm not particularly troubled by that."
You looked at him. He looked back at you, and in his eyes you could see a storm taking place.
Outside, the last of the fair was winding down, and somewhere in the street below you, a man who didn't know your name was watching a door, and Arthur Morgan was watching him, and the whole complicated apparatus of your life was waiting right where you'd left it.
You pressed your thumb over the place on his left hand where the ring wasn't, only the remnant mark of years.
"Baelor Targaryen," you tried his name again in your lips.
"Mhm?" he murmured against your neck.
"You're going to be a problem."
The corner of his mouth lifted at your skin. All the way, unhurried, warm. He pressed a soft, tender kiss.
"Undoubtedly," he said.
You didn't mean to fall asleep.
That was the first thought â not quite a thought, more the particular quality of consciousness returning, slow and warm, the awareness of weight and warmth and the specific arrangement of limbs that meant you were not where you usually woke up. His arm was across your waist. Your back was against his chest. Your legs were tangled with his in a way that would have required negotiation to undo, and his breathing was deep and even against the back of your neck and somewhere in the room a candle had burned itself out.
You lay there for three seconds and then you remembered Arthur. You looked at the window.
Pitch dark. Not late-evening dark, not the dark of a town still half-awake â the specific, absolute dark of somewhere past midnight, the kind that meant the saloon below had quieted and the street was empty and whatever remained of the Valentine fair had gone to bed.
Fuck, you thought, with feeling.
You turned slightly, trying not to wake the man that was beside you. Baelor slept on, undisturbed. His face, in profile against the pillow, had a quality you hadn't seen on it while he was awake â complete ease, the watchful attention entirely absent, just the lines of him at rest, the grey in his beard catching what little light came through the window. He looked, you thought, before you could stop yourself, like someone you could get used to waking up next to.
You filed that thought under problems for another time and started extracting yourself carefully.
It took the better part of five minutes. He was heavy and warm and every time you moved an inch something else was still connected â your ankle under his calf, your shoulder under his arm, the way his hand had found yours at some point in the night and hadn't let go, which was a detail you were categorically not thinking about. You eased each point of contact free with the patience you'd learned on long watches and stealthy exits from places you shouldn't have been, and when you finally got your feet on the floor and turned to look at him, he hadn't moved.
Still breathing. Still easy. One arm now extended across the space where you'd been, palm up, as though waiting.
You caught yourself smiling dumbly at the scene. What the actual fuck, you scolded yourself and shook your head in disbelief. You looked away and found your clothes. Dressed in the dark, quiet and practiced â shirt first, then trousers, then boots pulled on with care for the floorboards. Your coat last. You checked your pockets by feel. Wallet, ammunition, the small folding knife you kept for emergencies.
The ring.
You turned it over in your fingers, feeling the raised crest of it, the familiar weight of something you'd been carrying for three months in the pocket closest to your chest.
You looked at Baelor.
He was going to wake up and find the bed empty and know you'd gone, and that was fine, that was expected, that was the only sensible ending to the evening. You were an outlaw with a price on your head, and he was a bounty hunter in a town where people knew your face, and you had a gang to get back to and a man outside who'd been waiting in an alley since sundown.
You set the ring on the nightstand.
Then you looked around the room until you found what you needed â a scrap of paper, folded inside his coat pocket, blank on one side, and the stub of a pencil on the windowsill that someone had left behind. You wrote quickly, in the dark, by feel more than sight, and folded the paper once and set it under the ring where he'd find it in the morning. You looked at him one more time.
Baelor Targaryen, you thought, the way youâd said his name before â like you were testing the weight of it again. Then you picked up your hat and went to the door.
The saloon was dim and almost empty, just the barkeep asleep at his own bar and two men in the corner who didn't look up. You went through the door and out into the street and nearly walked directly into a wall.
Not a wall, a chest. Broad, solid, immovable. You bounced off it and looked up and found white hair and beard and a pair of eyes that were, given the hour, remarkably alert. He looked down at you with an expression that was working its way from surprise toward something considerably more pointed, his mouth already opening.
"Don't," you said, pleasantly, a single finger raised in warning. He closed his mouth. "Ask him yourself." You stepped around him and walked up the street without looking back.
Arthur was in the alley across the road.
Of course he was. He had his shoulder against the wall and his hat down and a cigarette burning low between his fingers, and when you came around the corner he looked up and looked at you and looked at the sky and back at you.
"Goddamn," he said. "Took you long enough." A pause, timed with the precision of a man who had been saving it. "Hope he was at least a decent fuck."
You punched his arm without previous warning.
He laughed â the big laugh, the one he couldn't help, the one that came from somewhere genuine â and didn't move an inch, because he was Arthur and you'd been punching that arm for twenty years and it had never accomplished anything.
"Shut the fuck up, Morgan," you said.
He looked at your face. You felt him look at it, the quick, complete read he did of you that had never required words, and whatever he found there made the laugh soften into something warmer and quieter.
He handed you the cigarette. You took it and walked with him to where the horses were tied, Ghost turning to find you in the dark with his ears up and his muzzle at your shoulder, and you pressed your forehead to the side of his face for a moment and let the familiar smell of him settle something in your chest.
Arthur swung up onto his horse and looked down at you.
"We riding?" he asked.
"We're riding," you said settling on you saddle, a familiar tenderness between your thighs that had nothing to do with the saddle itself and everything to do with the man quietly sleeping where youâd left him.
You didn't talk about it on the way back. You didn't need to. Arthur had read your face and filed what he'd found there and that was enough for now. The night was cool and the road was clear and the stars were out over the hills, and you rode side by side through the dark the way you'd been riding since you were young enough that Dutch had put you on horses too big for you and told you to figure it out.
You kept your eyes on the road. Somewhere behind you, in a room above a Valentine saloon, a man with mismatched eyes was sleeping with his arm across the empty half of a bed.
You rode on.
He woke to grey light and an empty bed.
He'd known before he opened his eyes â the quality of the warmth was different, the weight of the room, and when he turned his head the other half of the bed was cool and held nothing but the impression of someone who had been careful leaving. He lay there for a moment and looked at the ceiling and felt something move through his chest that was neither surprise nor its opposite but something quieter and less nameable than either.
He'd expected this. She was, above all things, practical. She had a life that did not include waking up next to bounty hunters in saloon rooms, and she'd exited it the same way she'd exited everything else â clean, quiet, and on her own terms.
He sat up and reached for his clothes.
He dressed methodically, the way he did everything â shirt first, then the rest, the familiar sequence of it giving his hands something to do while his mind was elsewhere. The room was ordinary in the morning light. Their glasses still on the nightstand. His coat on the floor where it had ended up. The window showing a Valentine street going about its early business, unhurried and indifferent.
He was buttoning his cuffs when something on the nightstand caught the light. He looked at it. He looked at it for a long moment. Then he crossed to it and picked up his ring.
"Unbelievable," he said, to the empty room.
There was paper under it. He unfolded it carefully, the handwriting inside quick and slanted, done in the dark by someone who wrote with confidence regardless:
Seems you didn't have the chance to get me in cuffs, wolfer, so out of the kindness of my heart I'm giving you another chance.
P.D. Keep the ring. Next time you see me you can have a proper gesture and gift it to me yourself.
Below that, in the same quick hand: a date and an address in Saint Denis.
Baelor read it twice.
He turned the ring over in his fingers, the raised crest of it catching the grey morning light, three months and two meetings and one extraordinary night of weight in the metal. She'd carried it all that time. She'd left it here not because she'd lost the bet â neither of them had, and both of them knew it â but because she'd chosen to. Because it was, in its way, an answer to a question neither of them had asked out loud yet.
Next time you see me. Not if.
He folded the paper and put it in his breast pocket. Then he reached for his coat and went downstairs.
The saloon was quiet at this hour, just the barkeep moving chairs and a thin grey light coming through the windows. Maekar was at a table near the door with two cups of coffee and the expression of a man who had been awake for some time and had formed opinions about it.
He looked up when Baelor came down the stairs.
"Your little thief got past me in quite a hurry last night," he said. No preamble. He pushed one of the cups across the table. "Didn't strike me for one who scared up easily."
"She doesn't scare easily." Baelor pulled out the chair and sat. "She's practical."
"Mm." Maekar considered this. "At least you got your ring back."
Baelor looked down at his left hand. The ring was back where it belonged, the familiar weight of it already settling into habit. "Yes," he said. "I did."
Maekar's eyes moved over his brotherâs face with that quick, complete attention that had always been slightly uncomfortable to be on the receiving end of. A beat of silence. Then, with the specific lightness of a man placing something down carefully, "Seems to me she might have stolen something else."
Baelor picked up the cup.
"Don't," he simply said. A brotherly warning.
"I'm only observing."
"You're never only observing."
Maekar smiled and said nothing further, which was almost worse. He wrapped both hands around his cup and looked at the middle distance with the air of a man exercising considerable restraint, and Baelor drank his coffee and did not reach for the paper in his breast pocket, and the fire crackled in the grate, and the morning went on.
The note stayed where it was.
He was not going to tell Maekar about the note. He knew, with the certainty of too many years of brotherhood to count, that telling Maekar about the note was a thing he would never hear the end of.
He turned the ring on his finger instead. Slowly. Thinking about Saint Denis, about the weeks between now and then, about a woman who had written that note in the dark without hesitation and had known â had known with the same certainty she'd brought to everything, the road, the corral, the saloon, all of it â that he would come.
She'd known before he had. That was, he thought, entirely consistent with her character.
"You're quiet," Maekar commented.
"I'm often quiet."
"You're differently quiet." A pause. "You have a look."
"I don't have a look."
"You have the look," Maekar said, with the precision of someone who had been cataloguing his brother's expressions since childhood and had long since indexed them all, "of a man who has already decided something and is waiting for a polite interval before he says so."
Baelor set down his cup. He said nothing further.
Outside, Valentine was fully awake now, the street moving with early morning purpose, the fair well and truly over. The roads out of town would be clear. There were contracts to chase and work to do and any number of practical reasons to point himself somewhere other than Saint Denis.
He thought about the note again. He thought about the way she'd looked down at him from the saddle of that crazed roan, chin up, easy in the seat, and how the crowd had been very loud and he hadn't heard any of it.
He slipped the ring off his finger, turned it once in the light, and put it back on.
"We should ride today," finally said.
Maekar nodded, unsurprised. "Where to?"
Baelor reached for his coat.
"South," he said.
Maekar looked at him for a moment. Said nothing. Then he pushed back his chair and stood, and that was that â no further questions, no commentary, just the particular efficiency of a man who had read the situation and accepted the direction of travel, which was the most useful thing about Maekar when he chose to be useful.
They left money on the table and walked out into the morning.
Baelor turned his collar up against the early chill and thought about a date on a piece of paper and the quiet certainty, already settled somewhere below his ribs, that she'd known he would come from the moment she'd picked up the pencil.
He found he didn't mind being known that well. Not by her.
A.N.: i think it's safe to say that this was left at a open enough ending to think about the possibilities of a second part... specially if i keep replaying RDR2 and getting ideas in my brain... What did you think? Comments are very much appreciated, and as always, thank you for reading me <3
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