MASTERLIST A humble Tommy Miller appreciation corner â¤ď¸âđĽ
đ [AO3]
+18 only!!
~~~~~~ Series ~~~~~~
Edge of Town áŕźáŤ [Tommy Miller x F!Reader] (completed)
Fic Summary: As a FEDRA officer in the Boston QZ, you had no business falling in love with a Firefly. âŚUnless you didnât know he was a Firefly until it was too late. Tommy Miller was either the best thing that ever happened to you⌠or the worst.
Solar Power [Tommy Miller (game) x F!reader, Joel Miller] (WIP)
Fic summary: It was supposed to be casual: a hot contractor in a pony tail, improper use of company time and zero expectations. Then, a promotion pulls you back to your home country just as Tommy Miller starts feeling like home.
Unfortunately, ambition doesnât care about timing or love, and neither do USA visa's.
You will have one last summer in Texas with your summer boyfriend.
warnings: No Outbreak, AU, the last of us, smut, explicit sexual content
Show me how bad you can hurt me [Tommy Miller x F!reader, Joel Miller] (WIP)
Fic Summary: Four years after the outbreak, Joel and Tommy Miller are hardened smugglers in the Boston QZ: mean, violent, and willing to do whatever it takes to survive. When theyâre paid an obscene amount to smuggle you across the ruined country to Columbus QZ, they didn't ask what secrets you carry to be worth that much. They just expect an easy job. You're supposed to be just cargo. They will soon discover this cargo has teeth⌠and the power to make even the worst men start to crack.
~~~~~~ One shots ~~~~~~
Between Millers (WIP) [Joel x reader x Tommy]
Fic summary: What starts as innocent Saturdays at your nieceâs soccer games quickly turns complicated when you meet her best friendâs dad and uncleâJoel and Tommy Miller. When an unexpected trip offers the perfect opportunity, you may finally give in to the temptation to have them both⌠at the same damn time.
Riding the mustache [Tommy Miller x F!reader]
Fic summary: Tommy decides to grow a mustache, and it does catastrophic things to your body - pulling your heart toward the light and your lower half straight onto his tongue.
warnings: post-outbreak (the last of us), explicit sexual content
Solar Power [Tommy Miller (game) x F!reader]
Fic summary: Itâs just another home-office morning - spreadsheets, caffeine, and Teams notifications â until the doorbell rings. You are half corporate shark, half Hello Kitty chaos. One very distracting contractor with a southern drawl, a ponytail and a t-shirt that says Miller Construction is offering you premium services.
warnings: No Outbreak, AU, the last of us, smut, explicit sexual content
Save the date [Tommy Miller x female OC]
Fic summary: Noelle just got to Jackson. Tommy just got dumped.
She wants a husband. They both decide to get drunk. What could possibly go wrong?
warnings: post-outbreak (the last of us), slow burn, romance
Caught by Joel [Tommy Miller x F!reader, Joel Miller]
Fic summary: Tommyâs feeling proud after a long night with you. Joelâs got a few things to say about manners, and Tommy couldnât care less.
warnings: post-outbreak (the last of us), slow burn, romance
Also check my Tommy fics recommendations from other authors
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I woke up this morning and saw that we hit 500 followers, which feels absolutely insane to me considering how little Iâve been posting lately. But⌠that is about to change! đđ
First of all, thank you. This little corner of the internet has become such a sweet escape from the real world for me, and knowing that so many of you are here, reading my little stories and letting me share them with you, means more than I can properly put into words.
To celebrate, Iâm preparing five little surprises for you, and theyâll start rolling out this weekend. đâ¨
But for the biggest one, I need your help.
Iâve been wanting to write something longer and more rom-com coded for a while now, and I have two possible directions in mind: Harry Castillo or CEO!Joel Miller
Pick your poison!
Harry Castillo
CEO!Joel Miller
Remaining time: 4 days 2 hours
The general idea would be a fake dating / boss x assistant, so keep that in mind when voting. Think tension, chaos, forced proximity, feelings that absolutely no one asked for, and probably a very inconvenient contract. đ§đ
So⌠who would you rather see me write this for?
Chapter Summary: Tommy asked for a sign. He is searching for a reason, an excuse, anything that reminds him he can be the good man you fell in love with.
Just to conclude that this man never existed.
But people in love leave pieces of themselves along the road. And if it's bright enough, it can still be found.
Fic Summary: Four years after the outbreak, Joel and Tommy Miller are hardened smugglers in the Boston QZ: mean, violent, and willing to do whatever it takes to survive. When theyâre paid an obscene amount to smuggle you across the ruined country to Columbus QZ, they didn't ask what secrets you carry to be worth that much. They just expect an easy job. You're supposed to be just cargo. They will soon discover this cargo has teeth⌠and the power to make even the worst men start to crack.
Tags: Tommy Miller x Reader, Dark!Tommy, Raider!Tommy, Explicit Sexual Content, Post-Cordyceps Outbreak (The Last of Us), Stockholm Syndrome, Dark Romance, Tommy is mean but not too much, Tommy Miller Fanfic, Enemies to Lovers, Tommy was corrupted by Joel, Vaginal Sex, Fireflies (The Last of Us), Slow Burn
wc: 6k
Author notes:
I knew I wouldn't have enough time this week to write everything I'd planned, so I made a decision: shorter chapter, stretched suspense. And honestly? It worked better than the original plan. This is one of the most heart-wrenching things I've ever written. And so special, because yesterday I was at a Twenty One Pilots concert, crying and singing Drag Path at the top of my lungs. And here we have two lovers leaving trails to find each other. omg.
----
It was just another warm Saturday in Austin. Tommy honked again and dropped his elbow out the car window, with a cigarette hanging off his lip. The radio was playing some country song he half knew and couldn't name, and he turned it up anyway, drumming the wheel.
The front door banged open and Sarah came down the walk like a hurricane, with her cleats untied, jersey half-tucked, sports bag on one shoulder, water bottle under her arm, a tube of lip gloss in one hand and a strip of bacon in the other.
She hauled the truck door open and dumped herself into the passenger seat, all elbows.
"Jesus Christ, kiddo. We robbin' a bank on the way?"
"We're late, Uncle Tommy."
"We're fifteen minutes early by my count."
"Your count's been broken since the nineties." She took a bite of the bacon. "Drive."
Tommy shook his head, grinning around the cigarette, and eased the truck off the curb.
Sarah eased her bag down between her feet, and the country song cut out mid-chorus for a news break: something about an outbreak overseas, officials monitoring the situation.
"This again." She reached over and punched the dial to a pop station without asking, and some song made entirely of sugar filled the cab.
"Your daddy doesn't like you ridin' up front."
"My dad doesn't like a bunch of things." She said it breezy, then her face dropped an inch. "He's gonna miss the final again, isn't he."
"He ain't missin' nothin'. We're pickin' him up on the way. He's done now, I talked to him twenty minutes ago."
Sarah's whole face lit up, and she did a happy little shimmy in the seat, drumming her cleats against the floor mat. "Yes. Okay. Okay okay okay."
Tommy watched her out of the corner of his eye, that quick flare of joy.
"'Course," he said, poking her shoulder, "I will be tellin' him you are eatin' bacon before a game."
"No, I'm not." She shoved the entire strip into her mouth and chewed at him, slow and enormous and dramatic.
"That's disgustin'."
"And I'm," she said, still finishing the bacon, "telling my dad you're smoking in my presence."
Tommy took one long, luxurious drag, mirroring her theatrics beat for beat, then flicked the cigarette out the window. "No, I'm not." He gave her the same smile she'd given him.
"How are you even gonna play after eating bacon, kiddo?"
"How are you gonna hit on women after bein' all smelly of smoke?"
"Wait, what? I'm not hittin' on any womenâ"
"Oh, come on, Uncle Tommy." She reached over and lifted the dog tag off his chest with two fingers. "You only wear these outside the shirt when you're trying to impress somebody." Her hand went up to his hair next, patting it once. "And this? There's product in this. Please."
He swiped her hand off and tucked the tag inside his collar, ears going warm. "It's called bein' presentable."
Tommy's eyes left the road just long enough to look at her, this scrawny teenager with a foot up on the dash, tying her cleat, reading him like a large-print book.
"I'm tellin' your old man you keep puttin' your foot on my panel."
"I'm telling your brother you keep making a move on Lindsay's mom."
"Ohhh." He nodded slowly, tongue in his cheek. "That so? 'Cause I'm tellin' my brother somebody's been makin' a move on Lindsay herself."
Sarah's mouth fell open. A full three seconds of scandalized silence. Then she raised both hands, palms out. "Okay. Truce. Truce."
"That's what I thought." He settled back fully, insufferable, one wrist on the wheel. "And you best keep it that way, kiddo, 'cause I can also tell him a certain somebody lifted a twenty out of his wallet to fix his own watch and hand it back to him as a birthday present."
"I didn't steal it. I earned it."
"For it to be earned, he's gotta give it to you."
"I earned it," Sarah said, with confidence, "because tomorrow he's gonna forget his own birthday cake. And I will have no cake to eat. You wanna bet?"
Tommy laughed. "No bet. Man forgot his own birthday two years runnin'."
"Last year I had to remind him. On the day." She dropped her voice into the gravel register, doing the impression she'd been perfecting for years: "'Huh. That today, babygirl?'"
"'Well. Don't make a thing of it.'" Tommy matched it, jaw set, eyebrows down, the full Joel.
"'Sarah. The door.'"
"'Tommy. The music.'"
They broke at the same time, Sarah tipped her head back against the seat, gasping.
The laughter slowly settled into the road hum and pop music. Sarah was still looking at him. She reached over and pulled the dog tag out from under his collar again. She turned it over in her fingers, reading the stamped letters.
"Uncle Tommy?"
"Yes, sweetheart?" He kept his eyes on the road.
"Why'd you decide to join the army?"
He glanced at her, shifted his grip on the wheel. âWell⌠after I finished high school, I didnât really know what I wanted to do with my life. Joel was already workinâ. I felt kinda lost, like I needed to do somethinâ that mattered.â He paused, glancing at her again. âI guess I wanted to be useful. I wanted to protect people. Help make the world a little safer, even if it was just one small piece of it. Sounded noble at the time.â
Sarah stared at him for a long moment. "That's so naive."
âWell, somebody's gotta be dumb enough to believe things can get better. Might as well be me."
"Now, thatâs profound.â She smiled, then looked at the road. "And why didn't Dad join?"
"Because the army don't take young guys that behaves like grumpy old men."
Sarah cracked up. He tapped the wheel, letting her giggle run out, and then gave her the real answer. "Nah. He never felt like it. And he had you very young. Single dads don't get to enlist, even if he wanted to." He shrugged one shoulder. "Besides," Tommy added, "between the two of us, I'm the better shooter, the more athletic, and the better-lookin' one. The army simply took the superior Miller. It's basic math."
"Come on! You're literally identical from behind. Lindsay's mom said so."
"She's been lookin'?"
"UGH." Sarah slammed her hand against her face.
They stopped at a red light and Sarah's head turned round toward the shop window on the right, her whole face changing.
"Uncle Tommy!" She grabbed his arm with both hands. "Look. Look at that shirt. Can we come back here after? Please?"
In the window, a pink Nirvana t-shirt, faded graphic.
"You got money?"
She turned to him with the expression. Head tilted exactly forty-five degrees, bottom lip barely out, eyes enormous. The one expression that had been breaking him and Joel both since she was approximately three years old and had figured out it worked.
"I don't," she said sweetly. "But my very generous and extremely handsome uncle does."
Tommy huffed a laugh, glancing back at the traffic light. âNow Iâm extremely handsome, huh?â
Sarah nodded, completely earnest. âYes. The most handsome.â
He raised an eyebrow, unable to resist. âMore handsome than your dad.â
She didnât even hesitate. âWay more handsome than dad.â
Tommy looked back at the shop window, satisfied. "Okay. If you win the game. We come back. I'll buy it."
She made a sound somewhere between a thank you and a victory screech, patting his arm rapidly. "You're the best! You're my favorite uncle."
Tommy looked at her and felt the particular, uncomplicated love that she produced in him without even trying. âIâm your only uncle, Sarah.â
âSee? Favorite and exclusive.â
He watched this kid grow up from a tiny howling red face thing into this sharp, sarcastic hurricane, and she still managed to be the best thing in his life. She owned some piece of him that nobody else had ever had access to, and she didn't even know it, and he was glad she didn't know it because she'd absolutely use it against him.
The light turned green.
And a sharp impact came from the left without warning. Just the sudden enormous crash of glass and metal and the world tilting sideways faster than his brain could process, the world spun and the truck was on its side and something was ringing and ringing and would not stop.
When he opened his eyes, it was night. The rifle was in his hands. He didn't remember picking it up. He didnât remember being in this street. He was behind the overturned truck, and the street was wrong, the street was completely wrong. People running and screaming and something was terrifying with the way some of them were moving, and he turned and fired at the shape coming toward him before he'd could process it.
The shape twisted and dropped. He stared at what he'd done.
And then he knew. The knowledge arrived all at once, fully formed: He knew what this night was. He knew exactly what came next. He ran.
Because every time he dreamed it, he knew what would happen and heâd ran anyway.
He heard the shot. He turned the corner toward the empty field.
The FEDRA officer was still standing. Tommy raised the rifle and fired once, and the man dropped, and he crossed the distance to his brother in three strides, already knowing, his chest already hollowed out.
And then he was there and Joel was on the ground and Sarah was bleeding and breathing hard.
âNo, no, no, no, no, no,â Joel said, moving immediately to his daughter.
âI know, I know, I know it hurts baby. Let me see,â His hands ran to her stomach and found nothing that could be fixed with his hands. âYouâre ok. I know, I know, I know baby, I know,â Joel says urgently, pressing were the blood spilled. âYouâre gonna be ok. Baby? Baby? Listen to me. I gotta get you up. Ok? I gotta get you up. Come on,â
Joel pulled her up as carefully and as quickly as he could.
âCome on. I know, baby. I know, I know, I know,â
She was so small in Joelâs arms.
He could still hear it. Uncle Tommy! Look. Look at that shirt. Can we come back here after? Please? They lost that day. Tommy didnât buy it.
Joel was rocking her, voice breaking. âI know baby girl, I know.â
You're the best! You're my favorite uncle.
âTommy! Help me!â
Silence.
ââŚJoel,â
He'd failed them. He'd been the only one in this family with military training, and he was behind the overturned car with a rifle in his hands while this was happening thirty feet away, and he'd failed them. And no version of this ever ended differently, and he would never stop running toward that field, and he would never stop being too late.
Tommy woke up on the thin mattress on the floor, gasping for air loudly.
"Jesus fucking Christ." Sarah, the other Sarah, was already sitting up across the camp with her rifle in both hands in an automatic reflex. She looked at him. Looked at the empty camp around them. Lowered the rifle a fraction.
"You scared me," she said, not rude but not gentle either. "Again."
She set the rifle across her knees and pushed her hair back with one hand. "Do you ever actually sleep? Or is that just not somethin' you do anymore?"
âI⌠Iâm sorry.â
âItâs fine.â She tried to read his face, tried to understand why this man is being punished by his own mind like this. But she realizes thereâs too much in those eyes to be asked to someone she barely knows, and just turns back to sleep instead.
He was ashamed of himself. He had woken Sarah three times before dawn. The second nightmare had been the pregnant lady dropping after he pulled the trigger.
The first one had been you.
You, with your hand pressed flat to your chest, panting. Except in the dream there was no one else, just you on the ground, looking up at him and saying go away, you made your choice already, while your fingers pressed harder against your sternum like you were holding together a heart he was the sole responsible for breaking.
He'd woken from that one with his hand reaching across the dirt for a person that wasn't there.
He was used to dreaming about the night his niece died. As he was used to dream with all the other horrific things he had to either enforce or endure.
Tonight it had broken the routine. Tonight it had put you in the rotation, slid you in among the dead like you belonged there. And then it had done something it had never done in four years: it had given him the day before with Sarah. Every second of it real, every second of it the last good bye he could never see coming, like his mind had been keeping it pristine all these years specifically so it could hurt him with it now.
He shifted on the thin mattress, pulled the blanket up, and tried to lie still.
The signs. He'd asked God for one. One. And he had two versions of Sarahâs coming uninvited with many messages he could not read. God was either silent and these were painful coincidences, or He was a sadist, and Tommy was starting to suspect the second.
Sarah. Sarah meant Joel. Right?
But this Sarah has a camp to help people. That Sarah asked about his dog tag. This thing, this⌠hope. Meant the fireflies?
Is it worth to continue? Would he ever reach Joel? Would he be too late once more?
âŚWould he ever see you in Boston again?
The guilt crawling back meant the debt with his brother.
But whatever you had to do in a ruined Baltimore seemed more complicated than his mind could figure out and he was scared of what that would really mean.
God. His brain barely woke up and it was twisting and turning inside his head.
He didn't even know if his brother was alive, and lying here he could admit the ugliest thing: he genuinely didn't know if he was going for Joel or just back for you.
But he knew he couldnât allow his mind to go into this rabbit hole. So, he did the only thing that quieted the storm. The one thing a coward man should never do when he's trying to forget a woman whoâs heart he finished breaking.
He thought about your smell, still living in his chest where he'd breathed you so many times and not remotely enough. He thought about the book open in your hands, your neck close enough and the urge to never let his lips away from it. He thought about your kiss and the way you'd smile into the second one. The taste of you. The exact shape you made inside his arms, how you fit there like the space had been measured for you years in advance and now he'd just been carrying it around empty.
He played it again, and again, and again. Not to feel good, because it hurt like pressing on a wound to keep from bleeding out. He played it because the devils couldn't get in while you were there.
Somewhere before dawn, it finally pulled him under.
Â
---
It's still too early when you wake up. Frank is asleep in the sleeping bag beside yours, and your eyes go looking for the familiar shape of broad shoulders and dark long curls you've been waking up to for weeks. They find Marcus short blond hair instead, pacing the perimeter slow and alert, rifle in both hands. He catches you looking and nods a silent good morning. You manage half a smile back.
You get up and cross to him, hugging your jacket closed against the dawn chill.
"Sleep well, boss?"
"Don't call me boss," you giggle. "And yes."
It was a lie.
"You?"
"I always sleep well. Too well, honestly. Frank says I could sleep through the end of the world."
You huff a small laugh. The quiet stretches, comfortable, until it isn't.
"âŚMay I ask you something?" he says.
"Sure."
He tips his chin toward your chest. "What happened yesterday. Is it okay? Should we be⌠concerned?"
For one second you let yourself believe he's asking about you. The human, not the solution. And he might be. Marcus is a good man.
"Don't worry," you say, lighter than you feel. "I'm not ruining the mission. It'll reach Baltimore intact. The doctor gets it exactly as promised."
"Noâ no, that's not what Iâ" Marcus fumbles, and the protest comes exactly one beat too late. "I was asking â"
"It's okay, Marcus." You wave it off before it can become a thing.
Marcus looks at his boots.
"âŚWhat I'm carrying is bigger than me," you finish instead. "That's the only reason any of us are in this mess."
He nods slowly, still not looking up. Somewhere a bird starts singing.
"But,⌠there's this thing with the device," you go on, because facts are easier. "It has a smart battery function. Lifespan control. When the heart rate spikes too high, it corrects just enough to keep it from failing completely. It won't waste charge smoothing out the discomfort. Made perfect sense when they implanted it. How often does a person's heart really redline on mundane life?" You give a dry laugh and gesture at the ruined world in general. "In the apocalypse, in the other way around..."
"And it happens often?"
"Thankfully, no. Yesterday was the fourth time in all these years." You count them off without meaning to. "Outbreak day. The day my uncle died. The day Lincoln betrayed us. And⌠yesterday."
Marcus is quiet for a moment. Then, carefully, the way a man steps onto ice: "I'm sorry, but⌠doesn't that seem like it's being triggered by smaller things now? I mean, no offense, but⌠Lincolnâs deal, Lincoln you saw coming, letâs be honest. Can't compare with outbreak day and your uncle passing away. And then yesterday it was just that smugglerâ"
"Well." You cut him off fast. Heat crawls up your neck, because he's right, and you know he's right.
"âŚI'm sure the doctor will have answers," you say. "For all of it."
Marcus looks at you. You look at Marcus. "Yeah," Marcus says. "Yeah. It'll all be fine."
He pats your shoulder, careful and warm, and it lands like hope and strength and farewell delivered at once. "Thanks for being this brave. Whatever happens there, I hope you know you're ourâ"
"It will all be fine, Marcus." You cut him off before the sentence can finish becoming whatever it was becoming. "I've survived one hundred percent of everything life has thrown at me so far. Iâll survive this one too."
"âŚRight." He huffs. "Right."
Boots in the grass behind you. Frank, scrubbing a hand through his hair, squinting at the light. "You two solvin' the world's problems before breakfast?"
"Something like that."
"Road looks good on the map. If the weather holds and that bridge at the county line is still standing, we're maybe a week out from Baltimore. Week and a half if it's not." He looks at you then. "How you feelin' about that, pumpkin?"
You glance at Marcus. Back at Frank. Two men who cares deeply for you, watching you like a held breath.
"I'm feeling we should move," you say.
And so you do.
You walk most of the day. Itâs afternoon already and you walk between the two men. The formation feels wrong.
You keep glancing back occasionally, even knowing youâll find nothing there. For weeks there was always something back there worth the glance, sometimes scowling, sometimes scanning the tree line, sometimes pretending so hard not to look at you that it was its own way of looking. Always Tommy, holding you in his attention a thousand small ways he thought you never noticed.
Marcus catches your fourth glance and gives you a kind, useless smile.
You spot a small river. The sun is warm and should settle soon, and you feel the pull of it in your skin before you've said a word. Water is the only thing left in the world that takes things off of you. Days, sins, hands, grief.
âFrank,â You nod to the river. "Ten minutes," you ask. "Please."
Frank and Marcus scan it. Sight lines, calm water. Birds behaving. Nothing but a calm afternoon.
"âŚOk. There's a boathouse past the bend," Frank points. "We'll check it quickly for resources to give you privacy. Anything moves, you shout."
"Sure.â
You strip on the flat rock and walk into the river.
The cold grabs you. You duck under, come up gasping, and stand there with the water at your waist while the sun makes the surface look shattered and golden. You wash your arms, your neck, the back of your shoulders, and your own hands are careful and small and completely, uselessly wrong. You canât stop yourself from wishing they felt differently. Rough. Calloused. Warm even in cold water, spread wide across your stomach. You touch the top of your scar and think of a thumb that traced it once like it was something holy instead of something broken.
The last river you stood in, those hands held you under it. And itâs sick and twisted but you'd give anything to have those hands on you again, gentle, silently asking forgiveness.
You allow yourself exactly three tears. They fall off and mix with the river water, and the river takes them like it takes everything from your back. Then you walk out.
You dress fast, skin still damp. Panties, trousers, boots. You're just secured your bra when a hand closes over your mouth.
"Isn't this our lucky day," a voice says against your ear.
Your whole body lurches, and the arm around you was ready for that, tightening you back against him. Your heart slams once, hard, and then begins to climb.
"Easy," the voice says. "Behave and you'll be fine."
Your eyes rake the bank. The bend. The boathouse. Frank. Marcus. Nothing.
A second man steps around into your field of view, unhurried, rifle slung, looking at you the way men evaluate horses. "Well, hell," he says. "They weren't lying. This will be the best batch we'll have had in years." He pulls a radio off his belt, keys it. "Damian, you copy?"
Ten seconds.
"Copy."
"We found the girl. Matches the description head to toe." His eyes travel down and stop, and something in his face does arithmetic. "Damn. She pretty as fuck. Got one flaw on her, though. Big ugly scar, right down the middle." He traces the line of it with his thumb, slow, proprietary, and the disgust and fear run equal parts through you. "Hope that don't knock the price. Some clients get particular about the packaging."
Damian's voice is flat and bored and absolutely in charge. "The men. You have them, Lucas?"
Lucas glances toward the bend, unbothered. "Two with her, armed, off down the bank. Theyâre not who weâre looking for, though. Don't match at all. It ain't the brothers, for sure."
A pause on the radio, long enough to hold a decision about whether Frank and Marcus live or die without ever meeting them.
"Then don't waste the time or ammunition."
âDamian. I think we shouldââ
âLucas. We donât kill men. Anyone is a potential client, sooner or later. Take the batch and head for the office. Quiet.â
"Copy, Damian."
âNo, no, no, no, please no, please!â You say it muffled into the manâs hand.
They turn you away from the river, and your heart is climbing now, the fear and panic consuming you completely.
This canât be happening. No. This canât be. Canât be. Think. Think.
Your fingers find the chain at your throat.
You snap it with one discrete pull and open your hand.
The firefly lands face-up in the grass. Your name. 00001. The first light, left laying behind you.
Because that's what people in love do, you learned it from him. They leave pieces of themselves along the road, bright enough to be found.
Please come for me, Frank.
The plea fires on its own, automatic, the way you'd reach for a railing while falling. Frank loves you. Frank will search until his body give out.
But the trees close around you, and your heartbeat throws itself against the device.
There was exactly one person in this world who would never have let this happen. One person built for men like these.
And you know the difference between the man who would die looking for you⌠and the man who would refuse to die until he found you.
âŚPlease. Please. Find me, Tommy.
---
Tommy woke to the smell of coffee. Sarah was crouched at the fire.
"Well. You finally went down proper," she said. "Last stretch there you didn't move once. I checked twice to make sure you weren't dead."
"Sorry. Again. For theâ"
"It's fine." She said, flat and done.
He sat up, worked the stiffness out of his neck, and his stomach announced itself with a long, loud sound
Sarah laughed. An actual laugh, short and surprised out of her. "Good Lord." She pointed the stick at a milk crate by the supply lean-to. "There's food in the box. Help yourself."
He crossed the space and dug through it, and then his hand stopped on a small cardboard box, dented but sealed, the print faded to pastel.
Cookie Dough Bites.
You have got to be kiddin' me.
He stood there holding it. Of course. Of course it was this. God couldn't even let a man eat breakfast.
"Lucky find, those," Sarah said, watching him. "Whole case in a flipped vending truck last spring. Taste amazing, I'm warnin' you now. Ruined me for regular jerky."
Tommy turned the box once in his hand. Then he slid it into his pack.
"Not eatin'?"
"Later," he said.
She poured coffee into a mug and held it out to him, then filled her own. They sat across the fire from each other and drank quietly.
"So," she said, in the tone of someone who already knows the answer and has decided to ask anyway. "The nightmares. Every night like that?"
He looked into his mug. "Most. Some worse than others." He shrugged one shoulder. "Who ain't got 'em, since outbreak."
"I don't."
He looked up.
"I sleep well."
He didn't mean to do it, but his eyes went the clouded blind eye with the scar run clean through it, the mapwork of marks in her neck disappearing under her collar, the left hand around the mug with its missing finger. The whole weight of what the world had inflicted to her, and his face must have asked the question, because she caught him at it and didn't flinch.
"You're wonderin' how somebody who looks like this sleeps fine," she said.
"âŚSorry. Didn't mean to stare."
She turned her mug slowly, looking into the fire. "I'll tell you what changed it. Somewhere along the way I stopped puttin' my life first. Sounds backwards, I know. But the day my own survival dropped to second on the list, behind bein' of use to somebody, the nights went quiet." She shrugged. "There's nothin' left in this world for me to want, Tommy. Think about it. Things? Everything's free now and none of it's worth carryin'. Experiences? I've had all of 'em I'd wish on anyone. Knowledge, money, land. For what?" She shook her head slowly. "I've been mostly alone four years. And the only thing that still fills the tank, the only thing, is when somebody stumbles into this camp half-dead and walks out whole." She tipped her chin at him. "That's the entire economy I run on. Bein' useful. Everything else is decoration."
The fire popped. Tommy drank so he wouldn't have to answer.
"Only thing I ever grieved," she went on, quieter, "was Baltimore. The idea of it. Whole group of people organized around exactly that: bein' of use, at scale. Takin' whole cities back for regular folks." Her jaw shifted. "I was gonna be part of somethin'. And it burned down before I ever got to touch it."
Tommy sat very still.
"âŚIf you knew they were still workin'," he said. "Still operatin', successful, somewhere else. Would you go?"
She thought about it properly. "Hm. Maybe. I've settled here. Every once in a while I get to be some use where I stand. So⌠maybe. Or not." Her good eye came up to him, narrowing. "Why?"
He was silent.
She leaned over and topped off his mug, unhurried, eyes never leaving his face. "You know something."
"I might." He sipped.
He tipped his head, a small, sideways acknowledgment.
"Say the name, then," she said. "If you know that much."
"You say it first."
"We say it at the same time."
They looked at each other like two card players evaluating the opponent.
"Fireflies?"
The word came out of both of them at once, and Sarah sat back slowly with her mug halfway to her mouth and did not drink.
"Boston QZ," Tommy said. "They're operatin' there. Organized." He watched her face do a thousand calculations in the spam of seconds "Iâm heading there. You could come," he said. "Safer with two."
The sentence hung in the air in front of him, and he looked at it, and something in him asked, quiet and honest: Am I? Am I really going to Boston?
Sarah looked past him, at her camp. He watched her and recognized: hope arriving in a person who had carefully, methodically finished grieving it. It didn't look like joy. It looked like disturbance.
"That's⌠useful to know," she said finally, and her voice had gone somewhere careful. She turned the mug in her hands. "But⌠maybe later. Maybe when winter comes. For now I'm⌠I'm good here." A pause. "I'll think about it. Okay? Thank you. For tellin' me." Another pause, and the corner of her mouth moved. "Maybe we meet there."
"Maybe. Yeah."
They drank in silence. The air had gone thick, he could see her doing it, the thing he'd been doing for weeks since he met you: taking her whole settled life down off the shelf and turning it over.
He reached for something else.
"How'd you manage it, anyway? Alone, four years... I mean, it's hard enough with two. Most people don't last a season solo."
"Experience," she said simply. "I had a head start on the apocalypse. Army, before. Twelve years in."
Tommy went stiff.
No. Not this. Not one more. Goddamit, not one more.
He set his jaw and stared into the fire and something behind his ribs started to hurt in advance, because he already knew that whatever she said next was going to be precisely tailored to him at this point.
"All this damage you're lookin' at," she went on, and gestured roughly at herself . "I want you to understand somethin'. None of it was done to a victim. Every mark on me, I was standin' in front of somebody. Or somethin'." She flexed the four-fingered hand once, looked at it. "And I don't regret one square inch. That's the job. That's what a soldier is. You put your body between trouble and your country, and whatever trouble takes off you on the way through, that was the price and you knew it when you signed."
Tommy puts the mug down because his hand started shaking and had stopped being reliable.
"People look at me and see what the world took," Sarah said. "I look at me and see everything it didn't get. Because it had to come through me first." She drained her coffee.
Tommy was not well. It came up through him like floodwater. She was the road not taken sitting six feet away drinking coffee. She was what he'd told a younger Sarah he was going to be. She was the real hero, and not a coward that convinced himself years ago he could be.
He stood. Adjusted his jacket, got his pack, small mechanical motions, reassembling himself piece by piece in real time.
"I'm sorryâ I'm too far behind already," he said. "I need to find a horse, a car, somethin' with more legs than I got."
She noticed the retreat for what it was, she let him have it.
"Oh. Ok. Horse, good luck. CarâŚ" she considered. "There's a farm supply six, seven miles north, machine shed out back, might be somethin' with a battery worth pullin'. And the state route past that had a National Guard checkpoint. Some vehicles left standin' last I passed, most stripped, but most ain't all. Long odds either way."
"Long odds is my whole portfolio these days."
He gathered his things. She walked him to the edge of the camp, rifle slung, and he stopped and faced her.
"Thank you," he said. "And I'm sorry to run out on you like this, I know this is a hell of a way to repay hospitalityâ, he gestured at all of it, the pit, the mattress, the coffee, the stitches. "I mean, thank you. Profoundly. I owe you one I can't pay."
"You don't owe me nothin'. Told you how my economy works." The scarred face creased, almost warm. "Door's always open here, Tommy. You, anybody with a decent heart. They find me eventually."
He hesitated. He was already turned half away and he came back to it, because it was going to come out of him whether he permitted it or not.
"Thank you for bein' this good to the world, Sarah. Somebody ought to say it to you out loud once in a while. The world got mean," he said. "got mean 'cause people stopped helpin' each other. And you didn't have to, but you chose being good and nobody's watchin', and you do it anyway." His voice had gone rough at the edges.
Sarah looked at him for a long moment. Then she smiled.
"You're no different than me."
His chest detonated quietly. Nothing moved in his face, but somewhere behind the sternum the whole structure went at once.
He smiled at her. Completely, silently disagreeing.
"Take care of yourself, Sarah."
"Avoid the central region goin' north, itâs full of infected." she said.
"And Tommy." He looked back. "Whoever the candy's for. They are welcome too, if needed."
He didn't answer that. There was no answering that. So he just walked.
He walked, and the camp fell away behind him, and the roads and the hours took him deep. And he walked. North, he told himself, north, the farm supply, the checkpoint, to Joel.
Because Sarah proved good people survive hell intact. It was always a possibility to stay good.
The message that was sent to him was clear now, brick by brick. What he did was a choice, not a necessity. Â Which proves you were wrong about him. He's not a good man buried under bad acts, he's a man who chose the acts. Your love is a symptom. Of captivity, fear, of your own desperate thesis needing a proof.
I love you, Tommy Miller.
And I love you too, he heard his own voice saying back.
He felt it crush his chest: the sincere smile in your lips just for him, your hopes fully laid on him. The absurdity of repaying that with violence, with brutality, with bruises and broken fingers and abandoning.
In another life, heâd be the man who stands beside you. In this one, he is not the hero young Tommy thought he could be. This version of himself can only bring disappointment and pain.
The kindest thing I'll ever do is stay a stranger. He thinks.
The best possible thing I can do is acknowledging Iâm no good for her before itâs too late.
And he was never more in love than in this very moment, where he really decided he had to leave.
And he walked, and walked, and walked.
The box of cookie dough bites rode in his pack anyway, untouched, waiting there.
-----
end notes:
Off to survive second day of music festival now. I'm exhausted, I'm too old for this omg. This chapter cost me sleep I'll never get back, so: did it hurt? Tell me it hurt! haha
Please flood me with love for all effort I put to write it in this chaotic week. Now I'm leaving to watch Ethel Cain (again) and The Cure <3
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Among Joelâs cold commands and Tommyâs reluctant violence, you begin to see the fractures.
Boston behind you. Columbus ahead. Tommy Miller between.
Fic Summary: Four years after the outbreak, Joel and Tommy Miller are hardened smugglers in the Boston QZ: mean, violent, and willing to do whatever it takes to survive.
When theyâre paid an obscene amount to smuggle you across the ruined country to Columbus QZ, they didn't ask what secrets you carry to be worth that much. They just expect an easy job. You're supposed to be just cargo. They will soon discover this cargo has teeth⌠and the power to make even the worst men start to crack.
Tags: Tommy Miller x Reader, Dark!Tommy, Raider!Tommy, Explicit Sexual Content, Post-Cordyceps Outbreak (The Last of Us), Stockholm Syndrome, Dark Romance, Tommy is mean but not too much, Tommy Miller Fanfic, Enemies to Lovers, Tommy was corrupted by Joel, Vaginal Sex, Fireflies (The Last of Us), Slow Burn, Canon-Typical Violence
wc: 5k
For most of the days, you stayed quiet. It wasnât acceptance or collaboration at all. You knew better than poking them. It was simply calculation. You had already tested them enough in those first days. After picking a few other minor fights â enough to get shoved, yelled at, and threatened. Enough to map the territory you were stepping in.
If there were something you were really good at, was in observing the surroundings and using your findings in your favor. You always had been good at it: While other people panicked or begged, you watched, you listened. You look for the unspoken things. You waited for the cracks.
And there were cracks.
At first you thought Joel was the cold strategist and Tommy was the explosive hothead. But the longer you observed in silence, the more you realized you were wrong. Joel was ice â calculated, efficient, merciless. Tommy⌠Tommy had layers. Layers he was desperately trying to bury under sarcasm and violence. Layers that twitched every time Joel gave him an order. That could be useful.
So you decided to give them a little peace and remain in silence.
For now.
At night they found a decent spots â deep enough into the woods to stay hidden from people, but still exposed to whatever might crawl out of the dark. The weather was unpredictable this time of year, but tonight the air was just warm enough to sleep under the open sky without freezing. Not completely warm and comfortable, but yet.
You lay on your thin mat, wrists still cuffed, pretending to sleep.
They took turns to sleep. Joel barely moved once he was down. When it was Tommy turn, on the other hand, he couldnât stay still for thirty minutes. He tossed, turned, muttered. And when he finally did fall into real sleep, nightmares came. Violent ones. Heâd jerk awake sweating, breathing hard, eyes wide.
You watched it all through half-closed lids and pretended you didnât notice all times it happened.
The following morning, the brothers sat near the small fire Joel had made. He brewed coffee and for one brief second you swore you saw something almost human flicker across Joelâs face when he took the first sip.
You decided to test the waters again.
âHey,â you said, voice deceptively sweet. âThat smells good. Can I have a sip?â
Tommy, without thinking, started to stretch his cup toward you.
Joel immediately kicked Tommyâs boot.
âNo,â Joel said flatly. âCoffeeâs scarce. We donât waste it on cargo.â
âItâs my fucking coffee, Joel,â Tommy muttered. âSheâs actually been quiet for once. Might as well give her that much.â
Joel doesnât like it, give you both a look but proceed to focus on his own coffee.
âThank you, Thomasâ You say, and the corner of your mouth betrays you, showing the fun you are about to have by teasing him.
Tommy tilts his mouth and takes a deep breath, ready to ignore your provocation.
But Joel? Manâs eyes flare immediately. Not at you. At Tommy. His eyes slid slowly from his cup to his brother. His voice dropped, calm and low, but heavy with menace.
âYou give her some manners, Tommy. You donât let her treat you like that. You understand me?â
The words were quiet, but they carried the weight of absolute law. The tone that made it clear Joel expected to be obeyed without question.
Tommyâs jaw tightened. A flash of embarrassment crossed his face â being scolded like a kid in front of you clearly pissed him off â but he didnât argue back.
Instead, he stood up sharply and slapped the cup away from your hand. The hot coffee spilled across the grass.
âOh, come on!â you snapped. âThat was completely unnecessary.â
Tommy stepped right into your space, towering over you. You instinctively raised your cuffed hands, bracing for a hit, but he didnât strike. He simply pressed two fingers hard against your sternum, pushing you back a step.
âYou sure you wanna keep being a brat?â he growled, voice low and dangerous. âBecause Iâve got no problem teaching you exactly what happens when you push me too far. Next time I wonât just spill your coffee. Iâll make sure you remember why you should keep that pretty mouth shut.â
Because you could read him like an open book, you saw it up close.
Those eyes that shouldâve been warm and full of life were empty now. Not like Joelâs â Joelâs were dead in a way that felt final, like something inside him had been buried years ago and was never coming back. But Tommyâs⌠Tommyâs were different. They still had a faint spark somewhere deep down, trapped and screaming.
You realize now: This man was just as much a hostage as you were. The only difference was that he still believed he was here by choice.
You leaned in closer, close enough that your breath brushed against his lips, voice dropping to a taunting whisper.
âNext time, next timeâŚâ you murmured, slow and deliberate. âYouâre just⌠all bark. Show me, Thomas. Show me how bad you really are.â
Tommyâs nostrils flared. His breathing grew heavier, jaw clenched tight, but he didnât snap.
Instead, a slow, dangerous smirk tugged at the corner of his mouth.
âOh yeah?â he drawled, thick Texas accent dripping with sarcasm. âThatâs what you want, sugar? Alright then⌠hold on.â
He turned away from you and walked over to the packs. Without a word, he grabbed his own heavy backpack and started stuffing a few more cans of food into it from Joelâs bag, making it even bulkier and heavier than before. Then he fished the cuff keys out of his pocket.
With a quick click, he unlocked one of your wrists, only to immediately swing his overloaded backpack onto your shoulders and snap the cuff back into place.
It took you a couple of seconds to register what heâd just done.
The weight hit you like a sack of bricks. His pack was easily three times heavier than your own.
Tommy casually picked up your much lighter pack and slung it over his own shoulder, adjusting the straps with a satisfied grin.
âGood luck carryinâ that all day long, smart ass,â he said, voice low and mocking, that Texas drawl making the words sound almost playful â if they werenât so cruel. âHope you still feel like runninâ your mouth when your backâs screaminâ by noon.â
---
The three of you continued your journey walking.
The morning dragged into a long, tense afternoon.
Tommyâs backpack was a monster. The straps dug brutally into your shoulders, felling as it was cutting into the skin even through your clothes. Your back burned with a deep, constant ache that radiated down your spine and into your hips. The weight made your knees feel weak after only a couple of hours. Your legs trembled with every uneven patch of ground, and sweat was already soaking through your shirt despite the cool air.
You were exhausted. The cuffs around your wrists made it worse; you couldnât adjust the straps or stretch. All you could do was grit your teeth and keep putting one foot in front of the other.
A few infected crossed their path â nothing major, just a couple of runners that had wandered too close. Joel and Tommy took them down quickly, but you could feel the stress rolling off both men. Joel moved with cold efficiency, while Tommy was a little too aggressive, swinging his knife harder than necessary.
âBehind you, Tommy,â Joel barked, voice low and commanding. âDonât fuckinâ hesitate next time.â
Tommy wiped the blood from his blade on his pant leg and muttered, âI ainât hesitatinâ, Joel. I got it.â
You watched everything in silence.
You watched how Joel constantly bossed his younger brother around â short, sharp orders that left no room for discussion. You watched their routines: how they scanned the horizon every few minutes, how everytime Tommy needed to speak with Joel he would position himself on his left side and never on the right side, how Tommy would glance at Joel before making any decision, almost like he needed permission to breathe.
You noticed how Tommy pretended to be extra rough with you whenever Joel was watching. Heâd shove your shoulder a little harder, snap at you with a meaner tone, trying to prove he was just as hard as his older brother.
You also started collecting things: Whenever they stopped for even a minute â to check the map, to piss, to argue about the route â you found ways to delay them. You âtrippedâ over roots, complained about your cuffs being too tight, the weight of the backpack, asked for water more often than necessary. And while they were distracted, you quietly gathered a handful of poisoning herbs you recognized from the undergrowth. Pale leaves with a faint bitter smell. You stuffed them deep into your pockets without either brother noticing.
At one point, when Tommy knelt to clean his gun during a short break, you saw the way his hands moved â slow, almost ritualistic. He only did that when he was ashamed or trying to calm himself down. You filed that away too.
You noticed other tells: Tommy said âainâtâ a lot more when he was nervous. Joel kept checking his watch every time the tension rose, like he needed to look at his broken watch just to ground himself for a while.
Little they knew you started your own quiet plan since you left Lincolnâs building.
You had kept a small piece of bright blue paper hidden in your pocket for days. It was part of an old strategy you used with your crew long before any of this. Hansel and Gretel style, but smarter.
While walking, you began tearing tiny pieces and dropping them discreetly behind you since the first day. The fragments were small enough to go unnoticed by anyone who wasnât actively looking for them, but the blue color caught the light just enough to sparkle if someone knew what to search for. A trail. A lifeline. A message for the ones coming after you shortly.
You made sure to drop them only when both brothers were focused ahead or arguing with each other.
Joel suddenly stopped and turned, eyes narrowing at you.
âPick up the pace, girl,â Joel growled. âYouâre dragginâ your feet on purpose.â
Tommy glanced back at you, trying to look tough. âYeah. Quit slowinâ us down, little spitfire. Ainât got all day.â
You didnât stay quiet this time.
âThis fucking backpack is whatâs slowing me down, Thomas,â you snapped, voice tight with pain and anger. âIt weighs a goddamn ton. Youâre not punishing me â youâre just making yourself slower, you idiot.â
Tommy let out a low, sarcastic chuckle but didnât reply.
A few minutes later they briefly stopped again. Joel muttered something about checking the trail ahead and moved off by himself, disappearing into the thicker trees.
The second he was out of sight, the crushing pressure on your shoulders suddenly eased.
You looked up, startled.
Tommy had stepped beside you and was holding the bottom of his heavy backpack with one hand, lifting it just enough to take most of the weight off your body. The relief was immediate and almost dizzying. Your burning shoulders and aching back finally got a moment of mercy.
For a few long seconds, the two of you just stared at each other in complete silence.
His warm eyes â the ones that still had something alive trapped inside â locked onto yours. No smirk this time. No sarcastic remark. Just quiet, heavy eye contact that felt far too intimate for two people who were supposed to be enemies. You could see the conflict flickering there, the same way youâd seen every time he was this close.
You didnât thank him, but you didnât look away either.
Then the sound of Joelâs boots crunching through leaves came closer.
Tommy dropped the pack instantly, letting the full brutal weight slam back onto your shoulders. The sudden shift made your knees buckle for a second.
Joel emerged from the trees, none the wiser.
âPath is free ahead,â he said flatly, barely sparing you a glance. âLetâs move.â
You straightened up slowly, breathing through the fresh wave of pain, another tiny blue paper slipping from your fingers onto the ground behind you.
At some point you reached what used to be a small city center. Most of the buildings were gutted or collapsed, but one store still had part of its glass front intact â an old music shop. A faded pink band t-shirt hung crookedly in the broken display, the logo still visible: Nirvana.
Tommy slowed down without thinking. His voice came out quiet, almost soft.
âShe wouldâve loved thatâŚâ
Joel stopped dead in his tracks. His whole body went rigid. âShut the fuck up, Tommy,â he snarled, low and dangerous. The words cut through the air like a blade.
The silence that followed was suffocating.
Tommy tried to lighten the mood, forcing a casual tone. âHey⌠weâve been walkinâ for hours. Why donât we step inside real quick? See if thereâs any guitars left. Feels like I ainât played in forever. Could rest our feet, clear our heads a little. Some music, you know?â
Joelâs eyes narrowed, still pissed. His Texas drawl came out clipped and mean.
âSure. What store you wanna stop at next, Tommy? Lego? Wanna find a toy store so you can play with little cars too?â
The air grew even heavier. Nobody spoke. They started walking again in their usual formation: Joel in front, you in the middle, Tommy trailing behind. But something had shifted. Joel must have realized heâd gone too far, because after a few minutes he slowed his pace and started some small conversation, until Tommy was walking on his left side again.
Joel cleared his throat, voice gruffer than usual.
âListen to some music would be nice indeed,â Joel admitted gruffly, his voice still carrying that edge. âBeen cravinâ some Guy Clark lately. Old No. 1. That album always hit different.â
Tommyâs face brightened immediately, clearly relieved that his brother was willing to keep talking. He jumped into the conversation with genuine enthusiasm, his Texas drawl warming up.
âYeah, man. That whole record is solid. âLA Freewayâ still gets me every time.â He paused for a second, then added with a small, almost nostalgic smile, âThough Iâd die happy if I could just hear some Johnny Cash right now. âFolsom prison bluesâ or âring of Fireâ⌠anything, really.â
The two brothers kept talking quietly as they walked, the conversation flowing easier than it had in days. Tommy looked almost relaxed for once.
You walked behind them in silence, mind racing.
Is Joel deaf in his right ear? Joel tilted his head slightly whenever Tommy spoke from the right. And who was this girl Tommy mentioned and apparently misses, the one Joel couldnât even stand hearing about? And⌠why did Tommy accept this mean, unpleasant version of his own brother so easily? He let Joel talk down to him, snap at him, treat him like a child â and he took it without fighting back, almost like it was his duty. Like he owed it to Joel to swallow every bit of rudeness.
A few hours passed and the weight had become unbearable.
Your shoulders felt like they were on fire. Joel was way ahead, scouting the path, while Tommy had deliberately slowed his pace so he was walking right behind you.
âThomasâŚâ you rasped, voice strained. âI canât anymore. Please⌠can we switch back our backpacks?â
Tommy didnât even look at you at first.
âI donât know who youâre talkinâ to.â
âPlease, Thomas,â you said again, deliberately irritating him. You werenât moving another inch. Not yet. This provocation had a purpose.
Tommy let out a slow breath, jaw tight. He stepped closer, towering over you.
âI could help you,â he drawled, voice low and mean, âif you werenât such a fuckinâ brat. Ask nicely. Ask correctly, and maybe Iâll consider it.â
You swallowed your pride, but only halfway.
âPlease,â you said through gritted teeth. âPlease.â
âPlease what?â
You couldnât help yourself. The corner of your mouth twitched.
âPlease⌠Thomas.â
Tommy cursed under his breath, a sharp âGoddamn itâ slipping out in his thick Texas accent. He glanced quickly ahead to make sure Joel was still far enough away and not looking back. Then, with a frustrated sigh, he moved fast.
He opened it, and started transferring the cans and heavier items into his own pack. The relief was instant and overwhelming.
You exhaled shakily. âThank you, Tommy.â
He froze for half a second at the sound of his real name, then shot you a warning look, eyes narrowed.
âDonât push it,â
Later that day, you left the ruined city behind and moved back into the woods. A small river stood beside the cabin. The sky was still clear, but darkness would creep in fast. The brothers found a small, simple cabin tucked between the trees â perfect for the night.
But someone was already inside. Joel motioned for silence and crept up to the window. He peeked in, then pulled back.
âRaiders,â he said quietly.
Tommy leaned in to look too and saw two young men inside. âHow do you know theyâre raiders?â
âI just know,â Joel replied flatly. âWeâre goinâ in. Quick and clean. Get âem out.â
Tommy nodded without argument. You stayed silent, watching everything from behind them.
Joel kicked the door open with brutal force, gun already raised. You watched from the outside as the two men inside spun around â they were much younger than the brothers. They werenât stupid; their guns were already up and pointed straight at Joel and Tommy.
âGet the fuck out,â Joel growled.
âWe ainât movinâ,â one of them answered, voice shaking but defiant.
That was your moment. You screamed from behind them, voice loud and desperate:
âThey kidnapped me! Help me! Please, help me!â
You raised your cuffed hands high, shaking them so the metal caught their attention.
The distraction made both young men turn their heads toward you. In that split second, guns went off from both sides. Joel took a light graze to his arm and hissed in pain. Tommy moved fast â two clean shots, one to each manâs leg. They screamed and dropped to their knees. Joel lunged forward and ripped the guns from their hands before they could recover.
The situation was back under control. And all you did was help Joel and Tommy instead of being able to help yourself.
Both brothers turned to look at you at the same time. Their eyes were sharp, cold, and full of promise.
Youâre gonna pay for that.
They quickly searched the two menâs packs and found a surprising amount of supplies â food, ammo, even some decent medical gear. Joel crouched in front of the wounded men, voice low and dangerous.
âWhereâd you get all this?â
The young men stayed silent, breathing hard through the pain.
Joel gave Tommy a subtle nod â the kind of silent agreement theyâd clearly used many times before. Tommy shifted uncomfortably. âCome on, Joel⌠theyâre barely in their twenty fiveâs. It ainât necessary.â
Joel ignored him completely.
He started his usual method: pressing the barrel of his gun against one manâs forehead and demanding he point on the map where they came from and where the rest of their group was. Then heâd ask the second man the same questions to check if the stories matched. Both insisted it was just the two of them.
Tommy tried once more to stop it, but when Joel didnât back down, he helped restrain the second man.
The man whimpered but still refused to talk.
Tommyâs face hardened. He clearly hated this, but he wasnât going to let Joel do it alone. He leaned in close to the second one, voice low and mean, that Texas drawl turning ugly. âYou hear my brother? Start talkinâ. Whereâs the rest of your crew?â
When the man only sobbed and shook his head, Tommyâs patience snapped. He drove his knee hard into the fresh bullet wound on the kidâs thigh. The scream that tore out of the young man was raw and gut-wrenching.
âAnswer him!â Tommy snarled, pressing harder. âYou think weâre playinâ? Iâll make this hurt a lot worse than a bullet if you keep lyinâ.â
âStop that!â you yell, horrified.
He twisted his knee, grinding it into the wound while keeping the boy pinned. Blood soaked through the manâs pants and onto Tommyâs jeans. The young man was crying now, babbling that it was only the two of them, that theyâd found the supplies abandoned, that they didnât have a group.
Joel proceed torturing the first one for answers, but when nothing useful came out and it became clear the two young men really had no valuable information, Joel made his decision.
You watched in horror as he raised his gun.
âStop!â you screamed. âPlease, stop!â
Joel didnât even look at you. Two shots rang out. Clean. Final.
You stood frozen, staring at the bodies.
Joel and Tommy each grabbed one corpse by the arms and dragged them out of the cabin, deep into the woods where they wouldnât be easily found.
When they came back, you were still standing in the same spot, pale and shaking.
âYouâre monsters,â you whispered, voice cracking.
Joel wiped the blood from his hands on his pants and looked at you with cold indifference.
âThose two âangelsâ you were so worried about?â he said flatly. âThey already had blood on their clothes. We found an old manâs body right where we left theirs⌠freshly killed, throat slit. They probably did it just a few hours before we got here.â
He paused, then added with brutal finality:
âSo next time you wanna scream for help⌠make sure you know who youâre screaminâ for.â
Tommy stayed quiet, avoiding your eyes.
You all stepped inside the cabin. The air still smelled faintly of blood, but at least it had four walls and a roof. It was small and too simple. A worn plaid sofa sat against one wall, its cushions faded and torn in a couple of places. In the corner stood a single bed with a dusty quilt thrown over it. A small wooden table and two mismatched chairs occupied the center of the room.
Against the wall leaned miraculously: an old acoustic guitar. The shelf had an old Bible, and what looked like a fishing guide. It would do for the night.
You were exhausted, filthy, and every muscle in your body ached from carrying that monstrous backpack all day.
You swallowed your pride and spoke up.
âI need to bathe⌠can I? In the river?â you said, voice rough. âThereâs no shower here. Iâm disgusting, I stink, and Iâm in actual pain from walking with that weight all day. Iâve been cooperating so far. If you let me wash, Iâll keep cooperating.â
âYour screaming earlier wasnât cooperation,â Joel said coldly.
You shot back immediately. âAs far as I could tell, that screaming actually helped you.â
Joelâs eyes finally lifted to you, flat and unimpressed. âYour intentions werenât to help us. So no.â
Before you could argue further, Tommy surprised you.
âYou can do it.â
Both you and Joel turned to look at him.
Tommy was staring straight at his brother, jaw set, a rare spark of defiance in his eyes.
Joel twisted his mouth, giving Tommy a long, hard look that carried a clear warning. The silence stretched uncomfortably, but Joel didnât argue. He just gave a small, irritated nod.
Tommy stepped forward and unlocked your cuffs.
The second the metal came off, you let out a soft, involuntary moan of relief, rolling your shoulders and stretching your aching arms. You dropped the heavy backpack right beside theirs with a heavy thud.
While the brothers turned their attention to sorting through the supplies the two dead men had left behind, you moved quickly. You pretended to look for something useful, and quietly fumbled inside Tommyâs pack.
Your fingers brushed against something smooth â a small photograph.
You pulled it out just enough to see: a girl, maybe thirteen or fourteen, standing between a much younger Joel and Tommy on a soccer field. All three of them were smiling, back when the world still made sense. That had to be her. The girl Tommy mentioned. The one Joel couldnât bear to hear about.
You slipped the photo back, grabbed a few other stuff, and spotted a towel hanging nearby. You shoved everything inside the towel and stood up quickly, holding it against your chest.
âIâm ready,â you announced. âCan I go now?â
âYouâre not goinâ alone,â Joel said flatly.
You scoffed. âWhat, youâre gonna sneak around and watch me shower? Are you that sick?â
Tommy rolled his eyes and gave you a firm push toward the door.
âNo whininâ. Be quick.â
He steered you outside. Joel followed close behind, silent and watchful, as the three of you made your way down to the river.
âWeâll turn around,â Tommy said, voice rough. âYou put your clothes right here by my feet. You behave. If you try to runâŚâ
âOh, yes,â you interrupted with heavy sarcasm, âbecause I would definitely run away completely naked.â
Tommy huffed, clearly irritated, but turned his back to you. Joel did the same, stepping a few paces away to check the tree line and give you some privacy.
You quickly stripped, the cool evening air raising goosebumps across your skin. You folded your dirty clothes and placed them neatly by Tommyâs feet, then picked up the towel and walked toward the riverâs edge.
The water looked black and unforgiving under the fading light. You dipped a toe in and hissed â it was ice-cold. You hated the cold. Your body was far too sensitive to it. You stood there for a long moment, testing the water with your legs, hesitating, shivering as you tried to gather the courage to go deeper.
Behind you, Joel muttered to Tommy, âKeep an eye on her. Iâm gonna check the perimeter.â
You heard Joelâs footsteps move away.
Tommy, assuming you were already in the water, turned around to watch you.
He froze.
For a few devastating seconds, his eyes dragged over your completely bare body â the curve of your waist, the swell of your breasts, the soft lines of your hips. You werenât expecting it. You gasped, instinctively covering yourself with your arms.
âLook away, you fucker!â you screamed, voice sharp and embarrassed.
Tommy snapped his head to the side immediately, cheeks burning. âShitâ sorry,â he muttered, voice low and rough.
You finally forced yourself into the river, sucking in a sharp breath as the freezing water swallowed you up to your chest. The cold was brutal, but at least it hid you now.
Those few seconds had undone something in Tommy.
Of course heâd enjoyed the view â he was only a man, and it had been months since heâd been close to a woman, let alone seen one naked. And you were beautiful. Hot in a way that made his blood run hotter even now. But it wasnât just lust that hit him.
It was the scar.
A long, pale line running down the center of your sternum â clearly from heart surgery too many years ago. In that brief, unguarded moment, he saw you completely: small, shivering, vulnerable⌠painfully human.
It crashed into him like a freight train.
He had spent so long surviving â killing, stealing, following Joelâs lead â that he was starting to forget what humanity even looked like. People had become threats, cargo, or obstacles. But you⌠standing there naked and shivering with that old scar on your chest⌠you looked like a real person. Someone who had once been a little girl who needed heart surgery. Someone who laughed and cried and felt pain way before the world ended.
Tommy swallowed hard, eyes fixed on the trees, heart pounding for reasons that had nothing to do with danger and everything to do with the dangerous crack forming in the armor heâd built around himself.
He canât allow the armor to crack. Not when itâs the only thing preventing him from breaking into pieces.
Tommy stood with his back to the river for what felt like five or ten minutes, staring into the dark woods. His mind kept spinning â all the shit they were doing, all the lines they kept crossing. How the hell had this kind of life become normal?
Then Joel comes back, and his voice cut through the quiet, urgent.
âWhere is she?â
Tommy spun around. The riverbank was empty.
A few meters away, deeper into the trees, you were running.
You had bathed in under thirty seconds â a frantic, freezing scrub â then dried yourself as fast as you could and pulled on the spare clothes youâd stolen from Tommyâs backpack. They were big on you, soft from wear, and they smelled unmistakably like him. Something warmer that belonged to the man he used to be. The scent hit you harder than you expected. For one stupid second, it almost made you hesitate.
But you ran anyway. Barefoot. That was the mistake.
You didnât get far.
You heard them coming âtheir heavy boots crashing through the undergrowth. Tommy was sprinting, Joel right behind him. Your feet were cut and bleeding from the sharp branches and rocks, slowing you down with every step.
Tommy caught you first.
His hand fisted in the back of your hair, yanking you to a painful stop. You screamed in fury as he dragged you backward.
âYou little bitch!â
âYou canât expect me to just accept this!â you shouted, voice raw with rage. âYou canât expect me to not try to survive! How the fuck am I supposed to just let you drag me across the country to my death and do nothing? You just killed two men back there, for Godâs sake! How do you expect me not to run?!â
Tommy didnât answer. He just kept dragging you by the hair, forcing you to stumble back toward the river. His grip was brutal.
When they reached the riverbank again, Joel turned on his brother, voice low and furious.
âThis is what you get, Tommy. You keep showinâ her mercy instead of treatinâ her like what she is â cargo. This stops now. You put an end to this shit right fuckinâ now and show her whoâs in charge⌠or I will.â
Tommyâs face was twisted with rage â at you for making him look weak, at Joel for being right again, and at himself for letting it happen. But he knew if Joel took over the punishment, it would be much worse.
You saw it in Tommyâs eyes: pure anger, but also hesitation. Disgust at what he was about to do.
Thatâs it, you thought. The worse he does, the more guilt heâll carry. The more regret later. You need to push him to the bottom before he finally breaks, so you can bring him to your side.
You smiled â slow, devilish, and taunting. âCome on, Thomas,â you purred. âYou do whatever he asks, huh? Come on⌠hurt me. Do your worst. Youâre just like him, anyway.â
Something inside Tommy snapped.
He dropped to one knee, yanking you down with him by the hair.
âYou fuckinâ bitch,â he growled, voice shaking with fury. âThe audacity on youâŚâ
He shoved your head forward and forced it under the freezing water.
You struggled violently, hands clawing at his wrist, legs kicking wildly as the cold water burned your nostrils. He held you there for long, terrifying seconds before finally yanking you back up.
You gasped desperately for air, coughing and sputtering.
Tommyâs breathing was ragged. His hand was still fisted tight in your wet hair, and you could feel how much he hated this â but he didnât stop.
âShower, huh?â he snarled. âThat what you wanted?â
He shoved your head back under the water, holding you down longer this time. Your body thrashed harder, panic rising as your lungs screamed for oxygen. Just when black spots started dancing in your vision, he pulled you up again.
You coughed violently, water pouring from your mouth and nose. You see his eyes â and he hates it. You hate it too. You hate what he is doing.
But you cannot hate him.
âAre you done, Thomas?â you choked out, voice hoarse but still defiant.
His eyes darkened.
He slammed your head back under the water once more.
---
A few hours later, deep in the night, you woke up in the bed.
As if they had a shred of heavy conscience after what happened at the river, they had let you sleep in the actual bed â warm, fed, but still cuffed. The small luxury felt almost mocking after the violence of the evening.
Your back ached terribly from the heavy pack and long walk. The handcuffs made it impossible to stretch properly, and no matter how you turned, the metal dug into your wrists. You needed them off if you wanted any real rest.
Joel was passed out on the sofa, breathing deep and heavy â exhausted from the day. He wouldnât wake easily.
You moved silently, careful not to make a sound. You slipped out of the cabin door and stepped onto the small wooden porch.
There, soaked in faint moonlight, sat Tommy.
He hadnât heard you. He was playing the old guitar, fingers moving gently over the strings. His voice was low, warm, and surprisingly beautiful as he sang â nothing like the violent man who had shoved your head underwater earlier that evening.
He finished one song you didnât recognize, then quietly started another. This one you knew⌠Johnny Cash.
I hurt myself today⌠To see if I still feel⌠I focus on the pain⌠The only thing thatâs realâŚ
Tommyâs voice was raw, worn, and intimate. There was a slight rasp in it, either from years of smoke, shouting, or not speaking his feelings out enough.
You leaned against the doorframe, staying perfectly still, just listening, admiring something beautiful at once for the last past days.
What have I become⌠My sweetest friend�
Tommyâs voice cracked slightly on the last line.
He shakes his head and tries the same part again.
What have I becomeâŚ
He stopped playing.
For a moment there was only the sound of crickets and the distant wind through the trees. Then a single tear slipped down his cheek. Another followed from the other eye. He didnât wipe them away. He just sat there, broken and silent, shoulders slightly hunched over the guitar.
You watched him.
This man â this cruel, broken man â was just as much a victim as you were. Maybe even more.
And in that quiet, stolen moment, something inside you clicked into place.
You decided.
This man was going to be yours.
You were going to bring him to your side.
He was everything you had always looked for: Proof that a lost man could still be saved and his anger turned into something beautiful and useful.
His pain, his guilt, his nightmares â they werenât weaknesses. It was his strength. Regret and pain would become the biggest purpose.
This handsome, mean, violent man was lost in the darkness.
And you⌠you happen to be just the perfect person to bring him to the light.
----
Let me know if you wish to be added to the taglist!
and also, I would love to read your comments if you like it! <3
taglist:
I love seeing a sort of bonding starting to form between them, despite Tommyâs need to prove to his brother that he doesnât care, that he can be brutal just like Joel is⌠thereâs a heart beating underneath, a bleeding heart - just like Joel, really, he can be cruel as much as he wants but I can see through his armor just like reader sees through the one that Tommy built for himself âĽď¸
This story is so good, so well written and sheâs probably one my favorite readers ever!
Some of my favorite parts under the cut:
If there were something you were really good at, was in observing the surroundings and using your findings in your favor. You always had been good at it: While other people panicked or begged, you watched, you listened. You look for the unspoken things. You waited for the cracks.
Competency kink!!!
âYou sure you wanna keep being a brat?â he growled, voice low and dangerous. âBecause Iâve got no problem teaching you exactly what happens when you push me too far. Next time I wonât just spill your coffee. Iâll make sure you remember why you should keep that pretty mouth shut.â
Uhm, yeah đ
His warm eyes â the ones that still had something alive trapped inside â locked onto yours. No smirk this time. No sarcastic remark. Just quiet, heavy eye contact that felt far too intimate for two people who were supposed to be enemies. You could see the conflict flickering there, the same way youâd seen every time he was this close.
OMG the tension, the want already lingering between them⌠Iâm having goosebumps đŤ đŤ đŤ
âShe wouldâve loved thatâŚâ
đđđ
âSure. What store you wanna stop at next, Tommy? Lego? Wanna find a toy store so you can play with little cars too?â
Iâm sorry, I love this man with all my heart but heâs such an asshole sometimes đ
âPlease⌠Thomas.â
Iâm dying đđđđ
A long, pale line running down the center of your sternum â clearly from heart surgery too many years ago. In that brief, unguarded moment, he saw you completely: small, shivering, vulnerable⌠painfully human.
Omg what happened to her đ¨
He canât allow the armor to crack. Not when itâs the only thing preventing him from breaking into pieces.
Heâs so hurt, poor guy đ˘
But you cannot hate him.
đĽş
I hurt myself today⌠To see if I still feel⌠I focus on the pain⌠The only thing thatâs realâŚ
Oh I love this song so much âĽď¸ and I've always preferred Johnny Cash's version to the NIN original!
Such a great work, Iâm so excited to read the next chapter đđťâĽď¸
@time-for-my-weekly-spanking thank you so much for the repost and the words, my dear! it's so rewarding to receive this love <3 really keeps me motivated to continue.
Oh and I CAN'T WAIT for you to reach part of the basement and the things they will do there hahaha
Chapter Summary: Tommy asked for a sign. He is searching for a reason, an excuse, anything that reminds him he can be the good man you fell in love with.
Just to conclude that this man never existed.
But people in love leave pieces of themselves along the road. And if it's bright enough, it can still be found.
Fic Summary: Four years after the outbreak, Joel and Tommy Miller are hardened smugglers in the Boston QZ: mean, violent, and willing to do whatever it takes to survive. When theyâre paid an obscene amount to smuggle you across the ruined country to Columbus QZ, they didn't ask what secrets you carry to be worth that much. They just expect an easy job. You're supposed to be just cargo. They will soon discover this cargo has teeth⌠and the power to make even the worst men start to crack.
Tags: Tommy Miller x Reader, Dark!Tommy, Raider!Tommy, Explicit Sexual Content, Post-Cordyceps Outbreak (The Last of Us), Stockholm Syndrome, Dark Romance, Tommy is mean but not too much, Tommy Miller Fanfic, Enemies to Lovers, Tommy was corrupted by Joel, Vaginal Sex, Fireflies (The Last of Us), Slow Burn
wc: 6k
Author notes:
I knew I wouldn't have enough time this week to write everything I'd planned, so I made a decision: shorter chapter, stretched suspense. And honestly? It worked better than the original plan. This is one of the most heart-wrenching things I've ever written. And so special, because yesterday I was at a Twenty One Pilots concert, crying and singing Drag Path at the top of my lungs. And here we have two lovers leaving trails to find each other. omg.
----
It was just another warm Saturday in Austin. Tommy honked again and dropped his elbow out the car window, with a cigarette hanging off his lip. The radio was playing some country song he half knew and couldn't name, and he turned it up anyway, drumming the wheel.
The front door banged open and Sarah came down the walk like a hurricane, with her cleats untied, jersey half-tucked, sports bag on one shoulder, water bottle under her arm, a tube of lip gloss in one hand and a strip of bacon in the other.
She hauled the truck door open and dumped herself into the passenger seat, all elbows.
"Jesus Christ, kiddo. We robbin' a bank on the way?"
"We're late, Uncle Tommy."
"We're fifteen minutes early by my count."
"Your count's been broken since the nineties." She took a bite of the bacon. "Drive."
Tommy shook his head, grinning around the cigarette, and eased the truck off the curb.
Sarah eased her bag down between her feet, and the country song cut out mid-chorus for a news break: something about an outbreak overseas, officials monitoring the situation.
"This again." She reached over and punched the dial to a pop station without asking, and some song made entirely of sugar filled the cab.
"Your daddy doesn't like you ridin' up front."
"My dad doesn't like a bunch of things." She said it breezy, then her face dropped an inch. "He's gonna miss the final again, isn't he."
"He ain't missin' nothin'. We're pickin' him up on the way. He's done now, I talked to him twenty minutes ago."
Sarah's whole face lit up, and she did a happy little shimmy in the seat, drumming her cleats against the floor mat. "Yes. Okay. Okay okay okay."
Tommy watched her out of the corner of his eye, that quick flare of joy.
"'Course," he said, poking her shoulder, "I will be tellin' him you are eatin' bacon before a game."
"No, I'm not." She shoved the entire strip into her mouth and chewed at him, slow and enormous and dramatic.
"That's disgustin'."
"And I'm," she said, still finishing the bacon, "telling my dad you're smoking in my presence."
Tommy took one long, luxurious drag, mirroring her theatrics beat for beat, then flicked the cigarette out the window. "No, I'm not." He gave her the same smile she'd given him.
"How are you even gonna play after eating bacon, kiddo?"
"How are you gonna hit on women after bein' all smelly of smoke?"
"Wait, what? I'm not hittin' on any womenâ"
"Oh, come on, Uncle Tommy." She reached over and lifted the dog tag off his chest with two fingers. "You only wear these outside the shirt when you're trying to impress somebody." Her hand went up to his hair next, patting it once. "And this? There's product in this. Please."
He swiped her hand off and tucked the tag inside his collar, ears going warm. "It's called bein' presentable."
Tommy's eyes left the road just long enough to look at her, this scrawny teenager with a foot up on the dash, tying her cleat, reading him like a large-print book.
"I'm tellin' your old man you keep puttin' your foot on my panel."
"I'm telling your brother you keep making a move on Lindsay's mom."
"Ohhh." He nodded slowly, tongue in his cheek. "That so? 'Cause I'm tellin' my brother somebody's been makin' a move on Lindsay herself."
Sarah's mouth fell open. A full three seconds of scandalized silence. Then she raised both hands, palms out. "Okay. Truce. Truce."
"That's what I thought." He settled back fully, insufferable, one wrist on the wheel. "And you best keep it that way, kiddo, 'cause I can also tell him a certain somebody lifted a twenty out of his wallet to fix his own watch and hand it back to him as a birthday present."
"I didn't steal it. I earned it."
"For it to be earned, he's gotta give it to you."
"I earned it," Sarah said, with confidence, "because tomorrow he's gonna forget his own birthday cake. And I will have no cake to eat. You wanna bet?"
Tommy laughed. "No bet. Man forgot his own birthday two years runnin'."
"Last year I had to remind him. On the day." She dropped her voice into the gravel register, doing the impression she'd been perfecting for years: "'Huh. That today, babygirl?'"
"'Well. Don't make a thing of it.'" Tommy matched it, jaw set, eyebrows down, the full Joel.
"'Sarah. The door.'"
"'Tommy. The music.'"
They broke at the same time, Sarah tipped her head back against the seat, gasping.
The laughter slowly settled into the road hum and pop music. Sarah was still looking at him. She reached over and pulled the dog tag out from under his collar again. She turned it over in her fingers, reading the stamped letters.
"Uncle Tommy?"
"Yes, sweetheart?" He kept his eyes on the road.
"Why'd you decide to join the army?"
He glanced at her, shifted his grip on the wheel. âWell⌠after I finished high school, I didnât really know what I wanted to do with my life. Joel was already workinâ. I felt kinda lost, like I needed to do somethinâ that mattered.â He paused, glancing at her again. âI guess I wanted to be useful. I wanted to protect people. Help make the world a little safer, even if it was just one small piece of it. Sounded noble at the time.â
Sarah stared at him for a long moment. "That's so naive."
âWell, somebody's gotta be dumb enough to believe things can get better. Might as well be me."
"Now, thatâs profound.â She smiled, then looked at the road. "And why didn't Dad join?"
"Because the army don't take young guys that behaves like grumpy old men."
Sarah cracked up. He tapped the wheel, letting her giggle run out, and then gave her the real answer. "Nah. He never felt like it. And he had you very young. Single dads don't get to enlist, even if he wanted to." He shrugged one shoulder. "Besides," Tommy added, "between the two of us, I'm the better shooter, the more athletic, and the better-lookin' one. The army simply took the superior Miller. It's basic math."
"Come on! You're literally identical from behind. Lindsay's mom said so."
"She's been lookin'?"
"UGH." Sarah slammed her hand against her face.
They stopped at a red light and Sarah's head turned round toward the shop window on the right, her whole face changing.
"Uncle Tommy!" She grabbed his arm with both hands. "Look. Look at that shirt. Can we come back here after? Please?"
In the window, a pink Nirvana t-shirt, faded graphic.
"You got money?"
She turned to him with the expression. Head tilted exactly forty-five degrees, bottom lip barely out, eyes enormous. The one expression that had been breaking him and Joel both since she was approximately three years old and had figured out it worked.
"I don't," she said sweetly. "But my very generous and extremely handsome uncle does."
Tommy huffed a laugh, glancing back at the traffic light. âNow Iâm extremely handsome, huh?â
Sarah nodded, completely earnest. âYes. The most handsome.â
He raised an eyebrow, unable to resist. âMore handsome than your dad.â
She didnât even hesitate. âWay more handsome than dad.â
Tommy looked back at the shop window, satisfied. "Okay. If you win the game. We come back. I'll buy it."
She made a sound somewhere between a thank you and a victory screech, patting his arm rapidly. "You're the best! You're my favorite uncle."
Tommy looked at her and felt the particular, uncomplicated love that she produced in him without even trying. âIâm your only uncle, Sarah.â
âSee? Favorite and exclusive.â
He watched this kid grow up from a tiny howling red face thing into this sharp, sarcastic hurricane, and she still managed to be the best thing in his life. She owned some piece of him that nobody else had ever had access to, and she didn't even know it, and he was glad she didn't know it because she'd absolutely use it against him.
The light turned green.
And a sharp impact came from the left without warning. Just the sudden enormous crash of glass and metal and the world tilting sideways faster than his brain could process, the world spun and the truck was on its side and something was ringing and ringing and would not stop.
When he opened his eyes, it was night. The rifle was in his hands. He didn't remember picking it up. He didnât remember being in this street. He was behind the overturned truck, and the street was wrong, the street was completely wrong. People running and screaming and something was terrifying with the way some of them were moving, and he turned and fired at the shape coming toward him before he'd could process it.
The shape twisted and dropped. He stared at what he'd done.
And then he knew. The knowledge arrived all at once, fully formed: He knew what this night was. He knew exactly what came next. He ran.
Because every time he dreamed it, he knew what would happen and heâd ran anyway.
He heard the shot. He turned the corner toward the empty field.
The FEDRA officer was still standing. Tommy raised the rifle and fired once, and the man dropped, and he crossed the distance to his brother in three strides, already knowing, his chest already hollowed out.
And then he was there and Joel was on the ground and Sarah was bleeding and breathing hard.
âNo, no, no, no, no, no,â Joel said, moving immediately to his daughter.
âI know, I know, I know it hurts baby. Let me see,â His hands ran to her stomach and found nothing that could be fixed with his hands. âYouâre ok. I know, I know, I know baby, I know,â Joel says urgently, pressing were the blood spilled. âYouâre gonna be ok. Baby? Baby? Listen to me. I gotta get you up. Ok? I gotta get you up. Come on,â
Joel pulled her up as carefully and as quickly as he could.
âCome on. I know, baby. I know, I know, I know,â
She was so small in Joelâs arms.
He could still hear it. Uncle Tommy! Look. Look at that shirt. Can we come back here after? Please? They lost that day. Tommy didnât buy it.
Joel was rocking her, voice breaking. âI know baby girl, I know.â
You're the best! You're my favorite uncle.
âTommy! Help me!â
Silence.
ââŚJoel,â
He'd failed them. He'd been the only one in this family with military training, and he was behind the overturned car with a rifle in his hands while this was happening thirty feet away, and he'd failed them. And no version of this ever ended differently, and he would never stop running toward that field, and he would never stop being too late.
Tommy woke up on the thin mattress on the floor, gasping for air loudly.
"Jesus fucking Christ." Sarah, the other Sarah, was already sitting up across the camp with her rifle in both hands in an automatic reflex. She looked at him. Looked at the empty camp around them. Lowered the rifle a fraction.
"You scared me," she said, not rude but not gentle either. "Again."
She set the rifle across her knees and pushed her hair back with one hand. "Do you ever actually sleep? Or is that just not somethin' you do anymore?"
âI⌠Iâm sorry.â
âItâs fine.â She tried to read his face, tried to understand why this man is being punished by his own mind like this. But she realizes thereâs too much in those eyes to be asked to someone she barely knows, and just turns back to sleep instead.
He was ashamed of himself. He had woken Sarah three times before dawn. The second nightmare had been the pregnant lady dropping after he pulled the trigger.
The first one had been you.
You, with your hand pressed flat to your chest, panting. Except in the dream there was no one else, just you on the ground, looking up at him and saying go away, you made your choice already, while your fingers pressed harder against your sternum like you were holding together a heart he was the sole responsible for breaking.
He'd woken from that one with his hand reaching across the dirt for a person that wasn't there.
He was used to dreaming about the night his niece died. As he was used to dream with all the other horrific things he had to either enforce or endure.
Tonight it had broken the routine. Tonight it had put you in the rotation, slid you in among the dead like you belonged there. And then it had done something it had never done in four years: it had given him the day before with Sarah. Every second of it real, every second of it the last good bye he could never see coming, like his mind had been keeping it pristine all these years specifically so it could hurt him with it now.
He shifted on the thin mattress, pulled the blanket up, and tried to lie still.
The signs. He'd asked God for one. One. And he had two versions of Sarahâs coming uninvited with many messages he could not read. God was either silent and these were painful coincidences, or He was a sadist, and Tommy was starting to suspect the second.
Sarah. Sarah meant Joel. Right?
But this Sarah has a camp to help people. That Sarah asked about his dog tag. This thing, this⌠hope. Meant the fireflies?
Is it worth to continue? Would he ever reach Joel? Would he be too late once more?
âŚWould he ever see you in Boston again?
The guilt crawling back meant the debt with his brother.
But whatever you had to do in a ruined Baltimore seemed more complicated than his mind could figure out and he was scared of what that would really mean.
God. His brain barely woke up and it was twisting and turning inside his head.
He didn't even know if his brother was alive, and lying here he could admit the ugliest thing: he genuinely didn't know if he was going for Joel or just back for you.
But he knew he couldnât allow his mind to go into this rabbit hole. So, he did the only thing that quieted the storm. The one thing a coward man should never do when he's trying to forget a woman whoâs heart he finished breaking.
He thought about your smell, still living in his chest where he'd breathed you so many times and not remotely enough. He thought about the book open in your hands, your neck close enough and the urge to never let his lips away from it. He thought about your kiss and the way you'd smile into the second one. The taste of you. The exact shape you made inside his arms, how you fit there like the space had been measured for you years in advance and now he'd just been carrying it around empty.
He played it again, and again, and again. Not to feel good, because it hurt like pressing on a wound to keep from bleeding out. He played it because the devils couldn't get in while you were there.
Somewhere before dawn, it finally pulled him under.
Â
---
It's still too early when you wake up. Frank is asleep in the sleeping bag beside yours, and your eyes go looking for the familiar shape of broad shoulders and dark long curls you've been waking up to for weeks. They find Marcus short blond hair instead, pacing the perimeter slow and alert, rifle in both hands. He catches you looking and nods a silent good morning. You manage half a smile back.
You get up and cross to him, hugging your jacket closed against the dawn chill.
"Sleep well, boss?"
"Don't call me boss," you giggle. "And yes."
It was a lie.
"You?"
"I always sleep well. Too well, honestly. Frank says I could sleep through the end of the world."
You huff a small laugh. The quiet stretches, comfortable, until it isn't.
"âŚMay I ask you something?" he says.
"Sure."
He tips his chin toward your chest. "What happened yesterday. Is it okay? Should we be⌠concerned?"
For one second you let yourself believe he's asking about you. The human, not the solution. And he might be. Marcus is a good man.
"Don't worry," you say, lighter than you feel. "I'm not ruining the mission. It'll reach Baltimore intact. The doctor gets it exactly as promised."
"Noâ no, that's not what Iâ" Marcus fumbles, and the protest comes exactly one beat too late. "I was asking â"
"It's okay, Marcus." You wave it off before it can become a thing.
Marcus looks at his boots.
"âŚWhat I'm carrying is bigger than me," you finish instead. "That's the only reason any of us are in this mess."
He nods slowly, still not looking up. Somewhere a bird starts singing.
"But,⌠there's this thing with the device," you go on, because facts are easier. "It has a smart battery function. Lifespan control. When the heart rate spikes too high, it corrects just enough to keep it from failing completely. It won't waste charge smoothing out the discomfort. Made perfect sense when they implanted it. How often does a person's heart really redline on mundane life?" You give a dry laugh and gesture at the ruined world in general. "In the apocalypse, in the other way around..."
"And it happens often?"
"Thankfully, no. Yesterday was the fourth time in all these years." You count them off without meaning to. "Outbreak day. The day my uncle died. The day Lincoln betrayed us. And⌠yesterday."
Marcus is quiet for a moment. Then, carefully, the way a man steps onto ice: "I'm sorry, but⌠doesn't that seem like it's being triggered by smaller things now? I mean, no offense, but⌠Lincolnâs deal, Lincoln you saw coming, letâs be honest. Can't compare with outbreak day and your uncle passing away. And then yesterday it was just that smugglerâ"
"Well." You cut him off fast. Heat crawls up your neck, because he's right, and you know he's right.
"âŚI'm sure the doctor will have answers," you say. "For all of it."
Marcus looks at you. You look at Marcus. "Yeah," Marcus says. "Yeah. It'll all be fine."
He pats your shoulder, careful and warm, and it lands like hope and strength and farewell delivered at once. "Thanks for being this brave. Whatever happens there, I hope you know you're ourâ"
"It will all be fine, Marcus." You cut him off before the sentence can finish becoming whatever it was becoming. "I've survived one hundred percent of everything life has thrown at me so far. Iâll survive this one too."
"âŚRight." He huffs. "Right."
Boots in the grass behind you. Frank, scrubbing a hand through his hair, squinting at the light. "You two solvin' the world's problems before breakfast?"
"Something like that."
"Road looks good on the map. If the weather holds and that bridge at the county line is still standing, we're maybe a week out from Baltimore. Week and a half if it's not." He looks at you then. "How you feelin' about that, pumpkin?"
You glance at Marcus. Back at Frank. Two men who cares deeply for you, watching you like a held breath.
"I'm feeling we should move," you say.
And so you do.
You walk most of the day. Itâs afternoon already and you walk between the two men. The formation feels wrong.
You keep glancing back occasionally, even knowing youâll find nothing there. For weeks there was always something back there worth the glance, sometimes scowling, sometimes scanning the tree line, sometimes pretending so hard not to look at you that it was its own way of looking. Always Tommy, holding you in his attention a thousand small ways he thought you never noticed.
Marcus catches your fourth glance and gives you a kind, useless smile.
You spot a small river. The sun is warm and should settle soon, and you feel the pull of it in your skin before you've said a word. Water is the only thing left in the world that takes things off of you. Days, sins, hands, grief.
âFrank,â You nod to the river. "Ten minutes," you ask. "Please."
Frank and Marcus scan it. Sight lines, calm water. Birds behaving. Nothing but a calm afternoon.
"âŚOk. There's a boathouse past the bend," Frank points. "We'll check it quickly for resources to give you privacy. Anything moves, you shout."
"Sure.â
You strip on the flat rock and walk into the river.
The cold grabs you. You duck under, come up gasping, and stand there with the water at your waist while the sun makes the surface look shattered and golden. You wash your arms, your neck, the back of your shoulders, and your own hands are careful and small and completely, uselessly wrong. You canât stop yourself from wishing they felt differently. Rough. Calloused. Warm even in cold water, spread wide across your stomach. You touch the top of your scar and think of a thumb that traced it once like it was something holy instead of something broken.
The last river you stood in, those hands held you under it. And itâs sick and twisted but you'd give anything to have those hands on you again, gentle, silently asking forgiveness.
You allow yourself exactly three tears. They fall off and mix with the river water, and the river takes them like it takes everything from your back. Then you walk out.
You dress fast, skin still damp. Panties, trousers, boots. You're just secured your bra when a hand closes over your mouth.
"Isn't this our lucky day," a voice says against your ear.
Your whole body lurches, and the arm around you was ready for that, tightening you back against him. Your heart slams once, hard, and then begins to climb.
"Easy," the voice says. "Behave and you'll be fine."
Your eyes rake the bank. The bend. The boathouse. Frank. Marcus. Nothing.
A second man steps around into your field of view, unhurried, rifle slung, looking at you the way men evaluate horses. "Well, hell," he says. "They weren't lying. This will be the best batch we'll have had in years." He pulls a radio off his belt, keys it. "Damian, you copy?"
Ten seconds.
"Copy."
"We found the girl. Matches the description head to toe." His eyes travel down and stop, and something in his face does arithmetic. "Damn. She pretty as fuck. Got one flaw on her, though. Big ugly scar, right down the middle." He traces the line of it with his thumb, slow, proprietary, and the disgust and fear run equal parts through you. "Hope that don't knock the price. Some clients get particular about the packaging."
Damian's voice is flat and bored and absolutely in charge. "The men. You have them, Lucas?"
Lucas glances toward the bend, unbothered. "Two with her, armed, off down the bank. Theyâre not who weâre looking for, though. Don't match at all. It ain't the brothers, for sure."
A pause on the radio, long enough to hold a decision about whether Frank and Marcus live or die without ever meeting them.
"Then don't waste the time or ammunition."
âDamian. I think we shouldââ
âLucas. We donât kill men. Anyone is a potential client, sooner or later. Take the batch and head for the office. Quiet.â
"Copy, Damian."
âNo, no, no, no, please no, please!â You say it muffled into the manâs hand.
They turn you away from the river, and your heart is climbing now, the fear and panic consuming you completely.
This canât be happening. No. This canât be. Canât be. Think. Think.
Your fingers find the chain at your throat.
You snap it with one discrete pull and open your hand.
The firefly lands face-up in the grass. Your name. 00001. The first light, left laying behind you.
Because that's what people in love do, you learned it from him. They leave pieces of themselves along the road, bright enough to be found.
Please come for me, Frank.
The plea fires on its own, automatic, the way you'd reach for a railing while falling. Frank loves you. Frank will search until his body give out.
But the trees close around you, and your heartbeat throws itself against the device.
There was exactly one person in this world who would never have let this happen. One person built for men like these.
And you know the difference between the man who would die looking for you⌠and the man who would refuse to die until he found you.
âŚPlease. Please. Find me, Tommy.
---
Tommy woke to the smell of coffee. Sarah was crouched at the fire.
"Well. You finally went down proper," she said. "Last stretch there you didn't move once. I checked twice to make sure you weren't dead."
"Sorry. Again. For theâ"
"It's fine." She said, flat and done.
He sat up, worked the stiffness out of his neck, and his stomach announced itself with a long, loud sound
Sarah laughed. An actual laugh, short and surprised out of her. "Good Lord." She pointed the stick at a milk crate by the supply lean-to. "There's food in the box. Help yourself."
He crossed the space and dug through it, and then his hand stopped on a small cardboard box, dented but sealed, the print faded to pastel.
Cookie Dough Bites.
You have got to be kiddin' me.
He stood there holding it. Of course. Of course it was this. God couldn't even let a man eat breakfast.
"Lucky find, those," Sarah said, watching him. "Whole case in a flipped vending truck last spring. Taste amazing, I'm warnin' you now. Ruined me for regular jerky."
Tommy turned the box once in his hand. Then he slid it into his pack.
"Not eatin'?"
"Later," he said.
She poured coffee into a mug and held it out to him, then filled her own. They sat across the fire from each other and drank quietly.
"So," she said, in the tone of someone who already knows the answer and has decided to ask anyway. "The nightmares. Every night like that?"
He looked into his mug. "Most. Some worse than others." He shrugged one shoulder. "Who ain't got 'em, since outbreak."
"I don't."
He looked up.
"I sleep well."
He didn't mean to do it, but his eyes went the clouded blind eye with the scar run clean through it, the mapwork of marks in her neck disappearing under her collar, the left hand around the mug with its missing finger. The whole weight of what the world had inflicted to her, and his face must have asked the question, because she caught him at it and didn't flinch.
"You're wonderin' how somebody who looks like this sleeps fine," she said.
"âŚSorry. Didn't mean to stare."
She turned her mug slowly, looking into the fire. "I'll tell you what changed it. Somewhere along the way I stopped puttin' my life first. Sounds backwards, I know. But the day my own survival dropped to second on the list, behind bein' of use to somebody, the nights went quiet." She shrugged. "There's nothin' left in this world for me to want, Tommy. Think about it. Things? Everything's free now and none of it's worth carryin'. Experiences? I've had all of 'em I'd wish on anyone. Knowledge, money, land. For what?" She shook her head slowly. "I've been mostly alone four years. And the only thing that still fills the tank, the only thing, is when somebody stumbles into this camp half-dead and walks out whole." She tipped her chin at him. "That's the entire economy I run on. Bein' useful. Everything else is decoration."
The fire popped. Tommy drank so he wouldn't have to answer.
"Only thing I ever grieved," she went on, quieter, "was Baltimore. The idea of it. Whole group of people organized around exactly that: bein' of use, at scale. Takin' whole cities back for regular folks." Her jaw shifted. "I was gonna be part of somethin'. And it burned down before I ever got to touch it."
Tommy sat very still.
"âŚIf you knew they were still workin'," he said. "Still operatin', successful, somewhere else. Would you go?"
She thought about it properly. "Hm. Maybe. I've settled here. Every once in a while I get to be some use where I stand. So⌠maybe. Or not." Her good eye came up to him, narrowing. "Why?"
He was silent.
She leaned over and topped off his mug, unhurried, eyes never leaving his face. "You know something."
"I might." He sipped.
He tipped his head, a small, sideways acknowledgment.
"Say the name, then," she said. "If you know that much."
"You say it first."
"We say it at the same time."
They looked at each other like two card players evaluating the opponent.
"Fireflies?"
The word came out of both of them at once, and Sarah sat back slowly with her mug halfway to her mouth and did not drink.
"Boston QZ," Tommy said. "They're operatin' there. Organized." He watched her face do a thousand calculations in the spam of seconds "Iâm heading there. You could come," he said. "Safer with two."
The sentence hung in the air in front of him, and he looked at it, and something in him asked, quiet and honest: Am I? Am I really going to Boston?
Sarah looked past him, at her camp. He watched her and recognized: hope arriving in a person who had carefully, methodically finished grieving it. It didn't look like joy. It looked like disturbance.
"That's⌠useful to know," she said finally, and her voice had gone somewhere careful. She turned the mug in her hands. "But⌠maybe later. Maybe when winter comes. For now I'm⌠I'm good here." A pause. "I'll think about it. Okay? Thank you. For tellin' me." Another pause, and the corner of her mouth moved. "Maybe we meet there."
"Maybe. Yeah."
They drank in silence. The air had gone thick, he could see her doing it, the thing he'd been doing for weeks since he met you: taking her whole settled life down off the shelf and turning it over.
He reached for something else.
"How'd you manage it, anyway? Alone, four years... I mean, it's hard enough with two. Most people don't last a season solo."
"Experience," she said simply. "I had a head start on the apocalypse. Army, before. Twelve years in."
Tommy went stiff.
No. Not this. Not one more. Goddamit, not one more.
He set his jaw and stared into the fire and something behind his ribs started to hurt in advance, because he already knew that whatever she said next was going to be precisely tailored to him at this point.
"All this damage you're lookin' at," she went on, and gestured roughly at herself . "I want you to understand somethin'. None of it was done to a victim. Every mark on me, I was standin' in front of somebody. Or somethin'." She flexed the four-fingered hand once, looked at it. "And I don't regret one square inch. That's the job. That's what a soldier is. You put your body between trouble and your country, and whatever trouble takes off you on the way through, that was the price and you knew it when you signed."
Tommy puts the mug down because his hand started shaking and had stopped being reliable.
"People look at me and see what the world took," Sarah said. "I look at me and see everything it didn't get. Because it had to come through me first." She drained her coffee.
Tommy was not well. It came up through him like floodwater. She was the road not taken sitting six feet away drinking coffee. She was what he'd told a younger Sarah he was going to be. She was the real hero, and not a coward that convinced himself years ago he could be.
He stood. Adjusted his jacket, got his pack, small mechanical motions, reassembling himself piece by piece in real time.
"I'm sorryâ I'm too far behind already," he said. "I need to find a horse, a car, somethin' with more legs than I got."
She noticed the retreat for what it was, she let him have it.
"Oh. Ok. Horse, good luck. CarâŚ" she considered. "There's a farm supply six, seven miles north, machine shed out back, might be somethin' with a battery worth pullin'. And the state route past that had a National Guard checkpoint. Some vehicles left standin' last I passed, most stripped, but most ain't all. Long odds either way."
"Long odds is my whole portfolio these days."
He gathered his things. She walked him to the edge of the camp, rifle slung, and he stopped and faced her.
"Thank you," he said. "And I'm sorry to run out on you like this, I know this is a hell of a way to repay hospitalityâ, he gestured at all of it, the pit, the mattress, the coffee, the stitches. "I mean, thank you. Profoundly. I owe you one I can't pay."
"You don't owe me nothin'. Told you how my economy works." The scarred face creased, almost warm. "Door's always open here, Tommy. You, anybody with a decent heart. They find me eventually."
He hesitated. He was already turned half away and he came back to it, because it was going to come out of him whether he permitted it or not.
"Thank you for bein' this good to the world, Sarah. Somebody ought to say it to you out loud once in a while. The world got mean," he said. "got mean 'cause people stopped helpin' each other. And you didn't have to, but you chose being good and nobody's watchin', and you do it anyway." His voice had gone rough at the edges.
Sarah looked at him for a long moment. Then she smiled.
"You're no different than me."
His chest detonated quietly. Nothing moved in his face, but somewhere behind the sternum the whole structure went at once.
He smiled at her. Completely, silently disagreeing.
"Take care of yourself, Sarah."
"Avoid the central region goin' north, itâs full of infected." she said.
"And Tommy." He looked back. "Whoever the candy's for. They are welcome too, if needed."
He didn't answer that. There was no answering that. So he just walked.
He walked, and the camp fell away behind him, and the roads and the hours took him deep. And he walked. North, he told himself, north, the farm supply, the checkpoint, to Joel.
Because Sarah proved good people survive hell intact. It was always a possibility to stay good.
The message that was sent to him was clear now, brick by brick. What he did was a choice, not a necessity. Â Which proves you were wrong about him. He's not a good man buried under bad acts, he's a man who chose the acts. Your love is a symptom. Of captivity, fear, of your own desperate thesis needing a proof.
I love you, Tommy Miller.
And I love you too, he heard his own voice saying back.
He felt it crush his chest: the sincere smile in your lips just for him, your hopes fully laid on him. The absurdity of repaying that with violence, with brutality, with bruises and broken fingers and abandoning.
In another life, heâd be the man who stands beside you. In this one, he is not the hero young Tommy thought he could be. This version of himself can only bring disappointment and pain.
The kindest thing I'll ever do is stay a stranger. He thinks.
The best possible thing I can do is acknowledging Iâm no good for her before itâs too late.
And he was never more in love than in this very moment, where he really decided he had to leave.
And he walked, and walked, and walked.
The box of cookie dough bites rode in his pack anyway, untouched, waiting there.
-----
end notes:
Off to survive second day of music festival now. I'm exhausted, I'm too old for this omg. This chapter cost me sleep I'll never get back, so: did it hurt? Tell me it hurt! haha
Please flood me with love for all effort I put to write it in this chaotic week. Now I'm leaving to watch Ethel Cain (again) and The Cure <3
Helplessly Hoping - Chapter 14 (Joel Miller x OFC)
Summary: Juniper Wright found peace in the apocalypse after discovering a cabin hidden deep in the woods of Wyoming. But when an accident put two strangers in her path, bringing drastic changes with them, she is forced to destroy the walls she spent many years building around herself.
Joel Miller never planned to fall in love again. His life was already complete; he had more than he could have bargained for in Jackson. But the girl with bright eyes he and Tommy found in the woods certainly had a way of getting to him.
Warnings: explicit sexual content, MDNI. Eventual smut, slow burn at first, rough sex, oral sex, vaginal sex, dom/sub undertones, age difference, older man/younger woman, past trauma, eventual romance, daddy kink
Word count: 2.4k
Masterlist Read on AO3
Chapter 14 - What happened between you and Joel?
Everything happened very fast.
Joel should have been paying attention; he was always paying attention. Only this time he wasnât.
The gunshot was loud, coming from somewhere in the woods behind him. It hit a spot on the tree, right above Juniperâs head. Her eyes went wide and Joel felt as if he had just swollen a block of ice. One inch lower and she would have been dead right in front of him.
â Drop your weapons now! â A manâs voice echoed.
Juniper dropped the knife she was holding. She had left her beretta in the cabin, thinking they were going to be out for only a moment before coming back.
Only then Joel realized he had forgotten riffle there too. They were supposed to go back quickly, the juniper tree was close to the cabin, and he had been so distracted by her that it didnât even occur to him to bring it. He felt so embarrassed he couldnât meet her eyes.
â You too, old man! â The voice shouted.
â Iâm unarmed. â Joel said.
â Weâll see about that.
From a hiding spot in the woods, two men came. Juniper could guess they were younger than her and much too skinny, they were probably wandering through these mountains for a while now, lost and with nowhere to go until they found her and Joel by accident.
One of them was tall, his hair pitch black and dark shadows under his light eyes. He had an old pistol in his hands and a knife in the waistband of his jeans. He pointed it to Joelâs head as he raised his hands in surrender and the young man checked to see if he was truly unarmed.
The other one, who looked even younger and had blond, thin hair, came to Juniperâs direction. He was armed only with a knife.
With a gun pointed at Joelâs head, she could only stay still while the man went to stay behind her and put the knife to her throat.
â What do we have here? â The blond man said. â Must be our lucky day. Canât remember the last time we had one this pretty.
Joel lifted his gaze for the first time, letting her see the rage in his eyes. She decided to speak before him.
â We have supplies. And horses too. â The last part was painful to say, she didnât want to give up on Ivory and let her go with these awful men. â Iâm sure we can negotiate.
The man with black hair laughed. Juniper didnât miss the way his hands trembled every once in a while. She could tell none of them was much experienced in whatever this was. She figured they would hesitate when it counted, knowing Joel was probably arriving at the same conclusion.
â Negotiate? I gotta a better idea. Why donât I kill your dad here and then we keep you, huh? Iâm sure we can think of a few ways to put you to proper use; good pussy is a rare thing these days.
â Leave her out of it. â Joel spoke for the first time.
Juniper was suddenly aware that his whole demeanor had changed. This wasnât her kind, caring Joel with sad eyes, the man who took her in his arms in the cabin moments ago. He sounded calm, serene even. But in his eyes, she recognized a mortal glare.
â And why would I do that, old man?
Joel didnât answer right away.
â I asked you a question! â The man shouted, his hand trembling even more now. â I want you to kneel now!
With Joelâs lack of response, he gave him a push on the shoulder, lowering the gun only for a fraction of a second. It was enough.
Joel elbowed the man with full force and gave him a kick at the same time, making lose balance and fall with a grunt.
It was easy to figure out who was the one giving orders and who was the one obeying in this pair, and Juniper knew the one with the knife to her throat would face a moment of panic with no orders to follow.
So, she kicked him on the shin. The hand that held knife faltered and it was all she needed. In the span of half a second, her own hand tried to grab the knife from him.
The blade ended up getting in contact with her palm, leaving a cut, but Juniper didnât let go of it. Before she was able to steal the manâs knife, Joel had overpowered his attacker and got the gun.
He shot the man without a second of overthinking, on the head.
â Release her. Now.
Joelâs simple order was enough to make the blond man stop fighting with her, letting the knife fall to the ground. Joelâs eyes went to her bleeding hand.
â Please, man, I⌠â He tried to reason with Joel. â Iâll just go; Iâll leave now. I didnât mean toâŚ
â I told you to leave her out of it.
The shot came at the end of the sentence, on the head again.
Joel still held a deathly glare as he approached her, looking at her injured hand.
â What were you thinking? â He asked. â I had it handled; you should have stayed put.
â And how do you know he wasnât about to kill me if I didnât do anything?
â I knew it! â He was furious. â I wasnât going to let you get hurt. When weâre out here, you follow my rules, you shouldnât have reacted like that.
â I canât believe youâre scolding me for defending myself. Weâre partners here and yet you treat me like a child. â She raised her voice without realizing it.
â Then maybe you should stop acting like a child and listen to me. Let me see your hand.
At first, Juniper didnât move, not wanting to show him.
â Let me see it. I donât have time for this.
She lifted her hand for him to see the deep cut.
â Youâre gonna need stitches. You ride back with me; you canât hold the reins with a hand like this.
â But we canât leave Ivory here. â Juniper sounded worried.
â Iâll come back with Tommy to get her later.
The look she gave him made Joel aware that she wasnât convinced.
â Hey. Sheâll be alright. Iâll come back later today, I promise. Now I gotta take care of you.
Juniper was still reluctant to agree.
â Okay. â She ended up saying.
The short walk back to the cabin was silent. Joel made her stay by his side, glancing at her from time to time, as if he was worried she might disappear.
She felt simultaneously embarrassed and angry at this situation. What was she supposed to do, stay still and wait to see if the man was going to slit her throat while Joel was fighting with the other one? She was starting to feel incompetent, given the way he always seemed to have to save her from one thing or another, fearing she would soon become a burden.
When they reached the cabin, she went straight to Joelâs chestnut horse, intending to mount on it. But he held her by the arm, making her stop.
â I donât want you to put pressure on this hand.
And with those words, he lifted Juniper with care and put her on the horseâs saddle. He proceeded to climb to sit behind her, his arms encircling her body and getting her even closer to him.
There was no way to run from it, to run from him. Juniper had to sat with the discomfort of wanting him so much and the feeling of inadequacy that came with it.
Joel didnât say a word on the whole way back to Jackson. He felt deeply ashamed, truth be told. How could he forget his rifle and then fail to realize they werenât alone in the woods? This wasnât like him. He remembered the shot on the tree trunk, right above her head, and felt a shiver to his spine. He couldâve lost her. He knew he wouldnât survive this.
He held her tight, pressing her back against his front, more out of instinct than conscious thought. He shouldnât have taken her to patrol or to any run in the first place, should have told Tommy she wasnât cut out for it. But his immensely selfish desire to spend more time with her made him ask to be paired with her at all times. He had put her in harmâs way.
When they arrived in Jackson, Tommy was waiting for them by the gates, coming in their direction as soon as Joel helped her dismount.
â What the hell happened to you two? â Tommy asked right away. â I was ready to send a search party; you were supposed to come back yesterday.
â I got⌠A bit overwhelmed because I was back at my old cabin, it was snowing and Joel suggested we could stay the night. â Juniper was quick to lie. â And then today we encountered two men and⌠They wanted⌠Well, they wanted me. Joel killed them both, but one of them left me with a cut on the hand.
She lifted her left hand for Tommy to see.
â Jesus.
â Iâll take her to the infirmary now. â Joel intervened before his brother couldnât come up with more questions. â Iâll see you later.
Juniper followed Joel to the infirmary, wishing she hadnât had to lie to Tommyâs face. She didnât understand why this relationship, if she could even call it that, had to be hidden from others. All she knew was this unspoken agreement that bound them to secrecy.
Joel stayed by her side the whole time, watching the doctor stitch Juniperâs hand as her face contorted in pain, even though he could tell she was trying to put on a brave façade for him to see.
He realized with a sigh and a painful ache in the heart that he was no good for this girl.
(...)
When Juniper heard a knock at the door next morning, she could only assume it was Joel.
He accompanied her to get stitches and took her home afterwards, but she felt something in him had changed.
She knew he was angry at her for reacting at the same time he did, and she could understand his reasoning, up to a point, even though she didnât think the matter was this serious. She had had closer encounters with death than this one. Why couldnât he just move on from it?
She assumed this was what was about to happen. Joel came to see her to apologize.
She was very surprised to open the door and find Tommy, standing on her porch.
â Morninâ. â He said almost apologetically, sensing her troubled expression. â Hope Iâm not interruptinâ anything, I have something I gotta talk to you about.
â No, not at all. â She controlled herself. â I just woke up. I was about to make some hot cocoa. You can come in.
Tommy followed her to the kitchen, his eyes scanning through the decoration. The pink front door, a bookshelf half full, a vase with wildflowers on the table. It was all undeniably her, even him could tell.
He took a seat, watching her make the hot cocoa in a bit of a clumsy way, not able to use her left hand, covered in bandages.
â Do you want some? â She asked.
â No, thank you. Already had breakfast.
She grabbed the mug and sat at his side.
â So, what did you want to talk about?
â Iâll be pulling you out of patrols for a week or so, âtil your hand is healed.
â Itâs alright, I imagined it. â She took a sip of the hot cocoa. â Itâd be difficult to shoot anyway, since Iâm left-handed. Will I be back at the watchtower?
â Yeah, if you donât prefer to do something else.
â No, no, the watchtower is fine. Eleanor will be happy to have my company again.
Tommy watched her drink for a moment, with a slightly puzzled look, as if he was trying to decipher her. Juniper avoided his gaze.
â I had another thing to ask you. â He finally said.
â Go on.
â Did anything happen out there? Between you and Joel?
Oh the definitive question. What happened between you and Joel?
â It was like I told you when we arrived. We were attacked and⌠â Her words trailed off.
â This part I know. He recounted the same story to me. Iâm asking if something else has happened. â His tone got a bit more serious, but still kind. â Did you two had any kind of fight?
â Fight? What did he say exactly?
â Not much. Thatâs why Iâm asking you.
It wasnât difficult for him to notice that she was tense.
â He got angry with me âcause I reacted and got my hand injured. Said it was his job to handle it, that I shouldâve stayed put.
â Yeah, sounds like my brother. And this was all?
For a fleeting moment, Juniper wondered if she should tell him the truth and ask for advice, try to get an insight from Joelâs mind, his brother surely would be able to explain at least some of it, knowing him better than she did. But she didnât have enough courage to do it.
â Yes, that was all.
Tommy let out a deep breath, a sudden look of exhaustion on his face.
â He asked me to take you out of patrols for good. I thought you were going to tell me why he would do that.
â What? â The anger in her voice was palpable.
â He said you werenât ready for it.
â And what was your response?
â That Iâd think about it.
â Think about it? â Juniper spit the words. â I thought I passed your shooting test with flying colors.
â Look, youâre right, you did. But he was very worried andâŚ
â If Joel doesnât want to be my patrol partner anymore, you can just pair me up with someone else. But I want to go back once my hand is healed. And Iâm not asking his permission to do it, heâs not in charge to decide it. Iâm asking yours.
If Joel wanted to end things with her, he could at least have come to say it to her face instead of being a coward.
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it's cominggg đ painful memories, yearning, blood, just the way we like it.
it's 50% done rn and I'm TRYING my best to have something ready by tomorrow (sunday)⌠buttt I have concerts both nights this weekend (21 pilots and Ethel will be there đ) .
also not gonna lie, I got a lil distracted this week bc I NEEDED Edge of Town continuation and that ate into my Show me how bad you can hurt me time. oops
can't promise anything but I'm giving it my all!! đ
and if I do manage to post⌠I WILL be demanding love. OKAY? feed the writer, I run on validation and caffeine
Ahhh hi! Idk why but I just wanted to let you know as a VERY FREQUENT reader itâs been a whileeee but I promise I will be back soon and commenting my heart out as âjust a girlâ I swear I think the Ao3 curse hit me
OMG, not the AO3 curse!! I'm so sorry to read this, I hope everything gets better soon!
And no worries, Tommy will be waiting for you when you're ready <3
Thank you so much for your love and support. You're one of my fave readers on AO3, and I remember you commented on something in the last chapter that I wrote specifically to create the hook for this continuation. You were spot on, haha.
"Girl why did I not even THINK about the line âAinât nothinâ in this world stronger than you and me, darlinâ,â he says quietly.â because ahh youâre so right! If the story goes the canon way he is such a lier! And omg right?!Â
Chapter Summary: Ten years later. Jackson thrives under your and Tommy's care. Your father is five minutes away. Tommy Miller has only grown sweeter with the grey at his temple.
Life has been merciful. Life has been generous. Life is, at last, chill.
But even the most generous life keeps one door closed.
Author notes:
Wait... a new chapter in EoT?
I've been craving making Tommy a dad for SO long (my man had baby fever for chapters already), but I was focused on writing my new Tommy fic 'Show me how bad you can hurt me' (the COMPLETE opposite Tommy... mean, smuggler, swallowed by the darkness and by Joel's corruption). Then this sweet reader commented in ao3 (WestGasper thank youuu) and my dad-Tommy-in-Jackson fever came back STRONG.
Fic Summary: This is the continuation of Edge of Town. You can read it individually, but i highly recomend reading AFTER EoT to avoid huge spoilers :)
Grain inventory. The east fence section that took storm damage last week. A dispute between two families over a dog that, in your opinion, is not worth half the shouting it has generated. Rotation schedules. A wedding request for the community hall. Somewhere in the middle of all of it, your father's handwriting - Because even "retired," the old man can't resist leaving notes pinned to the council board.
Bug, check the water filtration on the north fence. Don't trust Earl's job. Love, Dad.
You smile at it every time. For many years, he was just a voice youâd never thought youâd hear again, crackling through Colorado radio once a month. Now it's five minutes down the streets, in a house with a porch he built himself, where he spends his days spoiling other people's kids with cookies and survival lessons.
He handed Jackson totally to you and Tommy three years ago. He just stood up in the middle of a council meeting, said "you two have been running this place better than me for many years already, and I'm too tired," and sat back down. That was the whole retirement speech.
And so, here you are. You, who once wore a navy uniform, a hidden face and a name that made a whole QZ flinch. Running a town where people wave smiling at you in the street. Where people have second chances. Where, when you're not concerned with hordes of infected or raiders, you're deciding how the Christmas celebration will look, or which movie will be displayed in the town cinema this week, or whether the greenhouse expansion beats the new schoolhouse roof for next month's lumber. You keep the dam turbines turning, you walk the wall twice a month yourself, checking the gates, the watchtower rotations. You approve patrol rosters and ration adjustments.
You'd be lying if you said you don't still wake up some mornings waiting for the catch.
Colorado⌠Itâs been some time that that dream fell apart now. It was supposed to be the dream. For a while, you even let yourself believe it was. You arrived broken, literally. Tommy stitched back together in a hospital bed, your leg in a cast, your hand still learning how to be useful with some fingers less. And the Fireflies took you in with open arms.
But that's the thing nobody tells you about chasing the light: Not all things look good when seen clearly and brightly.
You gave them four years. Tommy gave them more. His aching back, his aim, his sleep, his sanity and that stubborn hope of his that they fed on like fuel. You worked the clinic until your hands cracked. Tommy led supply runs and fought enemies through territory that got worse every season, watched many friends get buried, and came home each time a little quieter.
And the cure⌠the reason, the purpose⌠never came. One more sample, one more expedition, one more body in the ground. Joe Warren's lab produced just papers and promises.
When you and Tommy finally sat down one winter night and counted what the Fireflies had given back for everything they'd taken, the math came out the way you both already knew it would.
It wasn't lack of hope that made you leave in the end. It was Tommy, sitting on the edge of the bed one night after they'd lost two more people on a run for equipment that never worked, saying in that low, wrecked drawl:
"I keep fightin' for a world I ain't never seen, darlin'. And your daddy's out there buildin' one we could touch with our own hands."
That was it. That was the whole revolution.
You just packed, said your goodbyes to the ones who mattered, and pointed yourselves at a set of coordinates. Jackson.
Jennifer and Eugene came with you. By then the four of you were less like friends and more like a family with four big attitudes.
Just as you did with Butcher, Jennifer buried her FEDRA name at the town gate. "Gail," she announced, the first week, to anyone who'd listen. Gail Linden. And Jackson, it turned out, needed a therapist more than it needed another shooter.
She and Eugene got married by the river, Eugene crying harder than anyone, his beard finally gone fully grey. He runs the town's comms, patrols and power grid and grows questionable things in his greenhouse, and Gail pretends not to know, and everyone pretends not to smell it. And it is the second happiest marriage in Wyoming.
The first one lives in the house with the thick walls. Yours.
Ten years, and the two of you have grown into something Boston-you would never believe possible. Not because the love got bigger, it was always too big. But because it finally got to relax. Tommy hasn't given you a single shadow of the old fear in years. Forty-something Tommy Miller is a serious man now, people follow him, lean on him, trust him with their lives. But what survived all that growing up, mercifully, is the boy in him. The jokes got worse, if anything. He still flatters his own cooking like a reality show host, still lyric baits, still flirts with you at council meetings so shamelessly that your dad once threw a pencil at him. And then he comes home, and slow-dances you past the stove to no music at all, and remains, at his core, hopelessly, incurably optimistic and convinced that everything is going to work out. The apocalypse never managed to take that from him.
Life is good. Life is⌠chill. As chill as anything can be after the end of the world. Tommy is the love of your life and every day by his side feels like a blessing.
Yes. Life is good.
ButâŚ
There's one room in that house that stays too quiet.
You don't talk about it much anymore. You've been trying for years. Years after counting days, of hope arriving every month and leaving the same way. There was the appointment with Jackson's doctor, who was kind and honest and had no machines to give you anything better than "sometimes it just doesn't happen, and we can't know why."
But you know why.
The miscarriage. The years of pills, the ones you swallowed to sleep, to work, to stay upright through Boston. The drinking. The stress your body ran on for a decade like an engine melting with the wrong fuel. Sebastian. All of it. You broke it. You broke it a long time ago.
Gail says self-blame is grief looking for an excuse. She says a lot of true things you can recite by heart.
Tommy never says it's fine. He just holds the hope for both of you, as Tommy Miller does best. "When it's right, darlin'," he says. "When itâs the right time, it will happenâ."
You were doing okay. Right up until today.
It's late afternoon when you cut through the market square on your way home. That's when you see him. A boy, maybe six, chasing another kid, laughing, completely unaware that he had just stopped your heart in the middle of the street.
He is wearing a jacket that brings mixed feelings to you. Dark green canvas, corduroy collar, the dinosaur patch. The exact jacket Benji was wearing the day you saved him and was bitten in exchange. The scariest day of your life, and the one that changed absolutely everything â against all odds - for better.
If I ever have a kid half as brave as you, Iâll name him Benji too.
The boy tears past you close enough that you catch yourself almost reaching your hands to hold him, hug him.
You don't remember the walk home. You remember getting in and sliding down against the kitchen cabinet before the first sob tore loose.
Tommy finds you there minutes later. The patrol ran long and he comes through the door still smelling of horse and pine, already halfway through calling your name, and stops.
You're on the floor by the kitchen table. Knees up. Face wrecked. You hear his gear hit the ground.
"Hey, hey, hey-" He's down on his knees in front of you, his hands finding your face, tilting it up, his thumbs already moving through the mess on your cheeks. "You hurt? Sweetheart, look at me. Are you hurt?"
You shake your head, and you watch the fear in him change shape. Because he knows... Of course he knows. There's only one thing left in this whole peaceful, honey-colored life that puts you on the floor.
He gathers you into his chest. "I got you," he murmurs into your hair. "I'm here. Let it come, darlin'. Let it come."
So you do. You cry, and he holds every second of it, rocking you slightly.
"I- I want a baby with you so bad, Tommy. I want it so bad and I can't- my body won't⌠I broke it, Tommy, I broke it before we ever got here, all those years, I did this-"
"Hey. No." His hand comes up, tilts your chin, and his eyes find yours. "You didn't break nothin'. Your body carried you through hell so you could be here with me."
"âŚwhy, Tommy? Why won't it happen? Am I too old now?"
The thing you don't see, because your face is buried against him, is Tommy Miller looking up at the ceiling of the house he built, jaw locked, blinking hard. Because he wants it too. God, he wants it, since he watched sunlight worship your bare skin for the first time in your kitchen, and understood what forever meant. He has names picked out he's never said aloud. He's caught himself, on patrol, memorizing which meadows would be good for teaching a kid to ride.
But you're on the floor, and he learned a long time ago that the two of you don't get to fall apart at the same time. So he does what he's always does: He takes his part of the weight, and then he takes yours too.
"I don't know, darlin'," he says, and his voice only shakes a little. "I don't know why. But I know thisâŚ" he presses his lips to your temple, lingering, "we ain't done. You hear me? Whatever shape our family's supposed to take, whenever it decides to show up⌠there ain't a single version of my life that would choose otherwise."
You breathe him in. Horse and pine and tobacco and Tommy. And let his heartbeat and his smell flood you.
He lifts you both off the ground, one arm around your waist, walking you to the couch.
He lands first and pulls you down into him, arranging you against his chest with the ease of who's done it a thousand times, in a hundred worse places. Your legs tangle with his. His hand starts moving through your body, slow and caring.
"Talk to me," you murmur against his shirt, because you need his voice. "How was the day?"
"Oh, thrillin'." His chest rumbles under your ear. "Big ol' tree came down across the north trail." He tips his head back against the cushion. "Took me, Jesse, and two chainsaws the better part of the afternoon. And you'll be pleased to know Jesse spent the whole time explainin' why his cutting angle was superior, until he screwed one of the chainsaws by doing it wrong. I had to spend the whole way back mocking his so-called superior angles."
A small laugh escapes you.
âCome on, Tommy. Heâs just a teenager. I donât know why you keep pulling him to patrols or to this type or work.â
âHey, Iâm doing as his parents asked. He is too strong for intern work. And heâs almost eighteen, anyway. Besides⌠someone needs to make sure that boy stays humble.â
You laugh again.
"Your turn," he says into your hair.
You groan. "The Hendersons and the Ortegas are both claiming Biscuit."
"Biscuit?"
"Yes. The dog. Biscuit."
"We're runnin' a whole town," he says slowly, savoring it, "in the apocalypse. And the crisis of the week is custody of Biscuit?"
âPrecisely.â
He laughs. Small problems belonging to people lucky enough to have small problems.
The quiet settles. He finds your left hand, laces his fingers through what's still remaining there.
"Hey. Look at me a sec."
You tilt your head up. The dim light is doing unfair things to his face, the grey coming in at his temples and his goatee now, the lines around his eyes that Jackson carved gently, and those eyes themselves, still sweet, still looking at you like you're the only thing in the world.
"I need you to hear somethin'," he says. His thumb traces your knuckles. "If it's you and me and a houseful of kids⌠I'm the happiest man on this earth. And if it's just you and me, gettin' old and grumpy on this couch, arguin' about dogs named Cracker-â
âBiscuit.â
â-Biscuit, till we're ninety⌠Then I'm still the happiest man left on this earth."
He kisses you, unhurried, deep, his hand sliding along your jaw. His lips warm and sure against yours, tasting faintly of the cigar he smoked maybe minutes before arriving. His tongue brushes yours with gentle insistence, like heâs pouring every promise into it. You melt into the steady rhythm of it, letting the sadness and the gratitude tangle together in your chest.
You shift, climbing into his lap, and his hands settle at your hips, steadying you.
"Well, hey there," he murmurs against your mouth, grinning.
"Hi," you whisper back.
What was tender and soft and romantic suddenly turns electric, hot, and urgent. He looks into your eyes, then down at your lips, then back to your eyes again. Youâre hypnotized by the freckles across his nose in this light, the way they stand out against his skin like stars youâve memorized a thousand times.
âLet me make you comfortable, ok?â he says, voice low and rough with want.
He takes your shirt and bra off. His mouth finds your breasts, kissing them deeply, eagerly, lips and tongue and the soft scrape of stubble that makes you shiver. He sucks one nipple into his mouth while his hips roll up, pinning you against the hard line of his cock still trapped in his jeans. His hands grip your waist, pulling you down. You thread your fingers into his long curls and grip tight, a soft moan slipping out as pleasure sparks through the ache in your chest.
You stand just long enough to push your trousers and underwear down your legs. He frees himself from his jeans and underwear in the same breath. You climb back into his lap with no ceremony, sinking down onto him in one smooth, desperate motion.
You move up and down on him, slow at first, savoring the stretch, the fullness, the way he fills every empty place inside you. He meets your hips halfway, thrusting up with deep, steady rolls that make you gasp. You push your torso back, bracing your hands on his thighs, and both of you stare at where youâre joined. The wet, obscene glide of him driving into you to the hilt and pulling back.
You close your eyes, lost in it, but his voice brings you back.
âNo, no, look at it, darlinâ. Look how good it is. Look how perfect you take me.â
You keep moving together, the rhythm building, tender and hungry at once, the sadness and joy and love all tangled up in every breath and moan.
When youâre both close, trembling on the edge, you lean forward and wrap your arms around each other, holding tight. Your foreheads press together, eyes locked, and you come together as you have learned to sync without words over the years, his hips stuttering deep inside you, your walls pulsing around him as pleasure crashes through you both in long, shared waves.
Afterwards you lie tangled on the couch, your ear over his heart, his fingers drawing lazy shapes on your bare shoulder until sleep comes.
---
Morning comes and the sadness is still there.
So you do shower. Coffee. Plan the day.
You narrate your schedule to Tommy over breakfast. The water filtration, the Biscuit dispute, a preventive maintenance meeting for the Dam at noon.
"-and Rebecca wants to go over supplies before Friday, so I should probably-"
"Darlin',"
"-get to the warehouse early, because if I let fucking Earl start talking about the ledger first we'll be there till-"
"Darlin'."
You stop. He's leaning against the counter, coffee in hand, watching you. He doesn't say you're pretending, he knows youâre just filling the room with noise to avoid breaking down again.
"âŚI'm fine," you try anyway.
Tommy sets his mug down. Takes your face in both hands and studies you .
"Here's what I'm thinkin'," he says. "The community will survive one day without you. Earl and his pipes will survive. Biscuit will survive." His thumbs stroke your cheekbones. "Come on patrol with me."
You blink. "What?"
"Patrol. Me, you, two horses, the east area." He says it easy, but you can see the care underneath, the way he's been planning this since sometime around dawn. "Weather's nice. Ain't been more than a couple stray runners in months. It's about as safe out there as out there gets."
"TommyâŚ" Your hand finds the counter. "I haven't been outside the wall since-"
"I know.â There is no accusation on this voice - He's the reason, after all.
He preferred you safe taking care of the town, not having to face any trauma again, not quite trusting you to not get bitten⌠again. He kept convincing himself, you, everyone, that youâd be more useful inside. And you let him. Laying the armor down for good, learning to be a normal person with a clipboard, saving the hero hands for the days Jackson genuinely needs them, and letting the rest of you be ordinary.
"I just think it will be good for you to spend a few hours outside. And for me. To be on a horse with my wife, in the sunshine, far away from every folder and task in this town." He tucks the loose strand behind your ear. "Sometimes the walls keep things out, darlin'. And sometimes they just keep too many things in. Come see some woods with me."
You look at him for a long moment.
"âŚOkay," you say. "Okay, cowboy. Take me outside."
A cute boyish grin breaks across his face.
---
The east loop takes you up through the aspens in the morning light, the Tetons standing along the horizon beautifully. Your mare Wendy, because Tommy named her just after Bruce Springsteen song, of course he did - moves easy under you, and somewhere in the first mile your body remembers this: the rhythm, the cold clean air, the particular silence of a world with no walls in it. Tommy rides half a length back the whole way, and every time you glance over your shoulder he's already looking at you.
"Eyes on the road, Miller."
"Road's borin'," he calls back. "View's better over here."
You cross paths with exactly three infected. Distant stragglers, slow and half-rotted, drifting through a creek bed far below the trail. You donât fear them. Maybe the distance helps, maybe ten years help. Maybe trusting Tommy blindly to protect you if needed helps too.
"Well, look at that," he says softly.
He dismounts, unbuckles the long rifle from his saddle, the scoped one, the one he cares about like a third member of the marriage, and holds it out to you with both hands. "Been meanin' to teach you this one proper. FEDRA never gave you anythin' with reach." He grins. "Figured my best student deserves good classes."
You take the rifle. It's heavier than anything you carried in Boston. He steps around behind you as you raise it. And this, it turns out, was the entire plan, because "teaching" apparently requires Tommy Miller pressed all along your back, his boots bracketing yours, his arms coming around you to adjust your grip with a thoroughness the task does not strictly demand.
"Feet apart," he murmurs, and nudges your leg with his knee. "There. Stock tight into the shoulder.â His hands slide down your arms, slow, correcting angles. âNo. tight, darlin'." His mouth arriving at your ear and breath hot against your skin. "Cheek to the stock. Easy. Yeah⌠Just like that."
âJesus, Tommy. I hope Iâm your only student.â you say, breathless but not because of the rifle or the infected.
âNah, I teach Jesse too.â
"Oh my. Is this how you taught Jesse? No wonder the boy likes you so much." You giggle.
"Ha-ha. Funny girl. Jesse got the far less romantic version." His stubble grazes your jaw as he leans in even closer, lips brushing the shell of your ear. "Now. Breathe in⌠let half of it go⌠and squeeze slow. Don't pull. Squeeze. Like you're-"
"Tommy. Miller. If you finish that sentence I will miss on purpose." You say, despite the heat he is causing to your core.
His laugh rumbles straight through your spine and into your ribs. "Yes, ma'am."
You breathe. You squeeze. The first infected far away falls to the ground.
"Well, God damn," Tommy drawls, reverent, his arms still wrapped around you.
"Again."
"Sure, go ahead."
You prepare again, but you miss the next shot, following by one that doesnât quite kill the second creature.
âHey, take it easy. Breathe and try again.â He says still holding you from behind with his chin hooked over your shoulder.
You kill it in the next shot.
âThatâs it.â He whispers again in your ear, definitely not using a professional teacher tone. âGood girl. Doinâ so good, sweetheart-â
âTommy.â
âWhat?â He sounds far too innocent for a man whose hips are pressed firmly against your ass.
You shake your head. âOh my God. Youâre insufferable.â
âYou mean irresistible?â
You exhale a long huff. âYeah⌠that too, to be fair.â
You aim and the last one is down with a clean shot.
Tommy lets out a low, proud whistle, finally stepping back but keeping one hand on your waist. âDamn, darlinâ. Youâre not rusty at all. Still got that steady hand and those sharp eyes.â His grin is wide and crooked, eyes shining with open admiration. âMy wifeâs a natural.â
He takes the rifle from you gently, slings it back over his shoulder, and presses one last kiss to the side of your neck before stepping away completely. You both mount the horses again, the warmth of him still lingering against your back.
"One more stop," he says. "Best part."
---
The lookout sits at the top of the ridge, a cozy wooden building, and beyond it a view that stops the breath in your chest: the whole valley laid out gold and green, the river a bright thread, Jackson's rooftops small and safe in the distance. Everything you run. Everything you help to built.
"Oh, Tommy!"
"Told ya." He comes to stand behind you, arms folding around your middle, and for a while neither of you says anything at all. For a while neither of you says anything at all, just breathing together in the quiet beauty of it.
"Second best view in Wyoming," he murmurs eventually. "âŚNumber one is when Iâm between your-"
âTommy!â
âWhat?â He sounds far too pleased with himself.
"You had to ruin it. The romantic moment."
"Itâs true." He laughs, proud and warm.
Inside the place, thereâs a long wooden counter, and a battered logbook on it. Patrol protocol, every pass recorded: date, names, anything sighted.
Tommy flips it open and writes, narrating aloud his notes.
"Sept 1st. East loop clear. Three infected sighted at the creek. Neutralized at distance by a real pretty girl with a rifle. I think I'm in love."
And signs it: Mr. Miller & Mrs. Miller.
"Tommy," You grab for the pencil; he holds it above his head like the tallest twelve-year-old alive. "That is an official document!"
"Give me-" You get the logbook instead, flipping back through the pages to assess the damage, and the damage, it turns out, is extensive. Years of Jackson patrol history, and threaded all through the legitimate entries, in that unmistakable handwriting:
"Aug 14th. North ridge clear. Eugene claims he saw a bear. Eugene also claims his tomatoes are tomatoes. Nothing sighted. â T.M. / E.L."
Below it, in Eugene's cramped scrawl: "The bear was real. So my tomatoes. â E.L."
"Aug 2nd. All clear. Jesse fell in the creek. Recommend council to add swimming lessons to patrol training. Jesse votes no. â T.M. / J.Y."
You flip it further.
"Apr 30th. Sighted: one moose, majestic. One Eugene, less so. Both allowed to pass. â T.M. / E.L."
"Feb 21st. Cold as fuck. Zero infected. Even they got better sense than to be out here. â T.M. / K.G. "
You look up from the logbook. He's leaning against the counter, arms crossed, absolutely delighted with himself, silver at his temples but not one single ounce of shame anywhere on his face.
"Tommy. This is a safety record. People's lives depend on this book. It is not a place for jokes."
"Now, see, I disagree." He pushes off the counter and comes over, tapping the page. "Anybody can write 'all clear.' But some poor soul's gonna be sittin' up here alone on a night watch someday, cold and scared, and they're gonna flip through this book, and they're gonna laugh." He shrugs. "Way I see it, that's a safety feature. For mental health."
You stare at him. The scolding dies somewhere on the way up, ruined by the smile fighting through it.
"Gosh. You're impossible."
He plucks the pen back, adds one more line beneath today's entry, and turns the book so you can read it:
"P.S. Pretty girl scolded me. From now on, logbook will be just for serious notes."
You shake your head slowly, hopelessly, and take the pen from his hand. Beneath his line, in your own careful writing, you add:
"Youâre welcome, guys. â Mrs. Miller."
He grins like he just won the whole valley. Outside, the sun is starting its slow slide toward the Tetons, and neither of you moves to leave just yet.
Tommy watches you for a long moment, his expression softening. âCâmere, darlinâ. My wife deserves to relax. Youâve been too tense lately⌠carryinâ the whole town on your shoulders and blaminâ yourself for things that ainât your fault.â He pulls the old couch closer to the big window, positioning it right in front of the sweeping view. âSit.â
You raise an eyebrow but sit anyway. Tommy drops to the floor in front of you, kneeling between your legs. He takes your boots off one by one, slow and careful, then wraps his big, warm hands around your foot and starts massaging it with firm, soothing strokes.
You let out a soft sigh, leaning back. âI didnât know this route came with special spa treatment.â
âOnly Jacksonâs prettiest girl is entitled to it,â he says, voice low and warm, thumbs pressing into the arch of your foot.
You laugh, the sound light and easy in the quiet lookout. Tommy smiles up at you, eyes crinkling, and keeps working, his hands moving from your feet to your calves, caressing slowly up your legs. The touches grow longer, warmer, more intentional. His palms slide higher, thumbs brushing the inside of your thighs.
When his fingers reach the button of your pants, you protest softly. âTommyâŚâ
He looks up at you, gaze steady and full of love. âLet me take care of you, sweetheart. I just want my wife to feel good. To relax. Nothinâ else. Let me make you feel good.â
You hesitate for a second, then nod. He peels your pants and underwear down your legs, kissing every inch of skin he uncovers. Once theyâre off, he gently pulls you to the very edge of the couch by your ass, spreading your thighs wide for him. Youâre completely open, bare to his hungry eyes and the golden light pouring through the window.
Tommy glances out at the valley for a moment. âSecond best view in Wyoming,â he murmurs, voice thick. Then back to your pussy, a slow, appreciative grin spreading across his face. âNumber one is right here.â
You grab a cushion and hit him with it, laughing.
âI meant it,â he says, completely unashamed.
Before you can answer, he dives in. His mouth is hot and eager, tongue licking a broad, slow stripe up your folds before sealing around your clit. He eats you whole. messy, devoted, groaning against your skin like heâs the one being spoiled. Two thick fingers slide into you, curling just right as he sucks and laps, praising you between breaths.
âFuck, darlinâ, this wet already?â he murmurs, voice vibrating against you. âBeen cuttinâ off all my flirtinâ all day⌠and this whole time youâve been this soaked for me?â
You moan, fingers threading into his curls, hips rolling against his mouth as he works you with relentless tenderness and hunger. He doesnât stop. Tongue, lips, fingers, all of it focused on making you feel good, completely lost in you and the view he loves most.
You look at the golden valley stretching out forever, and then back down at him. Truth is, you can barely focus on the landscape in front of you. Youâre mesmerized by Tommyâs face between your legs, his mustache slick and glistening with you, those dark curls catching the sunlight. You donât say it out loud, but he is your number one view in Wyoming too.
Your thighs start trembling around his head, your whole body going boneless as the first orgasm crashes through you. You cry out his name, fingers tightening in his hair, hips jerking against his mouth. But Tommy doesnât stop. He keeps licking, slower now, gentler, but still relentless, his fingers curling steadily inside you.
âTommy-fuck-too much,â you protest, oversensitive and shaking, trying to squirm away.
He hums against you, the vibration pulling another helpless moan from your throat. âJust one more, darlinâ. Let me have it.â He slows down but doesnât pull away, tongue soft and coaxing, fingers stroking that perfect spot until another orgasm piles up impossibly fast and good. It hits you harder than the first, ripping through you in long, shuddering waves that leave you gasping and limp. You close your legs around his head automatically, locking him there, for some seconds.
You feell you whole body relax and your muscles loose. Only then does he ease off, pressing one last soft kiss to your inner thigh before rising. Youâre still dizzy, legs trembling, when he gently pulls you off the couch. He turns you toward the big window, guiding your hands to rest flat against the cool glass.
âStay right there,â he murmurs, voice rough with need.
You hear the sound of his zipper opening behind you. Before he can step in, you turn around, knees hitting the wooden floor. You look up at him, eyes heavy with want, silently asking for his cock.
Tommyâs head tilts, a slow, heated grin spreading across his face. âIs that so?â
You nod, biting your lip.
He threads his fingers gently into your hair, holding you just right. âGood girl.â He guides his thick cock to your lips and sinks in slowly, feeding you every inch until heâs buried deep in your throat. You suck him eagerly, hollowing your cheeks, tongue swirling along the underside as you look up at him through wet lashes. The stretch makes you gag softly around his length, drool slipping from the corners of your mouth, but you donât pull back. You take him deeper, delighted by how deliciously big he feels, how perfectly he fills your mouth.
Tommy groans low, eyes dark with pleasure. âThatâs it, darlinâ⌠so good for me. Look at you, takinâ me so pretty.â
He drives into your mouth with long, steady, dragging strokes; deep and controlled, letting you feel every thick inch sliding over your tongue and into your throat. You gag again, eyes watering, but you keep sucking him with devotion, moaning around his cock as you watch his face. His thumb strokes your cheek tenderly even as his hips keep that slow, relentless rhythm.
After several deep, dragging strokes, he pulls out with a shaky breath, his cock glistening with your spit. His voice drops, low and bossy:
âHands back on the glass, legs spread.â
You obey instantly, turning again and bracing yourself against the window, spreading your legs for him. The valley stretches out in front of you, endless and beautiful, while Tommy steps in close behind, hands settling on your hips.
With one smooth thrust he sinks all the way inside you, burying himself to the hilt in one deep stroke. You both moan at the same time, the sound mixing with the quiet of the lookout. He starts moving, slow and powerful, each thrust pushing you forward against the cool glass.
You arch your back completely for him, pushing your ass back and curving your spine, offering yourself fully. Your hands tremble against the window as pleasure sparks through every nerve.
Tommy groans low, one hand caressing your ass cheek, squeezing the soft flesh appreciatively. âFuck, darlinââŚâ His other hand slides to the small of your back, pressing gently to deepen the arch, while the hand on your hip pulls you back into every thrust.
He leans over you, lips brushing your shoulder, voice tender even as he fucks you deep and steady. âYou enjoyinâ the view?â
You can barely answer, a broken moan slipping out instead. The sight of the golden valley blurring in front of you, combined with the feeling of him moving inside you, is almost too much.
You manage a shaky âuh-huh,â.
Tommyâs thrusts grow quicker, deeper, the sound of skin meeting skin filling the space. You find your voice again, breathless and teasing.
âYou? Enjoyinâ the view, cowboy?â
He laughs, low and rough, and shakes his head. His hands leaves your hip to spread your ass cheeks, his eyes dropping to watch the way his thick cock drives in and out of your soaked pussy, lingering on the tight ring just above.
âHell yeah, Iâm lovinâ this view,â he groans.
You clench hard around him at his words. Tommy feels it immediately.
âAlready cumming again?â he asks, surprised and delighted.
âYes, fuck, yes, Iâm.. so close, Tommy,â you whimper, pushing back against him desperately.
âDonât say it like that, darlinâ⌠Iâm close too,â he rasps, slowing his thrusts in an attempt to hold back.
âNo, donât slow itâŚkeep going, please,â you beg, voice trembling. âIâm so close, cowboy.â
The plea breaks him. âYou ask like that⌠I canât hold no more-â
âDonât,â you gasp. âCome with me.â
Tommy groans deeply and gives in, fucking you harder, faster, both of you chasing the edge together. Pleasure crashes over you at the same time, your walls pulsing tight around him as you cry out, his cock throbbing as he spills deep inside you with a broken moan of your name. You collapse forward against the cool glass, still connected, breathing hard together while the aftershocks roll through both of you.
He presses a soft kiss to the back of your head, lips lingering there.
âI love you,â you whisper, voice hoarse and full of everything you feel for him.
âI love you more,â he murmurs against your hair, arms wrapping around you from behind.
You stay like that for a long moment, breathing together, his cock still buried inside you, the golden valley glowing in front of you. Then Tommy chuckles softly against your neck.
âShould I report this in the log-â
You snap your head toward him, eyes wide with playful outrage. âTommy!â
---
Two months later
October brought the cold weather and the sun clocking out earlier and earlier every day. And your body, apparently, have decided to hibernate.
"Well, look at this," comes the drawl from above you. "Sleepin' Beauty herself."
You crack one eye open. Tommy is standing at the edge of the bed, fully dressed, jacket on, rifle slung, smelling like coffee and looking down at the blanket cocoon.
"Time is it," you mumble.
"Time is late, ma'am." He sits on the edge of the mattress, and the tilt of it rolls you helplessly toward him, which was obviously the plan. "Third mornin' this week I'm leavin' while you're still in bed like a hibernatin' bear. You gettin' lazy? Sleepy little thing lately." He brushes the hair off your face, tucking it back with gentle fingers. "Should I be worried? Should I alert the council? 'Jackson leadership compromised by mattress.'"
"The paperwork can wait." You burrow deeper, unrepentant. "What's the benefit of being Jackson's big boss if I can't set my own schedule?"
Tommy's eyebrows climb. "Big boss, huh." He leans down. "Funny. I coulda swore this was a democratic commune. Council-run. No big bosses. I've heard the speech, darlin'⌠hell, I've heard you give the speech."
You lift one hand out of the blankets, press a single finger to your lips.
"Shhh. That's just what I tell people. To look nicer. Deep down Iâm still a mean controlling bitch."
The laugh comes out of him whole, head back, shoulders shaking, the real one, and he drops down to kiss you through it, grinning against your mouth. "God, I married a tyrant," he murmurs, delighted. "A sleepy tyrant." He kisses you again, slower this time, one hand cradling your jaw, and pulls back only far enough to look at you. "Alright. East loop with Jesse. Back soon."
"Take care," you say. the same two words, every time, the old ritual neither of you has ever once skipped.
"Always do, darlin'."
His boots on the stairs. The front door. The quiet.
You lie there in the warm dark of the blankets and take a lazy inventory of yourself, because he's not entirely wrong. You have been sleepy. Bone-deep, for a couple of weeks now. But it's October. The sun sets early. The cold makes everything heavier. Bears have the right idea, that's all. It's the season. It's the weather. It's-
The nausea arrives with no introduction whatsoever. The next second your whole body sits up without consulting you, stomach rolling, and you're out of the blankets and across the cold floor and on your knees in the bathroom with just barely enough time to lift the lid.
You're vomit until there's nothing left, forehead finally coming to rest on your arm, breath ragged.
"Okay," you tell the toilet, hoarse. "Okay. That's new."
You stay sitting on the bathroom floor, back against the tub.
"Tommy?" you call out, before your brain catches up with the clock. He's half a mile gone by now, riding east with Jesse, and you're alone on the bathroom floor with a thought you are absolutely not going to have.
You are not going to have it.
It's the stew. That's what it is. Last night's stew sat out too long, or the venison turned. You bet half Jackson is sick this morning, complains piling to the council, you'll walk into the dining hall later in the week and it'll be a whole thing, the great October stew incident, Tommy will write it in a logbook somewhere-
Your body gets up before the thought finishes. Your body just stood, walked you to the cabinet below the sink, and opened it.
Your hand goes past the razors. Past the aspirin, the bandages, past a bunch of things. All the way to the back corner, where your fingers fumble and then close around a small paper-wrapped bundle you hid from yourself years ago.
Pregnancy tests. Long, long overdue. Three of them. Back when hoping was a thing you did on purpose. And then hidden, after the doctor's kind honest diagnosis, after the months turned into years, because throwing them away would hurt as much as looking at then. So: the back corner. Out of sight.
You stand there holding it, and your hands are shaking, and you hate it.
"It's food poisoning," you inform your reflection in the mirror. âThat's all this is."
You take the test.
And then comes the wait. And God, the wait. Three minutes, the faded box says. Three minutes.
You do not make it thirty seconds before you're pacing.
Bathroom door to window. Window to bathroom door. You count seconds. You build the case against hope, brick by brick, out loud, to the room: it's nothing. It's the stew. It's the cold. And even if⌠even if⌠you'd know, wouldn't you? Except you wouldn't, and that's the worst brick of all, the one your mind keeps picking up and turning over: the last time, you felt nothing. Not one symptom. Not one whisper from your own body before the miscarriage took even the knowledge away. So it stands to reason. Feeling something now, feeling sick, feeling wrecked, means it's precisely nothing. Bad food behaves loudly. That's all this is. You will not be disappointed again. You have done disappointed. You have done it so many times, and you are not signing up for the advanced course, not over one bad stew.
Pacing. Counting. It has been, according to every cell in your body, several hours. It has been, actually, just long three minutes.
You stop in the bathroom doorway. You look at the little strip lying on the edge of the sink where you left it face-up.
Two lines.
Your brain runs the math first, looks for the error, checks the box against the strip against the box again. Expired, surely, false, surely, faded, surely. And the two lines just go on sitting there anyway, clear and pink.
The test slips out of your fingers and falls against the tile, and you don't pick it up. You slide down the doorframe until you're sitting on the bathroom floor for the second time this morning, both hands over your mouth, and the sound that comes out from behind them isn't quite a laugh and isn't quite a sob, and you can't believe it. You cannot. You cannot.
You do the second test.
Two lines.
You sit on the floor of the house, and you cry until the light moves across the floor.
---
Tommy knows something's wrong before his second boot is off.
The house is never this quiet when you're home. A kettle, the music, you narrating some beef with Earl to no one, and instead there's just silence, and his heart is already climbing his throat as he takes the stairs two at a time with his jacket half off.
"Darlin'?"
He finds you on the edge of the bed, face wrecked and shining. He's just there, kneeling in front of you, hands finding your face, thumbs already moving.
"Hey, hey, I'm here. What happened?" His eyes do the old arithmetic, hands, arms, body, door, window. "Sweetheart, talk to me. Are you hurt? Did somebody-"
You shake your head. You open your mouth. Nothing comes out. You've been trying to build this sentence for seven hours, you built forty versions of it, funny ones and gentle ones and one where you cooked his favorite dinner first, and now he's here smelling of horse and woods with his scared, sweet eyes, and every version has disappeared.
"Breathe," he says, softer, though he's not doing much of it himself. "You're scarin' me a little, darlin'. Whatever it is, we-"
Your hand is already moving. You open your fingers, and press it into his palm, and fold his hand around it.
Tommy looks down.
You watch it happen. You will keep this. You know it even as it's happening, and you will keep the next ten seconds of Tommy Miller's face for the rest of your life. The confusion. The focus. The stillness. The delight at the realization. You make sure this moment is etched in your memory forever in every rich detail.
His eyes going from the two lines to your face, back to the lines, back to your face, wide and dark and filling.
"Is this-" His voice comes out wrecked on the first try. He clears it and it doesn't help. "Darlin'. Is this what- are you- are we-"
" I took it twice," you whisper, and your face is crumpling all over again. "Tommy. Two lines. Both times. I'm⌠we're-"
You don't get to finish, because Tommy Miller makes a sound you have never heard from him. Something between a laugh and a sob, cracked wide open, and surges up off his knees and wraps you completely, arms round you, lifting you clean off the edge of the bed and into him, one hand cradling the back of your head.
"Oh my God," into your hair. "Oh my God, sweetheart-" He pulls back just far enough to take your face in both hands, and he's crying, openly, gorgeously, grinning through it like the sun coming up over the Tetons. "A baby. We're- you're⌠there's a baby-" His forehead drops to yours. "I love you. God, I love you, I love you, do you hear me-"
"I couldn't believe it," you're babbling into the inch between your mouths, laughing and sobbing in the same breath.
He pulls back. Looks down between you. He kneels again and presses gently one broad, rough palm flat against your stomach, barely touching, reverent.
"Hey in there," he says, hoarse, in that same drawl that has been undoing you since the first day you met. "It's your daddy."
And that's the end of you. The tears fall mercilessly. You wrap yourself around him and he wraps himself around you, and the two of you stand there swaying, crying, laughing.
----
I SWEAR i sat to write Show me how bad you can hurt me. But I need a baby with dark curls and freckles so bad. When I realized, it was too late, I was sat for 9h straight writing this.
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